Here are 100 books that His Inherited Princess fans have personally recommended if you like
His Inherited Princess.
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I’m from Mauritius, of Indian heritage, and proudly African. I remember reading my first chick-lit romance circa 2001, thinking Mauritius has everything—the drama, the over-the-top characters, love matches, exciting backdrops both physical & cultural—to create great rom-coms & uplifting fiction…but where were such stories? A decade later, I was helping other African authors showcase their feel-good books by creating an imprint dedicated to African romance with a US publisher. I’m an author who loves to write about her country & life experiences, and I have the perfect day job for a bookworm as an editor who specializes in editing romance stories for indie authors & publishers alike.
I couldn’t read fast enough to find out who Zoe really was before her accident and how everything would be revealed. And Jo Watson delivered a rollicking ride filled with feelings–so much feels!–and it just kept getting better, coming together like a tapestry right until the end. It was a journey the heroine went on, and as a reader, I also went along with her, which was magical & so enthralling!
Set in Johannesburg mainly and the South African countryside, it showed normal people living normal lives amid extraordinary circumstances, all with a feel-good, rom-com vibe throughout.
She's starting over. And the real her is letting loose.
From the author of the 100,000+ copy-selling rom-com, Love to Hate You! No one makes you laugh like Jo Watson!
If you love by Mhairi McFarlane, Sophie Ranald, Sophie Kinsella and Paige Toon, you'll LOVE Jo Watson - readers are raving about her glorious rom-coms!
Readers are already WOWED by Just The Way I Am!
'Without a doubt Jo Watson's best book so far, and I've almost read all of them'
'I have read ALL of Jo Watson's previous books and this is quite possibly my new favourite'
I’m from Mauritius, of Indian heritage, and proudly African. I remember reading my first chick-lit romance circa 2001, thinking Mauritius has everything—the drama, the over-the-top characters, love matches, exciting backdrops both physical & cultural—to create great rom-coms & uplifting fiction…but where were such stories? A decade later, I was helping other African authors showcase their feel-good books by creating an imprint dedicated to African romance with a US publisher. I’m an author who loves to write about her country & life experiences, and I have the perfect day job for a bookworm as an editor who specializes in editing romance stories for indie authors & publishers alike.
I’m of Indian heritage, and when I see Indian-origin protagonists, I’m on it like white on rice! Add to it another trope: I love the marriage of convenience, and I was hooked.
Now, you can expect Indian protagonists to mean Indian families, usually big, often messy, and definitely loud. I just needed a Bollywood-style soundtrack in the background, and this one would’ve been a perfect blockbuster from Bollywood.
Vash Karuppa also knows how to write feelings, delve deep, and make you feel everything that’s roiling inside her main characters’ hearts. Definitely, a thrilling, colourful, boisterous ride where love is swept along whether it wants to or not!
All business-no-pleasure CEO of Hotel Empire, Keshavam Industries, Aariyan Ranjan, and successful Oncologist, Varini Iyengar, have known one another for sixteen years. When she last saw him Varini was left completely shattered as Aariyan walked away from their newfound love and out of her life. He was the first man she longed for, the first man she truly desired, and the first and only man she had ever loved. Aariyan had loved her back, but fuelled by uncontrollable demons he abandoned her, ending their love in devastating heartbreak.
In order to seal the deal of a lifetime Aariyan needs a…
I’m from Mauritius, of Indian heritage, and proudly African. I remember reading my first chick-lit romance circa 2001, thinking Mauritius has everything—the drama, the over-the-top characters, love matches, exciting backdrops both physical & cultural—to create great rom-coms & uplifting fiction…but where were such stories? A decade later, I was helping other African authors showcase their feel-good books by creating an imprint dedicated to African romance with a US publisher. I’m an author who loves to write about her country & life experiences, and I have the perfect day job for a bookworm as an editor who specializes in editing romance stories for indie authors & publishers alike.
Imagine if Bridget Jones had been African–Nigerian, to be more precise, and instead of just a nosy/meddling mother, she had a huge Yoruba family to contend with! I absolutely adored the POV of the heroine, Nifemi, in this tale! I could read her stream-of-consciousness chapter starts forever and not be bored.
Feyi Aina writes with humour and that special touch of "down to Earth" that makes her heroine resonate. Anyone with a big, traditional family–whether Nigerian, Indian, or even Irish–will totally get Nifemi and her struggle to find what love means and where it’s waiting for her.
The Pact is a contemporary fiction novel about Australian sisters, Samantha and Annie, who are doubles tennis champions. This story amplifies the usual sibling issues and explores their professional partnership and personal relationships – similarities, differences, motivation, competition, abandonment, and grief – and how they each respond to the stress…
I’m from Mauritius, of Indian heritage, and proudly African. I remember reading my first chick-lit romance circa 2001, thinking Mauritius has everything—the drama, the over-the-top characters, love matches, exciting backdrops both physical & cultural—to create great rom-coms & uplifting fiction…but where were such stories? A decade later, I was helping other African authors showcase their feel-good books by creating an imprint dedicated to African romance with a US publisher. I’m an author who loves to write about her country & life experiences, and I have the perfect day job for a bookworm as an editor who specializes in editing romance stories for indie authors & publishers alike.
