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I studied reporters' memoirs of Africa for my PhD in journalism at the University of East Anglia, under Giles Foden, author of The Last King of Scotland. I was fascinated by how foreign correspondents are aided by local reporters, who unfortunately often don’t receive much credit or commensurate pay for their contributions to international news. This inequality is changing, but not quickly enough, and it affects the kinds of news that we all receive, and how western lives, for example, are often respected more than others.
I promised my publisher, who edited Kapuscinski, a book as elemental, pure, and wild as Kapuscinski's seminal account of the Angolan independence struggle in 1975.
Though I’m not sure I succeeded, Breakup is that book.
I was inspired by this classic of reportage for its simple and profound observations of the city, and countryside, trying to make sense of the chaos and what Angolans, in Portuguese, called confusão.
In 1975, Angola was tumbling into pandemonium; everyone who could was packing crates, desperate to abandon the beleaguered colony. With his trademark bravura, Ryszard Kapuscinski went the other way, begging his was from Lisbon and comfort to Luanda—once famed as Africa's Rio de Janeiro—and chaos.Angola, a slave colony later given over to mining and plantations, was a promised land for generations of poor Portuguese. It had belonged to Portugal since before there were English-speakers in North America. After the collapse of the fascist dictatorship in Portugal in 1974, Angola was brusquely cut loose, spurring the catastrophe of a still-ongoing civil…
I write about unusual places, unusual people, and unusual stories. Places, people, and stories that are rough, different, authentic, often forgotten, full of troubled history and a magical present.
A novel that reads like a reportage, almost a documentary, on contemporary (the Nineties) life in Kenya for the small and influential (but not rich) community of “white Kenyans”: some native of Kenya, some adoptive sons and daughters of the country that invented the safari a century ago and that is the main hub for all news organizations in the continent. So, reporters, conservationists, dreamers, adventures, misfits, eccentrics populate this hugely evocative and partially autobiographical book that has some of the best “sound bites” on the question we are often asked: Why You Love Africa?
In the vast space of East Africa lives a close-knit tribe of expatriates. They all meet at dinner parties; they share the same doctors and eat at the same restaurants; they sleep with each other and take the same drugs.
Set in contemporary Nairobi, Rules of the Wild is at once a sharp-eyed dissection of white society in modern Kenya and the moving story of a young woman, Esme, struggling to make sense of her place in Africa, and her feelings for the two men she loves - Adam, a second generation Kenyan who is the first to show her…
I write about unusual places, unusual people, and unusual stories. Places, people, and stories that are rough, different, authentic, often forgotten, full of troubled history and a magical present.
Set in an unnamed and quintessential African country that after independence is descending into chaos, this is one of the most unforgettable books about Africa, but also often classified as one of the best novels of the English language of the last 40 years. A portrait that will never be dated, written in a Conrad type of dry yet very rich style, the Africa of Nobel laureate Naipaul is not for those who want to see things through rose-tinted lenses, but is a profoundly human portrait where the there is no space for clichés.
Set in an unnamed African country, V. S. Naipaul's A Bend in the River is narrated by Salim, a young man from an Indian family of traders long resident on the coast. He believes The world is what it is; men who are nothing, who allow themselves to become nothing, have no place in it. So he has taken the initiative; left the coast; acquired his own shop in a small, growing city in the continent's remote interior and is selling sundries - little more than this and that, really - to the natives.
I write about unusual places, unusual people, and unusual stories. Places, people, and stories that are rough, different, authentic, often forgotten, full of troubled history and a magical present.
The “other Naipaul”, the younger brother who died too young to compete with VS, managed to leave behind some extraordinary examples of his talent. North of South discovers what 'liberation', 'revolution,' and 'socialism' meant to the ordinary people of Africa and it is the book of a contrarian who, brutally honest to the point of being dismissive, travels across a continent on a brink of change, but instead of adopting the easy line of praising it explains why he is not impressed. If you like irony that verges into sarcasm, you can’t miss it.
