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My only expertise is my enthusiasm for African travel. I’ve visited twenty countries, Morocco to Madagascar, the Great Lakes to the Skeleton Coast, for (I hope) my next book. You can read about a few of my African adventures, like crossing Lake Malawi, hurrying through Namibia, sailing to St. Helena Island, and witnessing the mass wildebeest migration, in my other books. Experiencing African culture, nature and wildlife is the most fun I’ve ever had, anytime, anywhere. By all means, if you can, go!
Ms. Winternitz and Timothy Phelps traveled by local barge 2,000 miles up the Congo River in then-Zaire in 1983, living all the exotica, intrigue, and utter terror you’ve always imagined about the steamy African interior, with a requisite dose of political peril at the hands of Mobutu Sese Seko’s secret police. The Congo (river, country, jungle) is so fabled as opaque and impassable that it has spawned a mini-proliferation of titles.
In this brilliant mix of political journalism and travel writing, Helen Winternitz and fellow journalist Timothy Phelps witness what few Westerners have: life in the ecologically rich but financially impoverished American-backed dictatorship of Zaire, the former Belgian Congo.
My only expertise is my enthusiasm for African travel. I’ve visited twenty countries, Morocco to Madagascar, the Great Lakes to the Skeleton Coast, for (I hope) my next book. You can read about a few of my African adventures, like crossing Lake Malawi, hurrying through Namibia, sailing to St. Helena Island, and witnessing the mass wildebeest migration, in my other books. Experiencing African culture, nature and wildlife is the most fun I’ve ever had, anytime, anywhere. By all means, if you can, go!
There are different kinds of adventure. Safe to say the life of a CIA operative in raw, post-colonial Africa, who is charged with countering his Cold War rival the Soviet Union, must have been unique. Devlin portrays himself as a free-wheeling rogue playing fast and loose with the law (such as it was in 1960s Congo), and even with the life of murdered independence Prime Minister Patrice Lumumba. It makes for exciting reading, even if not all of it is completely true.
Larry Devlin arrived as the new chief of station for the CIA in the Congo five days after the country had declared its independence, the army had mutinied, and governmental authority had collapsed. As he crossed the Congo River in an almost empty ferry boat, all he could see were lines of people trying to travel the other way,out of the Congo. Within his first two weeks he found himself on the wrong end of a revolver as militiamen played Russian-roulette, Congo style, with him. During his first year, the charismatic and reckless political leader, Patrice Lumumba, was murdered and…
My only expertise is my enthusiasm for African travel. I’ve visited twenty countries, Morocco to Madagascar, the Great Lakes to the Skeleton Coast, for (I hope) my next book. You can read about a few of my African adventures, like crossing Lake Malawi, hurrying through Namibia, sailing to St. Helena Island, and witnessing the mass wildebeest migration, in my other books. Experiencing African culture, nature and wildlife is the most fun I’ve ever had, anytime, anywhere. By all means, if you can, go!
Harms catches you up in the grand sweep of African history with two convergent tours d’horizon, both the better known European exploration of the African west coast (and early European incursions into the continent from there), and the eastern, Arabian incursions, with a good discussion of where the twain did meet.
In January 1885, the powers of Europe gathered in Berlin to set ground rules for dividing Africa and its lucrative natural resources among themselves. In the years that followed, they rapidly laid claim to nearly all of the continent. Africa's division and conquest might appear today to have been inevitable. But the outcome was far from certain. Drawing upon decades of research, esteemed historian Robert Harms shows how outsiders from Europe, America, and the Arab world competed for resources, money, fame, and power in the Congo rainforest. Reconstructing this chaotic process, Land of Tears provides a comprehensive depiction of how…
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
I studied reporters' memoirs of Africa for my PhD in journalism at the University of East Anglia, under Giles Foden, author of The Last King of Scotland. I was fascinated by how foreign correspondents are aided by local reporters, who unfortunately often don’t receive much credit or commensurate pay for their contributions to international news. This inequality is changing, but not quickly enough, and it affects the kinds of news that we all receive, and how western lives, for example, are often respected more than others.
I promised my publisher, who edited Kapuscinski, a book as elemental, pure, and wild as Kapuscinski's seminal account of the Angolan independence struggle in 1975.
Though I’m not sure I succeeded, Breakup is that book.
I was inspired by this classic of reportage for its simple and profound observations of the city, and countryside, trying to make sense of the chaos and what Angolans, in Portuguese, called confusão.
