Here are 100 books that Take Me Home fans have personally recommended if you like
Take Me Home.
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I am passionate about writing books for children that create windows to the world, teaching empathy. Children that are empathic grow up to be kind and compassionate adults. I write because I long for a world that is more accepting and compassionate.
Sulwe is a little girl with skin the ‘color of midnight’. But she just wants to be like her mother and sister, who are lighter skinned. This is an emotional read with stunning illustrations that teaches us to love ourselves just as we were made and embrace our own unique beauty.
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Sulwe
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This book is for kids age
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What is this book about?
From Academy Award-winning actress Lupita Nyong'o comes a powerful, moving picture book about colourism, self-esteem and learning that true beauty comes from within.
Sulwe's skin is the colour of midnight. She's darker than everyone in her family, and everyone at school.
All she wants is to be beautiful and bright, like her mother and sister.
Then a magical journey through the night sky opens her eyes and changes everything.
In this stunning debut picture book, Lupita Nyong'o creates a whimsical and heartwarming story to inspire children to see their own unique beauty.
As a Kenyan/American raised in both countries, I noticed growing up that there was very little creative content about Africa. Whilst in Kenya, I experienced much joy and fun in the culture and felt that other people in other parts of the world would also enjoy it. Loving reading, drawing, comics, and movies, I felt it would be useful to create such content about Africa. I was very fortunate to study arts at an undergraduate and graduate level in the US. This formal training, combined with extensive travel around Africa and the diaspora, has informed my sense of book and film creation and appreciation. I hope you enjoy this book list that I’ve curated!
Etabo dreams of being a camel racer but is thwarted by the fact that his family must now sell their camels because of impending drought.
What I find so interesting about this book is how the narrative does such an amazing job of showing a slice of life amongst the Turkana, a remote people in the deserts of Northwest Kenya. So very little of these amazing people have ever been shown in children’s literature and so I was so captivated by how this book gives such a great opportunity to peek into their world, illuminated by the tender illustrations and enthralling theme of not giving up on one's aspirations.
Etabo dreams of being a camel racer. One day he might even beat his older brother when they race. But with the price of water rising, Etabo's father must sell the camels, and his siblings must find work. What will Etabo do now? From acclaimed Kenyan filmmaker Wanuri Kahiu and Italian illustrator Manuela Adreani, this story of love and hope centers on the inspiring Turkana people of northwest Kenya. Told with gentleness and humor, it is a universal story about keeping one's dreams alive.
As a Kenyan/American raised in both countries, I noticed growing up that there was very little creative content about Africa. Whilst in Kenya, I experienced much joy and fun in the culture and felt that other people in other parts of the world would also enjoy it. Loving reading, drawing, comics, and movies, I felt it would be useful to create such content about Africa. I was very fortunate to study arts at an undergraduate and graduate level in the US. This formal training, combined with extensive travel around Africa and the diaspora, has informed my sense of book and film creation and appreciation. I hope you enjoy this book list that I’ve curated!
Anansi the Spider is one of the classic African stories that inspired me to go into storytelling as a career. Reading this book, and watching its animated counterpart as a child, totally enthralled me. The combination of the bright, bold colours and graphical aesthetic, with the mystique of the folklore felt just like magic to me. The fable told here comes off as profound yet funny and quirky. This book is a must for anyone interested in fables and African folklore in particular.
As a Kenyan/American raised in both countries, I noticed growing up that there was very little creative content about Africa. Whilst in Kenya, I experienced much joy and fun in the culture and felt that other people in other parts of the world would also enjoy it. Loving reading, drawing, comics, and movies, I felt it would be useful to create such content about Africa. I was very fortunate to study arts at an undergraduate and graduate level in the US. This formal training, combined with extensive travel around Africa and the diaspora, has informed my sense of book and film creation and appreciation. I hope you enjoy this book list that I’ve curated!
This well acclaimed and award-winning book by Muriel Feelings is great for anyone interested in learning about culture through language. What I love so much about this book is its simplicity. The book teaches how to count up to ten in Swahili, using East African imagery and culture, and it has pronunciation keys as well. The detailed monochromatic illustrations create a mood of awe and reverie.
