Here are 100 books that The Marriage Portrait fans have personally recommended if you like
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My interest in medieval history comes from a love of language. My favourite Old English word is wordhord, which refers to a poet’s mental stockpile of words and phrases. My word hoarding (and sharing) started with tweeting the Old English word of the day in 2013. This spread to other social media platforms, a blog, an app, and now two books. I have a PhD in English from King’s College London (my thesis was on blood in Old English, even though blood actually makes me squeamish). I enjoy histories that make me think about the past from a different perspective.
This book is filled with fascinating facts about medieval medicine, surgery, humoural theory, disease, and diagnosis. But what is surprising is how many other aspects of the Middle Ages are covered through the theme of bodies.
We learn about strange creatures like blemmyae (who have no heads and faces in their chests) and cynocephali (dog-headed people), saints and relics, race relations and politics, manuscript manufacture, religion, literature, travel, eating habits, love, sexuality, and gender identity.
I love how the chapters are organized by body part, from head to feet, a clever approach I have never seen in a history book before. Hartnell demonstrates how the medieval past is "an uncanny place at once startlingly different from and strangely familiar to our own."
Just like us, medieval men and women worried about growing old, got blisters and indigestion, fell in love, and had children. And yet their lives were full of miraculous and richly metaphorical experiences radically different from our own, unfolding in a world where deadly wounds might be healed overnight by divine intervention, or where the heart of a king, plucked from his corpse, could be held aloft as a powerful symbol of political rule.
In this richly illustrated and unusual history, Jack Hartnell uncovers the fascinating ways in which people thought about, explored, and experienced their physical selves in the…
I find myself drawn to stories about second chances and starting over because I find that, as a reader, I feel empowered whenever a character I have come to care about rises above their circumstances. I've always been drawn to characters who overcome, who find their own way in difficult times, and who do so with honor and integrity, especially when faced with adversaries who may be bigoted, self-absorbed, or even dangerous. I am drawn more to historical or exotic settings or even quirky everyday places, but I love writers who create almost an additional character with their sense of setting, giving it its own personality.
This book is a beautiful tale that demonstrates the ugliness of first impressions when it comes to viewing others. When Vivienne is looked down upon by the local mayor for being a single mother and nomadic traveler, he is making assumptions based on his own narrow-minded authority.
I love how, despite his attempts to harm her financially, she continues to show how being an individual who is true to oneself means more than trying to fit the mold of what someone else might think you should be.
Even before it was adapted into the Oscar-nominated film starring Juliette Binoche and Johnny Depp, Chocolat entranced readers with its mix of hedonism, whimsy, and, of course, chocolate.
In tiny Lansquenet, where nothing much has changed in a hundred years, beautiful newcomer Vianne Rocher and her exquisite chocolate shop arrive and instantly begin to play havoc with Lenten vows.
Each box of luscious bonbons comes with a free gift: Vianne's uncanny perception of its buyer's private discontents and a clever, caring cure for them. Is she a witch?
Soon the parish no longer cares, as it abandons itself to temptation,…
Growing up, my mother often shared stories of her evacuation to a small Wiltshire village during World War Two. Far from a warm welcome, the local children viewed the newcomers with suspicion, and they were made to feel unwanted. My mother did, however, form one lifelong friendship that was very important to her. Her tales inspired me to write a novel about an evacuee’s experience for my Creative Writing MA. Living in Dorset at the time, I set my story there. The research was fascinating, allowing me to weave together historical insights with my own memories and experiences of today’s rural life.
The thought of walking around an occupied town in France during WWII terrifies me. The prospect of running into Nazis, looking for any excuse to arrest me, is the thing of nightmares.
But my fears shrink to nothing compared to the experience of blind sixteen-year-old Marie-Laure attempting to navigate war-torn Saint-Malo from the memory of a handmade tabletop model. The strength of courage she shows in this story has never left me.
WINNER OF THE 2015 PULITZER PRIZE FOR FICTION NATIONAL BOOK AWARD FINALIST NEW YORK TIMES BESTSELLER WINNER OF THE CARNEGIE MEDAL FOR FICTION
A beautiful, stunningly ambitious novel about a blind French girl and a German boy whose paths collide in occupied France as both try to survive the devastation of World War II
Open your eyes and see what you can with them before they close forever.'
For Marie-Laure, blind since the age of six, the world is full of mazes. The miniature of a Paris neighbourhood, made by her father to teach her the way home. The microscopic…
Dolça Llull Prat, a wealthy Barcelona woman, is only 15 when she falls in love with an impoverished poet-solder. Theirs is a forbidden relationship, one that overcomes many obstacles until the fledgling writer renders her as the lowly Dulcinea in his bestseller.
I love to read. I always have. I also love to write mysteries that, hopefully, keep my reader guessing until the end of the book. I look for books that not only provide me with a mystery to solve but also inform me of situations and/or places I would otherwise never learn about. I have found all the books on my list to fill that need. They are just an example of the many I have found and read.
A murder mystery and so much more. Set in the marshlands of North Carolina in the United States, it’s an unusual read with the emotional content tugging at my heartstrings. It describes life in the marsh and a child’s heartbreaking struggle to survive.
