Here are 100 books that The Distance Between Stars fans have personally recommended if you like
The Distance Between Stars.
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I write about unusual places, unusual people, and unusual stories. Places, people, and stories that are rough, different, authentic, often forgotten, full of troubled history and a magical present.
A novel that reads like a reportage, almost a documentary, on contemporary (the Nineties) life in Kenya for the small and influential (but not rich) community of “white Kenyans”: some native of Kenya, some adoptive sons and daughters of the country that invented the safari a century ago and that is the main hub for all news organizations in the continent. So, reporters, conservationists, dreamers, adventures, misfits, eccentrics populate this hugely evocative and partially autobiographical book that has some of the best “sound bites” on the question we are often asked: Why You Love Africa?
In the vast space of East Africa lives a close-knit tribe of expatriates. They all meet at dinner parties; they share the same doctors and eat at the same restaurants; they sleep with each other and take the same drugs.
Set in contemporary Nairobi, Rules of the Wild is at once a sharp-eyed dissection of white society in modern Kenya and the moving story of a young woman, Esme, struggling to make sense of her place in Africa, and her feelings for the two men she loves - Adam, a second generation Kenyan who is the first to show her…
I’ve been a journalist since high school and I spent 33 years as a reporter for The Washington Post, mostly as a foreign correspondent based in Asia, Africa, and Paris. My book Out Of America chronicled my three years as a correspondent in Africa during some of its most tumultuous events, the Somalia intervention, and the Rwanda genocide. I’ve always thought a well-crafted novel often captures a place or a time better than nonfiction — books like The Quiet American about the Vietnam War, and The Year of Living Dangerously about Indonesia. I now teach a university course on The Role of the Journalist in Popular Fiction, Film and Comics.
Okay, this fine novel is only partially set in Africa, in Uganda, where intrepid fictional journalist Daniel McFarland treks into the jungles to find and interview the leader of a rebel group based on the Lords Resistance Army. Told from the vantage point of world-weary photographer Nicky Bettencourt, the action later shift to East Timor during the fight for independence against Indonesia. This novel comes as close as any to describe the real lives of foreign correspondents — the unnecessary risks, the loneliness of life lived constantly on the road. It’s beautifully written, a good read, and reeks of authenticity.
Photojournalist Nicky Bettencourt thinks he's seen everything until he teams up with the legendary war correspondent Daniel McFarland. To Daniel, the story is everything; people come later. But after a plane crash nearly takes his life, Daniel begins to see the world in a different way. He falls in love with Julia Cadell, an idealistic British doctor, and together they find refuge at an old canal house in the center of London. Soon after, Nicky, Daniel, and Julia are called to East Timor, where the government has fled and the entire country is a war zone, and Daniel must decide…
I always wanted to be a spy, but as I scare easily and can’t keep a secret, it was never going to happen. My respect and fascination with the intelligence community has never abated however, and I will never pass up an opportunity to engage with spy-related content. From going to spy museums across the globe to attending lectures to watching the latest entertaining (and totally unrealistic) spy flick, I love it all. I channel that love into writing humorous spy novels that feature fun, fearless females and ripped-from-the-headlines scenarios.
I love this book because Wilkinson takes politics, race, romance, along with the good, the bad, and the ugly of the intelligence community and wraps it up in a bow of deeply evocative writing that kept me twisted up.
Just a quick teaser to show my love of her writing: “I unlocked the safe beneath my desk, grabbed my old service automatic, and crept toward my bedroom doorway, stealthy until I was brought to grief by a Lego Duplo that stung the sole of my foot.” [Insert sobbing emoji here for how much I love this line] Her writing had me jabbing my husband every few minutes, going, “Read this. READ THIS!”
I loved that each answer solved in the book simply raised more questions, and I was left wondering if the answers were even answers in the first place. The abrupt ending is the satisfyingly frustrating icing on the…
I’ve been a journalist since high school and I spent 33 years as a reporter for The Washington Post, mostly as a foreign correspondent based in Asia, Africa, and Paris. My book Out Of America chronicled my three years as a correspondent in Africa during some of its most tumultuous events, the Somalia intervention, and the Rwanda genocide. I’ve always thought a well-crafted novel often captures a place or a time better than nonfiction — books like The Quiet American about the Vietnam War, and The Year of Living Dangerously about Indonesia. I now teach a university course on The Role of the Journalist in Popular Fiction, Film and Comics.
