Here are 100 books that Midnight Blue fans have personally recommended if you like
Midnight Blue.
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My ultimate read is when the action is fast, but the character's discovery of self is slow. Besides, being engrossed in the challenges of others makes my own pale by comparison. The author needs to get me to empathize with the characters - even if their struggles are nothing like my own - and once they’ve done that, I’ll be in for the long haul! Journeying through life’s mire and finding the rainbow with a character you believe - and believe in - makes for the ultimate in vicarious living. And ‘Heck, YES’ to a satisfying ending!
This book, with its prose as poetry, made me want to read it again the minute I finished. To absorb Mr. Doerr’s majestic words was to be transformed into a little blind girl with the heart of a lion, the wit of a comic, the determination of a world leader. I became Marie-Laure LeBlanc and felt all the while sublimely grateful that I could see. And then I met Werner Flemming and wept for him. I understood him. I was deeply moved by him.
I felt it was profoundly destined that these two should meet and fall in love, but my imagination carried me far into the future. I was surprised to find though I should have been disappointed, I was not. You see, this book made me realize that while many people touch our lives, some can change the course of our trajectory even by a single degree. And…
WINNER OF THE 2015 PULITZER PRIZE FOR FICTION NATIONAL BOOK AWARD FINALIST NEW YORK TIMES BESTSELLER WINNER OF THE CARNEGIE MEDAL FOR FICTION
A beautiful, stunningly ambitious novel about a blind French girl and a German boy whose paths collide in occupied France as both try to survive the devastation of World War II
Open your eyes and see what you can with them before they close forever.'
For Marie-Laure, blind since the age of six, the world is full of mazes. The miniature of a Paris neighbourhood, made by her father to teach her the way home. The microscopic…
I became fascinated with 16th-century and 17th-century Europe after reading Don Quixote many years ago. Since then, every novel or nonfiction book about that era has felt both ancient and contemporary. I’m always struck by how much our environment has changed—transportation, communication, housing, government—but also how little we as people have changed when it comes to ambition, love, grief, and greed. I doubled down my reading on that time period when I researched my novel, Dulcinea. Many people read in the eras of the Renaissance, World War II, or ancient Greece, so I’m hoping to introduce them to the Baroque Age.
I was introduced to Brooks’ writing by a fellow journalist because I very much wanted to read a novel by a reporter turned fiction writer.
The writing and the plot of the 1666 plague in this book didn’t disappoint. It was like sinking into a time and place so different from my own, but at the same time so familiar because Brooks is what I call a surround-sound writer. She is able to totally immerse you in a foreign world.
From the Pulitzer Prize-winning author of 'March' and 'People of the Book'.
A young woman's struggle to save her family and her soul during the extraordinary year of 1666, when plague suddenly struck a small Derbyshire village.
In 1666, plague swept through London, driving the King and his court to Oxford, and Samuel Pepys to Greenwich, in an attempt to escape contagion. The north of England remained untouched until, in a small community of leadminers and hill farmers, a bolt of cloth arrived from the capital. The tailor who cut the cloth had no way of knowing that the damp…
I find the seventeenth century fascinating, and both of my novels are set in that period. The century was a time of great flux, and I am especially interested in exploring the kinds of things that women might have done, even though their accomplishments weren’t recorded. There is a wonderful article by novelist Rachel Kadish called “Writing the Lives of Forgotten Women,” in which she refers to Hilary Mantel’s comments that people whose lives are not recorded fall through the sieve of history. Kadish says that, “Lives have run through the sieve, but we can catch them with our hands.” These novels all attempt to do that.
I learned a lot about seventeenth-century Amsterdam when researching The Map Colorist, and I loved how Jessie Burton really brings the time and place to life.
There is the young Nella, caught in a marriage she doesn’t understand, and which will ultimately have dire consequences. There is also her sister-in-law, whom we come to really know only at the very end. Overlapping it all is the mysterious miniaturist, who presents Nella with new figures for the elaborate doll house that her husband gave her. The miniatures seem to predict the future!
The phenomenal number one bestseller and a major BBC TV series. Winner of the Specsavers National Book Award and Waterstones Book of the Year. A Richard and Judy Book Club selection.
Beautiful, intoxicating and filled with heart-pounding suspense, Jessie Burton's historical novel set in Amsterdam, The Miniaturist, is a story of love and obsession, betrayal and retribution, appearance and truth.
On an autumn day in 1686, eighteen-year-old Nella Oortman knocks at the door of a grand house in the wealthiest quarter of Amsterdam. She has come from the country to begin a new life as the wife of illustrious merchant…
I find the seventeenth century fascinating, and both of my novels are set in that period. The century was a time of great flux, and I am especially interested in exploring the kinds of things that women might have done, even though their accomplishments weren’t recorded. There is a wonderful article by novelist Rachel Kadish called “Writing the Lives of Forgotten Women,” in which she refers to Hilary Mantel’s comments that people whose lives are not recorded fall through the sieve of history. Kadish says that, “Lives have run through the sieve, but we can catch them with our hands.” These novels all attempt to do that.
