Here are 100 books that We Set the Dark on Fire fans have personally recommended if you like
We Set the Dark on Fire.
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Growing up as a total tomboy in the early 90s, I naturally gravitated toward traditionally male-dominated sports, jobs, and hobbies throughout my life. Despite encountering instances of sexual harassment and sexism along the way, I had strong role models and books with fierce main characters to turn to for support. I have always been passionate about women claiming their power, which is why I love writing about and reading stories that center on this theme.
This book was a wild read in the best way, with its fierce protagonist and thought-provoking social commentary.
The author’s portrayal of protagonist Zetian’s unhindered feminine power, combined with the powerful feminist themes of the book, made this story a gripping, inspirational read. With elements like female fighter pilots, rich Chinese-inspired world-building, and a refreshing polyamorous romance, Iron Widow delivers a story that is a testament to feminine rage and empowerment and refuses to follow the rules.
Pacific Rim meets The Handmaid's Tale in this blend of Chinese history and mecha science fiction for YA readers.
The boys of Huaxia dream of pairing up with girls to pilot Chrysalises, giant transforming robots that can battle the mecha aliens that lurk beyond the Great Wall. It doesn't matter that the girls often die from the mental strain.
When 18-year-old Zetian offers herself up as a concubine-pilot, it's to assassinate the ace male pilot responsible for her sister's death. But she gets her vengeance in a way nobody expected—she kills him through…
Growing up as a total tomboy in the early 90s, I naturally gravitated toward traditionally male-dominated sports, jobs, and hobbies throughout my life. Despite encountering instances of sexual harassment and sexism along the way, I had strong role models and books with fierce main characters to turn to for support. I have always been passionate about women claiming their power, which is why I love writing about and reading stories that center on this theme.
I was initially drawn to this book by its stunning cover and back cover description, and then immediately fell for the story inside. The fast-paced narrative, filled with female friendships, tragedy, and fights against the patriarchy (by an army of gifted, powerful women. Yes, please!), kept me hooked.
This is a book about the power of women, and that spilled through on every page. Plus, the main character, Deka’s strength, leadership, and compassion make her one of my favorite fierce heroines.
The must-read new bold and immersive West African-inspired fantasy series, as featured on Cosmo, Bustle, Book Riot and Refinery 29. In this world, girls are outcasts by blood and warriors by choice, perfect for fans of Children of Blood and Bone and Black Panther.
Sixteen-year-old Deka lives in Otera, a deeply patriarchal ancient kingdom, where a woman's worth is tied to her purity, and she must bleed to prove it. But when Deka bleeds gold - the colour of impurity, of a demon - she faces a consequence worse than death. She is saved…
Growing up as a total tomboy in the early 90s, I naturally gravitated toward traditionally male-dominated sports, jobs, and hobbies throughout my life. Despite encountering instances of sexual harassment and sexism along the way, I had strong role models and books with fierce main characters to turn to for support. I have always been passionate about women claiming their power, which is why I love writing about and reading stories that center on this theme.
I enjoy books where relationships go beyond romance and delve into themes of friendship and family. I also love a story that takes historical figures and plays with reality, blending fantasy and historical fiction. This book covers both.
What I adored most about this book was the portrayal of Nannerl’s (Wolfgang Amadeus Mozart’s sister) struggle for recognition against the patriarchal constraints of her time. This story beautifully blends themes of familial love, gendered expectations, and the power of imagination.
From #1 New York Times bestselling author Marie Lu comes a historical YA fantasy about a musical prodigy and the dangerous lengths she'll go to make history remember her. Now in paperback.
Two siblings. Two brilliant talents. But only one Mozart.
Born with a gift for music, Nannerl Mozart has just one wish--to be remembered forever. But even as she delights audiences with her masterful playing, she has little hope she'll ever become the acclaimed composer she longs to be. She is a young woman in 18th century Europe, and that means composing is forbidden to her. She will perform…
Growing up as a total tomboy in the early 90s, I naturally gravitated toward traditionally male-dominated sports, jobs, and hobbies throughout my life. Despite encountering instances of sexual harassment and sexism along the way, I had strong role models and books with fierce main characters to turn to for support. I have always been passionate about women claiming their power, which is why I love writing about and reading stories that center on this theme.
I loved how this book portrayed women supporting each other instead of succumbing to hatred and jealousy. The book handled so many delicate topics beautifully. I wish I had the space to share them all.
One such element was the nuanced portrayal of women’s responses to sexual abuse, highlighting the complexities of victimhood and power dynamics. The entire story is profound, thought-provoking, and a must-read for those seeking YA feminist literature.