This laugh-out-loud story of a bumbling British diplomat, Morgan Leafy, in the fictitious African country of Kinjanja evokes the immediate British post-colonial with a dark wit and a sense for the absurd. The colonial expats depicted in the book are all thoroughly dislikable, but as Leafy gets mired deeper and deeper into problems, I found myself rooting for him to find a way out. His characterisation of the expats and the locals, and the hilarious interactions between them, seem searingly accurate, probably because Boyd grew up in Nigeria and Ghana, giving him rich material for his first novel.
A funny first novel about the misadventures surrounding Morgan Leafy, a young, overweight, oversexed British diplomat in West Africa. The book won the 1981 Whitbread Literary Award and the 1982 Somerset Maugham Award.
I am a children’s author best known for digging up fascinating, often funny stories about famous people—and forgotten people who deserve to be famous again. I’ve written about kids who grew up to be great at everything from making movies to inventing a new language. I want readers to know there are lots of different ways to be smart, and that being “good with your hands” also means being good with your mind.
Galimoto is the story of a boy in Malawi who wants to make his own toy from scraps of wire. The story captivated me from the first lines, which perfectly capture a child’s feelings (“Kondi opened an old shoebox and looked inside. These were his things. They belonged to him.”). When Kondi’s older brother laughs and says he is too young to make a galimoto and doesn’t have enough wire, he says he will get it—and he does, with resourcefulness and perseverance. Anyone who reads this book will definitely want to make a galimoto of their own.
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“A joy to read aloud.” —New York Times Book Review
Kondi is determined to make a galimoto—a toy vehicle made of wires. His brother laughs at the idea, but all day Kondi goes about gathering up the wire he needs. By nightfall, his wonderful galimoto is ready for the village children to play with in the light of the moon.
This Reading Rainbow book is a school and library favorite that offers a view of life in the southeast African nation of Malawi, one of the world's least-developed nations.
Karen Lynn Williams, the award-winning author of such books as Baseball…
I am passionate about writing books for children that create windows to the world, teaching empathy. Children that are empathic grow up to be kind and compassionate adults. I write because I long for a world that is more accepting and compassionate.
Drought has hit a Malawi village and everyone’s crops are failing. Fourteen-year-old William Kamkwamba figures out how to bring electricity to the village by building a windmill out of scraps from a junkyard. I love this story because it highlights the importance of education, and along with determination, William was able to build this windmill bringing electricity which helped lift this community up and bring hope. Education is the best way to lift communities up from poverty. Elizabeth Zunon provides gorgeous illustrations that enhance the text.
When a terrible drought struck William Kamkwamba's tiny village in Malawi, his family lost all of the season's crops, leaving them with nothing to eat and nothing to sell. William began to explore science books in his village library, looking for a solution. There, he came up with the idea that would change his family's life forever: he could build a windmill. Made out of scrap metal and old bicycle parts, William's windmill brought electricity to his home and helped his family pump the water they needed to farm the land. Retold for a younger audience, this exciting memoir shows…
My only expertise is my enthusiasm for African travel. I’ve visited twenty countries, Morocco to Madagascar, the Great Lakes to the Skeleton Coast, for (I hope) my next book. You can read about a few of my African adventures, like crossing Lake Malawi, hurrying through Namibia, sailing to St. Helena Island, and witnessing the mass wildebeest migration, in my other books. Experiencing African culture, nature and wildlife is the most fun I’ve ever had, anytime, anywhere. By all means, if you can, go!
Malawi is gorgeous, inexpensive, and way under-visited. Laurens van der Post, a Bloomsbury socialite as a young man, World War Two POW, and then apartheid critic, travels ‘by aeroplane‘ across Nyasaland (present-day Malawi) in the early 1950s. Perhaps a few who have heard of Malawi know of its sprawling lake, but how many know of its majestic peaks? Van der Post’s evocation of those highlands compares with Hemingway’s Spain in For Whom the Bell Tolls. Likewise, Venture to the Interior doesn’t have a happy ending.
Summoned to Whitehall in 1949, Laurens van der Post was told that in old British Central Africa there were two large tracts of country that London didn't really know anything about, and could he go in there on foot and take a look, please? Venture to the Interior is the account of that journey, a journey filled with adventure and discovery, flying from London across Europe and Africa, and after days in small aircraft, on foot across the mountains to the two lost worlds of central Africa.
