Here are 100 books that The Oxford Handbook of the Archaeology of Death and Burial fans have personally recommended if you like
The Oxford Handbook of the Archaeology of Death and Burial.
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I’m a historian, and while I have a great deal of experience producing straight ‘nonfiction’ work, the idea of reading something ‘non-fictional;’ within a fictional world has always excited me because it allows many opportunities to talk about us while framing it as them. They also play into what I call the ‘Rutger Hauer Effect,’ where his character in Blade Runner mentions the wonderous things he’s seen in passing. I want to see those things too! Fictional nonfiction books provide a fantastic opportunity to tease the readers with things that their author knows and has seen but exist just beyond the reach of our own imaginations.
This is an absolute classic of the genre. Brooks draws in various ‘accounts’ of a recent zombie outbreak and structures them as if the broad details are common knowledge to his in-universe audience.
This approach means the real-world reader is always discovering new details and nuggets of information in a way that really whets the appetite while increasing the sense of horror at the way events unfolded in a world that isn’t quite our own.
It began with rumours from China about another pandemic. Then the cases started to multiply and what had looked like the stirrings of a criminal underclass, even the beginning of a revolution, soon revealed itself to be much, much worse.
Faced with a future of mindless man-eating horror, humanity was forced to accept the logic of world government and face events that tested our sanity and our sense of reality. Based on extensive interviews with survivors and key players in the ten-year fight against the horde, World War Z brings the finest traditions of journalism to bear on what is…
I suppose it began at age 10 as a transplant to Southern California from Minnesota. That awkward transition begged for an escape, and I found it in the supernatural. I watched the original Twilight Zones, tore through The Chronicles of Narnia one summer, discovered Ray Bradbury and Stephen King, and then picked up a pen and wrote. Creating new worlds became a calling. Then life and adulting got in the way, as they do, but over time, I’ve written three novels dealing with the supernatural. They’re the books I would have loved as a kid. They’re a leap into my head—care to try? It’ll be fun, he says.
This book scared the bejeebers out of me when I was just a teen. (Not fair, Steve.) I think it’s a highly underrated King novel, if possible, maybe because the various movie versions flopped. Sure, it’s a horror novel, but I was stricken by the story’s messages about dealing with grief due to the death of a loved one. And it also had the age-old message that we all need to remember: if it seems too good to be true, it absolutely is.
I loved the New England vernacular and characters. I also enjoyed how something as simple as a cat’s death can lead to something infinitely worse. I found it an emotional, tense, and spooky supernatural ride.
Now a major motion picture! Stephen King’s #1 New York Times bestseller is a “wild, powerful, disturbing” (The Washington Post Book World) classic about evil that exists far beyond the grave—among King’s most iconic and frightening novels.
When Dr. Louis Creed takes a new job and moves his family to the idyllic rural town of Ludlow, Maine, this new beginning seems too good to be true. Despite Ludlow’s tranquility, an undercurrent of danger exists here. Those trucks on the road outside the Creed’s beautiful old home travel by just a little too quickly, for one thing…as is evidenced by the…
I love zombie movies. I am also an Egyptologist. The dead affect us in profound ways every day, even without being semi-animated corpses searching for brains. I have always been keenly interested in the relationships we have with our dead, be it Halloween, Día de los Muertos, or an urn on a mantle. The dead are with us and inform our lives. The same was true in ancient Egypt. And to me, this made the ancient Egyptians feel very familiar and accessible. They, too, were anxious about death. They, too, grieved when loved ones were gone and developed practices and beliefs that kept the dead ‘alive’.
Dr. Harrington offers an accessible yet meticulous overview of the role of the dead in ancient Egyptian society, with a general, but not exclusive, focus on the New Kingdom. Her book was published while I was just starting my dissertation and it was inspiring to see a project that dealt with similar themes being published. I admit, I also love this book because it was the first time someone ever made reference to me and my research in a footnote. It made me feel like my work was worthwhile and for that, I am eternally grateful to Dr. Harrington.
Living with the Dead presents a detailed analysis of ancestor worship in Egypt, using a diverse range of material, both archaeological and anthropological, to examine the relationship between the living and the dead. Iconography and terminology associated with the deceased reveal indistinct differences between the blessedness and malevolence and that the potent spirit of the dead required constant propitiation in the form of worship and offerings. A range of evidence is presented for mortuary cults that were in operation throughout Egyptian history and for the various places, such as the house, shrines, chapels and tomb doorways, where the living could…
I love zombie movies. I am also an Egyptologist. The dead affect us in profound ways every day, even without being semi-animated corpses searching for brains. I have always been keenly interested in the relationships we have with our dead, be it Halloween, Día de los Muertos, or an urn on a mantle. The dead are with us and inform our lives. The same was true in ancient Egypt. And to me, this made the ancient Egyptians feel very familiar and accessible. They, too, were anxious about death. They, too, grieved when loved ones were gone and developed practices and beliefs that kept the dead ‘alive’.
