100 books like His Inherited Princess

I love an amnesia trope, and this one delivered!

I couldn’t read fast enough to find out who Zoe really was before her accident and how everything would be revealed. And Jo Watson delivered a rollicking ride filled with feelings–so much feels!–and it just kept getting better, coming together like a tapestry right until the end. It was a journey the heroine went on, and as a reader, I also went along with her, which was magical & so enthralling!

Set in Johannesburg mainly and the South African countryside, it showed normal people living normal lives amid extraordinary circumstances, all with a feel-good, rom-com vibe throughout.

I’m of Indian heritage, and when I see Indian-origin protagonists, I’m on it like white on rice! Add to it another trope: I love the marriage of convenience, and I was hooked.

Now, you can expect Indian protagonists to mean Indian families, usually big, often messy, and definitely loud. I just needed a Bollywood-style soundtrack in the background, and this one would’ve been a perfect blockbuster from Bollywood.

Vash Karuppa also knows how to write feelings, delve deep, and make you feel everything that’s roiling inside her main characters’ hearts. Definitely, a thrilling, colourful, boisterous ride where love is swept along whether it wants to or not!

Imagine if Bridget Jones had been African–Nigerian, to be more precise, and instead of just a nosy/meddling mother, she had a huge Yoruba family to contend with! I absolutely adored the POV of the heroine, Nifemi, in this tale! I could read her stream-of-consciousness chapter starts forever and not be bored.

Feyi Aina writes with humour and that special touch of "down to Earth" that makes her heroine resonate. Anyone with a big, traditional family–whether Nigerian, Indian, or even Irish–will totally get Nifemi and her struggle to find what love means and where it’s waiting for her.

Another one with the amnesia trope (I told you it’s a fave of mine!) Except in this one, the hero wakes up with amnesia, not recalling that his gorgeous wife is his on paper only…Kiru Taye can write angst! Feelings in general, but angst, turmoil, and passion that don’t just mean an opened bedroom door? She delivers.

I loved witnessing the romance brewing here and just waiting for the other shoe to drop. When it did, everything escalated, yet at no point did it feel like "too much." I also loved how it showed me a slice of Nigeria, in lifestyle, culture, and day-to-day living, that I’d never experienced before, opening my eyes to what life on the African continent is truly like when one looks beyond the trauma and misery overflowing in African literature.

Award-winning novelist Molteno takes us on a mesmerising journey of discovery, tracing the origins of her fictional worlds. From the mountains of Tajikistan to remote parts of Africa, in small English towns or huge Indian literary festivals, she engages with people she meets and is inspired by them. Through these vignettes she threads reflections on the creative process—why we write, and what fiction does for us. Through Marion’s clear and involving writing, we encounter not one but several truly remarkable women, as she weaves the emergence of her writing life into her own much-travelled and absorbing story.

Naipaul's long-form reportage "Crocodiles of Yamoussoukro," included in this collection of essays from around the world, including Africa, taught me to root my stories simply.

When I was struggling to locate the core thread of Stringer, I stumbled upon this essay about the Ivory Coast, and more than the descriptions of the place—often dark and mystical—what moved me most was when Naipaul described his reasons for traveling to the Ivory Coast: in part because he was enamored with his French teacher, an elegant woman wearing an African headdress.

It seemed to me marvelous that a large journey could begin in such a precise, universal moment.

Miller’s work in village India – a world away from most of our experiences  – focuses on the way that people make things to be bought and used, cherished and given, and broken and discarded, all with a feedback loop from producer to consumer and back again. Through his conversations with artisans, he reveals that when high-status people buy certain shapes, lower-status people start to want them also, until those shapes become too “common” and high-status folks begin to show their distinction through the patronage of a new design. The cycle is never-ending, and Miller’s memorable words are always in the back of my mind whenever I’m looking through ancient artifacts and thinking about how their forms and decorations changed over time.

Indian engineers and technologists are among the most sought-after globally, particularly from the elite Indian Institutes of Technology that were originally modeled after MIT. The book traces India’s engagement with MIT from the 1880s to 2000 through the story of Indians who went to MIT to study and their contributions to engineering and industry back in India. It is a fascinating account of a few elite engineers but woven into it is a social, political, economic, and cultural history of modern India. 

Days and Nights in Calcutta is a fascinating dual view of the same time and place by a husband and wife, both highly esteemed writers. The couple has returned to her family home in the famously complex and crowded Indian city and this is the account-in-two-voices of their year there. His feels full of wonder and surprise; it has a sunlit quality. Hers feels full of intensity and concern; it is tightly wrought. The book shows me not just India, a place I love to see and feel, but the importance of everyone’s story and view.

The Indian Locomotive Series of four books by Hugh Hughes is a must-have for all rail fans, learners, academics, and researchers. Even if you are not a serious historian and would just want to know more about locomotives in India, this is the key book. Hugh C. Hughes was a teacher by profession, who was a prominent statistician and railway historian of the Indian Railways. He has documented and listed every possible locomotive from the by-gone era that ever worked on rail lines here and has managed to acquire some very rare pictures of those locomotives. I personally recommend the book because it adds to value because the old images of stations and locations along with those old workhorse engines are today really valuable to get a context of how the old station was historically as it is seldom that such photographs are taken by the official machinery of the… show more.