Fans pick 100 books like The Worthy

I love how Lyra’s world is so different from ours, yet doesn’t require a huge leap of faith to believe. The science-like attention to detail somehow makes it sensible. Are there talking polar bears who shape metal with their paws and claws? Yes. Are my objections to that bizarre idea addressed so well that I accept it as normal? Also yes. 

The amount of thought put into the world makes the unreal feel very real, in other words. Yes, there are subtle magical forces, witches, and humans tethered to literal spirit animals…but scientists have studied and invented machines to work with all of it the same way we work with forces in our own world that we don’t understand. This series respects its readers' intelligence, regardless of age.

The Liveship Traders books explore the roles of women in arguably more depth than previous and subsequent books within Hobb’s massive Realm of the Elderlings series. In Ship of Magic, we are introduced to multiple characters including female protagonists Althea and Malta, two members of the Vestrit family who, throughout this series, try to establish their place in a society that very firmly places women within restricted roles. Hobb is a master at character work, and following the stories of these two young women is a journey in itself. We see them evolve, grow, and, ultimately, overcome the oppressions placed upon them by those around them. In the trilogy as a whole, Hobb explores these issues alongside historic abuse and trauma, mental health, and equality. An excellent exploration of feminist issues.  

One of my all-time favorite fantasy novels, and the one that got me hooked on fantasy as a girl – Alanna is the ultimate scrappy heroine and I dreamed of being her when I was growing up.

Alanna has a black cat companion, which may or may not have influenced me to adopt a black cat as an adult.

At the time I read it, I’d never heard of a woman wanting to be a knight before – Alanna helped me realize that all glass ceilings can be shattered, and this remains one of the most re-read novels on my shelf. 

I adore Ead!! Unsurprisingly, that's why I’m including this book in my recommendations. One of three central characters (including my second favourite in this book – Sabran), Ead won me over because she’s just fantastically capable, but not showy about it at all. She’s the kind of person you’d love to have at your side through thick and thin. 

I got a little bit of a Robin Hobb vibe from this book which also made it a winner for me because I love all of Hobb’s work. This is a monster of a book (and it’s a standalone), but the pacing moves quite quickly despite the length and I never got stuck or felt like it bogged down in too much detail. The world building is fantastic and brings the story to life.

I studied Dracula as a university student, so I love the way this book turns the latent homophobia, misogyny, and racism on its head by putting the “Brides of Dracula” and persecuted East European Traveller community center stage and giving us a tender, sapphic love story.

It’s set in the fifteenth-century Romania of Vlad The Impaler—here called the Dragon—when people believed in lele (forest spirits) and strigoi (undead). For me, the most memorable setting is Boyar Valcar’s castle, where twin sisters Lil and Kizzy are taken as slaves. The black-and-red uniforms, the cliff-edge pool, and the unforgettable incident with the bite wine put even the Dragon’s strigoi court in the shade.

What I loved most about this book was how strongly it made me feel—sad, angry, powerful. I am in awe of Tehlor Kay Mejia’s writing. They crafted a richly developed world and forged nuanced characters like Dani and Carmen, whose romance was perfect and heart-wrenching.

The book has a lot to say, addressing issues like immigration and misogyny with depth and authenticity, making it a feminist, Latinx, and sapphic masterpiece that I can’t help but adore and recommend. 

Many women continue to embrace a radical feminist perspective, and one of the important feminist writers today is the UK journalist and organizer Julie Bindel. Her reporting on sex trafficking has been essential to understanding the worldwide exploitation of women and girls.

She published this book in 2021 to restate the liberatory goals of feminism and critique the impediments created not only by conservatives but also by liberals. Bindel pulls no punches and takes no prisoners—she’s never afraid to confront the powerful and respond to her critics. One of the great experiences of the past year was being interviewed by Bindel for her podcast on men and feminism. Finally, Bindel reminds us that one of the biggest lies about feminists is that they have no sense of humor. 

I had to read this when it came out because it felt ripped from the headlines. Sarah Lai has left behind her Hollywood dreams of filmmaking for a quieter, simpler life. But a journalist reaches out and drags her past to the forefront by asking questions about Sarah’s experiences working with a celebrated producer. There have been… complaints. From women. A lot of women.

Sound familiar? This is a wholly fictional take on past events, but it also forces the reader to examine the ways in which we might be complicit in holding up systems, and what we can do to break bad patterns.

Engaging, timely, and I couldn’t put it down. Again, women find their voices and stand up for other women around them. That’s a narrative I can’t miss. 

A man I was working with recommended this book to me, when he heard about my novel, while it was in the making. I got hold of this book and already after the first chapter I understood why. Janice Radway investigates how Harlequin novels have such a large audience. In essence it is because romance novels always end well, as opposed to life, that keeps being complicated. It taught me that I’m a very romantic person. This was something I had never regarded as a positive trait so of course I failed to see just how important romance was and is to me. By identifying with millions of women who read these romance novels, I gained a respect that I still feel is lacking in our culture: A respect for our emotions and the big role they play in our sense of satisfaction with life.  

I love Eltahawy’s approach to solving the problems of the patriarchy: She wants to teach and encourage women and girls to do all the things we’re taught not to do, specifically a series of seven dubitable “sins” that have been instilled in females for centuries.

She begins by promoting the expression of anger, which like the rest of the traits on her list is something that women have been told is harmful, unfeminine, and wrong. But Eltahawy is—admirably, inspiringly—driven to flip it on its head, thereby turning it into an asset that can be employed to improve conditions for all of us.