Here are 100 books that In the Footsteps of Mr. Kurtz fans have personally recommended if you like
In the Footsteps of Mr. Kurtz.
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I’m a Stanford professor who became fascinated
with oil and everything it does to for us and to us. For years I traveled the
world talking to the people who know petroleum: executives in the big oil companies,
politicians and activists, militants and victims, spies and tribal chiefs. Blood
Oil explains what I learned and how we can make our oil-cursed world better
for all of us.
Oil isn’t the only natural resource that can
curse: the Belgian colonizers inflicted decades of extraordinary brutality on
the peoples of the Congo while extracting their ivory and rubber.
Hochschild
paints horrific vistas of extreme greed and violence, and also tells the
stories of the heroic individuals who resisted it. I didn’t know much about
real ‘The Heart of Darkness’ before reading this book—now I know that the true
savages were the Europeans.
Winner of the Duff Cooper Prize, King Leopold's Ghost is the true and haunting account of Leopold's brutal regime and its lasting effect on a ruined nation. With an introduction by award-winning novelist Barbara Kingsolver.
In the late nineteenth century, when the great powers in Europe were tearing Africa apart and seizing ownership of land for themselves, King Leopold of Belgium took hold of the vast and mostly unexplored territory surrounding the Congo River. In his devastatingly barbarous colonization of this area, Leopold stole its rubber and ivory, pummelled its people and set up a ruthless regime that would reduce…
I studied reporters' memoirs of Africa for my PhD in journalism at the University of East Anglia, under Giles Foden, author of The Last King of Scotland. I was fascinated by how foreign correspondents are aided by local reporters, who unfortunately often don’t receive much credit or commensurate pay for their contributions to international news. This inequality is changing, but not quickly enough, and it affects the kinds of news that we all receive, and how western lives, for example, are often respected more than others.
I promised my publisher, who edited Kapuscinski, a book as elemental, pure, and wild as Kapuscinski's seminal account of the Angolan independence struggle in 1975.
Though I’m not sure I succeeded, Breakup is that book.
I was inspired by this classic of reportage for its simple and profound observations of the city, and countryside, trying to make sense of the chaos and what Angolans, in Portuguese, called confusão.
In 1975, Angola was tumbling into pandemonium; everyone who could was packing crates, desperate to abandon the beleaguered colony. With his trademark bravura, Ryszard Kapuscinski went the other way, begging his was from Lisbon and comfort to Luanda—once famed as Africa's Rio de Janeiro—and chaos.Angola, a slave colony later given over to mining and plantations, was a promised land for generations of poor Portuguese. It had belonged to Portugal since before there were English-speakers in North America. After the collapse of the fascist dictatorship in Portugal in 1974, Angola was brusquely cut loose, spurring the catastrophe of a still-ongoing civil…
I have traveled throughout Africa and had the great opportunity to live in West Africa for two years, while I was working for the CIA. That experience was wild and challenging, but also transforming. West Africa became the setting for my first novel, Victor in the Rubble, because I loved the absurdity and adventure I experienced there, where nothing is logical but everything makes sense. I have read a number of novels that take place in different parts of Africa, as well as a wide array of nonfiction books about various African countries, their history, and their leaders. There are so many great stories there that pique my interest and inspire me.
This is a true story that reads like a geopolitical spy thriller, with reckless mercenaries, colorful dictators, and money, money, money.
This is one of the first books I ever read about outsiders looking to take advantage of Africa’s natural resources and the havoc that wreaks.
It revealed to me some of the darkest realities of Africa, the ruthlessness of some leaders, the ubiquitous corruption, and the desire of profiteers to take advantage of it all.
Equatorial Guinea is a tiny country roughly the size of the state of Maryland. Humid, jungle covered, and rife with unpleasant diseases, natives call it Devil Island. Its president in 2004, Obiang Nguema, had been accused of cannibalism, belief in witchcraft, mass murder, billiondollar corruption, and general rule by terror. With so little to recommend it, why in March 2004 was Equatorial Guinea the target of a group of salty British, South African and Zimbabwean mercenaries, travelling on an American-registered ex-National Guard plane specially adapted for military purposes, that was originally flown to Africa by American pilots? The real motive…
I have 7 sisters and 1 brother. I was the 9th child in my family. To get a son who would carry on the family heritage, my parents tried 7 times without any success. After 7 unwanted daughters, my brother finally arrived. Then they had me as the second boy in the family. The plot twist was: I am gay. I turned out to be the 8th unwanted daughter because of my sexuality. Coming from this small-town big family full of superstitions and secrets, I am naturally drawn to dramatic family stories with many dark and psychological twists.
