46 books like The Inferno

This book made me rethink how we consider the idea of the Middle Ages–full stop.

Pegg tracks the medieval period through the concept of holiness, and if you think that might be boring, then I have got news for you about how wild medieval (and Late Antique!) people were.

Whether it is being stoked to be sent to your death in the gladiatorial ring or writing transcendent fiction about how the girl you had a crush on as a teenager is waiting for you in heaven, Pegg shows that medieval people were constantly rethinking what it meant to be alive and how to square that in a Christian society. I guarantee it will make Trad Caths absolutely livid.  

I love this stupid, sexy mess of a book.

Oh, you think you know what the Canterbury Tales is about? No. You don’t. It’s about shagging in pear trees while your blind husband sits below you. It’s about weird non-binary people that your travelling companions don’t know what to make of. It’s about love and death and meaning and fart jokes. The Canterbury Tales is a brilliantly alive, deliciously bawdy, surprisingly disarming work that will help you understand what regular people in the Middle Ages wanted to read about.

For bonus points, get a hold of the Riverside Chaucer translation because medieval historians like to be thingy about that. I’ll take any version as long as you read it, though. 

If I hear someone who has never studied medieval history once in their life refer to the “Dark Ages” as a time when “Science” was banned by the Church one more time, I will actually die, and this book does an amazing job of explaining how ignorant those old myths are.

Falk laces this book with delicious tidbits of the weird and wonderful of medieval scientific (or, to be nerdy, what we would call natural philosophical) ideas. Goat fat enemas? Sure. But there is also the transcription of Persian manuscripts, the invention of mechanical clocks and eyeglasses, and the creation of the University.

The book brings to life a vibrant, interconnected intellectual world and is a testament to how clever medieval people were in circumstances that were much more difficult than our own.

This deep dive into the people that medieval Europe sidelined is absolutely indispensable for understanding society as a whole.

I get frustrated because when people think about the medieval period, they assume that it was a time when everyone just quietly played along with whatever the Church said, and everyone was a straight white Christian keeping quiet. This book goes and finds the people that the medieval period wanted hidden and brings them to light.

I also like that it helps us to consider that we still partake in the same othering behaviours now. It’s full of fascinating primary sources, and I find it totally absorbing.

When I was interviewing for a position at Notre Dame, the campus museum had an exhibit of illustrations for Dante’s Inferno, which reinforced to me the fascination of Dante. 

When I began teaching the work a few years later, my students were engrossed by its riveting portrayals of moral ugliness. They were also amazed that Dante places even popes in hell. The work has so inspired my students that one of them submitted her final paper in terza rima, the form Dante uses, and another reflected on where precisely in hell she might belong.

This beautifully translated bilingual edition contains extensive, helpful commentary.

First I want to say how much I love The Divine Comedy Dante’s Inferno and this graphic novel adaptation by Seymour Chwast is a wonderful version of the tale. If you don’t already know the story I highly suggest you read it in its original text but also be sure to grab this copy as it will really bring the levels of hell to a more comical light. I particularly love the black and white bold art style and humor brought to life here. 

Long after I began studying Italian, I resisted reading Italy’s greatest poet. His classic book seemed too daunting, too distant, too dull. Then, an Italian teacher gave me the first adaptation of the La Divina Commedia that she had read as a girl: a vintage Italian Walt Disney comic book featuring Mickey Mouse (Topolino in Italian) as Dante with Minnie Mouse as his adored Beatrice.   

I was so intrigued that I bought an English translation of the Divine Comedy—several, although I’m partial to John Ciardi’s. My unanticipated reaction: Wow! Like modern readers ensnared by the wizardly world of Harry Potter, I skidded into a fully imagined alternate world. An action-packed, high-adrenalin, breath-taking, rip-roaring yarn leaped off the pages into vivid, writhing, pulsating life. If you love action-packed tales and also seek insights into the Italian soul, read The Inferno. Purgatorio and Paradiso are optional. 

I love being a historian of the early and central Middle Ages. This was a period in which the religious and political conflicts of the later Middle Ages were not yet foregone conclusions, although the faultlines of future conflicts were being laid.

The late thirteenth century, by contrast, was a time of multiple contests on many fronts: the European crusading project continued, the fallout of the conflict between Frederick II and the papacy was still roiling, and the newly powerful kings of European states were competing for influence.

Steven Runciman’s book captures the ferment of this time by focusing on an uprising against Sicily’s French rulers. Although the book was published many years ago, it has never really been matched for its propulsive storytelling and ability to highlight the continuing importance of Sicily as a focal point of broader developments in the Mediterranean.

The Other Hotel was my first Jack Stroke book and after the first few pages I was hooked.

The writing is easy, authentic, and unpretentious – reading it quickly made me feel like I was hanging out with an old friend. The plot is twisted, the characters are off-the-hook, and Stroke has the unique capacity to inject a sense of apathetic calm into situations where all hell is breaking loose – making the book a tremendous amount of fun.

I highly recommend the whole series.

Jenna Moran is an under-appreciated author who combines whimsy and darkness in equal measure, created worlds that are at once familiar and strange. This bittersweet picture book is her at her finest, accompanied by glorious artwork by Elizabeth Sherry as she tells the story of a picture-book world attacked by an invasion of terrible, otherworldly things—Ordinary Objects.