Few books have been as influential on my understanding of ancient Egyptian mortuary culture as Jan Assmann’sTod und Jenseits im alten Ägypten, known in English as Death and Salvation in Ancient Egypt. Assmann brings religious theory and ancient history together to argue that “death is the origin and center of culture.”
"Human beings," the acclaimed Egyptologist Jan Assmann writes, "are the animals that have to live with the knowledge of their death, and culture is the world they create so they can live with that knowledge." In his new book, Assmann explores images of death and of death rites in ancient Egypt to provide startling new insights into the particular character of the civilization as a whole.Drawing on the unfamiliar genre of the death liturgy, he arrives at a remarkably comprehensive view of the religion of death in ancient Egypt. Assmann describes in detail nine different images of death: death as…
I’m a sociologist who has just written a book about the ways that we engage with death and dying online, and before that I wrote a book about media coverage of disasters. Macabre subjects have always fascinated me, I guess, not because they are macabre but because they reveal a great deal about the ways we live and our sense of the value of life itself.
I was blown away by this thought-provoking philosophical examination of the relationship between the living and the dead.
Burial, Hans Ruin points out, is the most ancient cultural-symbolic practice in all of human development. In burying the dead, and through the attendant rituals accompanying burial, we are caring for them and communicating about or with them. Ruin looks at a variety of ways that such care has been accomplished and debated over time, from prehistoric graves to ancient Egyptian pyramids to Sophoclean dramas from ancient Greece.
All of these examples are put to use as part of a larger meditation on what it means to live ethically; as he puts it “there is no social space entirely outside the shared space with the dead. To learn to live is to learn to inhabit this space in a responsible way. Life is a life after, as inheritance, ancestry, legacy and fate.”
Philosophy, Socrates declared, is the art of dying. This book underscores that it is also the art of learning to live and share the earth with those who have come before us. Burial, with its surrounding rituals, is the most ancient documented cultural-symbolic practice: all humans have developed techniques of caring for and communicating with the dead. The premise of Being with the Dead is that we can explore our lives with the dead as a cross-cultural existential a priori out of which the basic forms of historical consciousness emerge. Care for the dead is not just about the symbolic…
I’m a scientist, engineer, and writer who has written on a wide range of topics. I’ve been fascinated by mythology my entire life, and I spent over a decade gathering background material on the myth of Perseus and Medusa, and came away with a new angle on the origin and meaning of the myth and what inspired it. I was unable to present this in a brief letter or article, and so decided to turn my arguments into a book.
The book is still in print, and has been cited numerous times by scholarly journals and books. It formed the basis for the History Channel series Clash of the Gods (in which I appear).
The figure of the vampire has become very familiar through portrayals in literature, stage, and cinema, but where does the myth itself originate?
Many have speculated on the roots of the vampire legend, ascribing it to various diseases, like porphyriaor rabies. But Barber stripped away the cultural additions imposed on the legend by its fictional interpretation and looked for origins consistent with the bare, original legend.
A nice piece of folkloric detective work, and one that influenced my own book.
In this engrossing book, Paul Barber surveys centuries of folklore about vampires and offers the first scientific explanation for the origins of the vampire legends. From the tale of a sixteenth-century shoemaker from Breslau whose ghost terrorized everyone in the city, to the testimony of a doctor who presided over the exhumation and dissection of a graveyard full of Serbian vampires, his book is fascinating reading.
"This study's comprehensiveness and the author's bone-dry wit make this compelling reading, not just for folklorists, but for anyone interested in a time when the dead wouldn't stay dead."-Booklist
I’ve been a nerd for the morbid for as long as I can remember. When I was a kid, I tore through all the books on the shelves in my house, whether they were appropriate for my age group or not. I started tearing into Stephen King books at 8 or so. I remember vividly copying language out of Christine when I was about 10 on the playground and getting in a lot of trouble for it. But I turned out okay. I really do believe that kids have a fascination for things above their age range, and adults enjoy it, too, and I still love all of these.
This book opened in a graveyard and never let me go from there.
It’s not the sort of book I expected to like, let alone be wowed by or to be pleasing to a kid, but it works so well. Neil Gaiman’s writing is almost never stronger than it is here and every page kept me hooked to the point where I just wanted to keep reading, page after page.
