Here are 100 books that The Writer and the World fans have personally recommended if you like
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I studied reporters' memoirs of Africa for my PhD in journalism at the University of East Anglia, under Giles Foden, author of The Last King of Scotland. I was fascinated by how foreign correspondents are aided by local reporters, who unfortunately often don’t receive much credit or commensurate pay for their contributions to international news. This inequality is changing, but not quickly enough, and it affects the kinds of news that we all receive, and how western lives, for example, are often respected more than others.
I promised my publisher, who edited Kapuscinski, a book as elemental, pure, and wild as Kapuscinski's seminal account of the Angolan independence struggle in 1975.
Though I’m not sure I succeeded, Breakup is that book.
I was inspired by this classic of reportage for its simple and profound observations of the city, and countryside, trying to make sense of the chaos and what Angolans, in Portuguese, called confusão.
In 1975, Angola was tumbling into pandemonium; everyone who could was packing crates, desperate to abandon the beleaguered colony. With his trademark bravura, Ryszard Kapuscinski went the other way, begging his was from Lisbon and comfort to Luanda—once famed as Africa's Rio de Janeiro—and chaos.Angola, a slave colony later given over to mining and plantations, was a promised land for generations of poor Portuguese. It had belonged to Portugal since before there were English-speakers in North America. After the collapse of the fascist dictatorship in Portugal in 1974, Angola was brusquely cut loose, spurring the catastrophe of a still-ongoing civil…
I studied reporters' memoirs of Africa for my PhD in journalism at the University of East Anglia, under Giles Foden, author of The Last King of Scotland. I was fascinated by how foreign correspondents are aided by local reporters, who unfortunately often don’t receive much credit or commensurate pay for their contributions to international news. This inequality is changing, but not quickly enough, and it affects the kinds of news that we all receive, and how western lives, for example, are often respected more than others.
I met Aidan in Bunia, on the frontline of the Congo war, where he kindly offered his help, and then, not knowing who he was, I discovered his memoir in the Nairobi airport.
His story of starting as a lowly stringer and working his way up resonated with my own journey as a stringer for The AP in DR Congo, a journey I recount in my first memoir, Stringer.
"Congo is a tough place," he told me in Bunia, "not many people move here to report." I enjoyed reading a book by a reporter who wanted to help young stringers.
A deeply affecting memoir of a childhood in Africa and the continent's horrendous wars, which Hartley witnessed at first hand as a journalist in the 1990s. Shortlisted for the prestigious Samuel Johnson Prize for Non-fiction, this is a masterpiece of autobiographical journalism.
Aidan Hartley, a foreign correspondent, burned-out from the horror of covering the terrifying micro wars of the 1990s, from Rwanda to Bosnia, seeks solace and solitude in the remote mountains and deserts of southern Arabia and the Yemen, following his father's death. While there, he finds himself on the trail of the tragic story of an old friend…
I have traveled throughout Africa and had the great opportunity to live in West Africa for two years, while I was working for the CIA. That experience was wild and challenging, but also transforming. West Africa became the setting for my first novel, Victor in the Rubble, because I loved the absurdity and adventure I experienced there, where nothing is logical but everything makes sense. I have read a number of novels that take place in different parts of Africa, as well as a wide array of nonfiction books about various African countries, their history, and their leaders. There are so many great stories there that pique my interest and inspire me.
This is one of the books that sparked my interest in the cult of personality that dictators cultivate in order to secure their own power.
It helped inspire a number of essays I later wrote about dictators and informed some of the characters in my own books. In fact, Mobutu is one of the most interesting dictators to me because he chose as his mistress his wife’s identical twin.
Known as "the Leopard," the president of Zaire for thirty-two years, Mobutu Sese Seko, showed all the cunning of his namesake -- seducing Western powers, buying up the opposition, and dominating his people with a devastating combination of brutality and charm. While the population was pauperized, he plundered the country's copper and diamond resources, downing pink champagne in his jungle palace like some modern-day reincarnation of Joseph Conrad's crazed station manager.
Michela Wrong, a correspondent who witnessed Mobutu's last days, traces the rise and fall of the idealistic young journalist who became the stereotype of an African despot. Engrossing, highly…
I studied reporters' memoirs of Africa for my PhD in journalism at the University of East Anglia, under Giles Foden, author of The Last King of Scotland. I was fascinated by how foreign correspondents are aided by local reporters, who unfortunately often don’t receive much credit or commensurate pay for their contributions to international news. This inequality is changing, but not quickly enough, and it affects the kinds of news that we all receive, and how western lives, for example, are often respected more than others.
One of the first European accounts of Congo, I read this book for my PhD, studying under the British author and journalist Giles Foden.
Pigafetta's account helped me understand the lenses—often colonial, of exoticism, fear, and wonder—through which Congo and Central Africans have long been perceived by Europeans and the world.
Pigafetta writes of Africa as the unknown, the dark, the frightening and mysterious, ideas still present in the news we consume today. I had often wondered why certain stories I pitch never get published, while others are easy sells.
