I’m a medieval historian who specialises in social history, and more particularly on sexuality, propaganda, and apocalypticism. I fell in love with the period from my very first class during my BA, but even back then, I was struck by just how little we as a society pay attention to some thousand years of history. Even worse, we often tell lazy myths about the Middle Ages as a time of filth and ignorance that makes us feel good about ourselves. Since not everyone can get a Ph.D. like I did, I have dedicated my career to bringing the period to light. I hope this book list does just that.
This book made me rethink how we consider the idea of the Middle Ages–full stop.
Pegg tracks the medieval period through the concept of holiness, and if you think that might be boring, then I have got news for you about how wild medieval (and Late Antique!) people were.
Whether it is being stoked to be sent to your death in the gladiatorial ring or writing transcendent fiction about how the girl you had a crush on as a teenager is waiting for you in heaven, Pegg shows that medieval people were constantly rethinking what it meant to be alive and how to square that in a Christian society. I guarantee it will make Trad Caths absolutely livid.
Mark Gregory Pegg's history of the Middle Ages opens and closes with martyrdom, the first that of a young Roman mother in a North African amphitheater in 203 and the second a French girl burned to death beside the Seine in 1431. Both Vibia Perpetua and Jeanne la Pucelle died for their Christian beliefs, yet that for which they willingly sacrificed their lives connects and separates them. Both were divinely inspired, but one believed her deity shared the universe with other gods, and the other knew that her Creator ruled heaven and earth. Between them, across the centuries, lives were…
Oh, you think you know what the Canterbury Tales is about? No. You don’t. It’s about shagging in pear trees while your blind husband sits below you. It’s about weird non-binary people that your travelling companions don’t know what to make of. It’s about love and death and meaning and fart jokes. The Canterbury Tales is a brilliantly alive, deliciously bawdy, surprisingly disarming work that will help you understand what regular people in the Middle Ages wanted to read about.
For bonus points, get a hold of the Riverside Chaucer translation because medieval historians like to be thingy about that. I’ll take any version as long as you read it, though.
If I hear someone who has never studied medieval history once in their life refer to the “Dark Ages” as a time when “Science” was banned by the Church one more time, I will actually die, and this book does an amazing job of explaining how ignorant those old myths are.
Falk laces this book with delicious tidbits of the weird and wonderful of medieval scientific (or, to be nerdy, what we would call natural philosophical) ideas. Goat fat enemas? Sure. But there is also the transcription of Persian manuscripts, the invention of mechanical clocks and eyeglasses, and the creation of the University.
The book brings to life a vibrant, interconnected intellectual world and is a testament to how clever medieval people were in circumstances that were much more difficult than our own.
Soaring Gothic cathedrals, violent crusades, the Black Death: these are the dramatic forces that shaped the medieval era. But the so-called Dark Ages also gave us the first universities, eyeglasses, and mechanical clocks. As medieval thinkers sought to understand the world around them, from the passing of the seasons to the stars in the sky, they came to develop a vibrant scientific culture.
In The Light Ages, Cambridge science historian Seb Falk takes us on a tour of medieval science through the eyes of one fourteenth-century monk, John of Westwyk. Born in a rural manor, educated in England's grandest monastery,…
I’m a giant nerd for fantasy, and my man Dante pretty much invented it with this book. Basically, every depiction of Hell you have ever seen in a book or on a movie screen? Yeah, Dante did that.
But it’s not just coming to grips with the, frankly iconic, nine circles of hell that make me love it; it’s the fact that Dante is also this very clearly petty, grudge-holding, self-absorbed regular guy who just so happens also to have an incredible imagination.
Yes, I love it because it’s a disturbing and beautiful revery about mislead lives, but it’s also a window into the soul of a medieval man. Come for the philosophical quandaries; stay for the demons and the ironic punishments. I re-read this constantly.
Belonging in the immortal company of the works of Homer, Virgil, Milton, and Shakespeare, Dante Alighieri’s poetic masterpiece is a visionary journey that takes readers through the torment of Hell.
The first part of Dante’s Divine Comedy is many things: a moving human drama, a supreme expression of the Middle Ages, a glorification of the ways of God, and a magnificent protest against the ways in which men have thwarted the divine plan. One of the few literary works that has enjoyed a fame both immediate and enduring, The Inferno remains powerful after seven centuries. It confronts the most universal…
This deep dive into the people that medieval Europe sidelined is absolutely indispensable for understanding society as a whole.
I get frustrated because when people think about the medieval period, they assume that it was a time when everyone just quietly played along with whatever the Church said, and everyone was a straight white Christian keeping quiet. This book goes and finds the people that the medieval period wanted hidden and brings them to light.
I also like that it helps us to consider that we still partake in the same othering behaviours now. It’s full of fascinating primary sources, and I find it totally absorbing.
Seldom heard from in modern times, those on the margins of Medieval Europe have much to tell us about the society that defined them. More than just a fascinating cast of characters, the visionaries and sexual dissidents, the suicidal and psychologically unbalanced, the lepers and converts of Medieval times reveal the fears of a people for whom life was made both meaningful and terrifying by the sacred.
After centuries of historical silence, these and other disenfranchised members of the medieval public have been given voice by Michael Goodich in a unique collection of texts from the mid-eleventh through the fourteenth…
This book is an important and fun corrective to our society’s understanding of the “historical place” of women in society. It draws on ideas from medieval (and ancient) society to consider how we built ideas of how women were meant to look, have relationships, and exist within the world.
Overall, we find that our society continuously changes its reasoning about why women have to be treated as less than men. But it’s not all bad news! If social constructs are made and are constantly being remade, it also means they can be unmade. A polemic against bad history and worse ideas of biological determinism, the book illuminates the lives of everyday medieval women and shows how we can learn from the past to make a more equitable future.
I've been passionate about music for almost my entire life. Jazz music in particular speaks to me but not just jazz. I love music, full stop. I really discovered jazz when I attended a jazz club workshop in London and there, I had to join in or leave. I chose to join in and since then I have never looked back. I was introduced to more jazz musicians and now write about music for three major columns as well as Readers’ Digest. My Women In Jazz book won several awards. I have been International Editor for the Jazz Journalist Association and had my work commissioned by the Library of Congress.
With input from over 100 musicians, the book discusses what exactly jazz is, and how you know you are listening to it. Do we truly know when and how jazz first originated? Who was the first jazz musician? How does jazz link to other genres? What about women in jazz? And writers and journalists? Do reviews make any difference?
This book is a deep dive into jazz's history, impact, and future. It discusses jazz's social, cultural, and political influence and reveals areas where jazz has had an impact we may not even realize.Its influences on hip hop, the connection to…
This book is very different from other, more general jazz books. It is packed with information, advice, well researched and includes experiences from jazz musicians who gleefully add their rich voices to Sammy's in-depth research. All genres, from hard bop to be-bop, vocal jazz, must instrumental, free jazz, and everything between is covered in one way or another and given Sammy's forensic eye. There is social commentary and discussions of careers in jazz music. The musical background of those in the book is rich and diverse. Critics comment: "This new book by Sammy Stein is a highly individual take on…
