Here are 100 books that Rules of the Wild fans have personally recommended if you like
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I studied reporters' memoirs of Africa for my PhD in journalism at the University of East Anglia, under Giles Foden, author of The Last King of Scotland. I was fascinated by how foreign correspondents are aided by local reporters, who unfortunately often don’t receive much credit or commensurate pay for their contributions to international news. This inequality is changing, but not quickly enough, and it affects the kinds of news that we all receive, and how western lives, for example, are often respected more than others.
I promised my publisher, who edited Kapuscinski, a book as elemental, pure, and wild as Kapuscinski's seminal account of the Angolan independence struggle in 1975.
Though I’m not sure I succeeded, Breakup is that book.
I was inspired by this classic of reportage for its simple and profound observations of the city, and countryside, trying to make sense of the chaos and what Angolans, in Portuguese, called confusão.
In 1975, Angola was tumbling into pandemonium; everyone who could was packing crates, desperate to abandon the beleaguered colony. With his trademark bravura, Ryszard Kapuscinski went the other way, begging his was from Lisbon and comfort to Luanda—once famed as Africa's Rio de Janeiro—and chaos.Angola, a slave colony later given over to mining and plantations, was a promised land for generations of poor Portuguese. It had belonged to Portugal since before there were English-speakers in North America. After the collapse of the fascist dictatorship in Portugal in 1974, Angola was brusquely cut loose, spurring the catastrophe of a still-ongoing civil…
I’ve been a journalist since high school and I spent 33 years as a reporter for The Washington Post, mostly as a foreign correspondent based in Asia, Africa, and Paris. My book Out Of America chronicled my three years as a correspondent in Africa during some of its most tumultuous events, the Somalia intervention, and the Rwanda genocide. I’ve always thought a well-crafted novel often captures a place or a time better than nonfiction — books like The Quiet American about the Vietnam War, and The Year of Living Dangerously about Indonesia. I now teach a university course on The Role of the Journalist in Popular Fiction, Film and Comics.
Okay, this fine novel is only partially set in Africa, in Uganda, where intrepid fictional journalist Daniel McFarland treks into the jungles to find and interview the leader of a rebel group based on the Lords Resistance Army. Told from the vantage point of world-weary photographer Nicky Bettencourt, the action later shift to East Timor during the fight for independence against Indonesia. This novel comes as close as any to describe the real lives of foreign correspondents — the unnecessary risks, the loneliness of life lived constantly on the road. It’s beautifully written, a good read, and reeks of authenticity.
Photojournalist Nicky Bettencourt thinks he's seen everything until he teams up with the legendary war correspondent Daniel McFarland. To Daniel, the story is everything; people come later. But after a plane crash nearly takes his life, Daniel begins to see the world in a different way. He falls in love with Julia Cadell, an idealistic British doctor, and together they find refuge at an old canal house in the center of London. Soon after, Nicky, Daniel, and Julia are called to East Timor, where the government has fled and the entire country is a war zone, and Daniel must decide…
I’ve been a journalist since high school and I spent 33 years as a reporter for The Washington Post, mostly as a foreign correspondent based in Asia, Africa, and Paris. My book Out Of America chronicled my three years as a correspondent in Africa during some of its most tumultuous events, the Somalia intervention, and the Rwanda genocide. I’ve always thought a well-crafted novel often captures a place or a time better than nonfiction — books like The Quiet American about the Vietnam War, and The Year of Living Dangerously about Indonesia. I now teach a university course on The Role of the Journalist in Popular Fiction, Film and Comics.
This sleeper of a novel creates the fictional East African country of Umbika, with its charismatic strongman who everyone refers to as “His Excellency, the Life President”, in a thinly veiled resemblance to Malawi under the dictatorship of the late Hastings Banda. Small wonder for the comparison, since the author was a foreign service officer in Malawi before turning full-time to writing. The journalist in this fast-paced story is an outspoken African-American activist and columnist named Maurice Hightower, and the story revolves around the career American diplomat, Joe Kellerman, who gets the unwanted job of escorting Hightower around Umbika in the middle of an escalating civil war.