In the 1970s Shiva Naipaul travelled to Africa, visiting Kenya, Tanzania and Zambia for several months. Through his experiences, the places he visited and his various encounters, he aimed to discover what 'liberation', 'revolution' and 'socialism' meant to the ordinary people. His journey of discovery is brilliantly documented in this intimate, comic and controversial portrayal of a continent on the brink of change.
I studied reporters' memoirs of Africa for my PhD in journalism at the University of East Anglia, under Giles Foden, author of The Last King of Scotland. I was fascinated by how foreign correspondents are aided by local reporters, who unfortunately often don’t receive much credit or commensurate pay for their contributions to international news. This inequality is changing, but not quickly enough, and it affects the kinds of news that we all receive, and how western lives, for example, are often respected more than others.
Naipaul's long-form reportage "Crocodiles of Yamoussoukro," included in this collection of essays from around the world, including Africa, taught me to root my stories simply.
When I was struggling to locate the core thread of Stringer, I stumbled upon this essay about the Ivory Coast, and more than the descriptions of the place—often dark and mystical—what moved me most was when Naipaul described his reasons for traveling to the Ivory Coast: in part because he was enamored with his French teacher, an elegant woman wearing an African headdress.
It seemed to me marvelous that a large journey could begin in such a precise, universal moment.
This collection of V.S. Naipaul's essays, the first of two volumes, showcases a lifetime of intelligent and profoundly enjoyable writing. It features pieces taken from his earlier books - The Overcrowded Barracoon, The Return of Eva Peron and Finding the Centre - and also includes several previously uncollected essays.
Concentrating mainly on V.S. Naipaul's writings about India, the Americas, Africa and the Diaspora, it is a clear-eyed and magnificent introduction to the writer's extraordinary world.
I have traveled throughout Africa and had the great opportunity to live in West Africa for two years, while I was working for the CIA. That experience was wild and challenging, but also transforming. West Africa became the setting for my first novel, Victor in the Rubble, because I loved the absurdity and adventure I experienced there, where nothing is logical but everything makes sense. I have read a number of novels that take place in different parts of Africa, as well as a wide array of nonfiction books about various African countries, their history, and their leaders. There are so many great stories there that pique my interest and inspire me.
This is one of the books that sparked my interest in the cult of personality that dictators cultivate in order to secure their own power.
It helped inspire a number of essays I later wrote about dictators and informed some of the characters in my own books. In fact, Mobutu is one of the most interesting dictators to me because he chose as his mistress his wife’s identical twin.
Known as "the Leopard," the president of Zaire for thirty-two years, Mobutu Sese Seko, showed all the cunning of his namesake -- seducing Western powers, buying up the opposition, and dominating his people with a devastating combination of brutality and charm. While the population was pauperized, he plundered the country's copper and diamond resources, downing pink champagne in his jungle palace like some modern-day reincarnation of Joseph Conrad's crazed station manager.
Michela Wrong, a correspondent who witnessed Mobutu's last days, traces the rise and fall of the idealistic young journalist who became the stereotype of an African despot. Engrossing, highly…
I studied reporters' memoirs of Africa for my PhD in journalism at the University of East Anglia, under Giles Foden, author of The Last King of Scotland. I was fascinated by how foreign correspondents are aided by local reporters, who unfortunately often don’t receive much credit or commensurate pay for their contributions to international news. This inequality is changing, but not quickly enough, and it affects the kinds of news that we all receive, and how western lives, for example, are often respected more than others.
One of the first European accounts of Congo, I read this book for my PhD, studying under the British author and journalist Giles Foden.
Pigafetta's account helped me understand the lenses—often colonial, of exoticism, fear, and wonder—through which Congo and Central Africans have long been perceived by Europeans and the world.
Pigafetta writes of Africa as the unknown, the dark, the frightening and mysterious, ideas still present in the news we consume today. I had often wondered why certain stories I pitch never get published, while others are easy sells.
