Here are 100 books that Life in Yop City fans have personally recommended if you like
Life in Yop City.
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I've been creating books, magazines, comics, and stories for both adults and children for more than thirty-five years. If you’re after more graphic novels with a certain textural and/or emotional depth and storytelling heft to them, I’ve also compiled the following list that might work as a starting point. The search for the archetypal “good” graphic novel is of course one that will be peculiar to one’s own tastes. While it’s primarily a visual medium, the best of them can be as nuanced and complex as storytelling in any other art form and means of communication.
Jon Allen’s coming out and growing up story in his ongoing Ohio Is For Sale series, The Lonesome Era is, so far, his most complex and affecting work, but that’s not saying much for a cartoonist who expands his abilities and repertoire with each new book. The Lonesome Era is a rites-of-passage tale that showcases Allen’s customarily bleak outlook and dry wit, and it is, by turns, hilarious and poignant. I’ve called his work “Kafkaesque situation comedies” in the past, but that description belies the mordant emotional and observational sophistication on show here. He is simply one of the best young visual storytellers around.
"A touching book that is sure to appeal to any reader who has tried to be the person they were meant to be." - BOOKLIST
Camden is a cat. Camden is also crushing hard on his best buddy and all-around terrible influence, Jeremiah. Young, bored, and trapped in their slowly decomposing Rust Belt town, Camden tamps down his burgeoning feelings for the local ne'er-do-well and allows himself to be dragged along with every awful idea, every hair-brained plan, and every threat to life and limb Jeremiah can come up with. As the dangers of Camden's risk-taking mount, an even more…
From an early age I have been drawn to dark themes in stories. I always wanted to hear the dark fairy tales when I was a kid. My mother is from Finland originally, so I was weaned on Finnish folk tales and the Finnish mythology, the Kalevala, which has very many dark stories. Being a graphic novelist myself, I tend to favor morally ambiguous, darker broken characters in my stories. Happy characters make for boring stories I believe. There needs to be conflict for there to be drama. And there needs to be drama to make interesting stories.
An incredibly haunting book. At first glance it looks like a fairy tale for children but after only a few pages in you realise it is quite a sinister tale and something much darker altogether. It is a very brave book I think and I’m not really sure how to categorize it other than it being very, very dark indeed.
Newly homeless, a group of fairies find themselves trying to adapt to their new life in the forest. As they dodge dangers from both without and within, optimistic Aurora steps forward to organize and help build a new community. Slowly, the world around them becomes more treacherous as petty rivalries and factions form. Beautiful Darkness became a bestseller and an instant classic when it was released in 2014. This paperback edition of the modern horror classic contains added material, preparatory sketches, and unused art. While Kerascoet mix gorgeous watercolors and spritely cartoon characters, Fabien Vehlmann takes the story into bleaker…
I am from Scranton, Pennsylvania. I have always had a passion for art and literature. I started drawing at a young age and never stopped. Constantly drawing on scrap papers from my father’s graphic arts business. Always pulling from my imagination and the world around me for inspiration. Books were a major outlet for my creativity. Graphic novels in particular were always my favorite form of expression. To be able to tell a story using pictures and share my own personal feelings with others was a means of communication for me. I began to study illustration in school and college. I graduated with a Bachelor of Fine Arts degree from Marywood University. I currently work as a graphic designer and illustrator.
Not only is Rutu Modan one of my favorite illustrators she is also an extremely talented story writer and Exit Wounds is no exception. This was also one of the first graphic novels I had ever read and was so captivating. Her unique art style and writing are truly amazing. I love her color pallet and how it really keeps you engaged from panel to panel. Without giving away spoilers this book is based on real-life events and really gives you a greater sense of life in other countries can be like for better and for worse.
I love all of Rutu Modan’s books but this one really hit home for me.
Set in modern-day Tel Aviv, Exit Wounds is the first graphic novel to be published in Britain by one of Israel's best-known cartoonists.
A young man, Koby Franco, receives an urgent phone call from a female soldier. Learning that his estranged father may have been a victim of a suicide bombing in Hadera, Koby reluctantly joins the soldier in searching for clues. His death would certainly explain his empty apartment and disconnected phone line. As Koby tries to unravel the mystery of his father's death, he finds himself not only piecing together the last few months of his father's life,…
I've been creating books, magazines, comics, and stories for both adults and children for more than thirty-five years. If you’re after more graphic novels with a certain textural and/or emotional depth and storytelling heft to them, I’ve also compiled the following list that might work as a starting point. The search for the archetypal “good” graphic novel is of course one that will be peculiar to one’s own tastes. While it’s primarily a visual medium, the best of them can be as nuanced and complex as storytelling in any other art form and means of communication.
