Here are 100 books that Humanitarianism and the Greater War, 1914-24 fans have personally recommended if you like
Humanitarianism and the Greater War, 1914-24.
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I’m a historian and professor in Louisiana, in the southern United States. When I was an undergraduate in college (many years ago!), I embraced the opportunity to study diverse subjects, ranging from the natural sciences to the humanities. I became fascinated by medicine and health and their relationship to history, society, and international relations–and have remained fascinated ever since. These interests led me to study humanitarianism and its place in 20th-century US foreign relations and international history. Over the years, I have researched and written two books and more than 20 articles on these subjects, and I love sharing this history with readers and students alike.
This book opened my eyes to the long and fraught history of humanitarian interventions–that is, military operations conducted in the name of protecting people from harm and suffering.
In recent decades, we have witnessed fierce debates over the legitimacy of these activities (in places like Rwanda, the Balkans, Afghanistan, Iraq, and Syria). Yet, as this book persuasively shows, such concerns are nothing new. Across the nineteenth century, government leaders and citizens debated–and undertook–many so-called “wars for humanity.”
With examples stretching from the Middle East to Africa to the Americas, this book raises provocative and important ethical questions about humanitarianism and human rights, both historically and today.
In the Cause of Humanity is a major new history of the emergence of the theory and practice of humanitarian intervention during the nineteenth century when the question of whether, when and how the international community should react to violations of humanitarian norms and humanitarian crises first emerged as a key topic of controversy and debate. Fabian Klose investigates the emergence of legal debates on the protection of humanitarian norms by violent means, revealing how military intervention under the banner of humanitarianism became closely intertwined with imperial and colonial projects. Through case studies including the international fight against the slave…
I’m a historian and professor in Louisiana, in the southern United States. When I was an undergraduate in college (many years ago!), I embraced the opportunity to study diverse subjects, ranging from the natural sciences to the humanities. I became fascinated by medicine and health and their relationship to history, society, and international relations–and have remained fascinated ever since. These interests led me to study humanitarianism and its place in 20th-century US foreign relations and international history. Over the years, I have researched and written two books and more than 20 articles on these subjects, and I love sharing this history with readers and students alike.
The 1949 Geneva Conventions are often viewed as a progressive and self-evident response to the horrors of the Second World War, but this book shows that their development was a highly contested and deeply politicized process.
I greatly appreciated the depth and rigor of the author’s research. By examining archival sources from ten countries and in multiple languages, van Dijk shows that the drafters of this landmark development in international humanitarian law had competing priorities and interests. The decisions and compromises they made in the 1940s shaped the future of warfare in profound ways.
In addition to teaching me about history, this book helped me to understand the consequences for civilians caught in today’s global conflicts.
The 1949 Geneva Conventions are the most important rules for armed conflict ever formulated. To this day they continue to shape contemporary debates about regulating warfare, but their history is often misunderstood.
For most observers, the drafters behind these treaties were primarily motivated by liberal humanitarian principles and the shock of the atrocities of the Second World War. This book tells a different story, showing how the final text of the Conventions, far from being an unabashedly liberal blueprint, was the outcome of a series of political struggles among the drafters. It also concerned a great deal more than simply…
I’m a historian and professor in Louisiana, in the southern United States. When I was an undergraduate in college (many years ago!), I embraced the opportunity to study diverse subjects, ranging from the natural sciences to the humanities. I became fascinated by medicine and health and their relationship to history, society, and international relations–and have remained fascinated ever since. These interests led me to study humanitarianism and its place in 20th-century US foreign relations and international history. Over the years, I have researched and written two books and more than 20 articles on these subjects, and I love sharing this history with readers and students alike.
Even after Europe’s colonies became independent, this book reveals earlier political hierarchies were preserved through a surprising channel: the United Nations and its peacekeeping forces.
I loved this book for multiple reasons, but above all, because it shows how practices we consider “humanitarian,” in fact, perpetuated power imbalances between former empires and their former colonies. It also helped me to think about the United Nations and its global role in new ways. Perhaps most importantly, it changed my understanding of international peacekeeping, showing that its history was often more violent than the name might imply.
While focused on the decades after World War II, this book also helps readers understand the political challenges with global peacekeeping operations today.
This history of colonial legacies in UN peacekeeping operations from 1945-1971 reveals how United Nations peacekeeping staff reconfigured the functions of global governance and sites of diplomatic power in the post-war world. Despite peacekeeping operations being criticised for their colonial underpinnings, our understanding of the ways in which colonial actors and ideas influenced peacekeeping practices on the ground has been limited and imprecise. In this multi-archival history, Margot Tudor investigates the UN's formative armed missions and uncovers the officials that orchestrated a reinvention of colonial-era hierarchies for Global South populations on the front lines of post-colonial statehood. She demonstrates how…
I’m a historian and professor in Louisiana, in the southern United States. When I was an undergraduate in college (many years ago!), I embraced the opportunity to study diverse subjects, ranging from the natural sciences to the humanities. I became fascinated by medicine and health and their relationship to history, society, and international relations–and have remained fascinated ever since. These interests led me to study humanitarianism and its place in 20th-century US foreign relations and international history. Over the years, I have researched and written two books and more than 20 articles on these subjects, and I love sharing this history with readers and students alike.
