Here are 100 books that A Good Man in Africa fans have personally recommended if you like
A Good Man in Africa.
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The list reflects my interest in history and my own recollections of the days before the current era of mass tourism and online globalisation. I confess to a feeling of painful nostalgia for a time when we all had a very different worldview, and these books are all of that period. They feature temporal grief for an age that has passed. They are all highly readable books by writers at the top of their game.
Every young man’s dream of living on a Greek island in the 60s before the tourist invasion ruined the idyll forever.
The antiquity, the sun, the resin-flavoured wine, the turquoise sea, and the sweetness of the islanders’ welcome is the background to a tale of mystery and magic, sexual promise and deadly intrigue.
This book changed my life. I went to the islands as soon as I could after reading The Magus, and sixty years later wish myself still there.
The Magus is the story of Nicholas Urfe, a young Englishman who accepts a teaching assignment on a remote Greek island. There his friendship with a local millionaire evolves into a deadly game, one in which reality and fantasy are deliberately manipulated, and Nicholas must fight for his sanity and his very survival.
I write about unusual places, unusual people, and unusual stories. Places, people, and stories that are rough, different, authentic, often forgotten, full of troubled history and a magical present.
A novel that reads like a reportage, almost a documentary, on contemporary (the Nineties) life in Kenya for the small and influential (but not rich) community of “white Kenyans”: some native of Kenya, some adoptive sons and daughters of the country that invented the safari a century ago and that is the main hub for all news organizations in the continent. So, reporters, conservationists, dreamers, adventures, misfits, eccentrics populate this hugely evocative and partially autobiographical book that has some of the best “sound bites” on the question we are often asked: Why You Love Africa?
In the vast space of East Africa lives a close-knit tribe of expatriates. They all meet at dinner parties; they share the same doctors and eat at the same restaurants; they sleep with each other and take the same drugs.
Set in contemporary Nairobi, Rules of the Wild is at once a sharp-eyed dissection of white society in modern Kenya and the moving story of a young woman, Esme, struggling to make sense of her place in Africa, and her feelings for the two men she loves - Adam, a second generation Kenyan who is the first to show her…
I’ve been a journalist since high school and I spent 33 years as a reporter for The Washington Post, mostly as a foreign correspondent based in Asia, Africa, and Paris. My book Out Of America chronicled my three years as a correspondent in Africa during some of its most tumultuous events, the Somalia intervention, and the Rwanda genocide. I’ve always thought a well-crafted novel often captures a place or a time better than nonfiction — books like The Quiet American about the Vietnam War, and The Year of Living Dangerously about Indonesia. I now teach a university course on The Role of the Journalist in Popular Fiction, Film and Comics.
Okay, this fine novel is only partially set in Africa, in Uganda, where intrepid fictional journalist Daniel McFarland treks into the jungles to find and interview the leader of a rebel group based on the Lords Resistance Army. Told from the vantage point of world-weary photographer Nicky Bettencourt, the action later shift to East Timor during the fight for independence against Indonesia. This novel comes as close as any to describe the real lives of foreign correspondents — the unnecessary risks, the loneliness of life lived constantly on the road. It’s beautifully written, a good read, and reeks of authenticity.
Photojournalist Nicky Bettencourt thinks he's seen everything until he teams up with the legendary war correspondent Daniel McFarland. To Daniel, the story is everything; people come later. But after a plane crash nearly takes his life, Daniel begins to see the world in a different way. He falls in love with Julia Cadell, an idealistic British doctor, and together they find refuge at an old canal house in the center of London. Soon after, Nicky, Daniel, and Julia are called to East Timor, where the government has fled and the entire country is a war zone, and Daniel must decide…
I’ve been a journalist since high school and I spent 33 years as a reporter for The Washington Post, mostly as a foreign correspondent based in Asia, Africa, and Paris. My book Out Of America chronicled my three years as a correspondent in Africa during some of its most tumultuous events, the Somalia intervention, and the Rwanda genocide. I’ve always thought a well-crafted novel often captures a place or a time better than nonfiction — books like The Quiet American about the Vietnam War, and The Year of Living Dangerously about Indonesia. I now teach a university course on The Role of the Journalist in Popular Fiction, Film and Comics.
