100 books like Lenin's Tomb

If you would like to try and understand the Soviet and post-Soviet psyche, these first-hand, verbatim interviews from 1991-2012, by Svetlana Alexievich, the Belarusian Nobel Laureate, question and discuss what it means and meant to be a Soviet. With a wide selection of individual testimonies from different backgrounds of the Soviet Union, from ordinary folk to officials, prisoners, relatives of those who were murdered, the executioners, the book also investigates how they coped when the Soviet Union broke down. Written from transcribed, spoken recordings, these documentary / reportage texts get to the heart of the matter—often that there is a gaping vacancy in the place of what one had previously believed in, from one's earliest of days, even before becoming a red-scarfed Pioneer. When one's whole philosophical fabric has been torn down, how do you exist? How do you cope and make sense of the world? What really is so… show more.

Alex Halberstadt’s paternal grandfather was the last living bodyguard for Josef Stalin. His maternal grandparents were Lithuanian Jews who watched firsthand as their world caught fire in the Holocaust. And Alex, who grew up in Moscow but moved to New York as a teenager, is now an out gay American man. From this mad tapestry of personal history, Halberstadt weaves an incredibly moving story of identity, family, and inherited trauma.

Stephan Orth has a lot of nerve. The author of Couchsurfing in Iran, he decides to take his talents to Russia, stopping in places no tourist would dare to go and getting to know actual Russian people. And then he writes a funny, insightful, mind-bendingly entertaining book about them. Who does this guy think he is? Do yourself a favor: Read his book and find out. Stephan is a fabulous tour guide of the real Russia and its people.

While sipping cocktails in a New York City bar in the late 1940s, John Steinbeck and the famed war photographer Robert Capa began musing about Russia. “What do the people wear there? What do they serve at dinner? Do they have parties?... How do they make love, and how do they die?” Though gallons of ink were routinely spilled in newspaper stories about the political situation there, no one covered the private lives of the Russian people, which is what these two great artists wanted to know about. So, they decided to find out for themselves. They detail the fruits of their fascinating and frequently madcap journey in A Russian Journal.

Stalin’s secret police was responsible for both foreign espionage and domestic repression. Until recently its domestic operations were a black box. This book unlocks the box.

It shows how and why quotas for executions arose, how the “productivity” (arrests and executions in a period of time) of secret police officers could rise and fall by an order of magnitude over a year or so, and why it made sense to detain or kill people in very large numbers “just in case.” The book’s patient investigations and logical deductions provide a contrast to the miserable fates of the human victims.

This is the other book I kept by my bedside during my three years as head of an academic department.

Every year (until 1937), Stalin took a long working holiday by the Black Sea. His secret line of communication with his subordinates in Moscow relied on daily handwritten letters and couriers. The letters were preserved and are translated and edited in this book. The collection taught me how a suspicious boss micromanages his subordinates and keeps close those he trusts least.

Stalin habitually complained that they overloaded him with trivia, but then complained and corrected them if they showed the smallest initiative. I learned a lot about how Stalin saw his enemies, and I was introduced to the concept of the “unconscious” enemy. For myself, I learned that trust is essential to effective delegation.

No book exposed the horrors of Josef Stalin’s purges more graphically and with greater power than Robert Conquest’s epic, The Great Terror. The book chronicled how a paranoid Stalin, convinced his power was threatened by his rival Leon Trotsky and his allies, unleashed a wave of terror by his country’s NKVD—a forerunner of the KGB--  that decimated the Soviet leadership and its military with millions of Russians executed or marched to Siberian prison camps. While Stalin’s henchmen staged mock “trials” in Moscow, marked by phony confessions, extracted by torture, liberal apologists in the West sought to justify Stalin’s lunatic crackdown. I read this book in college and it has stayed with me for years-- providing an eye-opening lesson in the willingness of those of all political stripes to turn a blind eye to the evils of totalitarianism.

This is the best (to be fair, the only) English-language novel about how the Soviet economy was supposed to work and how it actually worked in the 1950s and 1960s. (The author says it is “not a novel” but a Russian fairytale.)

I was reluctant to read it, and expected to find fault with it, but I found it both moving and utterly convincing. It has all the ingredients of a war story: the various characters are trying to survive, to find love, to protect their families, to serve the nation, or to better humanity, while being ground between the wheels of great-power politics and everyday existence.

The book’s only omission (I learned later, after years of research) is that it does not account sufficiently for the role of the secret police in Soviet-era workplace surveillance and the selection of managers.

Soviet satire is often overlooked or dismissed as purely propaganda. John Etty offers a refreshingly updated look at a key Soviet publication and provides the casual reader with an introduction to the colorful and humorous content in the USSR’s premier satirical journal. He explores how content was created, revealing a collaborative process that could involve everyone from the head of the party to everyday readers. While there was oversight and interference from state censors and political authorities, and self-censorship in the 1930s due to repression, Etty reveals that editors and creators had a great deal of creative freedom.

Etty also explores the Krokodil “Extended Universe”. In the 1920s, when there was a severe shortage of paper and many citizens were illiterate, Live Krokodil, a repertory company was organized in theatres, workers’ and Red Army clubs. Additionally, Krokodil published the Krokodil Library (Biblioteka Krokodila) which included cartoon compendiums and… show more.

In 1936, Russian composer Dmitri Shostakovich is spending every night in a hallway by the elevator, ready for the secret police he’s sure are coming for him. By the end of the novel, he’s publicly celebrated, but the requirements of government approval weigh as heavily on him as government threats. What, both Barnes and Shostakovich himself ask, might his music have been like under different circumstances? “The last questions of a man’s life do not come with any answers; that is their nature. They merely wail in the head, factory sirens in F sharp.” Barnes’s slim, swift novel offers no easy answers as it examines how moral compromise corrodes a life and deforms that life’s work.