Nevertheless, I found the author’s description of the natural world in the marshlands brilliant and the haunting tale stayed with me long after I finished reading the book.
OVER 12 MILLION COPIES SOLD WORLDWIDE NOW A MAJOR MOTION PICTURE A NUMBER ONE NEW YORK TIMES BESTSELLER
For years, rumours of the 'Marsh Girl' have haunted Barkley Cove, a quiet town on the North Carolina coast. So in late 1969, when handsome Chase Andrews is found dead, the locals immediately suspect Kya Clark, the so-called Marsh Girl. But Kya is not what they say. Sensitive and intelligent, she has survived for years alone in the marsh that she calls home, finding friends in the gulls and lessons in the sand. Then the time comes when she yearns to be…
An avid reader, I began a project in 2012 to read one short story a week in supernatural mysteries, ghost stories, and quiet horror genres. I began with the classic authors: Poe, MR James, Lovecraft, Shelley, Stoker, du Maurier, etc. I began a blog, Reading Fiction Blog, and posted these free stories with my reviews (I’m still posting today). Over the years, it turned into a compendium of fiction. Today, I have nearly 400 short stories by over 150 classic and now contemporary authors in the blog Index. I did this because I wanted to learn more about writing dark fiction and who better to learn from than the masters?
Discovering Diana, the reluctant witch who must rediscover herself and her supernatural talents, makes this novel a page-turner of magick and mystery. And I loved how the weave of those two powers pulled in the romance between Diana and Matthew. An added spicy balance that mixes like a brew into the witch and vampire families that are here and from the Otherworld.
I am not a vampire fan, but the magick here is irresistible. It became rather addictive because the witchcraft spells were so illusory that I felt “invited in.” The vampire scenes were a bit nerve-wracking, creating real tension for me. Diana’s journey was perfect, as it kept growing with obsessive and fantastical suspense. I was in their witch-vampire world, which was as frightening as it was compelling.
In this tale of passion and obsession, Diana Bishop, a young scholar and a descendant of witches, discovers a long-lost and enchanted alchemical manuscript, Ashmole 782, deep in Oxford's Bodleian Library. Its reappearance summons a fantastical underworld, which she navigates with her leading man, vampire geneticist Matthew Clairmont.
I write as Robert J. Lloyd, but my friends call me Rob. Having studied Fine Art at a BA degree level (starting as a landscape painter but becoming a sculpture/photography/installation/performance generalist), I then moved to writing. During my MA degree in The History of Ideas, I happened to read Robert Hooke’s diary, detailing the life and experiments of this extraordinary and fascinating man. My MA thesis and my Hooke & Hunt series of historical thrillers are all about him. I’m fascinated by early science, which was the initial ‘pull’ into writing these stories, but the political background of the times (The Popish Plot and the Exclusion Crisis, for example) is just as enticing.
I’d never have guessed I’d be so beguiled by a book about moss. Or, more precisely, about Alma Whittaker, a bryologist observing moss.
I enjoyed this book's ‘differentness’. It’s an episodic story, unusually structured, with various life-like trailings-off of plotlines, characters, and marriage, but no less gripping for that.
Researching natural sciences in the nineteenth century is skilfully described, but it’s Alma who lingers in the mind. Its sentences, I thought, are beautiful too.
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SHORTLISTED FOR THE WELLCOME BOOK PRIZE
LONGLISTED FOR THE BAILEYS WOMEN'S PRIZE FOR FICTION
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'Quite simply one of the best novels I have read in years' - Elizabeth Day, Observer
'Charming ... extensively researched, compellingly readable' - Jane Shilling, Daily Telegraph
'Sumptuous ... Gilbert's prose is by turns flinty, funny, and incandescent' - New Yorker
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A captivating story of botany, exploration and desire, by the multimillion copy bestselling author of Eat Pray Love
Everything about life intrigues Alma Whittaker. Her passion for botany leads her far from home, from London to Peru to Tahiti, in pursuit of…
This book is a literary historical novel. It is set in Britain immediately after World War II, when people – gay, straight, young, and old - are struggling to get back on track with their lives, including their love lives. Because of the turmoil of the times, the number of…
A writer friend asked me, "If you could write about anything you wanted, what would that be?" I thought immediately of Sicily and then of women (and men) trying to break free from cultural definitions that have historically kept us in traditional roles of housewife, cook, and mother, or breadwinner and protector. Having choice and being able to carve one's path is paramount, a deeply held value for me, both as an individual woman and as a psychotherapist. The courage of some of my clients who have dared to follow their own paths, along with my challenge to steer my own path, were also inspirations for the books I chose.
I fell in love with the entire Brilliant Friend series. Ferrante moves in so closely to her characters, so imitimately, I felt like I was right up next to them in Naples.
And of course, I loved the book because it takes place in Italy. Lila and Lenu, the two main characters, are both struggling to know who they are, not just as Italian women, but as individual women.