This sleeper of a novel creates the fictional East African country of Umbika, with its charismatic strongman who everyone refers to as “His Excellency, the Life President”, in a thinly veiled resemblance to Malawi under the dictatorship of the late Hastings Banda. Small wonder for the comparison, since the author was a foreign service officer in Malawi before turning full-time to writing. The journalist in this fast-paced story is an outspoken African-American activist and columnist named Maurice Hightower, and the story revolves around the career American diplomat, Joe Kellerman, who gets the unwanted job of escorting Hightower around Umbika in the middle of an escalating civil war.
The Distance between Stars is the story of two Americans divided by history and skin color. Joe Kellerman, white, is an accomplished diplomat who has spent his career solving difficult problems in sub-Saharan countries. Maurice Hightower, black, is a prize-winning but controversial journalist who has spent his life exposing injustice in the United States. During a fact-finding trip to an African country that is quickly sliding towards civil war, and where the U.S. government is accused of supporting the increasingly violent opposition, Hightower travels alone into the bush and then disappears. The dangerous assignment of finding the missing man and…
I always wanted to be a spy, but as I scare easily and can’t keep a secret, it was never going to happen. My respect and fascination with the intelligence community has never abated however, and I will never pass up an opportunity to engage with spy-related content. From going to spy museums across the globe to attending lectures to watching the latest entertaining (and totally unrealistic) spy flick, I love it all. I channel that love into writing humorous spy novels that feature fun, fearless females and ripped-from-the-headlines scenarios.
I love this book because Wilkinson takes politics, race, romance, along with the good, the bad, and the ugly of the intelligence community and wraps it up in a bow of deeply evocative writing that kept me twisted up.
Just a quick teaser to show my love of her writing: “I unlocked the safe beneath my desk, grabbed my old service automatic, and crept toward my bedroom doorway, stealthy until I was brought to grief by a Lego Duplo that stung the sole of my foot.” [Insert sobbing emoji here for how much I love this line] Her writing had me jabbing my husband every few minutes, going, “Read this. READ THIS!”
I loved that each answer solved in the book simply raised more questions, and I was left wondering if the answers were even answers in the first place. The abrupt ending is the satisfyingly frustrating icing on the…
I'm fascinated by these books about coming of age because they all share elements of my own experience. While I was growing up, I was told by my parents that my life on board our boat Wavewalker was ‘privileged’ and that I was lucky not to live a ‘boring’ life like other children. It took me a long time to question this view, and even longer to find an escape. As an adult looking back, I now know that many of the things I was told by my parents were not true. That experience of growing up and discovering that what you have been told is not right is deeply disturbing, while also being liberating.
This book is a little different because, although it is a coming of age in a way, the characters within it are already young adults when the story begins.
What I love about it though is that (like in many of the other books I have selected) the young people in this tale start off in a world that superficially is one thing – a beautiful tropical island - but then becomes something very different – a horrifically violent community. That divergence of the appearance of a place from the reality of living within it is fascinating.
On Richard's first night in Bangkok, a fellow traveller slits his wrists, leaving Richard a map to "the Beach", where white sands circle a lagoon hidden from the sea, coral gardens and freshwater falls are surrounded by jungle. Richard was looking for adventure, and now he has found it.
I’m a middle school science teacher, and many of my students are “readers,” the ones that constantly have their heads in books when they aren’t dragged away by classwork. I created this list because they remind me of what I enjoyed about reading when I was their age, the environment. Characters and plots were great, but I wanted a book to take me somewhere I’d never been. Whether it was the Klondike or soaring through clouds, I needed to believe it was real, someplace I might see for myself. Vivid descriptions that provide fuel for imagination make reading more dynamic.
Tarzan of the Apes is one of the first books to completely grab my attention and take me to another place. As a young reader, I lost hours on end exploring Africa with this man separated from all society. Mr. Burroughs has a way of storytelling easily followed and powerfully descriptive. The story is simple but compelling and easily accessible for early teens.
Tarzan of the Apes by Edgar Rice Burroughs
How is this book unique?
Tablet and e-reader formatted
Original & Unabridged Edition
Author Biography included
Illustrated version
Tarzan of the Apes is a novel written by Edgar Rice Burroughs, the first in a series of books about the title character Tarzan. It was first published in the pulp magazine All-Story Magazine in October, 1912. The character was so popular that Burroughs continued the series into the 1940s with two dozen sequels. For the novel's centennial anniversary, Library of America published a hardcover edition based on the original book in April 2012…
I grew up in the high plains mining towns of Montana and Wyoming but I couldn’t wait to get out and see the world. Peace Corps was my ticket. A teaching post in Chad, Africa, was open, but civil war and famine loomed, so I chose Afghanistan. After my two-year contract in Kabul, I continued traveling but my fascination with Africa never waned. A job teaching college English allowed me summers to continue traveling. However, I never did get to Africa, so when Carolyn suggested we write about Namibia, I agreed. Someday, I hope to visit before the magnificent black rhino has been wiped off the face of the planet.