The answers are rooted in events centuries ago, and it's easy to see that when we decide to take a look.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and…
I’m a public health professional, author, and reader. During part of my childhood and my subsequent career in international public health, I lived in Côte d’Ivoire and the Central African Republic; I’ve also worked throughout West and Central Africa, primarily in Francophone African countries. My experiences in these parts of the continent have not only influenced my fiction writing, but also what I read. While there are plenty of books by Anglophone African authors, few of their Francophone counterparts see their work translated into English. As a result, stories from French-speaking Africa are underrepresented in the literature available to English-speaking audiences. This list is an attempt to make a dent in this disparity.
I’ve added this graphic novel to my list in part for nostalgic reasons. Although the book and its two sequels were published in the 2000s, they are all set in 1970s Abidjan, Côte d’Ivoire, when I had the good fortune to live there. Aya is an adolescent girl living in the vibrant neighborhood of Yopougon, where everyone knows each other’s business. While she just wants to focus on her studies, she keeps getting distracted by the drama of those around her—from the boy-chasing machinations of her girlfriends to the foolish missteps of her parent's generation.
"Aya is an irresistible comedy, a couple of love stories and a tale for becoming African. It's essential reading." -Joann Sfar, cartoonist of The Rabbi's Cat
Ivory Coast, 1978. It's a golden time, and the nation, too-an oasis of affluence and stability in West Africa-seems fueled by something wondrous. Aya is loosely based upon Marguerite Abouet's youth in Yop City. It is the story of the studious and clear-sighted nineteen-year-old Aya, her easygoing friends Adjoua and Bintou, and their meddling relatives and neighbors. It's a wryly funny, breezy account of the simple pleasures and private troubles of everyday life in…
I’m from Mauritius, of Indian heritage, and proudly African. I remember reading my first chick-lit romance circa 2001, thinking Mauritius has everything—the drama, the over-the-top characters, love matches, exciting backdrops both physical & cultural—to create great rom-coms & uplifting fiction…but where were such stories? A decade later, I was helping other African authors showcase their feel-good books by creating an imprint dedicated to African romance with a US publisher. I’m an author who loves to write about her country & life experiences, and I have the perfect day job for a bookworm as an editor who specializes in editing romance stories for indie authors & publishers alike.
I’m a sucker for all things Royal! Give me a prince and/or princess looking for love in today’s world, and I’m sold. This one has a princess and a prince!
Imagine you’re a princess bidden to enter a marriage of convenience with a neighbouring land’s prince. Then, on your wedding day, you get into an accident, your new husband dies, and when you wake from a coma, you find you’ve now been legally married off to the new Crown Prince, aka your late husband’s younger brother. And he’s hot as sin itself!
This one is more on the steamy side, but don’t let it deter you. Amidst all the heat is a treasure trove of feels and warring emotions and a seismic journey of falling for the "wrong" person who now happens to be exactly the right one!
India Saene, Princess of Bagumi, must enter a marriage alliance to save her kingdom from an economic crisis. Tragedy strikes when her husband of a few hours is killed in an accident on the way to their honeymoon. She recovers from a coma two weeks later to discover she has been inherited by her husband's younger brother! Sheikh Omar El Dansuri has never wanted to be king, nor does he desire a wife. However, when his older brother dies, he not only becomes the future king of Sudar, but he also inherits his brother’s bride through an age-old tradition. Falling…
I’ve always adored stories of courageous, sometimes outrageous women who forge aheadinto the unknown, survive in strange lands in troubled times, pursue their career dreams. Like my favourite picks, I’ve relished my own adventures in distant countries (Libya, Czechia, Kyrgystan, Mongolia…), while always earning my crust from writing. From motivational research in Dublin and London, I switched to financial journalism in Holland, where I met and was inspired by ground-breaking journalist Nel Slis whose story I’ve told in my book Hellcat of the Hague. Now I’m settled in London to concentrate on my novels and short stories and be near my family, I hope you love these books too.
Award-winning novelist Molteno takes us on a mesmerising journey of discovery, tracing the origins of her fictional worlds. From the mountains of Tajikistan to remote parts of Africa, in small English towns or huge Indian literary festivals, she engages with people she meets and is inspired by them. Through these vignettes she threads reflections on the creative process—why we write, and what fiction does for us. Through Marion’s clear and involving writing, we encounter not one but several truly remarkable women, as she weaves the emergence of her writing life into her own much-travelled and absorbing story.
Award-winning author Marion Molteno takes us on a magical journey of discovery into the life of a writer and her readers.
From book events in small English towns to huge literary festivals in India and Pakistan, from the mountains of Tajikistan to remote parts of Africa, she traces the roots of the fictional worlds she has so brilliantly created in her novels.
Weaving through these vignettes are reflections on the creative process, her own and anyone's - her own journey as a writer, what fiction does for us, and the vital relationship between writers and readers.