Another one with the amnesia trope (I told you it’s a fave of mine!) Except in this one, the hero wakes up with amnesia, not recalling that his gorgeous wife is his on paper only…Kiru Taye can write angst! Feelings in general, but angst, turmoil, and passion that don’t just mean an opened bedroom door? She delivers.
I loved witnessing the romance brewing here and just waiting for the other shoe to drop. When it did, everything escalated, yet at no point did it feel like "too much." I also loved how it showed me a slice of Nigeria, in lifestyle, culture, and day-to-day living, that I’d never experienced before, opening my eyes to what life on the African continent is truly like when one looks beyond the trauma and misery overflowing in African literature.
I studied reporters' memoirs of Africa for my PhD in journalism at the University of East Anglia, under Giles Foden, author of The Last King of Scotland. I was fascinated by how foreign correspondents are aided by local reporters, who unfortunately often don’t receive much credit or commensurate pay for their contributions to international news. This inequality is changing, but not quickly enough, and it affects the kinds of news that we all receive, and how western lives, for example, are often respected more than others.
Naipaul's long-form reportage "Crocodiles of Yamoussoukro," included in this collection of essays from around the world, including Africa, taught me to root my stories simply.
When I was struggling to locate the core thread of Stringer, I stumbled upon this essay about the Ivory Coast, and more than the descriptions of the place—often dark and mystical—what moved me most was when Naipaul described his reasons for traveling to the Ivory Coast: in part because he was enamored with his French teacher, an elegant woman wearing an African headdress.
It seemed to me marvelous that a large journey could begin in such a precise, universal moment.
This collection of V.S. Naipaul's essays, the first of two volumes, showcases a lifetime of intelligent and profoundly enjoyable writing. It features pieces taken from his earlier books - The Overcrowded Barracoon, The Return of Eva Peron and Finding the Centre - and also includes several previously uncollected essays.
Concentrating mainly on V.S. Naipaul's writings about India, the Americas, Africa and the Diaspora, it is a clear-eyed and magnificent introduction to the writer's extraordinary world.
I’ve always adored stories of courageous, sometimes outrageous women who forge aheadinto the unknown, survive in strange lands in troubled times, pursue their career dreams. Like my favourite picks, I’ve relished my own adventures in distant countries (Libya, Czechia, Kyrgystan, Mongolia…), while always earning my crust from writing. From motivational research in Dublin and London, I switched to financial journalism in Holland, where I met and was inspired by ground-breaking journalist Nel Slis whose story I’ve told in my book Hellcat of the Hague. Now I’m settled in London to concentrate on my novels and short stories and be near my family, I hope you love these books too.
Award-winning novelist Molteno takes us on a mesmerising journey of discovery, tracing the origins of her fictional worlds. From the mountains of Tajikistan to remote parts of Africa, in small English towns or huge Indian literary festivals, she engages with people she meets and is inspired by them. Through these vignettes she threads reflections on the creative process—why we write, and what fiction does for us. Through Marion’s clear and involving writing, we encounter not one but several truly remarkable women, as she weaves the emergence of her writing life into her own much-travelled and absorbing story.
Award-winning author Marion Molteno takes us on a magical journey of discovery into the life of a writer and her readers.
From book events in small English towns to huge literary festivals in India and Pakistan, from the mountains of Tajikistan to remote parts of Africa, she traces the roots of the fictional worlds she has so brilliantly created in her novels.
Weaving through these vignettes are reflections on the creative process, her own and anyone's - her own journey as a writer, what fiction does for us, and the vital relationship between writers and readers.
With an ability to…
James Malloy is a ferry captain--or used to be, until he was unceremoniously fired and replaced by a "girl" named Courtney Farris. Now, instead of piloting Brenton Island’s daily lifeline to the glitzy docks of Newport, Rhode Island, James spends his days beached, bitter, and bored.
I'm a historian of global capitalism and South Asia, writing about corporations as they are and how they could be. I've looked at India with the eyes of an outsider, drawing on my experiences growing up in 1990s Eastern Europe during a time of political upheaval and shock privatizations as the old communist order crumbled. Having witnessed the rise of a new class of monopolists and oligarchs in its stead, I became interested in the many different ways capitalists exercise power in society over time and around the world, and how we as ordinary citizens relate to them. I'm now interested in thinkers, activists, and entrepreneurs who have tried to experiment with alternatives.
There is no better book for understanding India’s family businesses in a broader social and political context than this sprawling, powerful novel. Preti Taneja retells and reworks Shakespeare’s King Lear as three sisters (and an illegitimate son) fight over the inheritance of a massive company that makes everything from textiles to cars (echoes of the Tatas, Birlas, and Ambanis, but also of the East India Company as the subcontinent’s original corporate sovereign). Taneja touches on all the big issues, including gender, caste, climate, and Kashmir, without ever being preachy. It is a long and sometimes challenging read, but always rewarding. I may be biased given the subject matter, but this is the century’s Great Indian Novel—a worthy successor to the likes of Midnight’s Children, A Suitable Boy, and Sacred Games.