At first, I was scared by the thickness of the book. More than 600 pages? I didn’t think I would have the patience and time to finish it. My book club chose the book as a reading challenge for everyone. A challenge indeed. But a colorful one.
I remember carrying the book with me everywhere I went. As I finally reached the last page of this riveting family saga set in Africa, I felt older and wiser. Wow, I actually finished the thick novel. It was a great achievement.
I was never bored or tired. I did not want the story to end. It could have been 6000 pages and I still would have thrown myself into this epic story.
**NOW INCLUDING THE FIRST CHAPTER OF DEMON COPPERHEAD: THE NEW BARBARA KINGSOLVER NOVEL**
**DEMON COPPERHEAD IS AVAILABLE NOW FOR PRE-ORDER**
An international bestseller and a modern classic, this suspenseful epic of one family's tragic undoing and their remarkable reconstruction has been read, adored and shared by millions around the world.
'Breathtaking.' Sunday Times 'Exquisite.' The Times 'Beautiful.' Independent 'Powerful.' New York Times
This story is told by the wife and four daughters of Nathan Price, a fierce, evangelical Baptist who takes his family and mission to the Belgian Congo in 1959.
They carry with them everything they believe they will…
I studied reporters' memoirs of Africa for my PhD in journalism at the University of East Anglia, under Giles Foden, author of The Last King of Scotland. I was fascinated by how foreign correspondents are aided by local reporters, who unfortunately often don’t receive much credit or commensurate pay for their contributions to international news. This inequality is changing, but not quickly enough, and it affects the kinds of news that we all receive, and how western lives, for example, are often respected more than others.
I met Aidan in Bunia, on the frontline of the Congo war, where he kindly offered his help, and then, not knowing who he was, I discovered his memoir in the Nairobi airport.
His story of starting as a lowly stringer and working his way up resonated with my own journey as a stringer for The AP in DR Congo, a journey I recount in my first memoir, Stringer.
"Congo is a tough place," he told me in Bunia, "not many people move here to report." I enjoyed reading a book by a reporter who wanted to help young stringers.
A deeply affecting memoir of a childhood in Africa and the continent's horrendous wars, which Hartley witnessed at first hand as a journalist in the 1990s. Shortlisted for the prestigious Samuel Johnson Prize for Non-fiction, this is a masterpiece of autobiographical journalism.
Aidan Hartley, a foreign correspondent, burned-out from the horror of covering the terrifying micro wars of the 1990s, from Rwanda to Bosnia, seeks solace and solitude in the remote mountains and deserts of southern Arabia and the Yemen, following his father's death. While there, he finds himself on the trail of the tragic story of an old friend…
I studied reporters' memoirs of Africa for my PhD in journalism at the University of East Anglia, under Giles Foden, author of The Last King of Scotland. I was fascinated by how foreign correspondents are aided by local reporters, who unfortunately often don’t receive much credit or commensurate pay for their contributions to international news. This inequality is changing, but not quickly enough, and it affects the kinds of news that we all receive, and how western lives, for example, are often respected more than others.
Naipaul's long-form reportage "Crocodiles of Yamoussoukro," included in this collection of essays from around the world, including Africa, taught me to root my stories simply.
When I was struggling to locate the core thread of Stringer, I stumbled upon this essay about the Ivory Coast, and more than the descriptions of the place—often dark and mystical—what moved me most was when Naipaul described his reasons for traveling to the Ivory Coast: in part because he was enamored with his French teacher, an elegant woman wearing an African headdress.
It seemed to me marvelous that a large journey could begin in such a precise, universal moment.
This collection of V.S. Naipaul's essays, the first of two volumes, showcases a lifetime of intelligent and profoundly enjoyable writing. It features pieces taken from his earlier books - The Overcrowded Barracoon, The Return of Eva Peron and Finding the Centre - and also includes several previously uncollected essays.
Concentrating mainly on V.S. Naipaul's writings about India, the Americas, Africa and the Diaspora, it is a clear-eyed and magnificent introduction to the writer's extraordinary world.
