95 books like The Company Daughters

I, Ira Nayman, have been writing stories set in the multiverse for almost twenty years, first with the Alternate Reality News Service set of books, then with my Transdimensional Authority/Multiverse novels and, most recently, with multiverse triptychs (the spark for The Dance). One of the things that I recently realized about my writing is that a lot of it focuses on the factors that shape our lives and make us the people we are. My ongoing fascination with the multiverse is because it is a great vehicle for exploring this idea by showing us how our lives could have turned out if circumstances or our choices had been different.

I became fascinated with 16th-century and 17th-century Europe after reading Don Quixote many years ago. Since then, every novel or nonfiction book about that era has felt both ancient and contemporary. I’m always struck by how much our environment has changed—transportation, communication, housing, government—but also how little we as people have changed when it comes to ambition, love, grief, and greed. I doubled down my reading on that time period when I researched my novel, Dulcinea. Many people read in the eras of the Renaissance, World War II, or ancient Greece, so I’m hoping to introduce them to the Baroque Age. 

I find the seventeenth century fascinating, and both of my novels are set in that period. The century was a time of great flux, and I am especially interested in exploring the kinds of things that women might have done, even though their accomplishments weren’t recorded. There is a wonderful article by novelist Rachel Kadish called “Writing the Lives of Forgotten Women,” in which she refers to Hilary Mantel’s comments that people whose lives are not recorded fall through the sieve of history. Kadish says that, “Lives have run through the sieve, but we can catch them with our hands.” These novels all attempt to do that.

Horror was never something that appealed to me when I was younger. However, in adulthood, I realised the fascination of the unsettling. As I began writing, I realised that true horror is not all about monsters and gore but about breaking our everyday complacency and realising the possibility that the world is bigger than us and how we are unprepared to deal with it. This is why I write horror. Not to shock you with a jump-scare, but you leave you thinking about my words long after the lights have gone out.  

I find the seventeenth century fascinating, and both of my novels are set in that period. The century was a time of great flux, and I am especially interested in exploring the kinds of things that women might have done, even though their accomplishments weren’t recorded. There is a wonderful article by novelist Rachel Kadish called “Writing the Lives of Forgotten Women,” in which she refers to Hilary Mantel’s comments that people whose lives are not recorded fall through the sieve of history. Kadish says that, “Lives have run through the sieve, but we can catch them with our hands.” These novels all attempt to do that.

Being an out lesbian isn't my sole identity. I'm a writer of five award-winning novels, an improv artist, and co-founder of an improv school—and I’m even more than that. I wake up in the morning, brush my teeth, make myself a cup of tea, like to cook, like to walk, and adore reading—especially fiction. And while I am madly in love with my partner of 30 years (wife of 5) it's just one aspect of my life. My point being, LGBTQ2+ people do more than “be gay”. I like books that reflect this. I love a writer who crafts beautiful sentences, constructs imaginative stories, and provides me with endings I didn’t see coming.

Being an out lesbian isn't my sole identity. I'm a writer of five award-winning novels, an improv artist, and co-founder of an improv school—and I’m even more than that. I wake up in the morning, brush my teeth, make myself a cup of tea, like to cook, like to walk, and adore reading—especially fiction. And while I am madly in love with my partner of 30 years (wife of 5) it's just one aspect of my life. My point being, LGBTQ2+ people do more than “be gay”. I like books that reflect this. I love a writer who crafts beautiful sentences, constructs imaginative stories, and provides me with endings I didn’t see coming.

I find the seventeenth century fascinating, and both of my novels are set in that period. The century was a time of great flux, and I am especially interested in exploring the kinds of things that women might have done, even though their accomplishments weren’t recorded. There is a wonderful article by novelist Rachel Kadish called “Writing the Lives of Forgotten Women,” in which she refers to Hilary Mantel’s comments that people whose lives are not recorded fall through the sieve of history. Kadish says that, “Lives have run through the sieve, but we can catch them with our hands.” These novels all attempt to do that.

I am a voracious reader who loves to escape my hectic busy life with a good book when I don’t have the opportunity to do so in person. I’m a sucker for a good love story with a little angst and mystery. I read all genres but sexy romantic thrillers are my absolute favorite. I love them so much I started writing my own sexy stories in this genre. It has become my passion. I currently have three published books, Mr. Black, Mr. Stone, and Mr. Bennett, books one, two, and three of A Black Stone Series. My fourth book, Luke, the first book in my new Cross Security series is scheduled for release later this year.

I firmly believe that everyone, especially teenage girls, should own their right to pick and choose. Life guarantees you’ll run across the opportunity to make “bad” decisions, but these are so much more fun to read about than a path that’s straight and narrow. Cultivating radical empathy for my fellow humans, even those I don’t agree with, is a passion that makes me a kinder person and a more nuanced writer. Plus, I like shouting at books as much as the next reader. It makes my cats come running, which makes them tired, which makes them sit and cuddle. Diabolical, indeed.