My book is ostensibly about rape. But it’s mostly about breaking out of the way we are taught to think, about turning things inside-out and checking out the hidden parts, about joy and rage and unexpected twists. So I am attracted to anyone who does this: defies gravity, finding monsters in clouds, and salvation in birds.
After surviving gang-rape at seventeen in Mumbai, Sohaila Abdulali was indignant about the deafening silence that followed and wrote a fiery piece about the perception of rape--and rape victims--for a women's magazine. Thirty years later, with no notice, her article reappeared and went viral in the wake of the 2012 fatal gang-rape in New Delhi, prompting her to write a New York Times op-ed about healing from rape that was widely circulated. Now, Abdulali has written What We Talk About When We Talk About Rape--a thoughtful, generous, unflinching look at rape and rape culture.
Murder and mayhem in Africa, but turned on its head. This novel is set in Nigeria, and who could argue with the mad charm of traffic jams, family dynamics, a young woman who simply can’t help killing the men in her life, and her long-suffering sister who keeps helping her clean up the mess? Every page vibrates with wackiness and warmth, while the blood keeps flowing. Gravity-defying because it should be grim but you find yourself chuckling before the first corpse is cold.
Sunday Times bestseller and The Times #1 bestseller
Longlisted for the Booker Prize 2019 Shortlisted for the Women's Prize for Fiction 2019 Winner of the 2019 LA Times Award for Best Crime Thriller Capital Crime Debut Author of the Year 2019 __________
'A literary sensation' Guardian
'A bombshell of a book... Sharp, explosive, hilarious' New York Times
'Glittering and funny... A stiletto slipped between the ribs and through the left ventricle of the heart' Financial Times __________
When Korede's dinner is interrupted one night by a distress call from her sister, Ayoola, she knows what's expected of her: bleach, rubber…
I picked up this book when I was writing my book about rape and was immediately reminded about the joys of music and art and birds and all the unlikely connections life has to offer. Mozart wrote music inspired by a starling, and the author, inspired by a baby starling in her own life, followed his story to Europe and back. Most unexpected, most illuminating. Gravity-defying because the Muse follows no earthly laws.
On May 27th, 1784, Wolfgang Amadeus Mozart met a flirtatious little starling who sang (an improved version of!) the theme from his Piano Concerto Number 17 in G to him. Knowing a kindred spirit when he met one, Mozart wrote "That was wonderful" in his journal and took the bird home to be his pet. For three years Mozart and his family enjoyed the uniquely delightful company of the starling until one April morning when the bird passed away.
In 2013, Lyanda Lynn Haupt, author of Crow Planet, rescued her own starling, Carmen, who has become a part of her…
Her father died. She adopted a goshawk named Mabel and immersed herself in falconry. But of course. Grief works itself out in the damnedest ways, and I can totally relate to the connection between a parent’s death and entering into a relationship with a fierce and foreign species. As an added bonus, MacDonald is a magnificent writer. Gravity-defying because you can open your heart and let grief fly out.
One of the New York Times Book Review's 10 Best Books of the Year
ON MORE THAN 25 BEST BOOKS OF THE YEAR LISTS: including TIME (#1 Nonfiction Book), NPR, O, The Oprah Magazine (10 Favorite Books), Vogue (Top 10), Vanity Fair, Washington Post, Boston Globe, Chicago Tribune, Seattle Times, San Francisco Chronicle (Top 10), Miami Herald, St. Louis Post Dispatch, Minneapolis Star Tribune (Top 10), Library Journal (Top 10), Publishers Weekly, Kirkus Reviews, Slate, Shelf Awareness, Book Riot, Amazon (Top 20)
The instant New York Times bestseller and award-winning sensation, Helen Macdonald's story of adopting and raising one of…
Everything about this book is wonderful. It is science and philosophy and joie de vivre and sarcasm and a mad appreciation for nature’s vagaries and human foibles, and if you have a garden or a terrace or even a window in your life, you need it. The sky will never be the same. Gravity-defying because…well, just look up.
Now in paperback: the runaway British bestseller that has cloudspotters everywhere looking up.
Where do clouds come from? Why do they look the way they do? And why have they captured the imagination of timeless artists, Romantic poets, and every kid who's ever held a crayon? Veteran journalist and lifelong sky watcher Gavin Pretor-Pinney reveals everything there is to know about clouds, from history and science to art and pop culture. Cumulus, nimbostratus, and the dramatic and surfable Morning Glory cloud are just a few of the varieties explored in this smart, witty, and eclectic tour through the skies.
If I’d read this book as a teenager, I might have been compelled to learn to be a pilot. I love the way Vanhoenacker is so passionate about his craft. Along with talking about flight, he comes up with concepts like “place lag” rather than “jet lag,” putting into words those emotions all of us who have sometimes gone bewilderingly far, whiplash-inducingly fast have felt, but could never express. Gravity-defying because you can choose to soar away from bad weather, boredom, or the tyranny of time and place.
**Sunday Times Bestseller** **Book of the Week on Radio 4**
'One of the most constantly fascinating, but consistently under-appreciated aspects of modern life is the business of flying. Mark Vanhoenacker has written the ideal book on the subject: a description of what it's like to fly by a commercial pilot who is also a master prose stylist and a deeply sensitive human being. This is a man who is at once a technical expert - he flies 747s across continents - and a poet of the skies. This couldn't be more highly recommended.' Alain de Botton
Creative expression has been one of my most cherished values since childhood. I've always had a creative hobby of some kind since I was a kid. Not sure how that happened – my parents were tolerant of my interests at best. I made my day job career in the arts, fostering the creativity of community members and supporting the work of artists. Art (in the general sense of all forms of creative expression) is, to me, a defining characteristic of humanity, it makes life worth living, and the way it’s devalued under Capitalism both saddens and inspires me as a creator myself. I’m a writer of speculative fiction and I write about creative people.
Hunted by those who want to study his gravity powers, Jes makes his way to the best place for a mixed-species fugitive to blend in: the pleasure moon where everyone just wants to be lost in the party. It doesn’t take long for him to catch the attention of the crime boss who owns the resort-casino where he lands a circus job, and when the boss gets wind of the bounty on Jes’ head, he makes an offer: do anything and everything asked of him or face vivisection.
With no other options, Jes fulfills the requests: espionage, torture, demolition. But when the boss sets the circus up to take the fall for his about-to-get-busted narcotics operation, Jes and his friends decide to bring the mobster down. And if Jes can also avoid going back to being the prize subject of a scientist who can’t wait to dissect him? Even better.
Hunted by those who want to study his gravity powers, Jes makes his way to the best place for a mixed-species fugitive to blend in: the pleasure moon where everyone just wants to be lost in the party. It doesn't take long for him to catch the attention of the crime boss who owns the resort-casino where he lands a circus job, and when the boss gets wind of the bounty on Jes' head, he makes an offer: do anything and everything asked of him or face vivisection.
With no other options, Jes fulfills the requests: espionage, torture, demolition. But…
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