When a billionaire hotelier and political operator attempts to pit his three daughters against one another, a brutal struggle for primacy begins in this modern-day take on Shakespeare’s King Lear. Set in contemporary India, where rich men are gods while farmers starve and water is fast running out, We That Are Young is a story about power, status, and the love of a megalomaniac father. A searing exploration of human fallibility, Preti Taneja’s remarkable novel reveals the fragility of the human heart—and its inevitable breaking point.
I’ve been fascinated by maps all my life. The map of India has always held special interest. As I’ve lived in different parts of India, I’ve seen firsthand how India is one country, but its stories are multiple. I chronicled India’s varied stories through the origins of each of its states. Similarly, I’ve curated a diverse and inclusive reading list. It covers different parts of the country and contains different types of books—graphic novel, travelog, memoir, and short story collections. The authors also cut across religion, gender, and social strata. I hope you discover a whole new India!
This book of short stories drops us in the middle of Jharkhand in the center of India. Written by a government doctor who is also of the Santhal Adivasi community, it offers us insights into a community, a region, and an institution that are rarely found together in a book. Also, given that central India can tend to be seen as a large Hindi land mass, this book focuses sharply on the region’s original inhabitants living in today’s society.
Please Read Notes: Brand New, International Softcover Edition, Printed in black and white pages, minor self wear on the cover or pages, Sale restriction may be printed on the book, but Book name, contents, and author are exactly same as Hardcover Edition. Fast delivery through DHL/FedEx express.
As a fantasy author, I love stories set within complex and unusual worlds. I especially enjoy worlds where the rules of physics and metaphysics are re-imagined, adding an extra dimension to the story. Most fantasy worlds are much like our own – big, spherical, ordinary climactic zones, normal physics. Magic sort of exists around the edges. A handful of fantasy worlds are different: the world is flat, layered, hollow, has physical and metaphysical laws that change when you step across a political border – or is wholly contained within an infinite House with oceans pouring through the lower levels. Those are worlds I find especially delightful to visit – and to write about!
The Pyramids of London has the most ornate, baroque alternative-history setting of any novel in the entire history of fantasy novels. Seriously. To start with, every kind of mythology is true in whatever region that mythology developed. Also, the pharaohs of Egypt have been vampires for thousands of years. Plus, when they die, vampires might become stars. Which are also gods. Plus France is ruled by the Fae. At night, when the Fae Court of the Moon arises in Paris, gravity suddenly drops dramatically.
Insert a murder mystery into this wildly ornate setting, plus fully realized characters you both believe in and root for, and off you go, on a fantastic journey through a world that is like nothing you’ve ever seen before.
In a world where lightning sustained the Roman Empire, and Egypt's vampiric god-kings spread their influence through medicine and good weather, tiny Prytennia's fortunes are rising with the ships that have made her undisputed ruler of the air. But the peace of recent decades is under threat. Rome's automaton-driven wealth is waning along with the New Republic's supply of power crystals, while Sweden uses fear of Rome to add to her Protectorates. And Prytennia is under attack from the wind itself. Relentless daily blasts destroy crops, buildings, and lives, and neither the weather vampires nor Prytennia's Trifold Goddess have been…
Crushed under writer’s block and a looming deadline, Mack escapes from New York to Seattle. She meets Charlie, a beautiful, generous, nearly bankrupt coffee shop owner recovering from heartbreak. For the first time, Mack has a muse. And then Mack starts using Charlie’s private stories in her novel…
I discovered Indian Yoga and Western occultism as a teenager, and it turned into a lifelong obsession. I tend to relate to various forms of esotericism more naturally than to established religions; I find the lack of rigidity in the former’s metaphysical and ethical constructs more appealing. I obtained a Ph.D. in Asian Studies with a Thesis on the Nāth Yogis and pursued my interest in Aleister Crowley, his religious movement of Thelema, and Western occultism. What I find attractive in these systems is the vision of the human potential that promises to be able to transcend limitations associated with the consensus reality.
This book is based on the series of articles that Dion Fortune (1890-1946) originally published in The Inner Light Magazine in 1939-1940. It was published in a book format with an added contribution by Gareth Knight (1930-2022), who continued and made more widely known Fortune’s work and ideas.
Fortune is mostly associated with championing the “Western Esoteric Tradition,” and she was critical of those Westerners practicing foreign spiritual systems, such as Indian Yoga, arguing that cultures should not mix. Nevertheless, this particular series of essays on “the circuit of force" displays her deep familiarity with Yoga, in particular as it concerns subjects such as the kuṇḍalinī and prāṇa. “I have tried both methods,” wrote she somewhat surprisingly, “and in my opinion, the Eastern method is incomparably the more efficacious.”
Knight’s comments benefit the book, as is usual, because they are based on his deeply personal experience with the subject matter…
Dion Fortune describes techniques for raising the personal magnetic forces within the human aura and their control and direction in magic and in life, which she regards as 'the Lost Secrets of the Western Esoteric Tradition'. Gareth Knight provides subject commentaries on various aspects of the etheric vehicle, filling in some of the practical details and implications that she left unsaid in the more secretive esoteric climate of the times in which she wrote.
