I moved from Germany to Botswana when I was a fledgling translator and then on to South Africa 2 years later. I fell in love with this part of Africa that had a hand in making me the person I am today. Since I used to travel a lot, not all of my books are set in Southern Africa, but I have a passion for sharing my African stories with the world. My latest project is the Charlie Proudfoot murder mystery series, which is set in South Africa. Being a translator, I also translate books into German/English and four of them so far, are my own.
When I moved to Botswana, I wanted to learn more about the country, where I should live for more than 2 years. Somebody gave me books by Bessie Head and I learned so much by just reading these books. Maru was not the only book I’d read by Bessie Head, but it was one of the best books on Botswana.
Read worldwide for her wisdom, authenticity, and skillful prose, South African–born Bessie Head (1937–1986) offers a moving and magical tale of an orphaned girl, Margaret Cadmore, who goes to teach in a remote village in Botswana where her own people are kept as slaves. Her presence polarizes a community that does not see her people as human, and condemns her to the lonely life of an outcast. In the love story and intrigue that follows, Head brilliantly combines a portrait of loneliness with a rich affirmation of the mystery and spirituality of life. The core of this otherworldly, rhapsodic work…
I am a historian of modern Germany at Vanderbilt University and have followed this field for more than thirty years. After a bit of respite, interest in Imperial Germany is suddenly chic again, as 2021 Germany looks back on the past 150 years of its unification in 1871. These five books, all published since 2000, are major recent contributions to the history of Imperial Germany’s prewar period; they also raise questions about the extent to which this conflict-ridden era represents a distant if imperfect mirror for our own contentious times.
A brand-new gripping, revealing history of German colonialism, focused on the brutal diamond trade in Southwest Africa on the eve of World War I. With pellucid prose, Press tells how the Germans cordoned off a so-called “forbidden zone,” behind which rapacious explorers, colonial authorities, miners, and businessmen carted off these precious, if largely useless rocks, for which there was a huge, artificially created demand, especially in the United States.
Diamonds have long been bloody. A new history shows how Germany's ruthless African empire brought diamond rings to retail display cases in America-at the cost of African lives.
Since the late 1990s, activists have campaigned to remove "conflict diamonds" from jewelry shops and department stores. But if the problem of conflict diamonds-gems extracted from war zones-has only recently generated attention, it is not a new one. Nor are conflict diamonds an exception in an otherwise honest industry. The modern diamond business, Steven Press shows, owes its origins to imperial wars and has never escaped its legacy of exploitation.
I was born into a third-generation white South African family. I came to Europe at the age of 18 to pursue a career as a ballet dancer and became interested in liberation politics in the 1960s, working for some years for the Anti-Apartheid Movement in London. It almost goes without saying that Black Africans should be at the centre of books about Africa. In an era in which the slogan ‘Black Lives Matter’ has gained so much acceptance, it seems almost quixotic to focus on white Africans. However, this is a fascinating group of people who have made a notable contribution to the continent, winning thirteen of the twenty-eight Nobel Prizes awarded to Africans.
This book, which was published in 1952, is about a young white woman living in what was then the British colony of Southern Rhodesia (now Zimbabwe). I loved the way in which it captured the rather trapped feelings of a very young woman eager to escape the constraints of what she was experiencing as a highly restricted and narrow life. I always looked at Doris Lessing’s writings in a rather personal way because her daughter, Jean Wisdom, was in my class at school in Cape Town. Although we knew that her mother was a writer of some note, we had no inkling that she would ultimately win a Nobel prize for literature
The first book in the "Children of Violence" series, a quintet of novels tracing the life of Martha Quest from her childhood in colonial Africa through to old age in a post-nuclear Britain. The other novels are "A Proper Marriage", "A Ripple from the Storm", "Landlocked" and "The Four-Gated City".
Most motorcycle travellers spend months planning their trips but I took off on a whim having been lured by romance and tales of the open road. When my conventional life fell apart, I surprised even myself by flying to India and buying a brand new 500cc Enfield Bullet motorcycle and began my haphazard global wanderings learning to trust that the world I had been told was a dangerous place, wasn't at all (except for a couple of occasions at sea!) I liked the meandering life so much, it became a way of life.