The answers are rooted in events centuries ago, and it's easy to see that when we decide to take a look.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and…
Dr. Onyeka Nubia is a pioneering and internationally recognised historian, writer, and presenter. He is reinventing our perceptions of diversity, the Renaissance, and British history. Onyeka is the leading historian on the status and origins of Africans in pre-colonial England from antiquity to 1603. He has helped academia and the general public to entirely new perspectives on otherness, colonialism, imperialism, and World Wars I and II.
He has written over fifty articles on Englishness, Britishness, and historical method and they have appeared in the most popular UK historical magazines and periodicals including History Today and BBC History Magazine. Onyeka has been a consultant and presenter for several television programmes on BBC.
Northup provocatively challenges our perceptions of the early modern world. By offering a relativist view and investigating the primary sources written by Africans themselves — the Africans of the early modern period. They reveal much about sixteenth and seventeenth-century Europe, as well as African civilizations.
This groundbreaking book examines the full range of African-European encounters from an unfamiliar African perspective rather than from the customary European one. By featuring vivid life stories of individual Africans and drawing upon their many recorded sentiments, David Northrup presents African perspectives that persuasively challenge stereotypes about African-European relations as they unfolded in Africa, Europe, and the Atlantic world between 1450 and 1850. The text features thematically organized chapters that explore first impressions, religion and politics, commerce and culture, imported goods and technology, the Middle Passage, and Africans in Europe. In addition, Northrup offers a thoughtful examination of Africans' relations…
I was born in Africa and have been infatuated with its history and cultures all my life. Of the 48 countries sharing the African mainland, I have spent time in all but four. True, a few only for a laughably brief stay (I wandered across the Cameroon-Equatorial Guinea border once by mistake, not knowing I had crossed; there was no sign of a border post or any guards. I stayed only for the rest of the day, never leaving the beach, before wading back to Cameroon.) But others I have lived in for years, and have travelled extensively to famous and obscure regions alike, especially in the Sahel.
African exploration has a rich history of intrepid women travelers (I think particularly of Mary Kingsley, who had once ascended Mount Cameroon in a day, Victorian petticoats notwithstanding. Kingsley finally died of typhoid in South Africa while she was administering to Boer prisoners of war, but before that, she made many an expedition among the Fang of Gabon and, as she put it, “danced many a wild dance with the wild river.”) Mary Anne Fitzgerald is the best modern example. Jailed by the dictatorship of Kenya’s Daniel Arap Moi and subsequently expelled, she then reported from hotspots all over Africa, including Liberia, the Central African Republic, and Cote d'Ivoire, coming under fire and under threat more than once, facing down guerrillas and governments in turn.
She also has an eye for the piquant detail. She was once an eyewitness to a mass circumcision of an age cohort of young Samburu…
A South-African-born journalist who was exiled from her home in Kenya describes her return to the continent of Africa and her experiences dodging bullets in Ethiopia, dining with aristocracy in Nairobi, and seeing the victims of famine. 15,000 first printing.
I’m a Stanford professor who became fascinated
with oil and everything it does to for us and to us. For years I traveled the
world talking to the people who know petroleum: executives in the big oil companies,
politicians and activists, militants and victims, spies and tribal chiefs. Blood
Oil explains what I learned and how we can make our oil-cursed world better
for all of us.
If you love villains, you’ll love this book (plus all these villains are real).
Psychopathic dictators, Russian arms dealers, ultra-violent warlords, and corrupt French presidents all show the evil oil can inspire—and the ruin it can bring to a country. I had to put this book down a few times; the depravity around oil can shock even those of us who think we’ve heard it all.
Each week the oil and gas fields of sub-Saharan Africa produce over a billion dollars worth of oil yet this rising tide of money is not promoting stability or development but instead is causing violence, poverty and stagnation. "Poisoned Wells" exposes the root causes of this paradox of poverty from plenty, and explores the mechanisms by which oil causes grave instabilities and corruption around the globe. Shaxson's access as a journalist to the key players in African oil results in an explosive story.
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