The Distance between Stars is the story of two Americans divided by history and skin color. Joe Kellerman, white, is an accomplished diplomat who has spent his career solving difficult problems in sub-Saharan countries. Maurice Hightower, black, is a prize-winning but controversial journalist who has spent his life exposing injustice in the United States. During a fact-finding trip to an African country that is quickly sliding towards civil war, and where the U.S. government is accused of supporting the increasingly violent opposition, Hightower travels alone into the bush and then disappears. The dangerous assignment of finding the missing man and…
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
Green tracers in the sky over Baghdad. My first political memory is the start of the Gulf War in 1991. I remember writing angry essays criticizing the US decision to invade Iraq in 2003 for my high-school assignments. I have always been interested in US foreign policy and in how presidents make decisions. During my PhD, as I was working on a chapter on the origins of the Cuban Missile Crisis, I discovered the extent and–frankly–the madness of some of the plots the CIA and the White House concocted against Fidel Castro. More recently, the US government’s use of assassination and “targeted killings” have become the focus of my research.
Spies, lies, love, coups, what more do you want? In the book we encounter Marie Mitchell, now under threat of assassination, but previously a CIA spy who had fallen in love with–and collaborated in the downfall of–Thomas Sankara.
For Marie, the transition to the CIA is a way of escaping the stifling and misogynistic FBI of the 1980s. For the CIA, a black, attractive woman is ideal to snoop in and undermine a charismatic leader. The book, told by Marie as a letter to her children, moves back and forward between her spying missions and her (self)exile in Martinique.
It is fast-paced, realistic, and able to portray the daring aspects, the bureaucratic obstacles, and the moral compromises of spying for the CIA.
Having been born in Fiji and lived in Cyprus, Austria, and Nigeria, I have always had a strong sense of wanderlust and a keen eye for my surroundings – both natural and man-made. I’ve always been open to "what might happen next," which makes sense as to why I became a professional storyteller – an actor, writer, and director. I am thrilled by not knowing what lies ahead, and I’ve always felt there is possible adventure at every turn in life, which is why I am so fond of the evocative and thrilling books I have listed.
Set in the fictitious West African country of Kinjanja, the hapless exploits of an ill-fated British High Commission delegate in the wrong place at the wrong time left me exhausted from laughing out loud so hard.
It’s a sliding-door adventure thriller about the comic yet tragic downfall of a good man trying to do his best in the face of unrelenting adversity. I read it while living in Nigeria (Kinjanja is a cross between Ghana and Nigeria) and found it to be the perfect fusion of exotic location and sense of place, combined with a headlong descent into mayhem and madness.
A funny first novel about the misadventures surrounding Morgan Leafy, a young, overweight, oversexed British diplomat in West Africa. The book won the 1981 Whitbread Literary Award and the 1982 Somerset Maugham Award.
I write about unusual places, unusual people, and unusual stories. Places, people, and stories that are rough, different, authentic, often forgotten, full of troubled history and a magical present.
Set in an unnamed and quintessential African country that after independence is descending into chaos, this is one of the most unforgettable books about Africa, but also often classified as one of the best novels of the English language of the last 40 years. A portrait that will never be dated, written in a Conrad type of dry yet very rich style, the Africa of Nobel laureate Naipaul is not for those who want to see things through rose-tinted lenses, but is a profoundly human portrait where the there is no space for clichés.
Set in an unnamed African country, V. S. Naipaul's A Bend in the River is narrated by Salim, a young man from an Indian family of traders long resident on the coast. He believes The world is what it is; men who are nothing, who allow themselves to become nothing, have no place in it. So he has taken the initiative; left the coast; acquired his own shop in a small, growing city in the continent's remote interior and is selling sundries - little more than this and that, really - to the natives.
The Road from Belhaven is set in 1880s Scotland. Growing up in the care of her grandparents on Belhaven Farm, Lizzie Craig discovers as a small girl that she can see the future. But she soon realises that she must keep her gift a secret. While she can sometimes glimpse…
I studied reporters' memoirs of Africa for my PhD in journalism at the University of East Anglia, under Giles Foden, author of The Last King of Scotland. I was fascinated by how foreign correspondents are aided by local reporters, who unfortunately often don’t receive much credit or commensurate pay for their contributions to international news. This inequality is changing, but not quickly enough, and it affects the kinds of news that we all receive, and how western lives, for example, are often respected more than others.
I met Aidan in Bunia, on the frontline of the Congo war, where he kindly offered his help, and then, not knowing who he was, I discovered his memoir in the Nairobi airport.
His story of starting as a lowly stringer and working his way up resonated with my own journey as a stringer for The AP in DR Congo, a journey I recount in my first memoir, Stringer.
"Congo is a tough place," he told me in Bunia, "not many people move here to report." I enjoyed reading a book by a reporter who wanted to help young stringers.
A deeply affecting memoir of a childhood in Africa and the continent's horrendous wars, which Hartley witnessed at first hand as a journalist in the 1990s. Shortlisted for the prestigious Samuel Johnson Prize for Non-fiction, this is a masterpiece of autobiographical journalism.