Each year, eight beautiful girls are chosen as Paper Girls to serve the king. It's the highest honour they could hope for . . . and the most demeaning. This year, there's a ninth.
And instead of paper, she's made of fire.
'A timely reminder that, in the right hands, the fantasy genre has things to say about injustice and abuse of power in the real world' Guardian
Lei is a member of the Paper caste, the lowest and most persecuted class of people in Ikhara. Ten years ago, her mother was snatched by…
As a fantasy author and professional counsellor, I am incredibly passionate about topics which are relevant not only to mental health, but to us in contemporary society. Feminist themes such as those discussed in my book list comes under than umbrella—we deal with these in our day to day lives. I experience them personally and also see it within my counselling clients. I believe that being able to read about these issues within fantasy stories is really important to allow us to understand and process the difficult thoughts and feelings they can bring up within us.
A grimdark fantasy in the tone of Abercrombie, Moss’s The Worthy is a brilliant debut that explores a fractious sibling relationship between brother and sister Prince Barsten and Princess Ailith, both of whom are battling to become heir to the kingdom of Crell. Ailith herself is hiding her lover, Lady Avalon, at the same time as trying to protect the kingdom when it quite literally begins to tear itself apart due to a mysterious magical entity. The book explores issues of patriarchal oppression, historic abuse and trauma, sexuality and homophobia. Despite the grim world and morally grey characters, I found myself drawn into this story because of the important themes it considered.
Blood is thicker than water. Tell that to Prince Barsten, betrayed and abandoned on foreign soil. His sister is intent on claiming the throne and he’s intent on stealing it back. One of them might succeed, if it weren’t for a sacred creature infecting people with its emotions. Rage, fear, paranoia, despair. As their country collapses, the royal siblings must stay true to themselves or find out just how thick their blood really is.
Moss’s compelling debut novel dives into a desperate kingdom, full of intrigue, treachery and sapphic-longing. Fast-paced and awash with sinful characters and fetid settings, The Worthy…
After bumping around newspaper journalism in my 20s, I wandered into a Ph.D. and then landed a great job at the University of Texas at Austin. Being a professor allowed me to explore any subject that seemed interesting, which resulted in books on environmental collapse, sexism and pornography, racism, foreign policy and militarism, religion, journalism and mass media, and critical thinking. Throughout this work, radical feminism has remained at the core of my philosophy. Andrea Dworkin captures this politics in a line from her novel Ice and Fire, “'I am a feminist, not the fun kind.” Such feminism may not always be fun, but it’s always important.
Many women continue to embrace a radical feminist perspective, and one of the important feminist writers today is the UK journalist and organizer Julie Bindel. Her reporting on sex trafficking has been essential to understanding the worldwide exploitation of women and girls.
She published this book in 2021 to restate the liberatory goals of feminism and critique the impediments created not only by conservatives but also by liberals. Bindel pulls no punches and takes no prisoners—she’s never afraid to confront the powerful and respond to her critics. One of the great experiences of the past year was being interviewed by Bindel for her podcast on men and feminism. Finally, Bindel reminds us that one of the biggest lies about feminists is that they have no sense of humor.
'[This book is] guaranteed to remind us what we have still to fight for. I can't think of a single person who wouldn't benefit from reading it' Observer
'Bindel is a rock star of second-wave feminism . . . an important, courageous book' The Times
'Bindel delivers a robust call to arms in every chapter . . . this book could not be timelier . . . As a young feminist who has finally seen the light, I consider it essential reading' The Critic
Feminism is a quest for the liberation of women from…
Let’s face it—we spend a lot of time at work. Work is a big part of our lives, but sometimes it’s terrible and feels like there is no winning against institutionalized sexism and capitalism. And you really want to win! I love reading about women who are finding ways to overcome massive obstacles at work no matter what gets in their way, whether it’s by destroying an industry with a spreadsheet, breaking a curse, ditching a bad boss, or just finding a way to survive. Because sometimes that’s all you can do—survive it. Stories of women working feel endlessly relatable because we have so many shared experiences, and that’s why what happens at work shows up in my reading and my writing.
I had to read this when it came out because it felt ripped from the headlines. Sarah Lai has left behind her Hollywood dreams of filmmaking for a quieter, simpler life. But a journalist reaches out and drags her past to the forefront by asking questions about Sarah’s experiences working with a celebrated producer. There have been… complaints. From women. A lot of women.
Sound familiar? This is a wholly fictional take on past events, but it also forces the reader to examine the ways in which we might be complicit in holding up systems, and what we can do to break bad patterns.
Engaging, timely, and I couldn’t put it down. Again, women find their voices and stand up for other women around them. That’s a narrative I can’t miss.
