Here are 100 books that The Van Rijn Method fans have personally recommended if you like
The Van Rijn Method.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
Whereas many seek out stories of human triumph and heroic deeds, I have always been captivated by stories that show humanity for what it is–a bastion of innovation and wonder but also a complex and ethically questionable force of nature. I began writing my book when I was twelve years old, and I immediately knew that my characters would not be one-sided, cast in light or shadow. Instead, they would love at times and hate others, try their hardest to do what is right, but sometimes end up doing more harm than good. Remember that a ‘hero’ is a product of perspective when reading these books.
Like The Ballad of Songbirds and Snakes, Frank Herbert’s book tells the story of a man who could be the villain or the hero, depending on who you ask. I love watching how an intelligent yet malleable person can be swept up in feelings of duty, responsibility, and leadership only to make highly questionable decisions.
Paul Atreides’ moral ambiguity is undeniably engineered by the shifting and slimy political landscape of the Dune universe, driving home the idea in my mind that good worldbuilding can set the stage for truly complicated characters.
Before The Matrix, before Star Wars, before Ender's Game and Neuromancer, there was Dune: winner of the prestigious Hugo and Nebula awards, and widely considered one of the greatest science fiction novels ever written.
Melange, or 'spice', is the most valuable - and rarest - element in the universe; a drug that does everything from increasing a person's lifespan to making interstellar travel possible. And it can only be found on a single planet: the inhospitable desert world of Arrakis.
Whoever controls Arrakis controls the spice. And whoever controls the spice controls the universe.
Growing up, books weren’t just something I read—they were portals to futures filled with wonder, adventure, and possibility. There was something captivating about science fiction in particular: it was more than just space battles and shiny gadgets. It was about what the future could be—our potential, our challenges, and how we might navigate the unknown. Looking back, a few books and authors had a lasting impact on me, not just as a reader but as a writer. I’ll walk you through five that really stood out and shaped the way I see the world and, ultimately, likely inspired my series.
I won’t lie; this series hurt my brain. It did not hold back with the twists or the depth of dialogue and intrigue either. I love it for the way it showed me the sheer complexity a series could offer. Asimov built a world that felt so real—complete with deep political intrigue, technological advancements, and power struggles that echoed across generations.
What captivated me most was how the storylines tied together over time, often referring back to events from the first book in ways that made everything feel interconnected. You don’t just read the Foundation series; you invest in it, piecing together the layers of Asimov’s universe as you go.
The story is full of big ideas—focusing not just on individuals but on the grand sweep of civilizations rising and falling. I felt that this series taught me the importance of understanding the long game: that things unfolding today may…
The first novel in Isaac Asimov’s classic science-fiction masterpiece, the Foundation series
THE EPIC SAGA THAT INSPIRED THE APPLE TV+ SERIES FOUNDATION, NOW STREAMING • Nominated as one of America’s best-loved novels by PBS’s The Great American Read
For twelve thousand years the Galactic Empire has ruled supreme. Now it is dying. But only Hari Seldon, creator of the revolutionary science of psychohistory, can see into the future—to a dark age of ignorance, barbarism, and warfare that will last thirty thousand years. To preserve knowledge and save humankind, Seldon gathers the best minds in the Empire—both scientists and scholars—and brings…
As a child I read and experienced history books as adventures. Adventure drew me to Alaska after a hitch in the Navy. I wanted to write an accurate historical novel about Juneau and the Treadwell Mine and began my research. I knew the Alaska Historical Library was the perfect place to begin. When I discovered the extensive photo collections, I flashed back to my admiration of the historical novels that impressed me. I borrowed technique and structure from all and incorporated imagery in my manuscript. My main goal was to successfully immerse the reader in a good novel about 1915 in Alaska Territory.
Quicksilver, Volume One of the Baroque Cycle is an amazing novel and not for those who like quick reads. At nearly 1,000 erudite pages it depicts the lives and confusions of natural philosophers between the years 1660 and 1713 at the dawn of the scientific revolution. Robert Hooke, Isaac Newton, King Charles II, and many others fill the pages with wit, history, avarice, sex, political duplicity, religious prejudice, and wars that seem to pop up by whim.
The sheer volume of historical research evident in Quicksilvereclipses all other works of the genre. The number of “throw away” lines that reveal deeper research and add but a thought or two to the current narrative is awesome.This is rapture for a bibliophile.Mr. Stephenson is a genius.
Quicksilver is the story of Daniel Waterhouse, fearless thinker and conflicted Puritan, pursuing knowledge in the company of the greatest minds of Baroque-era Europe, in a chaotic world where reason wars with the bloody ambitions of the mighty, and where catastrophe, natural or otherwise, can alter the political landscape overnight.