When a baby escapes a murderer intent on killing his entire family, who would have thought it would find safety and security in the local graveyard? Brought up by the resident ghosts, ghouls and spectres, Bod has an eccentric childhood learning about life from the dead. But for Bod there is also the danger of the murderer still looking for him - after all, he is the last remaining member of the family. A stunningly original novel deftly constructed over eight chapters, featuring every second year of Bod's life, from babyhood to adolescence. Will Bod survive to be a man?
I’m primarily a music composer for film and TV, but I’ve also ventured into filmmaking, with one of my films being featured at an international film festival, so my journey in storytelling spans many years, and comedy has always been at its heart. Growing up, my father worked as a pit musician, which gave me exposure to the comedy acts of the time. Humor was a constant in our home, so when I started writing fiction, it felt only natural my writing would find a home in comedy.
Madison Spencer is a fourteen-year-old girl who dies of a drug overdose, only to discover that she has been condemned to Hell. However, she soon realizes that the damned souls in Hell are not punished in the classic sense but are instead subjected to a monotonous, soul-crushing existence where they are forced to relive their worst experiences. With the help of a few allies she meets in Hell, Madison sets out to unravel the mysteries of her afterlife, challenge the status quo, and find a way to escape her eternal torment.
Yes, another dark comedy. But Chuck Palahniuk has a particular talent for taking what makes humans squirm and serving it with a wholesome dollop of relatable ontology. In Damned, he explores themes of the afterlife, societal norms, and human behavior, all set against the backdrop of a reimagined Hell. This Hell is not just a place of eternal suffering…
Meet Madison, whip-tongued daughter of a narcissistic film star and a billionaire, abandoned at a Swiss boarding school over Christmas while her parents are off adopting more orphans. Madison dies of a marijuana overdose and awakes to find herself in Hell, sharing her cell with a motley crew of young sinners that's almost too good to be true.
Welcome to the afterlife as only Palahniuk could imagine it - he makes eternal torment, well, simply divine.
I have inventoried hundreds of cemeteries and thousands of historic gravestones, my mentor (Jim Deetz) wrote the seminal study that brought the study of gravestones into archaeology, and I truly believe the words of former English Prime Minister William E. Gladstone, who said, “Show me the manner in which a nation or a community cares for its dead and I will measure with mathematical exactness the tender sympathies of its people, their respect for the laws of the land and their loyalty to high ideals.”
For many of us who study cemeteries, there is a danger of thinking that these landscapes of the dead are just bodies and gravestones. Katherine Ramsland’s Cemetery Stories: Haunted Graveyards, Embalming Secrets, and the Life of a Corpse After Death is one of the few books out there that details every step between death and internment, which are just as revealing about American culture as a fancy gravestone epitaph or a biography of a deceased local celebrity.
Admit it: You're fascinated by cemeteries. We all die, and for most of us, a cemetery is our final resting place. But how many people really know what goes on inside, around, and beyond them?
Enter the world of the dead as Katherine Ramsland talks to mortuary assistants, gravediggers, funeral home owners, and more, and find out about:
Stitching and cosmetic secrets used on mutilated bodies
Embalmers who do more than just embalm
The rising popularity of cremation art
Ghosts that infest graveyards everywhere
I’ve been in the funeral profession my entire professional career, and my family has deep roots in the profession too. My great-great-great grandfather was a cabinet maker, or “tradesman undertaker” in rural Milford, Delaware prior to the Civil War. In addition to being a funeral director and embalmer, I’m a certified post-mortem reconstructionist and cremationist, and the president of the Delaware State Funeral Directors Association. I’ve written five books on the subject of the funeral profession and am an associate editor for Southern Calls, “The Journal of the Funeral Profession.”
I love history, and stumbled across this book while researching the history of battlefield recoveries. Soldier Dead is comprehensive without being tedious and Sledge organizes the material in “sections” (i.e., combat vs. non-combat recoveries) that work much better than a timeline approach, though he doesn’t skimp on the history. If you’re interested in the Tomb of the Unknown Soldier theSoldier Dead offers, in my opinion, a slightly different look at the subject including the story of the eventual identification of the Vietnam unknown soldier (later identified as Michael Blassie). This book is a great mix of military history, forensics, and mortuary procedures.
What happens to members of the United States Armed Forces after they die? Why do soldiers endanger their lives to recover the remains of their comrades? Why does the military spend enormous resources and risk further fatalities to recover the bodies of the fallen, even decades after the cessation of hostilities? Soldier Dead is the first book to fully address the complicated physical, social, religious, economic, and political issues concerning the remains of men and women who die while serving their country. In doing so, Michael Sledge reveals the meanings of the war dead for families, soldiers, and the nation…