In 1975, Angola was tumbling into pandemonium; everyone who could was packing crates, desperate to abandon the beleaguered colony. With his trademark bravura, Ryszard Kapuscinski went the other way, begging his was from Lisbon and comfort to Luanda—once famed as Africa's Rio de Janeiro—and chaos.Angola, a slave colony later given over to mining and plantations, was a promised land for generations of poor Portuguese. It had belonged to Portugal since before there were English-speakers in North America. After the collapse of the fascist dictatorship in Portugal in 1974, Angola was brusquely cut loose, spurring the catastrophe of a still-ongoing civil…
I am a children’s author best known for digging up fascinating, often funny stories about famous people—and forgotten people who deserve to be famous again. I’ve written about kids who grew up to be great at everything from making movies to inventing a new language. I want readers to know there are lots of different ways to be smart, and that being “good with your hands” also means being good with your mind.
Galimoto is the story of a boy in Malawi who wants to make his own toy from scraps of wire. The story captivated me from the first lines, which perfectly capture a child’s feelings (“Kondi opened an old shoebox and looked inside. These were his things. They belonged to him.”). When Kondi’s older brother laughs and says he is too young to make a galimoto and doesn’t have enough wire, he says he will get it—and he does, with resourcefulness and perseverance. Anyone who reads this book will definitely want to make a galimoto of their own.
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“A joy to read aloud.” —New York Times Book Review
Kondi is determined to make a galimoto—a toy vehicle made of wires. His brother laughs at the idea, but all day Kondi goes about gathering up the wire he needs. By nightfall, his wonderful galimoto is ready for the village children to play with in the light of the moon.
This Reading Rainbow book is a school and library favorite that offers a view of life in the southeast African nation of Malawi, one of the world's least-developed nations.
Karen Lynn Williams, the award-winning author of such books as Baseball…
I am passionate about writing books for children that create windows to the world, teaching empathy. Children that are empathic grow up to be kind and compassionate adults. I write because I long for a world that is more accepting and compassionate.
Drought has hit a Malawi village and everyone’s crops are failing. Fourteen-year-old William Kamkwamba figures out how to bring electricity to the village by building a windmill out of scraps from a junkyard. I love this story because it highlights the importance of education, and along with determination, William was able to build this windmill bringing electricity which helped lift this community up and bring hope. Education is the best way to lift communities up from poverty. Elizabeth Zunon provides gorgeous illustrations that enhance the text.
When a terrible drought struck William Kamkwamba's tiny village in Malawi, his family lost all of the season's crops, leaving them with nothing to eat and nothing to sell. William began to explore science books in his village library, looking for a solution. There, he came up with the idea that would change his family's life forever: he could build a windmill. Made out of scrap metal and old bicycle parts, William's windmill brought electricity to his home and helped his family pump the water they needed to farm the land. Retold for a younger audience, this exciting memoir shows…
Benghazi: A New History is a look back at the enigmatic 2012 attack on the US mission in Benghazi, Libya, its long-tail causes, and devastating (and largely unexamined) consequences for US domestic politics and foreign policy. It contains information not found elsewhere, and is backed up by 40 pages of…
I’ve been a journalist since high school and I spent 33 years as a reporter for The Washington Post, mostly as a foreign correspondent based in Asia, Africa, and Paris. My book Out Of America chronicled my three years as a correspondent in Africa during some of its most tumultuous events, the Somalia intervention, and the Rwanda genocide. I’ve always thought a well-crafted novel often captures a place or a time better than nonfiction — books like The Quiet American about the Vietnam War, and The Year of Living Dangerously about Indonesia. I now teach a university course on The Role of the Journalist in Popular Fiction, Film and Comics.
This sleeper of a novel creates the fictional East African country of Umbika, with its charismatic strongman who everyone refers to as “His Excellency, the Life President”, in a thinly veiled resemblance to Malawi under the dictatorship of the late Hastings Banda. Small wonder for the comparison, since the author was a foreign service officer in Malawi before turning full-time to writing. The journalist in this fast-paced story is an outspoken African-American activist and columnist named Maurice Hightower, and the story revolves around the career American diplomat, Joe Kellerman, who gets the unwanted job of escorting Hightower around Umbika in the middle of an escalating civil war.