Polina is about a would-be ballerina and a teacher and the methods he employs to get the best from his students. Polina ages from child to young adult through its pages, and as her comprehension of the world about her and the people in it changes, so too does the reader’s impressions of her. Like any good character piece, much depends on the performance of the players, and therefore Vivès and his ability to convey subtleties of emotional reactions. He always leaves enough room for the reader’s own interpretations, and so hooks you into the nuances of Polina’s feelings. Vivès can draw anything, but this beautiful, delicately balanced story depends as much on what he leaves out as what he puts in. A small masterpiece.
As a very young girl, Polina Oulinov is taken on as a special pupil by the famous ballet teacher Professor Bojinsky. He is very demanding and refuses to adapt his standards to the talents of his pupils, and Polina has to work hard and make great sacrifices in order to reach the level Bojinsky senses she has the talent for. When she graduates and is admitted to the official theatre school, she discovers that Bojinsky's view of ballet is only one of many and that she can't adapt to new rules, new visions. She flees Russia for Berlin, where she…
I’m a public health professional, author, and reader. During part of my childhood and my subsequent career in international public health, I lived in Côte d’Ivoire and the Central African Republic; I’ve also worked throughout West and Central Africa, primarily in Francophone African countries. My experiences in these parts of the continent have not only influenced my fiction writing, but also what I read. While there are plenty of books by Anglophone African authors, few of their Francophone counterparts see their work translated into English. As a result, stories from French-speaking Africa are underrepresented in the literature available to English-speaking audiences. This list is an attempt to make a dent in this disparity.
As a public health worker, I was moved by this beautiful novel, an homage to the courageous people who prevented Ebola from becoming a worldwide pandemic. Set in an unnamed country, most likely Guinea, it uses lyrical language and multiple points of view of those affected and infected by the virus—patients, health care providers, gravediggers, the bats who transmitted the virus to humans, and even an old baobab tree that observes the humans with detached wisdom. Using language both poetic and empathetic, Tadjo reminds us in this cautionary tale that Mother Nature is very much in charge.
Two boys venture from their village to hunt in a nearby forest, where they shoot down bats with glee, and cook their prey over an open fire. Within a month, they are dead, bodies ravaged by an insidious disease that neither the local healer's potions nor the medical team's treatments could cure. Compounding the family's grief, experts warn against touching the sick. But this caution comes too late: the virus spreads rapidly, and the boys' father is barely able to send his eldest daughter away for a chance at survival.
I'm passionate about stories that portray women as full human beings managing their passions, challenges, and obligations with grit because I grew up surrounded by a phalanx of them. Those who add “wife” and “mother” to their plate fascinate me all the more, especially as I grow older and better understand the pressures heaped on women. I saw my mother, sister, grandmothers, and aunties in all their complexities, building themselves up as they built families and businesses, starting over when they had to, overcoming the seemingly insurmountable, challenging the status quo, and never giving up. I gravitate toward female characters who share that spirit or grapple with how to get it.
I could not put this book down—and not just because it’s 90 pages long. The letter format instantly drew me into this candid conversation between two old friends grappling with the fallout of their upended marriages.
I love that Ramatoulaye shows no hint of judgment toward Aissatou about the different choices each woman made when faced with similar circumstances. I also appreciated Ramatoulaye’s frank reflections on her daughter’s opinion of her.
Written by Mariama Ba and translated from the French by Modupe Bode-Thomas, So Long a Letter won the first Noma Award for Publishing in Africa, and was recognised as one of Africa's 100 Best Books of the 20th Century in an initiative organised by the Zimbabwe International Book Fair. This edition includes an introduction by Professor Kenneth W. Harrow of Michigan State University.
I’m a public health professional, author, and reader. During part of my childhood and my subsequent career in international public health, I lived in Côte d’Ivoire and the Central African Republic; I’ve also worked throughout West and Central Africa, primarily in Francophone African countries. My experiences in these parts of the continent have not only influenced my fiction writing, but also what I read. While there are plenty of books by Anglophone African authors, few of their Francophone counterparts see their work translated into English. As a result, stories from French-speaking Africa are underrepresented in the literature available to English-speaking audiences. This list is an attempt to make a dent in this disparity.
In the rare instances that the Central African Republic makes it into the news, it’s for political turmoil or for having some of the worst development indicators. After getting to know Central Africans during my years living there, I’ve long been on the lookout for fiction that shows the day-to-day, human side of the CAR. Yabouza’s novel does exactly that, exploring the lives of two co-wives, Ndongo Passy and Grekpoubou, as they cope with the aftermath of their husband’s sudden death. While the premise might sound similar to Ba’s novel, the results are entirely different, thanks to the tight bond that forms between the two former rivals—and the wit, warmth, and seen-it-all wisdom of Yabouza’s storytelling.
Co-Wives, Co-Widows is the first adult work of fiction from the Central African Republic to be translated into English.
This is the story of Ndongo Passy and Grekpoubou, the two widows of Lidou. Following their husband’s sudden and unexplained death, they find themselves fighting tooth and nail for all that is important to them.