It is a chronicle of the breathtaking exploits of "Half-Cocked Jack" Shaftoe -- London street urchin turned swashbuckling adventurer and legendary King of the Vagabonds -- risking life and limb for fortune and love while slowly maddening from the pox.
I’ve had the urge to write stories as far back as public school. And despite encouragement from a creative writing teacher in high school, my first career ended up being corporate financial analysis. By the time I reached 59, I was (a) unemployed and unemployable (due to age) and (b) in a relationship with a wonderful woman who loved science fiction and was very creative (a former art teacher). With her encouragement, I finished my first SF novel at just the right time to benefit from the explosion of interest in reading ebooks bought on Amazon. I’ve now written 37 novels.
I found this book, the first of four in the series, to be fascinating in its portrayal of a race of intelligent, upright-walking lions. Cherryh’s ability to invent believable and fully fleshed-out alien races is delightful.
In this series, humans are the aliens. I loved how Cherryh made the reader root for the lions and their strange but understandable culture. It's a great concept by a great writer.
My academic writing is focused on leadership, and leading mutinies is probably the most dangerous thing any leader can do: the chances of success are slim and the likelihood of the leaders surviving even a successful mutiny are negligible. So why do it? The book suggests an answer through a typology of dissent that is rooted in the environment mutineers find themselves in, but that still doesn’t explain by very similar conditions generate very different outcomes. To explain that I turned to two ideas: the importance of the moral economy and the role of the puer robustus – the inveterate recalcitrant who takes it upon themselves to resolve the despotic situation.
If ever there was a mutiny that road roughshod over the romantic assumptions that mutineers were the ‘better angels’ of these events, then the mutiny on the Bataviais it. In 1628 the largest ship owned by the Dutch East India Company during the Golden Age of the Netherlands is shipwrecked and taken over by Jeronimus Cornelisz and his gang of mutineers. They then establish a dystopian world on a deserted island and systematically murder many of those who survive before the last survivors are rescued. You need a strong stomach to read this, but it is an important warning for idealists and romantics.
From the bestselling author of Tulipomania comes Batavia’s Graveyard, the spellbinding true story of mutiny, shipwreck, murder, and survival.
It was the autumn of 1628, and the Batavia, the Dutch East India Company’s flagship, was loaded with a king’s ransom in gold, silver, and gems for her maiden voyage to Java. The Batavia was the pride of the Company’s fleet, a tangible symbol of the world’s richest and most powerful commercial monopoly. She set sail with great fanfare, but the Batavia and her gold would never reach Java, for the Company had also sent along a new employee, Jeronimus Corneliszoon,…
I’m a Kiwi who has spent most of the past three decades in Asia. My books include Formosan Odyssey,You Don't Know China, and Taiwan in 100 Books. I live in a small town in southern Taiwan with my Taiwanese wife. When not writing, reading, or lusting over maps, I can be found on the abandoned family farm slashing jungle undergrowth (and having a sly drink).
An enjoyable read and a practical guide for those looking to explore Taiwan’s aboriginal cultures and the vestiges of Dutch rule on Taiwan in the seventeenth century. It’s a beautifully illustrated book containing hundreds of photographs and useful travel information. The focus is on getting off the beaten path, and the book details fascinating places not covered by other guidebooks, which is a testament to the two authors’ expert knowledge.
Menno Goedhart was the Representative of The Netherlands for eight years. He traveled, together with tour guide Cheryl Robbins, to parts of Taiwan that most tourists do not see and met and befriended many indigenous people. This book contains a selection of fascinating places, with explanations on how to get there, where to stay, and what to eat. In the 17th century, Taiwan was occupied by Dutch East India Company forces. From their base in the southern city of Tainan, they explored the island, leaving behind many stories, some of which are also included in this book.
I find the seventeenth century fascinating, and both of my novels are set in that period. The century was a time of great flux, and I am especially interested in exploring the kinds of things that women might have done, even though their accomplishments weren’t recorded. There is a wonderful article by novelist Rachel Kadish called “Writing the Lives of Forgotten Women,” in which she refers to Hilary Mantel’s comments that people whose lives are not recorded fall through the sieve of history. Kadish says that, “Lives have run through the sieve, but we can catch them with our hands.” These novels all attempt to do that.
One of the characters of my novel goes to a Dutch colony, and I found this look at what that might be like particularly fascinating.
Rajaram gives us the intensely personal perspective of two young women, Jana and Sontje, who in 1620 Amsterdam have no way to make a living. They sign on to become “Company Daughters,” the company being the Dutch East India Company. Agreeing to travel to the other side of the world and marry men they have never met, the two women land in a place they had not imagined, and find a way to survive with one another’s care.