Aidan Hartley, a foreign correspondent, burned-out from the horror of covering the terrifying micro wars of the 1990s, from Rwanda to Bosnia, seeks solace and solitude in the remote mountains and deserts of southern Arabia and the Yemen, following his father's death. While there, he finds himself on the trail of the tragic story of an old friend…
I write about unusual places, unusual people, and unusual stories. Places, people, and stories that are rough, different, authentic, often forgotten, full of troubled history and a magical present.
The “other Naipaul”, the younger brother who died too young to compete with VS, managed to leave behind some extraordinary examples of his talent. North of South discovers what 'liberation', 'revolution,' and 'socialism' meant to the ordinary people of Africa and it is the book of a contrarian who, brutally honest to the point of being dismissive, travels across a continent on a brink of change, but instead of adopting the easy line of praising it explains why he is not impressed. If you like irony that verges into sarcasm, you can’t miss it.
In the 1970s Shiva Naipaul travelled to Africa, visiting Kenya, Tanzania and Zambia for several months. Through his experiences, the places he visited and his various encounters, he aimed to discover what 'liberation', 'revolution' and 'socialism' meant to the ordinary people. His journey of discovery is brilliantly documented in this intimate, comic and controversial portrayal of a continent on the brink of change.
I have learned about the nature of magic and the mythical firsthand. I have always been a seeker, fiercely curious and an avid reader to try to understand the world so as to find myself and my destiny. Wise women appeared to guide my path as I quested the heroine’s journey with its many helpers and spirits, its coincidences, and its marvels. When I dreamt about the Roma, I knew the story was important; I attended UCLA and got to work. My passion has never dwindled during the 20 years it took to manifest the Destiny's Consent book series.
I think more than anything, I loved the way she described everything. Her language is as if her words were first sent to her heart and then to her soul before they came onto the page. The warmth and the power are overwhelming in her style. It is obvious she loved grandly Africa and its denizens, and as a reader, I couldn’t help but feel the same.
I love heroines in exotic places and situations, especially if it is much of their own makings or seemingly destiny. This book is a memoir of a tomboy girl in East Africa, so even though it is all true, it feels epic.
I could really relate to Beryl as a girl with her animals. (Growing up, I loved and collected animals from nature, too.) Beryl grew up with a zebra for a pet, horses for friends, and, of course, the most loyal dog.…
WEST WITH THE NIGHT appeared on 13 bestseller lists on first publication in 1942. It tells the spellbinding story of Beryl Markham -- aviator, racehorse trainer, fascinating beauty -and her life in the Kenya of the 1920s and 30s.
Markham was taken to Kenya at the age of four. As an adult she was befriended by Denys Finch-Hatton, the big-game hunter of OUT OF AFRICA fame, who took her flying in his airplane. Thrilled by the experience, Markham went on to become the first woman in Kenya to receive a commercial pilot's license.
James Malloy is a ferry captain--or used to be, until he was unceremoniously fired and replaced by a "girl" named Courtney Farris. Now, instead of piloting Brenton Island’s daily lifeline to the glitzy docks of Newport, Rhode Island, James spends his days beached, bitter, and bored.
I am a social scientist who has been doing fieldwork and research in Africa since 1999. For me, there’s no more fascinating part of the planet – Africa is the cradle of civilization, more diverse than anywhere else and culturally and institutionally vibrant and creative. I have worked in Botswana, the Democratic Republic of Congo, Nigeria, Sierra Leone, South Africa and Zimbabwe investigating the determinants of political institutions and economic prosperity. I have taught courses on Africa at Harvard University, the University of Chicago, the University of Ghana at Legon and this summer the University of Nigeria in Nsukka.
It isn’t just African politics that is different. Economics is too. If modern economics had been invented by an African, instead of Adam Smith, it would look very different. Wealth would be measured in people rather than material objects, property, and capital. There would be much less emphasis on markets. Some things, should never be sold, and if they were it would create “bitter money” and bad luck. This book is a great place to start to re-think your ideas about economics.
“fascinating little book adds to the study of culture to political economy” MacGaffey ~Journal of Anthropological Research “presents fascinating material on beliefs about money in some Luo-speaking communities of Kenya… an insightful analysis… a case that will generate fruitful discussions for years to come” Ferguson ~American Ethnologist BITTER MONEY unites symbolic and economic analysis in exploring the beliefs about forbidden exchanges among the Luo of Kenya and other African peoples. Shipton's multi-paradigmatic theoretical explanation briefly summarizes a century of anthropological thought about African exchange, while integrating ways of understanding rural African economy, politics, and culture.