Huxley’s parents go to Kenya to start a coffee plantation. And like Blixen and her husband, they know nothing about Africa or growing coffee and must depend on Africans to teach them. Huxley writes a delightful account of her life and the struggles they endure. Her portrayal of the people who work on the family’s plantation is brilliant as is the description of the environment and animals. Huxley also writes from the unsentimental eyes of a child.
When Elspeth Huxley's pioneer father buys a remote plot of land in Kenya, the family sets off to discover their new home: five hundred acres of Kenyan scrubland, infested with ticks and white ants, and quavering with heat. What they lack in know-how they make up for in determination: building a grass house, employing local Kikuyu tribe members and painstakingly transforming their patch of wilderness into a working farm. Huxley's unforgettable childhood memoir is a sensitive account of settler life at the turn of the twentieth century and a love song to the harshness and beauty of East Africa.
I am invested in how women juxtapose the day-to-day with the bizarre. I am curious about how women balance their lives with the insoluble and how this contributes to the fluidity of their identities. I live with women, I work with women, I shop with them, eat with them, sit next to them on the bus, I am friends with women, laugh with them, I pray with them, I am these women. In whichever format my work takes shape–whether subtle or direct, either as a performer, writer, designer, or community catalyst, I am committed to intentionally making space for womanhood. Please enjoy my book list.
I’ve read this book at least twice. The specificity of Sefi Atta's language makes me feel like I can reach into the pages and sit next to the characters as their lives unfold.
Her writing is very immersive, drawing you in and making everything in that world real and imaginable, painful yet livable. In this book, she explores the complexities of womanhood, even with certain privileges and regardless of status.
Everything Good Will Come introduces an important new voice in contemporary fiction. With insight and a lyrical wisdom, Nigerian-born Sefi Atta has written a powerful and eloquent story set in her African homeland. It is 1971, a year after the Biafran War, and Nigeria is under military rule—though the politics of the state matter less than those of her home to Enitan Taiwo, an eleven-year-old girl tired of waiting for school to start. Will her mother, who has become deeply religious since the death of Enitan’s brother, allow her friendship with the new girl next door, the brash and beautiful…
I've always been a writer. Most recently, though, I have completed a PhD in philosophy and I decided to write a book that deals with the issues that I wrestled with over the course of my studies in a way that can be appreciated by a popular audience. This Enchanted Realm is my first book—though I'm the author of a dissertation on Charles S. Peirce and two academic papers on Peirce and Arthur Schopenhauer. Like Franz Kafka before me, I was employed in a job unrelated to creative writing which is where I realized that good poetry is only the right words in the right order—I decided to move from writing technical protocols to writing—technically—stories.
The Famished Road is often categorized as a novel of “magical realism” although the author rejects this categorization. Okri’s tale follows Azaro, a spirit child in Okri’s native Nigeria as he watches the post-colonial state transform with the acceleration of global technology. While Okri weaves the spiritual and physical realms into his narrative, the juxtaposition of the spiritual and physical realms for Okri is a cornerstone of traditional African religion (and is therefore not seen as “unrealistic”). More accurately,The Famished Road resembles Fyodr Doestoevsky’s Notes from Underground: a classic philosophical novel. InThe Famished Road, Okri argues that there is no salvation on Earth—even for the spiritual realm that resides alongside us. Azaro sees the people of his village being exploited by politicians and foreign actors and there is nothing he—as a transdimensional creature—can do about it. Transforming Doestoevsky’s cynicism into something even more all-encompassing or…
Winner of the Man Booker Prize: “Okri shares with García Márquez a vision of the world as one of infinite possibility. . . . A masterpiece” (The Boston Sunday Globe).
Azaro is a spirit child, an abiku, existing, according to the African tradition, between life and death. Born into the human world, he must experience its joys and tragedies. His spirit companions come to him often, hounding him to leave his mortal world and join them in their idyllic one. Azaro foresees a trying life ahead, but he is born smiling. This is his story.
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