I am a South African historian of Russian origin, who has studied and taught African history since the late 1960s. For us, the Russians, Africa was then an alluring terra incognita of wild nature, adventure, human suffering, struggles, and tenacity. I have studied how Africa became what it is for 50 years and lived in it for 30. I have learnt a lot about it, but for me it is still a land of human suffering, struggles and tenacity, wild nature, and adventure, and it is still alluring.
Michela Wrong’s story centres on one country, Kenya, and one person, but it resonates throughout the continent and far beyond it – everywhere, where corruption is as systemic, as it is in Kenya. John Githongo, a journalist who fought corruption, was appointed to head an anti–corruption unit by a new president. As in every decent detective novel, involving corruption, the hero discovers that the roots lead to the very top, finds the proof and, after many adventures, publicizes it. Only this is not a novel, though it certainly reads like one. Wrong’s hero is a real person, who did what he did and who suffered for it. This is a story of personal honesty, decency, and courage. But this is also an inside story of how many African societies work.
A gripping account of both an individual caught on the horns of an excruciating moral dilemma and a continent at a turning point.
When Michela Wrong's Kenyan friend John Githongo appeared one cold February morning on the doorstep of her London flat, carrying a small mountain of luggage, it was clear something had gone very wrong in a country regarded until then as one of Africa's few budding success stories.
Two years earlier, in the wave of euphoria that followed the election defeat of long-serving President Daniel arap Moi, John had been appointed Kenya's new anti-corruption czar. In choosing this…
I am a social scientist who has been doing fieldwork and research in Africa since 1999. For me, there’s no more fascinating part of the planet – Africa is the cradle of civilization, more diverse than anywhere else and culturally and institutionally vibrant and creative. I have worked in Botswana, the Democratic Republic of Congo, Nigeria, Sierra Leone, South Africa and Zimbabwe investigating the determinants of political institutions and economic prosperity. I have taught courses on Africa at Harvard University, the University of Chicago, the University of Ghana at Legon and this summer the University of Nigeria in Nsukka.
It isn’t just African politics that is different. Economics is too. If modern economics had been invented by an African, instead of Adam Smith, it would look very different. Wealth would be measured in people rather than material objects, property, and capital. There would be much less emphasis on markets. Some things, should never be sold, and if they were it would create “bitter money” and bad luck. This book is a great place to start to re-think your ideas about economics.
“fascinating little book adds to the study of culture to political economy” MacGaffey ~Journal of Anthropological Research “presents fascinating material on beliefs about money in some Luo-speaking communities of Kenya… an insightful analysis… a case that will generate fruitful discussions for years to come” Ferguson ~American Ethnologist BITTER MONEY unites symbolic and economic analysis in exploring the beliefs about forbidden exchanges among the Luo of Kenya and other African peoples. Shipton's multi-paradigmatic theoretical explanation briefly summarizes a century of anthropological thought about African exchange, while integrating ways of understanding rural African economy, politics, and culture.
My name is B.W. Powe—and I’m a writer, poet, teacher, mentor, and musician. I’ve written since I was a boy, when I began to dream of beautiful sentences, and finding a way to turn music into literary expression. I live in Stouffville, a small edge town near Toronto, Canada—and a portion of the year in Cordoba, Spain, where my wife is from. I was encouraged by my mother, an amateur pianist, and my father, a politician, and novelist. We lived in Toronto through the 60s-90s and witnessed how the city sprawled. I’ve written about the Genesis Overdrive that informs culture and lives. My latest book, Ladders Made of Water, will be available on February 14th, 2023.
A poignant, perceptive memoir of the author’s time in Africa—and her experiences there, her discovery of love and the loss of that love; evocations of people and sky, contemplations of weather and landscape unlike any other I’ve read.
It should be read (and always honoured) because it’s as close to a reverie on sorrow and wonder, the mystery of stark wildernesses and solitudes, as I’ve found. It’s the book I wish I’d written, above so many others.