This book was a phenomenon when it came out, and with good reason.
Chevalier’s words paint a picture of the life of a young girl, Griet, who is working in the house of the artist, Johannes Vermeer in 1660s Delft. In the novel, Griet is the model for the famous painting. The relationship between artist and model, and what they do, and don’t, mean to each other, is complex and intriguing.
The way that Chevalier depicts the restrained interactions between the two seems to mimic Vermeer’s restrained yet visually detailed style.
The New York Times bestselling novel by the author of A Single Thread and At the Edge of the Orchard
Translated into thirty-nine languages and made into an Oscar-nominated film, starring Scarlett Johanson and Colin Firth
Tracy Chevalier transports readers to a bygone time and place in this richly-imagined portrait of the young woman who inspired one of Vermeer's most celebrated paintings.
History and fiction merge seamlessly in this luminous novel about artistic vision and sensual awakening. Girl with a Pearl Earring tells the story of sixteen-year-old Griet, whose life is transformed by her brief encounter with genius . .…
I love historical fiction, and with dual timelines, I often find myself identifying with a contemporary character who is trying to solve some mystery from the past. I wrote an article titled Five Questions to Ask Before Writing a Dual Timeline Novel, in which I addressed structure, how to relate the timelines to each other, and how to keep the reader engaged when going back and forth between time periods. I also wrote a blog post about how fitting the pieces together for this kind of work can be a bit like solving a jigsaw puzzle. Each of the novels I’ve recommended is an example of a satisfying final picture.
I always find books about artists intriguing, and this one adds a bit of forgery, too. In 1631 Amsterdam, Sara de Vos is widowed, inheriting her husband’s debt. She paints to eke out a living, though that is not easy for a woman of that time and place. In 1957, a young art student agrees to forge one of de Vos’s works, only to be haunted by her crime in Sydney in 2000, when she becomes a famous art historian and curator.
I loved this book when I read it and went back to it again when I later decided to write The Map Colorist, my own novel set in seventeenth-century Amsterdam.
'. . . worthy of comparison to Tracy Chevalier's Girl with a Pearl Earring and Donna Tartt's The Goldfinch . . . A masterly, multilayered story that will dazzle readers.' Library Journal (starred review)
In 1631, Sara de Vos is admitted to the Guild of St. Luke in Holland as a master painter, the first woman to be so honoured. Three hundred years later, only one work attributed to de Vos is known to remain - a haunting winter scene, At the Edge of a Wood, which hangs over the Manhattan bed of a wealthy descendant of the original owner.…
I find the seventeenth century fascinating, and both of my novels are set in that period. The century was a time of great flux, and I am especially interested in exploring the kinds of things that women might have done, even though their accomplishments weren’t recorded. There is a wonderful article by novelist Rachel Kadish called “Writing the Lives of Forgotten Women,” in which she refers to Hilary Mantel’s comments that people whose lives are not recorded fall through the sieve of history. Kadish says that, “Lives have run through the sieve, but we can catch them with our hands.” These novels all attempt to do that.
One of the characters of my novel goes to a Dutch colony, and I found this look at what that might be like particularly fascinating.
Rajaram gives us the intensely personal perspective of two young women, Jana and Sontje, who in 1620 Amsterdam have no way to make a living. They sign on to become “Company Daughters,” the company being the Dutch East India Company. Agreeing to travel to the other side of the world and marry men they have never met, the two women land in a place they had not imagined, and find a way to survive with one another’s care.
‘Blew my mind… so magically written and most of all that it is based on true events… a hard-hitting, soul-crushing book… I loved every moment of it… immersive, heart-wrenching, I feel emotional writing this review.’ Goodreads reviewer, 5 stars
Wanted: Company Daughters. Virtuous young ladies to become the brides of industrious settlers in a foreign land. The Company will pay the cost of the lady’s dowry and travel. Returns not permitted, orphans preferred.
Amsterdam, 1620. Jana Beil has learned that life rarely provides moments of joy. Having run away from a violent father, her days are spent searching for work…
I’ve written fourteen historical novels now and most of them include real historical characters. I particularly like writing about women I feel have been misjudged or ignored by historians, and trying to reassess them in the modern age. Fiction allows me to imagine what they were thinking and feeling as they lived through dramatic, life-changing experiences, giving more insight than facts alone could do. Sitting at my desk in the morning and pretending to be someone else is a strange way to earn a living but it’s terrific fun!
I was delighted when Maggie O’Farrell started writing historical fiction, and this one is a masterclass in novel writing.
It opens as teenaged Lucrezia is taken to a remote hunting lodge by her husband Alfonso, the Duke of Ferrara. He has ordered all her personal servants to remain behind and as they eat dinner, she realizes he is planning to kill her. What a beginning! The writing is lush and colorful, the characterizations subtle, and the story utterly gripping.
WOMEN'S PRIZE FOR FICTION FINALIST • REESE’S BOOK CLUB PICK • NEW YORK TIMES BEST SELLER • The author of award-winning Hamnet brings the world of Renaissance Italy to jewel-bright life in this unforgettable fictional portrait of the captivating young duchess Lucrezia de' Medici as she makes her way in a troubled court.
