100 books like Medieval Bodies

This book tells the story of the wars of the Roses through the lens of one family – the Pastons. This family left an extraordinary archive of letters, and it included many fascinating characters, especially women. The Paston women fought off sieges on their houses, wrote Valentine letters to their husbands, ran off with servants, and managed complicated household finances. As a family, the Pastons were social climbers, who tried to get on at court and to improve their position. Through them, we hear about high politics, but also about the domestic life and loves of the gentry in the fifteenth century. In this book, Helen Castor writes a kind of family biography, expansive, gripping, and detailed. It is both first-class research and a great story.

I learnt so much from this book when I was writing my biography of Chaucer. It is hard to find out information about childhood in history, and yet it is impossible to try to understand a society if we don’t know how children were brought up, what games they played, how they were educated, what adolescence was like. This book tells us about all those things. You can find out about how children learnt to read, what happened to orphans, the opportunities for pre-marital sex. Looking at a wide range of historical records and literary texts, Hanawalt pieces together a remarkably complete picture of medieval childhood. Looking at causes of death, for example, tells her where male and female children spent their time and what they were likely to be doing (boys were more likely to be outside). And archaeological finds reveal what kinds of toys children played with. Fascinating… show more.

One of the great thrills of researching medieval history is getting the chance to handle original documents up close, as I have had the good fortune to do a few times. Christophe de Hamel is a palaeographer, a manuscripts expert who has travelled the world to examine some of the most precious handwritten works that still survive. As his title hints, De Hamel treats these artefacts as personalities, and his no-nonsense decipherment of priceless treasures is like listening in on a wise and witty conversation.

For me, this isn’t a book that I read cover to cover; it is a book that I very frequently refer to when I want information. This is my go-to book when I want to check how much a labourer was paid, and what that money would buy, for example. It is an economic history and, as such, helps you to understand the fundamentals of how medieval society worked and was put together. So you can find out not only about the life of an aristocrat, but about the life of a peasant, free or unfree, and about life in the countryside as well as life in towns or in great households. It covers almost 700 years of history, so it also demonstrates how much changed across this long and varied period – starting hundreds of years before the Norman Conquest, and ending in the reign of Henry VIII, when… show more.

A mammoth of an historical novel set in the time of the Ottoman Empire.

A unique love story between the elephant keeper (and royal architect) Jahan, his special white elephant, Chota, and the interesting princess Mihrimah. As funny as it is heartbreaking, with characters so compelling they felt like cherished friends mourned and missed at parting, but whom I’ll always remember with deep fondness.   

Of course, the title leapt out at me from the bookshop shelf! And on reading the first page I fell in love with Shafak’s lyrical writing.

As I read further, I was drawn into the stories of love in many guises within its pages. I was intrigued by the way the author wove a modern narrative of a deeply unhappy American housewife with a story about the historical character, thirteenth-century Sufi poet, Rumi, and his friendship with wandering dervish, Shams of Tabriz.

The story took me to a place and time far from mine and I learned about a very different culture—yet in its philosophical concerns and themes, not so different after all. And I really loved that both Shams and Rumi were storytellers so that the novel had layers of nested stories.

I was delighted when Maggie O’Farrell started writing historical fiction, and this one is a masterclass in novel writing.

It opens as teenaged Lucrezia is taken to a remote hunting lodge by her husband Alfonso, the Duke of Ferrara. He has ordered all her personal servants to remain behind and as they eat dinner, she realizes he is planning to kill her. What a beginning! The writing is lush and colorful, the characterizations subtle, and the story utterly gripping.

Reading this book is like listening to your incredibly knowledgeable historian friend talk about medieval society over drinks. Janega’s turns of phrase and sharp observations make me laugh, and at the same time, I feel my mind soak up knowledge like a sponge.

This book is about what medieval people thought and why, going back to the philosophies and influences of ancient Greece and Rome. It tackles medieval beauty standards, sexual practices, family life, and work life. It addresses fart jokes and eyeliner, as well as ideas about biology and class disparities. We see women farming, ruling, weaving, brewing, and writing.

Janega argues that it is through seeing the past truly that we can "imagine new futures," making the necessary changes for "a more equitable world."

With a tight cast of characters, I was intimately drawn into the distressing and mysterious predicament of young heroine, Bess Bright.

Set in Georgian London, Bess has been forced to give up her baby, but when she returns to the home to reclaim her, she discovers she has already been taken. Bleak and tense, this book however resolves into an uplifting tale where characters are treated with compassion and justice is achieved. A mother’s love has the power to transform the bitterest of beginnings. Historical fiction at its best. 

This book is not just a rich and detailed portrait of various times and places throughout the medieval period—it explains how history itself is written, how certain stories are told (and prioritized), and how certain individuals are remembered.

From page 1, Ramirez draws you in with her irresistible storytelling, making historical figures seem like the real people they were. She corrects popular misconceptions about the Middle Ages as well as how history is itself created.

Each chapter begins with a discovery, which is just as dramatic and exciting as the medieval subject matter. I love how Ramirez paints a picture of the past using sight, sound, and smell, drawing on the evidence provided by jewelry, weaponry, coins, manuscripts, and even human remains.