Connecting the recent past with our contemporary moment, this book shows that humanitarian agendas have shaped the post-Cold War world in deeply unsettling ways.
I love this book because it brings together both academics and practitioners in a single volume, putting them into conversation with each other. All of the contributors are specialists in humanitarianism, but they approach this subject from very different angles and perspectives. Together, they raise provocative questions about humanitarian governance in the 21st century.
This book made me think deeply about the political and economic relationships involved in humanitarian activities. Above all, it invites us to learn from the less savory aspects of the history of humanitarianism in order to build a better humanitarian system in the future.
For many liberal commentators at the turn of the 1990s, the collapse of the Soviet Union represented a final victory for Western reason and capitalist democracy. But, in recent years, liberal norms and institutions associated with the post-Cold War moment have been challenged by a visceral and affective politics. Electorates have increasingly opted for a closing inwards of the nation-state, not just in the democratic heartlands of Europe and North America, but also on the periphery of the world economy. As the popular appeal of the 'open society' is thrown into question, it is necessary to revisit assumptions about the…
I’m a historian of modern Europe and France and have focused my research and writing on the First World War for almost 30 years now. The war remains the “original catastrophe” of the catastrophic 20th century and continues to shape our world in decisive ways here in the 21st century. I don’t think there are many topics that are of clearer and more urgent interest, and what fascinates me most is how every day, individual people experienced these colossal events, events that seemed only very personal and intimate to most of them at the time. It is with this in mind that I’ve chosen the books on my list.
Not as well known as Henri Barbusse’s great novel Under Fire (Le feu), Chevalier’s book should be on everyone’s shelf of works on the Great War. This aptly titled novel is very obviously based on Chevalier’s own experiences serving as a soldier at the front. The writing is haunting and evocative of the extreme trauma of combat, the miseries of life in the trenches, and the emotional responses of young soldiers to the broader society that sent them to war.
First published in 1930, Fear graphically describes the terrible experiences of soldiers during World War I. It tells the story of Jean Dartemont, a young man called up in 1915. He is not a rebel, but neither is he awed by hierarchical authority. After an exceedingly short training period, he refuses to follow his platoon and is sent to Artois and the trenches. With absolute realism, Gabriel Chevallier depicts what he experienced every day, for months: violence, blood, death, bodies ...
One day, he is wounded, evacuated and hospitalised. The nurses consider it their duty to stimulate the soldiers' fighting…
I am not a historian but a journalist, and in writing the book I wanted to do what I have done in my political writing. Namely to cut through the lies, to bring accuracy to the distortions, and to point a finger at the politicians and pundits who would prefer that we wallowed in the phony nostalgia of our imagined past. Tackling fake history is like tackling fake news. You need not only to seek out the truth that lies underneath but also discover in whose interests myth-making works in the first place. That's why fighting fake history matters and that is why I wrote the book.
Perhaps the finest and least well-known novel to come out of the First World War. Imagist poet Richard Aldington takes his own experiences of the home and Western Fronts and turns both barrels on the sanctimony of Edwardian society and its parade of sycophants, socialites, and fools. Unusually, it is a book by a poet that resists turning war into poetry. Unafraid to use realistically coarse military language, it divided the critics at the time and has divided readers ever since. It is a howl of rage that speaks across the century, a timeless reminder that there is no romance in the needless carnage of war.
One of the great World War I antiwar novels - honest, chilling, and brilliantly satirical
Based on the author's experiences on the Western Front, Richard Aldington's first novel, Death of a Hero, finally joins the ranks of Penguin Classics. Our hero is George Winterbourne, who enlists in the British Expeditionary Army during the Great War and gets sent to France. After a rash of casualties leads to his promotion through the ranks, he grows increasingly cynical about the war and disillusioned by the hypocrisies of British society. Aldington's writing about Britain's ignorance of the tribulations of its soldiers is among…
I’m a professor of history at the University of Nevada, Las Vegas where I teach and write about topics ranging from feminism to World War. I became interested in the history of the Armenian Genocide because my grandmother was a survivor. Other books I’ve written include: Women Making News: Gender and Journalism in Modern Britain; Smyrna’s Ashes: Humanitarianism, Genocide and the Birth of the Middle East and The British Empire and the Armenian Genocide.
I appreciated how Tanielian so sensitively and expertly
described the human tragedy of World War I in the Middle East.
