Here are 100 books that Polina fans have personally recommended if you like
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I’m a public health professional, author, and reader. During part of my childhood and my subsequent career in international public health, I lived in Côte d’Ivoire and the Central African Republic; I’ve also worked throughout West and Central Africa, primarily in Francophone African countries. My experiences in these parts of the continent have not only influenced my fiction writing, but also what I read. While there are plenty of books by Anglophone African authors, few of their Francophone counterparts see their work translated into English. As a result, stories from French-speaking Africa are underrepresented in the literature available to English-speaking audiences. This list is an attempt to make a dent in this disparity.
I’ve added this graphic novel to my list in part for nostalgic reasons. Although the book and its two sequels were published in the 2000s, they are all set in 1970s Abidjan, Côte d’Ivoire, when I had the good fortune to live there. Aya is an adolescent girl living in the vibrant neighborhood of Yopougon, where everyone knows each other’s business. While she just wants to focus on her studies, she keeps getting distracted by the drama of those around her—from the boy-chasing machinations of her girlfriends to the foolish missteps of her parent's generation.
"Aya is an irresistible comedy, a couple of love stories and a tale for becoming African. It's essential reading." -Joann Sfar, cartoonist of The Rabbi's Cat
Ivory Coast, 1978. It's a golden time, and the nation, too-an oasis of affluence and stability in West Africa-seems fueled by something wondrous. Aya is loosely based upon Marguerite Abouet's youth in Yop City. It is the story of the studious and clear-sighted nineteen-year-old Aya, her easygoing friends Adjoua and Bintou, and their meddling relatives and neighbors. It's a wryly funny, breezy account of the simple pleasures and private troubles of everyday life in…
I've been creating books, magazines, comics, and stories for both adults and children for more than thirty-five years. If you’re after more graphic novels with a certain textural and/or emotional depth and storytelling heft to them, I’ve also compiled the following list that might work as a starting point. The search for the archetypal “good” graphic novel is of course one that will be peculiar to one’s own tastes. While it’s primarily a visual medium, the best of them can be as nuanced and complex as storytelling in any other art form and means of communication.
Jon Allen’s coming out and growing up story in his ongoing Ohio Is For Sale series, The Lonesome Era is, so far, his most complex and affecting work, but that’s not saying much for a cartoonist who expands his abilities and repertoire with each new book. The Lonesome Era is a rites-of-passage tale that showcases Allen’s customarily bleak outlook and dry wit, and it is, by turns, hilarious and poignant. I’ve called his work “Kafkaesque situation comedies” in the past, but that description belies the mordant emotional and observational sophistication on show here. He is simply one of the best young visual storytellers around.
"A touching book that is sure to appeal to any reader who has tried to be the person they were meant to be." - BOOKLIST
Camden is a cat. Camden is also crushing hard on his best buddy and all-around terrible influence, Jeremiah. Young, bored, and trapped in their slowly decomposing Rust Belt town, Camden tamps down his burgeoning feelings for the local ne'er-do-well and allows himself to be dragged along with every awful idea, every hair-brained plan, and every threat to life and limb Jeremiah can come up with. As the dangers of Camden's risk-taking mount, an even more…
From an early age I have been drawn to dark themes in stories. I always wanted to hear the dark fairy tales when I was a kid. My mother is from Finland originally, so I was weaned on Finnish folk tales and the Finnish mythology, the Kalevala, which has very many dark stories. Being a graphic novelist myself, I tend to favor morally ambiguous, darker broken characters in my stories. Happy characters make for boring stories I believe. There needs to be conflict for there to be drama. And there needs to be drama to make interesting stories.
An incredibly haunting book. At first glance it looks like a fairy tale for children but after only a few pages in you realise it is quite a sinister tale and something much darker altogether. It is a very brave book I think and I’m not really sure how to categorize it other than it being very, very dark indeed.
Newly homeless, a group of fairies find themselves trying to adapt to their new life in the forest. As they dodge dangers from both without and within, optimistic Aurora steps forward to organize and help build a new community. Slowly, the world around them becomes more treacherous as petty rivalries and factions form. Beautiful Darkness became a bestseller and an instant classic when it was released in 2014. This paperback edition of the modern horror classic contains added material, preparatory sketches, and unused art. While Kerascoet mix gorgeous watercolors and spritely cartoon characters, Fabien Vehlmann takes the story into bleaker…
I am from Scranton, Pennsylvania. I have always had a passion for art and literature. I started drawing at a young age and never stopped. Constantly drawing on scrap papers from my father’s graphic arts business. Always pulling from my imagination and the world around me for inspiration. Books were a major outlet for my creativity. Graphic novels in particular were always my favorite form of expression. To be able to tell a story using pictures and share my own personal feelings with others was a means of communication for me. I began to study illustration in school and college. I graduated with a Bachelor of Fine Arts degree from Marywood University. I currently work as a graphic designer and illustrator.