In 1914 Karen Blixen arrived in Kenya with her husband to run a coffee-farm. Drawn to the exquisite beauty of Africa, she spent her happiest years there until the plantation failed. A poignant farewell to her beloved farm, "Out of Africa" describes her friendships with the local people, her dedication for the landscape and wildlife, and great love for the adventurer Denys Finch-Hatton.
I grew up in the high plains mining towns of Montana and Wyoming but I couldn’t wait to get out and see the world. Peace Corps was my ticket. A teaching post in Chad, Africa, was open, but civil war and famine loomed, so I chose Afghanistan. After my two-year contract in Kabul, I continued traveling but my fascination with Africa never waned. A job teaching college English allowed me summers to continue traveling. However, I never did get to Africa, so when Carolyn suggested we write about Namibia, I agreed. Someday, I hope to visit before the magnificent black rhino has been wiped off the face of the planet.
Huxley’s parents go to Kenya to start a coffee plantation. And like Blixen and her husband, they know nothing about Africa or growing coffee and must depend on Africans to teach them. Huxley writes a delightful account of her life and the struggles they endure. Her portrayal of the people who work on the family’s plantation is brilliant as is the description of the environment and animals. Huxley also writes from the unsentimental eyes of a child.
When Elspeth Huxley's pioneer father buys a remote plot of land in Kenya, the family sets off to discover their new home: five hundred acres of Kenyan scrubland, infested with ticks and white ants, and quavering with heat. What they lack in know-how they make up for in determination: building a grass house, employing local Kikuyu tribe members and painstakingly transforming their patch of wilderness into a working farm. Huxley's unforgettable childhood memoir is a sensitive account of settler life at the turn of the twentieth century and a love song to the harshness and beauty of East Africa.
I write about unusual places, unusual people, and unusual stories. Places, people, and stories that are rough, different, authentic, often forgotten, full of troubled history and a magical present.
A novel that reads like a reportage, almost a documentary, on contemporary (the Nineties) life in Kenya for the small and influential (but not rich) community of “white Kenyans”: some native of Kenya, some adoptive sons and daughters of the country that invented the safari a century ago and that is the main hub for all news organizations in the continent. So, reporters, conservationists, dreamers, adventures, misfits, eccentrics populate this hugely evocative and partially autobiographical book that has some of the best “sound bites” on the question we are often asked: Why You Love Africa?
In the vast space of East Africa lives a close-knit tribe of expatriates. They all meet at dinner parties; they share the same doctors and eat at the same restaurants; they sleep with each other and take the same drugs.
Set in contemporary Nairobi, Rules of the Wild is at once a sharp-eyed dissection of white society in modern Kenya and the moving story of a young woman, Esme, struggling to make sense of her place in Africa, and her feelings for the two men she loves - Adam, a second generation Kenyan who is the first to show her…
For more than two decades, I have been travelling to the wild places of this planet looking for stories. Africa in all its diversity has always been my first love. Whether I’m off the grid in the Kalahari, or scanning the far horizon of the Serengeti looking for lions, Africa feels like home to me, and I’m passionate about finding, and then telling the stories of the people I meet, and the wildlife I encounter, along the way. And driving me every step of the way is my great belief in the power of the written word and that of a good story to transform the way we think about, and interact with, the natural world.
Written and photographed by three of Britain’s leading wildlife personalities, The Marsh Lions remains a seminal text when it comes to lions. Scott’s and Jackman’s unrivalled knowledge of what is perhaps Africa’s most famous lion pride (which was immortalised in Big Cat Diary, hosted by Jonathan Scott) shines through in the writing, which is patient wildlife storytelling at its best.
A bestseller when first published in 1982, The Marsh Lions portrays a vivid picture of life and death on the African savannah through the story of a pride of lions in Kenya's world-famous Masai Mara game reserve. The story is essentially a true one. All the central characters are real, and most of the incidents described actually happened. For five years, Brian Jackman and Jonathan Scott followed the Marsh pride and their progeny, painstakingly recording the daily drama of life and death on the African plains. In time they came to regard them as old and familiar friends and real…