OVER 14 MILLION COPIES OF THE NEAPOLITAN QUARTET SOLD WORLDWIDE
NOW A MAJOR TV SERIES
GUARDIAN 100 BEST BOOKS OF THE 21st CENTURY
58 WEEKS ON THE BOOKSELLER'S TOP 20 ORIGINAL FICTION BESTSELLERS LIST
SHORTLISTED FOR WATERSTONES BOOK OF THE YEAR 2015
43 INTERNATIONAL RIGHTS DEALS
Now in B-format Paperback
From one of Italy's most acclaimed authors, comes this ravishing and generous-hearted novel about a friendship that lasts a lifetime. The story of Elena and Lila begins in the 1950s in a poor but…
I am a long-time journalist and have been passionate about understanding history ever since taking a wonderful AP course in European history in high school. I have read many historical books, both fiction and nonfiction, so it makes sense that my first novel, Rebecca of Ivanhoe, is historical fiction. To be a good journalist and citizen, you have to know and understand history to inform your reporting and try to prevent the bad moments of history from repeating themselves.
This book is the fascinating story of a Sephardic Jewish emigrant in London who, in the 1660s, was permitted to scribe for a blind rabbi even though she was a woman. The narration flips between Esther Velasquez’s remarkable story and an ailing historian in the 21st century who is trying to determine the identity of the mysterious scribe known to scholars only as “aleph.”
I liked this story because it revealed a fascinating window on how women, and particularly Jewish women, were treated in 17th-century Europe.
WINNER OF A NATIONAL JEWISH BOOK AWARD A USA TODAY BESTSELLER "A gifted writer, astonishingly adept at nuance, narration, and the politics of passion."-Toni Morrison Set in London of the 1660s and of the early twenty-first century, The Weight of Ink is the interwoven tale of two women of remarkable intellect: Ester Velasquez, an emigrant from Amsterdam who is permitted to scribe for a blind rabbi, just before the plague hits the city; and Helen Watt, an ailing historian with a love of Jewish history. As the novel opens, Helen has been summoned by a former student to view a…
I find myself drawn to stories about second chances and starting over because I find that, as a reader, I feel empowered whenever a character I have come to care about rises above their circumstances. I've always been drawn to characters who overcome, who find their own way in difficult times, and who do so with honor and integrity, especially when faced with adversaries who may be bigoted, self-absorbed, or even dangerous. I am drawn more to historical or exotic settings or even quirky everyday places, but I love writers who create almost an additional character with their sense of setting, giving it its own personality.
I count this book by Elizabeth Von Arnim as one of my all-time favorite books to read and re-read again and again. The setting is the medieval castle of San Salvatore, which stands on a hilltop over a picturesque sunny bay in Italy is absolutely gorgeous. The author skillfully makes the setting come alive.
But it is the characterization that really shines here with a group of random women who holiday together on a whim, strangers who must see beyond their initial impressions of one another, only discover as much about themselves as they do about the others.
Originally published in 1922, Elizabeth Von Arnim's The Enchanted April is a charming and light-hearted novel about unlikely female friendships and the power of a blissful escape.
Complete & Unabridged. Part of the Macmillan Collector's Library; a series of stunning, cloth-bound, pocket-sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover.
Four mismatched women respond to an advert in The Times offering a beautiful medieval castle to rent on the Italian Riviera. Bashful Mrs Wilkins, cheerless Mrs Arbuthnot, widowed Mrs Fisher and socialite Lady Caroline Dester are each…
I’ve always been fascinated by books that explore the slow, painful unraveling of the human psyche. In part, I think because it’s something so many more of us either fear or experience (at least to some degree) than anyone really wants to admit—but it’s also just such rich material for literary unpacking. I also love books with strong, angry female protagonists who fight back against oppression in all of its forms, so books about pissed-off madwomen are a natural go-to for me. Extra points if they teach me something I didn’t know before-which is almost always the case with historical novels in this genre.
For me, this is another masterful interweaving of historical fact and wildly creative imagination. It’s a prime example of in-depth research wielded to tangibly ground the reader in the book’s world; you learn about everything from 19th-century psychological theory and forensics to quilt-making and housecleaning techniques.
Part of what I really love about the novel, though, is that unlike in The Handmaid’s Tale, here Atwood deliberately blurs the lines between “good” and “evil” and “victim” and “villain.” Grace isn’t entirely likable, and she’s pretty much entirely unreliable. So, embodying her perspective as a reader is a continual guessing game of whether or not she’s telling the truth about her role in the murders at the book’s center. At the same time, it’s also a kind of ethical guessing game, for even if Grace is guilty, Atwood makes the role society and class play in her downfall so painfully clear…
Sometimes I whisper it over to myself: Murderess. Murderess. It rustles, like a taffeta skirt along the floor.' Grace Marks. Female fiend? Femme fatale? Or weak and unwilling victim? Around the true story of one of the most enigmatic and notorious women of the 1840s, Margaret Atwood has created an extraordinarily potent tale of sexuality, cruelty and mystery.
'Brilliant... Atwood's prose is searching. So intimate it seems to be written on the skin' Hilary Mantel
'The outstanding novelist of our age' Sunday Times