Not only is Rutu Modan one of my favorite illustrators she is also an extremely talented story writer and Exit Wounds is no exception. This was also one of the first graphic novels I had ever read and was so captivating. Her unique art style and writing are truly amazing. I love her color pallet and how it really keeps you engaged from panel to panel. Without giving away spoilers this book is based on real-life events and really gives you a greater sense of life in other countries can be like for better and for worse.
I love all of Rutu Modan’s books but this one really hit home for me.
Set in modern-day Tel Aviv, Exit Wounds is the first graphic novel to be published in Britain by one of Israel's best-known cartoonists.
A young man, Koby Franco, receives an urgent phone call from a female soldier. Learning that his estranged father may have been a victim of a suicide bombing in Hadera, Koby reluctantly joins the soldier in searching for clues. His death would certainly explain his empty apartment and disconnected phone line. As Koby tries to unravel the mystery of his father's death, he finds himself not only piecing together the last few months of his father's life,…
I had the supreme good fortune to know Berlin (1909–97) for nearly twenty-five years, and to work with him as his principal editor for most of that time; I continued this work after his death and it still occupies me now. He was one of the great human beings of the twentieth century, an essayist and letter-writer of genius, and a bewitching bridge between academia and the general civilised life of the mind. His ideas are fertile and illuminating to this day, and the immediately recognisable voice of his prose is the best possible intellectual company.
As a Russian Jew and Russian-speaker by birth, a witness of the Russian Revolution, a historian of ideas by vocation, and a consummate prose-writer, Berlin was able to extract the pith of the nineteenth-century Russian intelligentsia and present it in English as no one else has before or since. Belinsky, Herzen, Tolstoy, Turgenev, and others come to life in these ten essays and speak to us and our concerns today in Berlin’s ventriloquistic tours de force.
In particular, Herzen’s passionate denunciation of political extremism plays a central role, and provides a moral underpinning for Berlin’s commitment to liberty. The book is a major contribution to the explanation of Russia to the West, and the reader is left in no doubt about the relevance and power of the ideas that Berlin illuminates.
Few, if any, English-language critics have written as perceptively as Isaiah Berlin about Russian thought and culture. Russian Thinkers is his unique meditation on the impact that Russia's outstanding writers and philosophers had on its culture. In addition to Tolstoy's philosophy of history, which he addresses in his most famous essay, 'The Hedgehog and the Fox,' Berlin considers the social and political circumstances that produced such men as Herzen, Bakunin, Turgenev, Belinsky, and others of the Russian intelligentsia, who made up, as Berlin describes, 'the largest single Russian contribution to social change in the world.'
I am an Associate Professor of political science at Colgate University. I grew up in a home with tremendous ideological diversity and rigorous political disputes, which caused my interest in learning more about why and how people become their political selves. This interest developed into an academic background in the field of political psychology, which uses psychological theories to understand the origins and nature of political attitudes. Out of this scholarship, I developed a theory about the relationship between closed minds and partisan polarization, which I examine in my book. Now I am looking for ways to create open minds and foster a less polarized community.
In this book, literary theorist Gary Saul Morson describes the competing ways in which Russian ideologues and novelists answered the “timeless questions” about human nature, fate, and politics. Morson’s analysis clearly shows that novelists and poets allow for much more complexity and nuance in their worldviews than ideologues. The famous Russian writers, in other words, appear to excel in the type of open-minded thinking that I argue is conducive to liberal democratic values.
By reading Morson’s book, one sees clearly the importance of Russia’s literary traditions and how their works inform an open-minded outlook on the timeless questions of human existence.
A noted literary scholar traverses the Russian canon, exploring how realists, idealists, and revolutionaries debated good and evil, moral responsibility, and freedom.
Since the age of Tolstoy, Dostoevsky, and Chekhov, Russian literature has posed questions about good and evil, moral responsibility, and human freedom with a clarity and intensity found nowhere else. In this wide-ranging meditation, Gary Saul Morson delineates intellectual debates that have coursed through two centuries of Russian writing, as the greatest thinkers of the empire and then the Soviet Union enchanted readers with their idealism, philosophical insight, and revolutionary fervor.
Morson describes the Russian literary tradition as…
I’m a professional explainer of Russia. For over 20 years I’ve been studying the country and trying to understand what makes it (and its leaders and people) so intent on attacking those around it and perceived adversaries further afield. That’s never been more important to understand than today when Ukraine and its soldiers are the only thing preventing Russia from once again rampaging across Europe. These books are ones that have helped me understand one part or several parts of the Russia problem, and I think they’ll be helpful for anybody else who wants to, too.
Russia in the 1990s was a strange place in a strange time, and Andrew Miller does a great job of capturing some of that strangeness in some of its more revolting extremes.