Some motorcycle travel books say little about the motorbike itself but I like the nuts and bolts in a story of this genre. This book is very much about the bike. Steve’s Ariel was fifty-five years old and he was sixty-six when he embarked on his trip from Capetown to South Luangwa. I identified with Steve; neither of us had any modern gadgetry nor much in the way of mechanical expertise, therefore we both discovered new levels of patience and were blessed with experiencing people’s generosity in a different culture together with spectacular scenery. Like me, he thought of himself and his motorbike as ‘we’; when you travel solo, it is like a partnership. There’s nothing like travelling with a classic motorcycle as your (sometimes frustrating!) companion.
When classic motorcycle author Steve Wilson planned his 6,000-mile ride through Africa, perhaps his last real run on two wheels before the bus pass took over, the journey sounded challenging enough - just two Brits on 1950s Ariels, using their own resources to survive life on the wild roads. It became even more hair-raising when events meant he would have to do the ride solo. In this moving account Steve chronicles the entire experience: bike preparation, organisation, mechanical mayhem, personal discovery and - one of the reasons for the trip - raising a cheque for GBP2,000 for a small school…
I moved from Germany to Botswana when I was a fledgling translator, and then on to South Africa 2 years later. I fell in love with this part of Africa that had a hand in making me the person I am today. Since I used to travel a lot, not all of my books are set in Southern Africa, but I have a passion for sharing my African stories with the world, and in a few of my novels, I include African wildlife in the storyline. Being a translator, I also translate books into German/English, and four of my own books - so far - are also available in German.
I don’t remember if there is actual wildlife in this book (apart from a dog), but nature plays a big part in the story. It was one of the first novels about Africa I read and it moved me deeply. Doris Lessing has written quite a few books about Africa, some political, others with a focus on the land, its people, and nature. She grew up in Zimbabwe (which was called Rhodesia back then) and is an award-winning author. I had to include at least one of her books in my list, so there.
The Nobel Prize-winner Doris Lessing's first novel is a taut and tragic portrayal of a crumbling marriage, set in South Africa during the years of Arpartheid.
Set in Rhodesia, 'The Grass is Singing' tells the story of Dick Turner, a failed white farmer and his wife, Mary, a town girl who hates the bush and viciously abuses the black South Africans who work on their farm. But after many years, trapped by poverty, sapped by the heat of their tiny house, the lonely and frightened Mary turns to Moses, the black cook, for kindness and understanding.
For fifty years I have studied and taught the history of Africa, which makes me about the luckiest guy around. My focus has been on Southern Africa, and especially Zambia, Zimbabwe, and South Africa. Aside from the fantastic physical beauty, the region attracts because of the comparability of its history and experience with that of the United States at many points: for instance, a colonial past, systems of slavery, and fraught [to say the least] racial dynamics. I have enjoyed 23 journeys or lengthier sojourns in Southern Africa, and have taught at five universities, including North Carolina State, Duke, and the University of Zimbabwe as a Fulbright Lecturer.
Move Your Shadow is a masterpiece of reportage. Lelyveld, a former executive editor of the New York Times, spent considerable periods in apartheid South Africa in both the 1960s and the 1980s. The sixties was the period of “baaskap”—“bosshood” apartheid, when the perverse racist cruelties of the system were imposed with a sledgehammer. I would call the eighties the era of “facelift” apartheid—why, the word was hardly used by the regime anymore.
To paraphrase Gramsci, the old world was dying, a new one struggled to be born. Monsters abounded. Nobody captured the period better than Lelyveld. The chapter on Philip Kgosana, the idealist who led Cape Town demonstrations in 1960—at age 19—was betrayed by the state, and wound up in exile in Sri Lanka—is worth the price of the book.
Drawing on his tours in South Africa as a correspondent for the "New York Times," the author details the absurdities, rationalizations, inequities, and cruelties of apartheid, showing what it means to suffer and survive under the restrictions of racial separation
I moved from Germany to Botswana when I was a fledgling translator and then on to South Africa 2 years later. I fell in love with this part of Africa that had a hand in making me the person I am today. Since I used to travel a lot, not all of my books are set in Southern Africa, but I have a passion for sharing my African stories with the world. My latest project is the Charlie Proudfoot murder mystery series, which is set in South Africa. Being a translator, I also translate books into German/English and four of them so far, are my own.