The Distance between Stars is the story of two Americans divided by history and skin color. Joe Kellerman, white, is an accomplished diplomat who has spent his career solving difficult problems in sub-Saharan countries. Maurice Hightower, black, is a prize-winning but controversial journalist who has spent his life exposing injustice in the United States. During a fact-finding trip to an African country that is quickly sliding towards civil war, and where the U.S. government is accused of supporting the increasingly violent opposition, Hightower travels alone into the bush and then disappears. The dangerous assignment of finding the missing man and…
I spent much of my twenties traveling, teaching, and writing in Asia, and ever since I’ve passionately searched out good novels that transport me into another culture, often another time. On author visits to schools across the U.S., I’ve talked with hundreds of young readers who are curious about the world but are caught up in the right-now intensity of their own lives. In writing Street of Storytellers,I sought to connect with that intensity—and through that connection to bring readers into a vivid experience that opens a window onto the history, humanity, and shared struggles that are out there to discover in the world.
Thirteen-year-old Clare is a doctor’s daughter whose mom died last year. She joins her dad for two months in a jungly rural district deep in Malawi, where he works for a medical charity and she attends a local school. Claire is deep in her grief—but in Mzanga Village Primary she makes deep connections, then has to confront heartbreak all over again. It’s funny and inspiring to witness the ways the village kids cope with privations and challenges far beyond any Clare has ever known. Burg’s characters rise easily from her pages to life; and her novel pries open our hearts, even just a little, right along with Clare’s.
Laugh with the Moon is on the Texas Bluebonnet Award Master List.
Thirteen-year-old Clare Silver is stuck. Stuck in denial about her mother’s recent death. Stuck in the African jungle for sixty-four days without phone reception. Stuck with her father, a doctor who seems able to heal everyone but Clare. Clare feels like a fish out of water at Mzanga Full Primary School, where she must learn a new language. Soon, though, she becomes immersed in her new surroundings and impressed with her fellow students, who are crowded into a tiny space, working on the floor among roosters and centipedes.…
By Bruce Bueno de Mesquita And Alastair Smith
Author
Why am I passionate about this?
Bruce Bueno de Mesquita and Alastair Smith are professors of politics at New York University. They use the mathematical approach of game theory to understand the incentives of leaders in different settings. The Dictator’s Handbook distills decades of academic work into a few essential rules that encapsulate how leaders come to power and remain there.
The breadth of Meredith’s book makes it a true masterpiece. He covers the political history of virtually every African state from independence through the end of the century. Each chapter is as compelling as it is brutal.
First published in 2005, The Fate of Africa was hailed by reviewers as "A masterpiece....The nonfiction book of the year" ( The New York Post ) "a magnificent achievement" ( Weekly Standard ) "a joy," ( Wall Street Journal ) and "one of the decade's most important works on Africa" ( Publishers Weekly , starred review). Now Martin Meredith has revised this classic history to incorporate important recent developments, including the Darfur crisis in Sudan, Robert Mugabe's continued destructive rule in Zimbabwe, controversies over Western aid and exploitation of Africa's resources, the growing importance and influence of China, and the…
At the age of forty-nine, Laurie Woodford rents out her house, packs her belongings into two suitcases, and leaves her life in upstate New York to relocate to Seoul, South Korea. What begins as an opportunity to teach college English in Asia evolves into a nomadic adventure.
For fifty years I have studied and taught the history of Africa, which makes me about the luckiest guy around. My focus has been on Southern Africa, and especially Zambia, Zimbabwe, and South Africa. Aside from the fantastic physical beauty, the region attracts because of the comparability of its history and experience with that of the United States at many points: for instance, a colonial past, systems of slavery, and fraught [to say the least] racial dynamics. I have enjoyed 23 journeys or lengthier sojourns in Southern Africa, and have taught at five universities, including North Carolina State, Duke, and the University of Zimbabwe as a Fulbright Lecturer.
Move Your Shadow is a masterpiece of reportage. Lelyveld, a former executive editor of the New York Times, spent considerable periods in apartheid South Africa in both the 1960s and the 1980s. The sixties was the period of “baaskap”—“bosshood” apartheid, when the perverse racist cruelties of the system were imposed with a sledgehammer. I would call the eighties the era of “facelift” apartheid—why, the word was hardly used by the regime anymore.
To paraphrase Gramsci, the old world was dying, a new one struggled to be born. Monsters abounded. Nobody captured the period better than Lelyveld. The chapter on Philip Kgosana, the idealist who led Cape Town demonstrations in 1960—at age 19—was betrayed by the state, and wound up in exile in Sri Lanka—is worth the price of the book.
Drawing on his tours in South Africa as a correspondent for the "New York Times," the author details the absurdities, rationalizations, inequities, and cruelties of apartheid, showing what it means to suffer and survive under the restrictions of racial separation