With an ability to…
I’m from Mauritius, of Indian heritage, and proudly African. I remember reading my first chick-lit romance circa 2001, thinking Mauritius has everything—the drama, the over-the-top characters, love matches, exciting backdrops both physical & cultural—to create great rom-coms & uplifting fiction…but where were such stories? A decade later, I was helping other African authors showcase their feel-good books by creating an imprint dedicated to African romance with a US publisher. I’m an author who loves to write about her country & life experiences, and I have the perfect day job for a bookworm as an editor who specializes in editing romance stories for indie authors & publishers alike.
I’m of Indian heritage, and when I see Indian-origin protagonists, I’m on it like white on rice! Add to it another trope: I love the marriage of convenience, and I was hooked.
Now, you can expect Indian protagonists to mean Indian families, usually big, often messy, and definitely loud. I just needed a Bollywood-style soundtrack in the background, and this one would’ve been a perfect blockbuster from Bollywood.
Vash Karuppa also knows how to write feelings, delve deep, and make you feel everything that’s roiling inside her main characters’ hearts. Definitely, a thrilling, colourful, boisterous ride where love is swept along whether it wants to or not!
All business-no-pleasure CEO of Hotel Empire, Keshavam Industries, Aariyan Ranjan, and successful Oncologist, Varini Iyengar, have known one another for sixteen years. When she last saw him Varini was left completely shattered as Aariyan walked away from their newfound love and out of her life. He was the first man she longed for, the first man she truly desired, and the first and only man she had ever loved. Aariyan had loved her back, but fuelled by uncontrollable demons he abandoned her, ending their love in devastating heartbreak.
In order to seal the deal of a lifetime Aariyan needs a…
Growing up in Zambia and then South Africa, I was immersed in the natural landscapes and the fantastic variety of African plants and wildlife. However, I increasingly became aware of many other human injustices happening around me—e.g., human to human: the extreme racism of white supremacy (apartheid). Additionally, human to other animals: the ivory and wildlife ‘trade,’ resulting in what has been called The Sixth Extinction (of plants and other animals.) Alongside this destruction of life is the critical climate crisis and the financial appropriation of vital resources for profit—none more vital than water, for water is life. These books emphasise the ethical sanctity of all living beings!
This is a wonderful and diverse cross-section of stories from a variety of African countries representing a thematic focus on a world facing Disruption, whether via climate change, global pandemics, or a plethora of crises, that challenges us all with the necessity to find ways to join with each other if we are to survive. Stand-out stories for me were Zambian author Mbozi Haimbe's "Shelter" (shortlisted for a NOMMO Award this year—best in African Speculative Fiction 2022) and Kenyan Idza Luhumyo’s "Five Years Next Sunday," winner of the 2022 Caine Prize for African Writing. I loved the vibrancy and range of these stories, all bristling with energy and providing novel ways of seeing and learning to confront our global challenges.
Including 2022 Caine Prize winning story "Five Years Next Sunday" by Idza Luhumyo and the 2022 Nommo Award shortlisted story "Shelter" by Mzobi Haimbe
This genre-spanning anthology explores the many ways that we grow, adapt, and survive in the face of our ever-changing global realities. These evocative, often prescient, stories showcase new and emerging writers from across Africa to investigate many of the pressing issues of our time: climate change, pandemics, social upheaval, surveillance, and more.
In Disruption, authors from across Africa use their stories to explore the concept of change-environmental, political, and physical-and the power or impotence of the…
I’m a closet historian who’s always been fascinated by the power of novels to enable readers to travel in time and space and stand in the shoes of historical characters–blending imagination and enlightenment. As a scholar, I’ve worked to uncover women’s unknown and secret histories–histories of subversion, disruption, and humor. As a South African who grew up under apartheid, I passionately believe that if we don’t confront history, we’re doomed to repeat its nastier passages. As a writer, I’ve published a sequel to Jane Austen’s Pride & Prejudice that showed me how immersion in another historical era can enable us to grapple with truths about our current societies.
One of the best examples of “history from below” I’ve read.
It tells the well-known story of David Livingstone’s last journey–how after he died in tropical Africa, his servants marched his body across the continent to the port of Dar es Salaam, so that it could be shipped back to England and buried there with appropriate pomp and reverence. This forms the framework for an utterly original novel that presents this epic trek from the perspective of two of Livingstone’s slave servants: his feisty Muslim cook, Halima, who brings her gossipy sardonic perspective to the enterprise, and his devout and pompous body servant Joseph, a Christian determined to do right by his master.
This work sparkles with energy and humor, as well as presenting a fresh perspective on a well-trodden path.
ONE OF THE GUARDIAN'S 2020 FICTION HIGHLIGHTS: Petina Gappah's epic journey through nineteenth-century Africa is 'engrossing, beautiful and deeply imaginative.' (Yaa Gyasi)
This is the story of the body of Bwana Daudi, the Doctor, the explorer David Livingstone - and the sixty-nine men and women who carried his remains for 1,500 miles so that he could be borne across the sea and buried in his own country.
The wise men of his age say Livingstone blazed into the darkness of their native land leaving a track of light behind where white men who followed him could tread in perfect safety.…