It’s fiction – supposedly - but the parallel world it describes will be instantly recognisable to anyone who was there or even brushed its edges. And if you weren’t, I think this is a better explanation of what happened than plenty of serious history books. And that, in turn, is essential for understanding where Russia is today – thirty years later, but with the echo of the mad years still shaping the country now.
Snowdrops. That's what the Russians call them - the bodies that float up into the light in the thaw. Drunks, most of them, and homeless people who just give up and lie down into the whiteness, and murder victims hidden in the drifts by their killers.
Nick has a confession. When he worked as a high-flying British lawyer in Moscow, he was seduced by Masha, an enigmatic woman who led him through her city: the electric nightclubs and intimate dachas, the human kindnesses and state-wide corruption. Yet as Nick fell for Masha, he…
I was born in Romania, a closed society during the Cold War, and I never expected to live anywhere else, especially not in the West. When communism ended, I rushed out of Eastern Europe for the first time, eager to find places and people I could only read about before. I also discovered the power longing and homesickness can have on defining our identities. I moved to the United States, where I now live and work, cherishing my nostalgia for the world I left behind, imperfect as it was. The books I read and write are always, in one way or another, about traveling across cultures and languages.
Walter Benjamin was a Jewish German philosopher who escaped Nazi Germany only to commit suicide upon arrival in Spain.
This book captures an earlier time in his life, when he was still hopeful, an idealist in search of intellectual adventures and political transformation. He went to Moscow to define his political vision and found a city both seductive and elusive. The intense winter scenes in the deep Muscovite cold are unforgettable, even though he mentions them almost in passing.
Benjamin had another reason to go to Moscow: he was in love. But the woman he wished to pursue was also elusive, unavailable both in practical and emotional terms. The book speaks to the fascination Western leftist intellectuals have had with Russian culture and politics, turning to Russia as an alternative to a corrupt West.
Benjamin’s reflections about philosophy, history, and the Moscow of the 1920s makes me fantasize about our…
The life of the German-Jewish literary critic and philosopher Walter Benjamin (1892-1940) is a veritable allegory of the life of letters in the twentieth century. Benjamin's intellectual odyssey culminated in his death by suicide on the Franco-Spanish border, pursued by the Nazis, but long before he had traveled to the Soviet Union. His stunning account of that journey is unique among Benjamin's writings for the frank, merciless way he struggles with his motives and conscience.
Perhaps the primary reason for his trip was his affection for Asja Lacis, a Latvian Bolshevik whom he had first met in Capri in 1924…
I am an award-winning historian, biographer, and political commentator. As a specialist in Soviet history, my books have been translated into many languages, including Arabic, Chinese, French, Finnish, German, Japanese, Portuguese, Russian, Spanish, and Turkish.
Plokhy is a renowned Ukrainian-American historian who makes no secret of where his sympathies lie. His partisan, pro-Ukraine narrative of the war and its origins is vigorous and informative.
Of particular value is his highly illuminating account of the triangular relationship between Russia, Ukraine, and the United States in the run-up to the war.
Despite repeated warnings from the White House, Russia's invasion of Ukraine in February 2022 shocked the world. Why did Putin start the war-and why has it unfolded in previously unimaginable ways? Ukrainians have resisted a superior military; the West has united, while Russia grows increasingly isolated.
Serhii Plokhy, a leading historian of Ukraine and the Cold War, offers a definitive account of this conflict, its origins, course, and the already apparent and possible future consequences. Though the current war began eight years before the all-out assault-on February 27, 2014, when Russian armed forces seized the building of the Crimean parliament-the…
I write about Eastern Europe, both past and present, and what it means to have Russia as a neighbor. I write historical fiction and historical thrillers with a soupcon of espionage. I talk about the politics of the day, whether the story is set during WWII or in modern times. While my stories and characters are fictional, I constantly strive to accurately reflect time, place, and, most of all, history. I hope that my novels entertain and inform about a corner of the world folks may not know much about.
From the Kiev of ancient Rus’ to today, Mark Galeotti has stuffed the history of Russia into one jaw-dropping book of just over 200 pages. I loved the book because it was concise, informative, and cleared up misconceptions we may have about Russia.
Mr. Galeotti’s book provides a thoughtful perspective in an overview that brings context to today’s Russia. He claims he’s debunking myths. Were the Mongol invasions truly devastating? He offers stories we may not have heard. How did Catherine the Great really come to power? He challenges us to examine why the Russian people tolerate a man like Putin, but will we ever know for certain?
'Fascinating... One of the most astute political commentators on Putin and modern Russia' Financial Times
'An amazing achievement' Peter Frankopan
Can anyone truly understand Russia?
Russia is a country with no natural borders, no single ethos, no true central identity. At the crossroads of Europe and Asia, it is everyone's 'other'. And yet it is one of the most powerful nations on earth, a master game-player on the global stage with a rich history of war and peace, poets and revolutionaries.
In this essential whistle-stop tour of the world's most complex nation, Mark Galeotti takes us behind the myths to…