I was living one of the darkest periods of my life when a friend took me to a Louise Bourgeois show. I wandered among her pieces feeling numb. Then I entered a large room filled with Passage Dangereux from 1997. A most depressing art piece that put me into contact with the restrictions in a family, the limitations we set for each other, and the unhappiness everywhere. When I left the room, I felt a lift in my spirits. I’m a writer to try to put more precise words to what goes on inside ourselves when we are alone and when we fall in love and enter into a relationship with another person.
A man I was working with recommended this book to me, when he heard about my novel, while it was in the making. I got hold of this book and already after the first chapter I understood why. Janice Radway investigates how Harlequin novels have such a large audience. In essence it is because romance novels always end well, as opposed to life, that keeps being complicated. It taught me that I’m a very romantic person. This was something I had never regarded as a positive trait so of course I failed to see just how important romance was and is to me. By identifying with millions of women who read these romance novels, I gained a respect that I still feel is lacking in our culture: A respect for our emotions and the big role they play in our sense of satisfaction with life.
Originally published in 1984, Reading the Romance challenges popular (and often demeaning) myths about why romantic fiction, one of publishing's most lucrative categories, captivates millions of women readers. Among those who have disparaged romance reading are feminists, literary critics, and theorists of mass culture. They claim that romances enforce the woman reader's dependence on men and acceptance of the repressive ideology purveyed by popular culture. Radway questions such claims, arguing that critical attention ""must shift from the text itself, taken in isolation, to the complex social event of reading."" She examines that event, from the complicated business of publishing and…
In my 20s, after always doing what I was “supposed” to, I found myself trapped in a relationship I wanted out of, in a job that barely paid the bills, and in a mindset of scarcity. After my birth control almost killed me, I dove into the mind-body connection that’s often stifled by sexism and societal expectations, becoming fascinated with pushing against the status quo and living more adventurously. I realized I needed to sincerely take my life decisions into my own hands. Since then, I’ve run ultramarathons, become an entrepreneur, and taught countless menstruators how to listen to their own bodies so they can build a life they love.
It shook me to discover I was living by 2 of the 5 “good girl myths” (“Logic” and “Perfection”) when I could be using evidence-backed design principles to create my life on my own terms.
One takeaway? In the beginning stages of starting my first business, I’d throw every ounce of energy into creating a “perfect” finished product before even telling anyone a project was coming. When launch day came, nobody would buy. I was so frustrated investing time, money, and energy into projects that wouldn’t take off.
Majo’s book taught me the value of “prototyping.” Just like professional designers, engineers, and inventors need to create a minimally viable product to validate the idea, I can do so in all areas of my life. What’s the smallest step forward I can take toward a goal right now that I can afford to lose from? That’s entrepreneurial thinking.
"A must-read for any woman who is ready to design a life on her own terms." - Sophia Amoruso, Founder and CEO, Girlboss
Women: it's time to break the good girl myths that are holding you back and share your true gifts with this groundbreaking book from Stanford University-trained designer and women's leadership expert Majo Molfino.
For thousands of years, women have been taught to be "good" instead of powerful. But when we embody the good girl, we hold back their voices and gifts in a world that desperately needs female perspectives.
Drawing on countless coaching sessions and conversations with…
We talk a lot about the big public events that expanded the #MeToo movement so astronomically, like the election to the US presidency of a man who bragged about assaulting women, and the allegations made against Harvey Weinstein. But I think most American women have other, more personal beefs that originate from their being a woman. I, for one, was shocked at how unnecessarily difficult it was to be a new mother in the US. Other places support this vulnerable group much more than we do here, and living that disparity angered me—like, for example, when my husband exhausted what little parental leave he had available before our twins were even released from the NICU.
I love Eltahawy’s approach to solving the problems of the patriarchy: She wants to teach and encourage women and girls to do all the things we’re taught not to do, specifically a series of seven dubitable “sins” that have been instilled in females for centuries.
She begins by promoting the expression of anger, which like the rest of the traits on her list is something that women have been told is harmful, unfeminine, and wrong. But Eltahawy is—admirably, inspiringly—driven to flip it on its head, thereby turning it into an asset that can be employed to improve conditions for all of us.
A bold and uncompromising feminist manifesto that shows women and girls how to defy, disrupt, and destroy the patriarchy by embracing the qualities they’ve been trained to avoid.
Seizing upon the energy of the #MeToo movement, feminist activist Mona Eltahawy advocates a muscular, out-loud approach to teaching women and girls to harness their power through what she calls the “seven necessary sins” that women and girls are not supposed to commit: to be angry, ambitious, profane, violent, attention-seeking, lustful, and powerful. All the necessary “sins” that women and girls require to erupt.