She demonstrates
how the Ottoman homefront was affected by wartime politics, disease, and
ecological disaster. When you read this book, you will see the importance of the
civilian side of living through a global conflict. It really was a lived
experience that continues in the memory of those living in the region.
With the exception of a few targeted aerial bombardments of the city's port, Beirut and Mount Lebanon did not see direct combat in World War I. Yet civilian casualties in this part of the Ottoman Empire reached shocking heights, possibly numbering half a million people. No war, in its usual understanding, took place there, but Lebanon was incontestably war-stricken. As a food crisis escalated into famine, it was the bloodless incursion of starvation and the silent assault of fatal disease that defined everyday life.
The Charity of War tells how the Ottoman home front grappled with total war and how…
I am a professor who holds a Ph.D. in American history. I researched several archives in the United States and Paris, France to write this book and I am very proud of it. I was inspired to write this story mainly from listening to the friends of my parents, when I was younger, who went to war in Vietnam and came back broken yet committed to making the world a better place. The kindness they showed me belied the stories they shared of their harrowing experiences and I wanted to understand how this divergence happened in men that rarely spoke of their past.
Some may disagree with me, but I think this is Winter’s masterpiece. It is a book that charts the ways our remembrance of the war dead changed from the violence of the First World War to the Holocaust to the present. He looks at film, photographs, literature, and war memorials to show how our memories have become less vertical and more horizontal over time and how we have focused less and less on the faces of the dead and more and more on the names of the masses, such as one finds on Maya Lin’s Vietnam War Memorial in Washington, D.C. While all of Winter’s works are fantastic, this is his best.
What we know of war is always mediated knowledge and feeling. We need lenses to filter out some of its blinding, terrifying light. These lenses are not fixed; they change over time, and Jay Winter's panoramic history of war and memory offers an unprecedented study of transformations in our imaginings of war, from 1914 to the present. He reveals the ways in which different creative arts have framed our meditations on war, from painting and sculpture to photography, film and poetry, and ultimately to silence, as a language of memory in its own right. He shows how these highly mediated…
My entire life has revolved around the military. At seven years old, I decided that I would serve my country as a Marine, so my formative years were spent reading as much as I could about the ideas of service, leadership, combat, and sacrifice. I joined the Corps at seventeen and spent the next twenty-one years trying to live up to those stories I read as a child. Now, I divide my time between training special operations Marines for combat, writing about my experiences, and encouraging veterans of all services to put their stories on paper as a senior editor for the Lethal Minds Journal. I share the lessons I’ve learned in my weekly substack, Walking Point.
This is a book I have read over and over. Jünger, a German infantryman, paints a picture of trench warfare that does nothing to glamorize combat, but I found the ideas of duty, bravery, leadership, and even ethics in its pages.
I appreciate that this memoir began as Jünger’s journal and was re-written and edited over a number of years, which allowed for the level of reflection that I feel is necessary for a memoir.
Originally published in 1920, The Storm of Steel is a first-hand account of World War I trench combat lifted from the diaries of Ernst Jünger, a German infantryman who would become one of Europe's most talented writers. The book was first translated into English in 1929 by Basil Creighton, the acclaimed translator of many other classic works of German literature, and was widely hailed as a masterpiece.
The Storm of Steel remains the definitive account of World War I, following Jünger through several major engagements as he develops from an eager young soldier into a battle-hardened officer. Subsequent revisions by…
The writing of Mad Hatter (my 7th book), was fueled by curiosity about WW2 and about my absent father. I emigrated to Canada as a young woman and pursued a career in the Arts – theatre, painting, writing. But only when I embarked on this fictionalized family story did I begin to uncover shocking family secrets as I pulled together threads of childhood memory, woven in with research material, trying to make sense of it all. Writing has literally saved my life, and Mad Hatter has liberated me in a manner I could never have predicted. I am an intense, passionate workaholic, writing in many genres, exulting in life's surprises!
An accumulation of memories haunt and inform Noonday, a novel that stands alone as the third in a trilogy spanning both world wars. I particularly love Barker’s avoidance of sentimentality. She is an honest writer who digs deep and gives no easy solutions as she follows a cast of characters who originally met as students at the Slade School of Art in London. Elinor, who is central, still suffers from the death of her brother Toby in the Great War. Barker’s skillful evocation of the past gives weight and resonance to every word, reminding the reader of the increasing complexity of character formation with life’s most intense and sometimes tragic experiences.
A new novel from the Booker Prize winning Pat Barker, author of the Regeneration Trilogy, that unforgettably portrays London during the Blitz (her first portrayal of World War II) and reconfirms her place in the very top rank of British novelists.
London, the Blitz, Autumn 1940. As the bombs fall on the blacked-out city, ambulance driver Elinor Brooke races from bomb sites to hospitals trying to save the lives of injured survivors, working alongside former friend Kit Neville, while her husband Paul Tarrant works as an air-raide warden. Once fellow students at the Slade School of Fine Art before the…