I studied reporters' memoirs of Africa for my PhD in journalism at the University of East Anglia, under Giles Foden, author of The Last King of Scotland. I was fascinated by how foreign correspondents are aided by local reporters, who unfortunately often don’t receive much credit or commensurate pay for their contributions to international news. This inequality is changing, but not quickly enough, and it affects the kinds of news that we all receive, and how western lives, for example, are often respected more than others.
One of the first European accounts of Congo, I read this book for my PhD, studying under the British author and journalist Giles Foden.
Pigafetta's account helped me understand the lenses—often colonial, of exoticism, fear, and wonder—through which Congo and Central Africans have long been perceived by Europeans and the world.
Pigafetta writes of Africa as the unknown, the dark, the frightening and mysterious, ideas still present in the news we consume today. I had often wondered why certain stories I pitch never get published, while others are easy sells.
The answers are rooted in events centuries ago, and it's easy to see that when we decide to take a look.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and…
I have traveled throughout Africa and had the great opportunity to live in West Africa for two years, while I was working for the CIA. That experience was wild and challenging, but also transforming. West Africa became the setting for my first novel, Victor in the Rubble, because I loved the absurdity and adventure I experienced there, where nothing is logical but everything makes sense. I have read a number of novels that take place in different parts of Africa, as well as a wide array of nonfiction books about various African countries, their history, and their leaders. There are so many great stories there that pique my interest and inspire me.
This is one of the funniest books I have ever read.
As the author attempts to drive from Central Africa to France, he captures the joys and thrills of traveling in Africa, along with the many challenges. I loved and recognized the litany of charming and fun characters he encounters who bring so many of Africa’s wonderful absurdities to life.
This book was a major inspiration for me as I wrote my book and it still makes me laugh, years later.
While attempting to transfer a friend's Land Rover from the Central African republic to Europe, two travel companions experience various adventures and hijinks in such locales as Lake Chad, Timbuktu, and the Sahara
By Bruce Bueno de Mesquita And Alastair Smith
Author
Why am I passionate about this?
Bruce Bueno de Mesquita and Alastair Smith are professors of politics at New York University. They use the mathematical approach of game theory to understand the incentives of leaders in different settings. The Dictator’s Handbook distills decades of academic work into a few essential rules that encapsulate how leaders come to power and remain there.
The breadth of Meredith’s book makes it a true masterpiece. He covers the political history of virtually every African state from independence through the end of the century. Each chapter is as compelling as it is brutal.
First published in 2005, The Fate of Africa was hailed by reviewers as "A masterpiece....The nonfiction book of the year" ( The New York Post ) "a magnificent achievement" ( Weekly Standard ) "a joy," ( Wall Street Journal ) and "one of the decade's most important works on Africa" ( Publishers Weekly , starred review). Now Martin Meredith has revised this classic history to incorporate important recent developments, including the Darfur crisis in Sudan, Robert Mugabe's continued destructive rule in Zimbabwe, controversies over Western aid and exploitation of Africa's resources, the growing importance and influence of China, and the…
I am a Somali scholar in the field of Somali Studies and African Studies, specialising in anthropology, history, and the politics of Somali society and state(s). I am recognised as an authority and expert on the historical and contemporary Somali conflicts in the Diaspora and back home. I am a Research Fellow at the Conflict Research Programme at the London School of Economics and Political Science, where I am tasked to study the political economy of Mogadishu. I am also a visiting professor at the African Leadership Centre, King’s College London, where I deliver lectures about the genesis of the Cold War in the Horn of Africa and the Civil War in Somalia.
This extraordinary book forces anyone who attempts at studying African politics during the post-colonial period (‘on the postcolony’ in Achile Mbembe’s term) as well as in the late Cold War to (re)consider the role of Africans in the shaping of post-colonial Africa. The author uses various examples to nuance the dilemma of the African state-building process. The notion of ‘the politics of the belly’ derived from a Cameroonian saying, not a Bayart’s creation, as many in the West would think of it.
The State in Africa is one of the important and compelling texts of comparative politics and historical sociology of the last twenty years. Bayart rejects the assumption of African 'otherness' based on stereotyped images of famine, corruption and civil war. Instead he invites the reader to see that African politics is like politics anywhere else in the world, not an exotic aberration. Africans themselves speak of a 'politics of the belly' - an expression that refers not only to the necessities of survival but also to a complex array of cultural representations, notably those of the 'invisible' world of sorcery.…
