In my novels, I aim to present a different vision of early Post-Roman Britain than the one usually imagined in fiction – especially in the future Kingdom of Kent, where my books are set. To show these connections, and to present the greater background for the events in the novels, I first needed to gain knowledge of what Europe itself looked like in this period: a Gaul divided between Gothic, Frankish, and Roman administration, a complex interplay of Romans and Barbarians, a world in transition from Antiquity to the Middle Ages. The story gleaned from the pages of these books proved as fascinating and intriguing as any I’ve ever read.
Another synthesis of the ‘Dark Ages’ Europe, this one from the Penguin History series. An easy, but thorough read, painting a broad canvas from Ireland to Byzantium, and from the last days of Rome to the last days of Anglo-Saxon England, shines the light on the centuries that, while still seen as shrouded in the darkness of violence and barbarism, are in fact the true cradle of the European civilization as we know it today.
"The breath of reading is astounding, the knowledge displayed is awe-inspiring and the attention quietly given to critical theory and the postmodern questioning of evidence is both careful and sincere."--The Daily Telegraph (UK)
"A superlative work of historical scholarship."--Literary Review (UK)
A unique and enlightening look at Europe's so-called Dark Ages; the second volume in the Penguin History of Europe
Defying the conventional Dark Ages view of European history between A.D. 400 and 1000, award-winning historian Chris Wickham presents The Inheritance of Rome, a work of remarkable scope and rigorous yet accessible scholarship. Drawing on a wealth of new material…
Having lived in the countryside for more than two decades and fallen for its charms, I find myself fascinated by its heritage. Rural history is often overlooked for the grand stories of royalty, urban life, and warfare. For me, the archaeology and history that speaks of daily life, practical struggles, and the humanity of people–that’s what really switches me on. I constantly yearn to get inside the minds of our ancestors to try and understand how they saw the world. Whether that’s strange superstitions or ingenious inventions, it’s all part of what it means to be human.
When we first moved to our farm, we discovered witches’ marks carved into the walls of our granary. Hundreds of years old, these ancient scribblings are absolutely everywhere–churches, grand homes, cottages, and farm buildings. These are not mindless doodles, however, but prayers for a good harvest or desperate protections against harm.
Matthew Champion’s well-researched book is a highly readable summary of this secretive and surprisingly common practice.
For centuries carved writings and artworks in churches lay largely unnoticed. So archaeologist Matthew Champion started a nationwide survey to gather the best examples. In this book he shines a spotlight on a forgotten world of ships, prayers for good fortune, satirical cartoons, charms, curses, windmills, word puzzles, architectural plans and heraldic designs. Drawing on examples from surviving medieval churches in England, the author gives a voice to the secret graffiti artists: from the lord of the manor and the parish priest to the people who built the church itself.
Here are strange medieval beasts, knights battling unseen dragons, ships…
I am a historian of the early Middle Ages, focusing mainly on the intellectual and cultural history of the post-Roman Barbarian kingdoms of the West. I have always been fascinated by cultural encounters and clashes of civilizations, and it did not take long before the passage from Antiquity to the Middle Ages, which witnessed the transformation of the Roman World, the rise of Christianity, and the emergence of the Barbarian kingdoms, grabbed my attention and became my main focus of academic interest. I have published and edited several books and numerous papers, most of which challenge perceived notions of early medieval culture and society in one way or another.
In this book, Chris Wickham surveys the passage from Antiquity to the Middle Ages in a lucid and engaging manner that challenges past scholarship on the matter. Unlike Edward Gibbon (d. 1794) and his followers, who argue that the fall of Rome initiated a new age–the Middle Ages–marked by the triumph of barbarism and religion, Wickhams stresses the transformations that swept Europe and the Mediterranean World from the fifth century onwards and consequently re-shaped it.
I particularly like Wickham’s account because it gives Gibbon’s thesis on the decline and fall of the Roman empire the proper burial it deserves. Wickham is extremely revealing how profoundly effective and dynamic were the shifts that marked the transformation of the Roman world–shifts that laid the foundations for modern society and civilization.
'The Penguin History of Europe series ... is one of contemporary publishing's great projects' New Statesman
The world known as the 'Dark Ages', often seen as a time of barbarism, was in fact the crucible in which modern Europe would be created.
Chris Wickham's acclaimed history shows how this period, encompassing peoples such as Goths, Franks, Vandals, Byzantines, Arabs, Anglo-Saxons and Vikings, was central to the development of our history and culture. From the collapse of the Roman Empire to the establishment of new European states, and from Ireland to Constantinople, the Baltic to the Mediterranean, this landmark work makes…
I’m not ashamed to admit that my childhood fascination with the distant past was sparked by hours of leafing through The Kingfisher Illustrated History of the Worldand countless viewings of the “Indiana Jones” movies. Today, I am an Associate Professor in the Department of Humanities at Mercy College and an archaeologist specializing in the eastern Alpine region during Late Antiquity and the Early Middle Ages. The author of three books and numerous scholarly articles, my research interests include ceramic technology, social identity, and the appropriation of the medieval past by modern ideologies.