Talk of the Town is a collection of short stories. Although the author describes foreigners in South Africa and has a political slant, he is not preachy like many other books on such topics. His style is quite witty, observant, and informative from his point of view. All qualities that I admire in a writer.
In my work as a news reporter and war correspondent, I met people on the worst day of their lives. I always wondered: What now? How will they get on with life? My own parents faced that dreadful dilemma. Penniless refugees, their families murdered in the Holocaust, unemployed in London, how on earth did they find the strength to carry on? One day at a time, they just did what they had to do. That is the subject of my fiction, always trying to answer that existential question: How do we live with trauma, and still find love and happiness?
A beautifully intertwined story of the decline of a man and the parallel decline of a nation, Zimbabwe, which pivots into an entirely new story: the author’s dying Christian British father was actually a Polish Jew, born Kazimierz Goldfarb, whose family was killed in Treblinka concentration camp.
Godwin’s story is ultimately inspiring and uplifting as he comes to terms with his family’s past while building his own future in his new country.
Peter Godwin, an award-winning writer, is on assignment in Zululand when he is summoned by his mother to Zimbabwe, his birthplace. His father is seriously ill; she fears he is dying. Godwin finds his country, once a post-colonial success story, descending into a vortex of violence and racial hatred.
His father recovers, but over the next few years Godwin travels regularly between his family life in Manhattan and the increasing chaos of Zimbabwe, with its rampant inflation and land seizures making famine a very real prospect. It is against this backdrop that Godwin discovers a fifty-year-old family secret, one which…
I guess it would be true to say I am one of the first generation of white, English-speaking South Africans who identify as African. I got that red dust in my veins at an early age, and it hit me hard. I have spent almost all my professional life as a travel journalist and writer of natural history books, all about South Africa and beyond. I have traveled the world, but I really only love and can live in this place. Also, it’s the only place I ever want to write about. So, as you can guess, I like to read about it too. And I hope you do as much.
I loved this book because, although we have another, more celebrated writer in the genre of magical realism, I think this is better than the other, which garnered that author a Nobel Prize. And by the way, that is “Sir” Anthony Sher to me and you (and with good reason). Cape Town-born Sher–descended from Lithuanian religious refugees in the late C1–gained fame as a lead male actor in the Royal Shakespeare Company.
The book is an allegory of South African race relations, in which a Lithuanian refugee, Smous (Dutch for traveling salesman), is ordained to travel the South African wastelands with a San (Bushman) woman. Neither can speak the other’s language or English, which, of course, sets up any number of hilariously deplorable situations. It is comedy, tragedy, and farce, set in a mythological South African of the past. It is spell-weaving and spell-binding.
Fleeing pogroms in his native Lithuania, a young man named Smous arrives in Cape Town in 1901, determined to travel to the interior city of Calyinia but temporarily sidetracked in the isolated settlement of Middlepost
I am a South African travel writer and novelist with a particular passion for the sublime landscape, wildlife, oceans, and wilderness of our corner of Africa. Growing up in Cape Town, I have spent the last 25 years travelling around the subcontinent writing and photographing for travel and wildlife magazines, and writing books about the landscape and its people. My two latest novels are set in the Cape, and although they are World War II adventure stories, they are also celebrations of our unique coastline, maritime culture, and the oceans that wash our shores. All my writing, whether fiction or non-fiction, ends up being a love letter to the landscape.
This South African classic, written in the 19th century, is set on an isolated farm in the Eastern Cape. It masterfully portrays the hardy existence and rugged mountain landscape of the region, but is also a sophisticated (and surprisingly modern) take on issues such as conservation, ecology, racism, and gender equality. Schreiner has a deep love for the fauna and flora of the region, which shines through in her writing.
Lyndall, Schreiner's articulate young feminist, marks the entry of the controversial New Woman into nineteenth-century fiction. Raised as an orphan amid a makeshift family, she witnesses an intolerable world of colonial exploitation. Desiring a formal education, she leaves the isolated farm for boarding school in her early teens, only to return four years later from an unhappy relationship. Unable to meet the demands of her mysterious lover, Lyndall retires to a house in Bloemfontein, where, delirious with exhaustion, she is unknowingly tended by an English farmer disguised as her female nurse. This is the devoted Gregory Rose, Schreiner's daring embodiment…
