100 books like We That Are Young

We start at the top with the Indian nation-state itself and how it has been turned into a brand. What lies behind the narrative of “emerging” economies as attractive destinations for foreign investors? Where does it come from and who does it serve? Establishing a persuasive link between identity politics, populist nationalism, and global capital, Ravinder Kaur offers a model of critical interdisciplinary scholarship on the present. From the World Economic Forum in Davos to the corridors of power in Delhi, Kaur’s interviews shed light on how Indian elites think of themselves in the world (and how this differs radically from the postcolonial dream of non-alignment and social democracy). The close reading of the “Incredible India” publicity campaign is especially innovative, bringing together visual analysis and political economy. 

A key aspect of the “India story,” as described on the macro level by Kaur, is entrepreneurship and the ethos of jugaad (innovating by making do). The idea of India as the new Silicon Valley has captured the global imagination, while the creative use of technology promises to solve longstanding social and economic problems within the country. Lilly Irani’s study questions the dominant framework of “entrepreneurial citizenship” among the new middle classes and the centrality of design practice to India’s current development model. This is another stellar example of interdisciplinary scholarship, based on ethnographic fieldwork at a Delhi design studio and drawing on the author’s background in computer science. 

Readers are spoiled for choice when it comes to investigative journalism and narrative non-fiction about contemporary India, but Siddhartha Deb’s collection of essays (titled after F. Scott Fitzgerald) stands out in a crowded field. Though a decade old, it has not lost any of its relevance or punch. Deb profiles a series of unforgettable figures, from a controversial upstart businessman to emigrant engineers, peasant revolutionaries, informal industrial workers, and a waitress who serves the rich and powerful. The book moves seamlessly from the city to the countryside, exposing both the aspirations and the frustrations of capitalism as it is really lived and felt by a wide cross-section of people across India. 

We started in the snow-capped peaks of Davos and end in the sun-baked forested hills of Niyamgiri in Odisha, where Adivasis (India’s “tribals” or indigenous groups) are fighting land seizures by multinational mining companies like Vedanta. This remarkable book, co-authored by anthropologist and regional expert Felix Padel (who happens to be Charles Darwin’s grandson) and activist and filmmaker Samarendra Das, shows how such distant spaces are connected. It brings attention to the commodity chain of aluminum, from the bauxite in the ground to the finished industrial and consumer products all around us, and faithfully captures both corporate strategies and indigenous perspectives (a rare feat). Now in its second edition, Out of this Earth continues to inspire a deeper understanding of capitalism as a total system and provides hope to those challenging it. 

This book is a series of essays that were originally blogs, written by a retired civil servant. These essays have been arranged not in a chronological sequence but under subject-heads, making them a cohesive commentary on the times we live in, in India, about which the author writes. While not a work of history, the book is instead the shout of a wounded civilisation. These essays will find place in the annals of India’s evolution through the 21st century. Uncompromising in his analysis, the author studiously cites the dark clouds of political, social, and economic failures, that seem to be without the proverbial silver lining. Disclosure: I am the publisher of this book.

This book describes in fascinating detail several episodes of crony capitalism in contemporary India. The author focuses on the intimate nexus between big business and politics that shapes economic policies and covertly funds elections, often to the detriment of the interests of underprivileged sections of society. Drawing on his experience as an investigative journalist, Josy Joseph delineates corporate rivalries, the activities of shady lobbyists and recounts financial scandals. A riveting read.

This omnibus collects eleven short stories about space merchant Nicholas Van Rijn. Van Rijn (no coincidence that he’s Dutch) is literate, clever, eccentric in speech, archaic in dress, and occasionally valiant in battle – but he’d much rather trade than fight, and although he describes trade as “swindling each other,” he characteristically strikes deals that benefit all parties.

Van Rijn’s trade-in spices (he is CEO of the Solar Spice and Liquors Company) is a callout to the history of the Dutch East India Company. The great early modern companies (and specifically, the British East India Company) are one of the inspirations in my book: they founded some fortunes and give to startling adventure stories, but the contradictions inherent in their nature also led to corruption and oppression.

I love a Sherlock and Watson kind of relationship, and this one fit the early days of the British Raj perfectly. Two Brits in the employ of the East India Trading company who could not be more different. Avery is very much part of the system and eager to please. His mysterious guide, Jeremiah Blake, is critical of the Company and gets on far better with the wide cast of locals. I soaked up the historical setting, and the growing intrigue tided me over to the last third, which delivers everything you’d want in a historical thriller.

A wonderful book on how techniques of mapping were central to the construction of both the empire and of an emerging idea of “India” as a coherent space. I love the way it clearly lays out how mapping is never simply an innocent process of measuring or describing something that exists out in the world, but is always a process of constructing that reality. And it is an essential part of the history of India, as well as the British empire. 

Set in Delhi on the eve of the first battle for Indian independence in 1857 that would be so brutally put down by the British, ending with Delhi in flames and India coming under direct British rule, our detective, the poet laureate Mirza Ghalib investigates a murder. The investigation reveals the myriad of personalities, pressures, and allegiances from every corner of Indian and British society that led to the uprising and all that has come after. This finely wrought novel begins and ends with death at a Mushaira—a poetry recitation, public, private, or intimate for just two, that typically drew from every level of society—sounding the loss of India as it was before colonization, and then partition, when religious and social boundaries were not as starkly defined and policed as they are now.