I often use selections fromWhose Middle Ages? in my medieval history courses, but this collection of short, insightful essays is a great resource for anyone interested in understanding what leading scholars think about invocations of the medieval past in contemporary culture. Touching on a wide range of topics, from Viking imagery in heavy metal music and Celtic crosses on white supremacist websites to controversies over Sharia law and papal heresy in the popular press, this volume serves as an ideal introduction to the use and abuse of the Middle Ages.
Whose Middle Ages? is an interdisciplinary collection of short, accessible essays intended for the nonspecialist reader and ideal for teaching at an undergraduate level. Each of twenty-two essays takes up an area where digging for meaning in the medieval past has brought something distorted back into the present: in our popular entertainment; in our news, our politics, and our propaganda; and in subtler ways that inform how we think about our histories, our countries, and ourselves. Each author looks to a history that has refused to remain past and uses the tools of the academy to read and re-read familiar…
I’m a historian of the early Middle Ages. There are all sorts of unexpected differences and similarities between modern and medieval life, and things get especially interesting when it comes to thinkingabout thinking. Our understanding of how our minds work has obviously changed—and so have the ways that we actually use them. Medieval thinkers in Europe and the Mediterranean world struggled with concentration and memory and information overload, just like we do. But they were savvier in dealing with those problems, and these books invite you into the wonderful world of their cognitive practices. You’ll probably find yourself experimenting with many of these techniques along the way!
Everything that Mary Carruthers has written is terrific — but thisis the book that first showed me how unusual, and how sophisticated, medieval approaches to the mind could be.
The arts of memory that flourished in the high Middle Ages were designed for much more than rote memorization: they helped people internalize what they perceived, then transform that material into something new.
Carruthers presents these techniques so infectiously that you’ll want to try them yourself. It’s not just the practices themselves that are riveting, though. Carruthers also shows how they shaped medieval media culture and how they contributed to the ethical development of the people who practiced them.
The arts of memory weren’t parlor tricks; they were modes of understanding and evaluating the world. Amazing!
Mary Carruthers's classic study of the training and uses of memory for a variety of purposes in European cultures during the Middle Ages has fundamentally changed the way scholars understand medieval culture. This fully revised and updated second edition considers afresh all the material and conclusions of the first. While responding to new directions in research inspired by the original, this new edition devotes much more attention to the role of trained memory in composition, whether of literature, music, architecture, or manuscript books. The new edition will reignite the debate on memory in medieval studies and, like the first, will…
History is my passion. I’m a graduate of medieval history from the Hebrew University, Jerusalem, and post-graduate of London University. Former high school history teacher, and previously held the post of assistant researcher at the Museum of the Diaspora, Tel Aviv. I was commissioned by the Council of Zambian Jewry to research and write the history of Northern Rhodesian/Zambian Jewry. I have lectured frequently on my subjects and have contributed diverse historical articles in newspapers and journals. I have published six books, fiction, and non-fiction.
I often like to break away from in-depth academic historical reading and indulge in lighter yet informative work. This always leads me to Cahill’s history books. He always has a new take, such as ‘how the Irish saved civilization’ to this intriguing book, Mysteries of the Middle Ages. He skillfully portrays here how medieval thought foreshadowed the making of the Renaissance and the development of the modern scientific era. Cahill’s talent is in his easy-to-read excellent prose and intellectual richness. His books are also well-illustrated with beautiful pictures and artistic layout.
From the national bestselling author of How the Irish Saved Civilization—a fascinating look at how medieval thinkers created the origins of modern intellectual movements.
“Intoxicating.... Cahill's command of rich historical detail makes medieval cities and their colorful characters come to alive.” —The Los Angeles Times
After the long period of decline known as the Dark Ages, medieval Europe experienced a rebirth of scholarship, art, literature, philosophy, and science and began to develop a vision of Western society that remains at the heart of Western civilization today, from the entry of women into professions that had long been closed to them…
Being a children’s illustrator and writer, I have built up a well-loved collection of childen’s books over the years. They must have great drawings and imaginative concepts. They are books I can come back to again and again. The books I have chosen are ones where you can lose yourself in their intricate detailed worlds and forget about day-to-day troubles for a while. These books can also help reluctant readers by enticing them into a visual world first and then into appreciating the written word.
This book describes and shows what life was like in a 14th-century castle. If you have ever wondered how hundreds of people lived and worked in a castle then this is the book. The mind-boggling detail in the illustrations keeps me poring over them for ages. Each page reveals a cut-away of the castle interior from turrets to dungeons! All the books in this series are incredible in their detail and knowledge.