‘Blew my mind… so magically written and most of all that it is based on true events… a hard-hitting, soul-crushing book… I loved every moment of it… immersive, heart-wrenching, I feel emotional writing this review.’ Goodreads reviewer, 5 stars
Wanted: Company Daughters. Virtuous young ladies to become the brides of industrious settlers in a foreign land. The Company will pay the cost of the lady’s dowry and travel. Returns not permitted, orphans preferred.
Amsterdam, 1620. Jana Beil has learned that life rarely provides moments of joy. Having run away from a violent father, her days are spent searching for work…
I am a retired professor of History and International Political Economy. Unraveling knotted masses of string was a relaxing, enjoyable activity for me while growing up. As a historian, I continue to pick apart entangled matters, particularly about capitalism as a complex system. Networks give structure to complex systems, and I find networked merchants in the modern era (ca. 1500- 1945) especially fascinating to study. Who were they? How did they create opportunities and work across borders and cultures? How did they work around adversities? How did they both perpetuate and diversify their networks? How did they link to and collaborate with one another? How do networks evolve?
I appreciate this book because its twelve chapters—each by a different author—is a tour de force of the many different parts of the world that have constituted the Dutch empire these past four centuries, all conveniently curated into one volume. (By the way, never overlook the Dutch: small country, huge commercial impact.)
Most importantly, each chapter, in its own way, provides insights into questions I have about networks, such as how they transcend political borders, how linkages are formed, and how cultural boundaries are bridged.
In 1602, the States General of the United Provinces of the Netherlands chartered the first commercial company, the Dutch East India Company, and, in so doing, initiated a new wave of globalization. Even though Dutch engagement in the Atlantic and Indian Oceans dates back to the 16th century, it was the dawn of the 17th century that brought the Dutch into the fold of the general movement of European expansion overseas and concomitant globalization.
This volume surveys the Dutch participation in, and contribution to, the process of globalization. At the same time, it reassesses the various ways Dutchmen fashioned themselves…
I’ve spent all of my career teaching and writing about Japan. Within that country’s long history, the Tokugawa or early modern period (1600-1868) has always fascinated me, going back to my teenage years when I went to Japanese film festivals in Boston with my father and brothers. This fascination stems in part from the period’s vibrancy, color, drama, and the wealth of historical documentation about it that has survived warfare as well as the ravages of time. From these rich sources of knowledge, historians and other scholars have been able to weave rich narratives of Japan’s early modern past.
This book first excited my interest in the Tokugawa period and directly led to my first two academic books on the subject. Kaempfer’s History of Japan was a best-seller from the date of its publication in London in 1727. The author was a German doctor in the employ of the Dutch East India Company, who were the only Europeans the Tokugawa rulers would allow into Japan until 1853. He was able to make two trips to the capital of Edo, likely the largest city in the world at the time, and thus was able to observe Tokugawa society broadly.
He recorded important events (such as meeting the shogun) as well as the mundane minutiae of life. It is, hands down, the best informed and liveliest foreign account of Tokugawa Japan before the mid-19th century. Bodart-Bailey translated the text from the original German, annotated it, and wrote a very helpful…
Engelbert Kaempfer's work was a best-seller from the moment it was published in London in 1727 and remains one of the most valuable sources for historians of the Tokugawa period. The narrative describes what no Japanese was permitted to record (the details of the shogun's castle, for example) and what no Japanese thought worthy of recording (the minutiae of everyday life). However, all previous translations of the history oar flawed, being based on the work of an 18th century Swiss translator or that of the German editor some fifty years later who had little knowledge of Japan and resented Kaempfer's…
Suspense thrillers were staple “reading food” in my college and young adult days, and my love for them continues. I always craved thrillers that are based on WWII, the Cold War, and secret scientific advances and that offered fresh historical perspectives and dared to challenge popular narratives while delighting the readers with dexterously woven fictional tales. And then, most importantly, it is the feeling the author has conducted genuine, painstaking research bringing out captivating, reasoned nuggets of history that I find most satisfying.
I wonder if anyone ever penned a book weaving together the American Revolution, the East India Company, and the British rule over India. Leena Bhatnagar has done it in this masterful debut thriller.
I was amazed at the incredible facets of the history of the epochal Boston Tea Party Bhatnagar rendered in this story of a staunch, gritty American woman caught in a predicament that might threaten and weaken the revolution itself.
Leading up to the Boston Tea Party, The Tea Merchant is the unexpected story of a city on the brink of revolution and the hidden threats the British East India Company brings from Bengal to the American colonies.
Boston, 1773 - The city is restless, torn between loyalty to England and a rising independent spirit. Caught uncomfortably in the middle, Constance Pruitt is the governor's cousin and a widowed tea merchant who struggles to sustain her business. Her family would prefer she relinquish any notion of liberty and settle down—preferably with a husband—but Constance turns to smuggling for the Sons…