I am an African Australian writer and have a deep passion for black people's stories. I write across genres and forms, and my award-winning works are mostly Afrocentric. I have a master's degree in distributed computer systems, with distinction, a master's degree in creative writing, and a PhD in creative writing. I am especially curious about unique voices in black speculative fiction in transformative stories of culture, diversity, climate change, writing the other, and betwixt. I am an author of several novels and fiction collections, and a finalist in the 2022 World Fantasy Award. I was announced in the honor list of the 2022 Otherwise Fellowships for ‘doing exciting work in gender and speculative fiction’.
Dominion is a unique black speculative fiction that integrates stories from prominent voices from Africa and the diaspora, including Suyi Davies Okungbowa, Dare Segun Falowo, Mame Bougouma Diene, Dilma Dila, and more. Featuring a foreword by Tananarive Due, the award-winning anthology offers African spirituality, magical realism, Afrofuturistic stories, dystopian worlds and tales that confront in many ways colonialism, social injustice, and capitalism.
Dominion is the first anthology of speculative fiction and poetry by Africans and the African Diaspora. An old god rises up each fall to test his subjects. Once an old woman's pet, a robot sent to mine an asteroid faces an existential crisis. A magician and his son time-travel to Ngoni country and try to change the course of history. A dead child returns to haunt his grieving mother with terrifying consequences. Candace, an ambitious middle manager, is handed a project that will force her to confront the ethical ramifications of her company's latest project—the monetization of human memory. Osupa,…
I have written 60 books over the past 20 years. My titles include picture books, poetry books, and dozens of nonfiction books covering a wide range of history and social studies topics. My picture books deal with concepts such as counting and colors. I enjoy rhyming and wordplay and conveying ideas in simple terms.
An outgrowth of the 1619 project, this masterful picture book traces a family’s roots from Africa through generations of enslavement in the United States to today. A young girl’s grandmother tells stories in the form of poems that convey joy, terror, heartache, persecution, struggle, and triumph. Illustrations move from light during the times in Africa to dark during the decades of enslavement and back to light in the present. The book ends on a positive note with the girl drawing an American flag—the flag of the country that her ancestors helped build and “that I will help build, too.”
The 1619 Project's lyrical picture book in verse chronicles the consequences of slavery and the history of Black resistance in the United States, thoughtfully rendered by Pulitzer Prize-winning journalist Nikole Hannah-Jones and Newbery honor-winning author Renee Watson.
A young student receives a family tree assignment in school, but she can only trace back three generations. Grandma gathers the whole family, and the student learns that 400 years ago, in 1619, their ancestors were stolen and brought to America by white slave traders. But before that, they had a home, a land, a language. She learns how the people said to…
I spent much of my twenties traveling, teaching, and writing in Asia, and ever since I’ve passionately searched out good novels that transport me into another culture, often another time. On author visits to schools across the U.S., I’ve talked with hundreds of young readers who are curious about the world but are caught up in the right-now intensity of their own lives. In writing Street of Storytellers,I sought to connect with that intensity—and through that connection to bring readers into a vivid experience that opens a window onto the history, humanity, and shared struggles that are out there to discover in the world.
Thirteen-year-old Clare is a doctor’s daughter whose mom died last year. She joins her dad for two months in a jungly rural district deep in Malawi, where he works for a medical charity and she attends a local school. Claire is deep in her grief—but in Mzanga Village Primary she makes deep connections, then has to confront heartbreak all over again. It’s funny and inspiring to witness the ways the village kids cope with privations and challenges far beyond any Clare has ever known. Burg’s characters rise easily from her pages to life; and her novel pries open our hearts, even just a little, right along with Clare’s.
Laugh with the Moon is on the Texas Bluebonnet Award Master List.
Thirteen-year-old Clare Silver is stuck. Stuck in denial about her mother’s recent death. Stuck in the African jungle for sixty-four days without phone reception. Stuck with her father, a doctor who seems able to heal everyone but Clare. Clare feels like a fish out of water at Mzanga Full Primary School, where she must learn a new language. Soon, though, she becomes immersed in her new surroundings and impressed with her fellow students, who are crowded into a tiny space, working on the floor among roosters and centipedes.…
