100 books like Dispatches

I am not a historian but a journalist, and in writing the book I wanted to do what I have done in my political writing. Namely to cut through the lies, to bring accuracy to the distortions, and to point a finger at the politicians and pundits who would prefer that we wallowed in the phony nostalgia of our imagined past. Tackling fake history is like tackling fake news. You need not only to seek out the truth that lies underneath but also discover in whose interests myth-making works in the first place. That's why fighting fake history matters and that is why I wrote the book.

I'm an award-winning teacher and writer who introduces students and readers to war in a profession that today is at best indifferent to military history, and more often hostile. That gives me a wry sense of irony, as colleagues would rather teach about fashion than fascism and truffles over tragedy. Having written a multiple award-winning book that covered 2,000 years of war, frankly I was sickened by how the same mistakes were made over and again. It has made me devoted to exploring possibilities for humane behavior within the most inhumane and degraded moral environment humanity creates; where individuality is subsumed in collective violence and humanity is obscured as a faceless, merciless enemy.

Who hasn’t seen the classic American movies on the Vietnam War–Apocalypse Now, The Deer Hunter, or Platoon? They are fine films, but have you ever asked yourself where the Vietnamese are? Save for a few stereotyped cameo appearances, they are remarkably absent. I teach the history of the wars in Vietnam at the Université du Québec à Montréal. My students and I explore the French and the American sides in the wars for Vietnam, but one of the things that I’ve tried to do with them is weave the Vietnamese and their voices into our course; this list provides a window into those Vietnamese voices. 

I firmly live by the saying, “Where we are in life is a direct reflection of the choices we’ve made, or failed to make.” The theme of choice and consequence has not just been a way of living but the very trope in all my novels. The beauty in showing the process of making a choice, for my characters, in their stories, brings them to life. It forces the reader to step inside that decision tree, to analyze and predict the outcome despite the unknown. We are continuously propelled into the unknown and we make choices based on the notion of understanding what those choices will mean.

The Vietnam War was a life changing experience for those who fought it and lived through those times; one that will end only when the last one of them dies. Like so many wars, Vietnam will fade into the distant memory of history as a name, some dates, and a historian’s impersonal commentary. My preparation for that war, my infantry training at Fort Polk, and later as a paratrooper with the 82nd Airborne Division as well as my subsequent experience with friends returning from Vietnam have given me the unique ability to experience it through many different perspectives. My goal is to ensure the reader will experience as closely as possible the things they saw.

I’m a huge fan of paranormal and dark romance, and these books definitely check all my boxes. Great world-building, plots that engage, and in most cases, a heavy dollop of smut. They also explore the unexpected and take into account real-world concerns in a fashion where you can absolutely justify the decisions the main characters are making.

I am a Bangkok-based journalist from San Francisco, California, reporting news from Asia since 1978 and winner of Columbia University's Foreign Correspondent's Award. My work, including this book, has taken me to Tibet, India, Nepal, Laos, Vietnam, Afghanistan, Sri Lanka, New York, and elsewhere. Fragments of people and their distant voices are the behavior and quotes that inspire. Slices, starting at random moments and ending in bleak locations, fascinate and hypnotize. And transcribing handwritten notes, impressions, and exclusive interviews, create my RocknRolla lyrics.

I’m a poet, short story writer, novelist, essayist, and writing professor at New York University. I also have a fascination with altered states of consciousness, especially with mysticism, psychosis, and psychedelic art. (My book James Joyce’s Mandala examines all three.) My first novel, Claiming De Wayke, delves into those elements too, but with a particular focus on vivid first-person narration, so most of my recommendations involve books that are not only trippy in terms of plot and characterization but are also psychedelically inflected in their use of language itself. I hope you check some of them out.  

I am a Bangkok-based journalist from San Francisco, California, reporting news from Asia since 1978 and winner of Columbia University's Foreign Correspondent's Award. My work, including this book, has taken me to Tibet, India, Nepal, Laos, Vietnam, Afghanistan, Sri Lanka, New York, and elsewhere. Fragments of people and their distant voices are the behavior and quotes that inspire. Slices, starting at random moments and ending in bleak locations, fascinate and hypnotize. And transcribing handwritten notes, impressions, and exclusive interviews, create my RocknRolla lyrics.

I’ve devoted most of my life as a writer, historian, and teacher to understanding and connecting the events of the 20th century and their origins in the deep past. I believe World War I stands as one of the greatest human tragedies because the bloodiest events of the past century were directly caused by it. The tyrants Hitler and Stalin who thrived on mayhem and parasitized their societies were simply inconceivable without the destruction wrought by the Great War. I’m sometimes asked how I get up in the morning. I reply, ‘writing 20th-century history is a dirty job but some of us have gotta do it.’