100 books like The Once and Future Sex

This book is filled with fascinating facts about medieval medicine, surgery, humoural theory, disease, and diagnosis. But what is surprising is how many other aspects of the Middle Ages are covered through the theme of bodies.

We learn about strange creatures like blemmyae (who have no heads and faces in their chests) and cynocephali (dog-headed people), saints and relics, race relations and politics, manuscript manufacture, religion, literature, travel, eating habits, love, sexuality, and gender identity.

I love how the chapters are organized by body part, from head to feet, a clever approach I have never seen in a history book before. Hartnell demonstrates how the medieval past is "an uncanny place at once startlingly different from and strangely familiar to our own."

Published by Oxford University Press, Common Women is an academic rather than a popular history of medieval English prostitution, and its author is an expert in medieval sexuality.

I adore the wealth of historical detail founded on original research that Karras presents. It’s a goldmine of inspiration for those of us who write fiction set in medieval England. Where else can you learn about the cross-dressing prostitute John Rykener, the Bishop of Winchester’s brothel empire in Southwark, or discover names like Clarice Clatterballock?

Wine of Violence is Book One in a medieval mystery series set in an English convent.

No, this is not a salacious romp about monks and nuns getting saucy behind monastery walls. However, sexuality does play a major role in the characters’ thoughts and actions, and in a very believable and relatable way.

The young prioress-sleuth battles against her lust for a handsome priest, who in turn was forced into the priesthood for making love to another man. Oh, and the aged murder victim (also a monk) was found with his severed penis in his hand.

A well-researched mystery, and one of the few medieval-set novels I’ve come across to offer a sympathetic depiction of same-sex love.

A medieval murder mystery set in a brothel! Prostitution was one of the few ways in which a woman might earn an independent living in the Middle Ages.

Not that I’m recommending it as a career choice, mind you. Roberta Gellis has created quite the unusual whorehouse under her unfortunately beautiful Madam, Magdalene. Her employees include a blind woman, a mute Saracen, a woman of childlike intelligence, and the brothel’s cook too is deaf. Magdalene herself was accused of murder and has to live in disguise.

This is a wonderfully well-researched historical mystery that illuminates the circumstances that might force a medieval woman into prostitution. 

This history of medieval sex is aimed at a non-academic readership and covers topics from the theology of sex in Eden, medieval definitions of incest (don’t sleep with your god-parents), and the fact that any abnormal sexual activity was considered sodomy (hint: stick to the missionary position).

In short, medieval attitudes to sex were very different from our own. This is a tricky thing to portray in historical fiction, especially historical romance. I’ve covered my copy of this book in pencil scribbles. A readable and entertaining popular history featuring a great cover image straight from a medieval manuscript!

This book is not just a rich and detailed portrait of various times and places throughout the medieval period—it explains how history itself is written, how certain stories are told (and prioritized), and how certain individuals are remembered.

From page 1, Ramirez draws you in with her irresistible storytelling, making historical figures seem like the real people they were. She corrects popular misconceptions about the Middle Ages as well as how history is itself created.

Each chapter begins with a discovery, which is just as dramatic and exciting as the medieval subject matter. I love how Ramirez paints a picture of the past using sight, sound, and smell, drawing on the evidence provided by jewelry, weaponry, coins, manuscripts, and even human remains.

This book is about medieval manuscripts, but those parchment pages are only the "portals that connect us to lives in the past." This book’s stories are, in fact, about the hands that wrote, illustrated, commissioned, collected, and composed those manuscripts.

Wellesley’s enthusiasm for the forensic study of the physical as well as textual past is infectious. She gently corrects popular assumptions about the Middle Ages (yes, women were involved in all aspects of book-making, from commissioning to composing to writing to illustrating), all the while dropping in delectable details that make you stop and think (the word "artist" doesn’t appear in English until after the medieval period).

This is a medieval history unlike any other you’ll read, literally bringing the past into the present. How do medieval thoughts and practices relate to modern life, from the usefulness of minimalism to church "vision boards" to the healing properties of green spaces?

Cybulskie is lightheartedly critical of certain practices of the past but is always respectful, never treating people as strange or backward.

Illustrated with images from medieval manuscripts, this book covers everything from Easter ball games to party saint Brigid to Benedict’s vision of a room for communal undies. We see medieval religious folks interested in science and innovation, as well as history and ritual, and connected to the world around them in ways we might not have imagined.

Through her marriage to Ferdinand of Aragon, Isabel of Castile united the two most powerful kingdoms of the Iberian Peninsula, becoming the first early Renaissance queen to rule in her own right. As mother to five daughters and one son, the formidable ruler provided them with an unparalleled education and procured their marriages to the reigning dynasties of Europe. Much of what is known about Isabel, however, has relied on medieval chronicles and her own image-making as a legitimate heir, devoted wife, and pious ruler. Examining how this public image was created, Barbara Weissberger demonstrates the strategies adopted by both her supporters and her detractors when negotiating the challenges posed by her gender and her political program for converting all non-Catholics to Catholicism.

While her followers viewed her as a virtuous and submissive queen, her detractors imagined her as a rapacious vixen, whose illicit power threatened gender norms, creating anxiety… show more.

The period after the Civil War known as Reconstruction has long been overlooked by historians and educators; even less has been written about this period from a gendered perspective.

Laura Edwards provides an excellent analysis of the experiences of newly-emancipated women in shaping and surviving the political, social, and economic landscape of Reconstruction. She studies their history through first-hand narratives of how they established households, pursued their legal rights, and claimed their new roles as free women.

The book is not only a fascinating read about Reconstruction, it helped contextualize Edmonia Lewis’s and Meta Fuller’s emancipation sculptures, and their message about the freedwoman’s new identity.