History comes alive in this incredible children's illustrated book about castles. Slicing through different areas of a medieval fortress, extraordinary views reveal the people busy inside, and preparing for battle as an enemy army approaches.
Packed with facts, you'll find out what it takes to build a massive 14th-century castle, dress a knight in armour, or prepare a feast fit for a king or queen. From the drawbridge to the dungeon, Cross-sections Castle swarms with the people who keep the castle ticking over - the workers, craftsmen, and servants. And, as you pore over every page, look out for the…
I am a writer who lived in the city of Granada for almost four years, in the uncanny barrio of the Albayzin. The daily blessings of life there are powerful and cumulative, and I wrote a book in honor of such luminosity; and I wrote it, as well, because most of us have been lied to about Spanish history. But the truth, like the poetry of Garcia Lorca, cannot be suppressed. In my sojourn in Spain, and in my visits over the years, I have found Granada to be a treasure-house of stories and poetry; and in flamenco singing, the home of one of the most powerful art-forms of music in the world.
The perfect book, beautifully written, for anyone who wants to understand Spain and Al-Andalus in the context of medieval European history. Most of us are taught the history of Medieval Europe to the strange exclusion of the brilliant culture of Al-Andalus, but it remains the case that the whole history of Europe cannot be understood without knowing the contributions of the convivencia across a very wide spectrum of subjects—commerce, mathematics, agriculture, philosophy, and medicine, to name a few.
Resonating as profoundly today as when it was first published to widespread critical acclaim a decade ago, God's Crucible is a bold portrait of Islamic Spain and the birth of modern Europe from one of our greatest historians. David Levering Lewis's narrative, filled with accounts of some of the most epic battles in world history, reveals how cosmopolitan, Muslim al-Andalus flourished-a beacon of cooperation and tolerance-while proto-Europe floundered in opposition to Islam, making virtues out of hereditary aristocracy, religious intolerance, perpetual war and slavery. This masterful history begins with the fall of the Persian and Roman empires, followed by the…
Hussein Fancy is a Professor of History at Yale University where he teaches medieval history with a particular focus on medieval Spain and North Africa. His research, writing, and teaching focus on the entwined histories of not only Jews, Christians, and Muslims but also Latin and Arabic in the Middle Ages. He has traveled and lived extensively in Europe, North Africa, and the Middle East.
I have used this collection of translated primary sources for over a decade to teach students. It covers the whole period of medieval Spain, from the arrival of Muslim conquerors in 711 to the expulsion of the Jews in 1492, and allows one to confront for themselves the paradoxes of coexistence, collaboration, and violence that characterized this place and period. A thoughtful introduction precedes each document.
For some historians, medieval Iberian society was one marked by peaceful coexistence and cross-cultural fertilization; others have sketched a harsher picture of Muslims and Christians engaged in an ongoing contest for political, religious, and economic advantage culminating in the fall of Muslim Granada and the expulsion of the Jews in the late fifteenth century. The reality that emerges in Medieval Iberia is more nuanced than either of these scenarios can comprehend. Now in an expanded, second edition, this monumental collection offers unparalleled access to the multicultural complexity of the lands that would become modern Portugal and Spain.
The documents collected…
I’m not ashamed to admit that my childhood fascination with the distant past was sparked by hours of leafing through The Kingfisher Illustrated History of the Worldand countless viewings of the “Indiana Jones” movies. Today, I am an Associate Professor in the Department of Humanities at Mercy College and an archaeologist specializing in the eastern Alpine region during Late Antiquity and the Early Middle Ages. The author of three books and numerous scholarly articles, my research interests include ceramic technology, social identity, and the appropriation of the medieval past by modern ideologies.
When I first read this book as a graduate student, Kathleen Davis’s ability to draw unexpected connections—between political power and temporality, feudalism and imperialism, medieval and postcolonial studies—melted my brain (in a good way). It’s not easy to do justice to her complex argument in a few sentences, but basically she shows how early modern jurists deliberately relegated certain ideas (servility, absolutism, religiosity) both to Europe’s medieval past and the present of the nonwestern world in order to justify imperial expansion, colonial domination, and even chattel slavery. A dense critique of both medieval historiography and postcolonial theory, Periodization and Sovereignty isn’t a breezy read but it’s well worth the effort.
Despite all recent challenges to stage-oriented histories, the idea of a division between a "medieval" and a "modern" period has survived, even flourished, in academia. Periodization and Sovereignty demonstrates that this survival is no innocent affair. By examining periodization together with the two controversial categories of feudalism and secularization, Kathleen Davis exposes the relationship between the constitution of "the Middle Ages" and the history of sovereignty, slavery, and colonialism.
This book's groundbreaking investigation of feudal historiography finds that the historical formation of "feudalism" mediated the theorization of sovereignty and a social contract, even as it provided a rationale for colonialism…