A playful, bittersweet, story full of dry wit and local colour, set against a backdrop of political instability, corruption and the friction between the old and the new in Bangui in the Central African Republic.
I’m a public health professional, author, and reader. During part of my childhood and my subsequent career in international public health, I lived in Côte d’Ivoire and the Central African Republic; I’ve also worked throughout West and Central Africa, primarily in Francophone African countries. My experiences in these parts of the continent have not only influenced my fiction writing, but also what I read. While there are plenty of books by Anglophone African authors, few of their Francophone counterparts see their work translated into English. As a result, stories from French-speaking Africa are underrepresented in the literature available to English-speaking audiences. This list is an attempt to make a dent in this disparity.
Jean is an accomplished student at the University of Douala who sets off with his best friend, Simon, to find Jean’s older brother, who has run away to pursue his dream of becoming a soccer star in Europe. Their trip is paved with danger but Jean is willing to face any perils in order to spend time with Simon, on whom he has a secret, unrequited crush. Despite the novel’s heavy themes of terrorism, child abuse, authoritarianism, homophobia, and the plight of undocumented immigrants, Lobe pulls off an entertaining, rollicking story that provides a wonderful snapshot of his country.
On the trail of Roger, a brother who has gone north in search of football fame in Europe, Choupi, the narrator, takes with him the older Simon, a neighborhood friend. The bus trip north nearly ends in disaster when, at a pit stop, Simon goes wandering in search of grilled caterpillars. At the police station in Yaounde, the local cop tells them that a feckless boza who wants to go to Europe is not worth police effort and their mother should go and pleasure the police chief if she wants help! Through a series of joyful sparky vignettes, Cameroon life…
My name is Kelly Fernández (she/her) and I’ve been making comics since 2014. I’vealways been fascinated by stories about ghosts, monsters, and witches because I grewup in a family that believes in them. While writing my graphic novel Manu,Iresearchedand spoke to Latinx friends and colleagues about their personal experiences withbrujería (the Spanish word for witchcraft) to try and learn more about it across differentcultures. I love comics because, like oral storytelling, it’s just another way for people toshare their stories with each other!
I’m a huge fan of Emily Carroll’s comic art, which is creepy, emotional, and perfectly echoes the tone of McCoola’s story. In this book, teenager Masha runs away from home to live with the terrifying, child-eating witch Baba Yaga. Luckily, Masha is able to impress the Baba Yaga with her wit and knowledge of Russian folklore. But when Masha’s little sister gets captured by the witch, Masha has to finally face the family troubles she’s been avoiding.
Russian folklore icon Baba Yaga mentors a lonely teen in a wry graphic novel that balances gleefully between the modern and the timeless.
Most children think twice before braving a haunted wood filled with terrifying beasties to match wits with a witch, but not Masha. Her beloved grandma taught her many things: that stories are useful, that magic is fickle, that nothing is too difficult or too dirty to clean. The fearsome witch of folklore needs an assistant, and Masha needs an adventure. She may be clever enough to enter Baba Yaga’s house-on-chicken-legs, but within its walls, deceit is the…
I'm an American historian and former director of UNC-Chapel Hill's Program in Sexuality Studies—and former pizza maker, gas pumper, park ranger, and tour guide at the house in which Louisa May Alcott wroteLittle Women. As a historian, I've spent my career trying to understand the lives of people in early American history who weren't well known at the time. In writing the Sewing Girl's Tale, which focuses on a survivor of a sexual assault, it was especially important to keep her at the center of the story. Ultimately, I wanted to know: What was life in the aftermath of the American Revolution like—not for some Founding Father—but for an ordinary young woman.
This book brings the format of a graphic novel to the subject of women's resistance during enslavement and the trans-Altantic slave trade—and the result is fresh and compelling. As a historian myself, I appreciated the interwtined narratives of Hall's own research quest as a historian following the documentary record—and her reconstruction of the extraordinary revolt of the women held captive in 1772 on the slave-ship Unity. Both the search for truth and the dramatic uprising are conveyed with great skill and emotional power. The account of the Unity revolt calls attention to what we know, how we know it, and what we don't know. But Hall refuses to stop there. Instead, carefully marking speculation as such, Hall offers a fascinating, well-informed, effort to imagine a fuller account of what might have actually happened. We are left with a powerful sense of why this history matters two and a half…
'A must-read graphic history. . . an inspired and inspiring defence of heroic women whose struggles could be fuel for a more just future' Guardian
'Not only a riveting tale of Black women's leadership of slave revolts but an equally dramatic story of the engaged scholarship that enabled its discovery' Angela Y. Davis
Women warriors planned and led slave revolts on slave ships during the passage across the Atlantic. They fought their enslavers throughout the Americas. And then they were erased from history.
In Wake Rebecca Hall, a historian, a granddaughter of slaves, and a woman haunted by the legacy…