“I could not stop reading this incredible true story.” —Reese Witherspoon (Reese’s Book Club Pick)
"O’Farrell pulls out little threads of historical detail to weave this story of a precocious girl sensitive to the contradictions of her station...You may know the history, and you may think you…
I'm an author of fiction and nonfiction books, focusing on how women are positioned in society. Under my real name, Susan Shapiro Barash, I have written thirteen nonfiction titles. As a fiction writer, I've published four novels, written under my pen name, Susannah Marren. For more than twenty years I taught in the Writing Department at Marymount Manhattan College and have guest taught creative nonfiction at the Writing Institute at Sarah Lawrence College. I served as a literary panelist for the New York State Council on the Arts, as a judge for the International Emmys, and as Vice Chair of the Mentoring Committee of the Women’s Leadership Board at the JFK School of Government, Harvard.
Lisey Landon, the widow of a well-known author, struggles to know who her husband really was.
In real time, which is one of two storylines, Lisey’s sister, Amanda comes to visit and they search magazines and books to find where Lisey is written up. Amanda is troubled, becomes catatonic and Lisey has to care for her. The other storyline is about Scott Landon, his rough past and how he hovers over Lisey’s life, although he is deceased.
What is striking about this novel is the writing and Lisey’s journey. The reader is drawn in at once. When Lisey is able to enter another world called Boo’ya, as her husband did, she is able to save her sister. And by the end of the novel, Lisey herself is set free of her demons. This novel has stayed with me for years.
*Soon to be an Apple TV+ limited series starring Julianne Moore and Clive Owen*
Every marriage has two hearts, one light and one dark.
Lisey knew it when she first fell for Scott. And now he's dead, she knows it for sure.
Lisey was the light to Scott Landon's dark for twenty-five years. As his wife, only she saw the truth behind the public face of the famous author - that he was a haunted man whose bestselling novels were based on a terrifying reality.
Now Scott has gone, Lisey wants to lock herself away with her memories. But the…
I am a doctor, an award-winning writer, and lifelong lover of mysteries. Many mysteries feature smart characters. I prefer those with wise characters, who can teach me something about a life well-lived. Or not. Sometimes the mistakes are more instructive and more fun. Stories with older characters offer a plethora of life experience and wisdom, and usually poignancy and humor as well. From my life as a doctor and my daily visits to my mother’s retirement community dinner table, I see seniors who are strong, wise, vital, and often overlooked. I love stories that give voice to this robust and rich generation who have so much to offer.
A widow with a new lease on life thanks to her secretly wealthy aunt becomes involved in a murder.
Multigenerational, with the Italian grandma, her newbie journalist granddaughter, plus an ex-nun sister and an ex-sister-in-law.
This story involves food, jokes, and family love, albeit with much more brashness and outspokenness than any of the other books I listed, and also a lot more Italian, though the book is set in New Jersey.
For Alberta Scaglione, her golden years are turning out much more differently than she expected—and much more deadly . . .
Alberta Scaglione’ s spinster aunt had some secrets—like the fortune she squirreled away and a secret lake house in Tranquility, New Jersey. More surprising: she’s left it all to Alberta. Alberta, a widow, is no spring chicken and she’s gotten used to disappointment. So having a beautiful view, surrounded by hydrangeas, honeysuckle, and her cat, Lola, sounds blissful after years of yelling and bickering and cooking countless lasagnas.
But Tranquility isn’t as peaceful as it sounds. There’s a body…
Long before I earned a degree in psychology, I was fascinated by human relationships and motivations. Since reading novels is an excellent way to delve into the minds of a variety of people, the library became my second home. I well remember my first binge-read—Nancy Drew. I devoured the entire series sitting under a catalpa tree in my grandfather’s backyard. So it’s probably not surprising that I’m now the author of 60+ novels in the romantic suspense and contemporary romance genres—none of which include sex, swear words, or gratuitous violence. Because as suspense superstar Mary Higgins Clark once said, you don’t need any of those to tell a compelling story.
I expected great things from this wonderful writer and was not disappointed. This was my first-ever split-time novel, and I was hesitant to pick it up because historical fiction isn’t my favorite genre. But this beautiful tale of love, duty, honor, devotion, and second chances seamlessly wove together two remarkable love stories—one present day, one Civil-War era—in a lovely, lyrical tapestry that tugged at my heartstrings. And as you can see from my list, it opened me up to other stories that use the split-time technique to tell generational stories.
New York Times bestselling author Linda Goodnight welcomes you to Honey Ridge, Tennessee, and a house that's rich with secrets and brimming with sweet possibilities
Memories of motherhood and marriage are fresh for Julia Presley—though tragedy took away both years ago. Finding comfort in the routine of running the Peach Orchard Inn, she lets the historic, mysterious place fill the voids of love and family. No more pleasure of a man's gentle kiss. No more joy in hearing a child call her Mommy. Life is calm, unchanging…until a stranger with a young boy and soul-deep secrets shows up in her…
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