Here are 100 books that The Light Ages fans have personally recommended if you like
The Light Ages.
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I’m a medieval historian who specialises in social history, and more particularly on sexuality, propaganda, and apocalypticism. I fell in love with the period from my very first class during my BA, but even back then, I was struck by just how little we as a society pay attention to some thousand years of history. Even worse, we often tell lazy myths about the Middle Ages as a time of filth and ignorance that makes us feel good about ourselves. Since not everyone can get a Ph.D. like I did, I have dedicated my career to bringing the period to light. I hope this book list does just that.
This book made me rethink how we consider the idea of the Middle Ages–full stop.
Pegg tracks the medieval period through the concept of holiness, and if you think that might be boring, then I have got news for you about how wild medieval (and Late Antique!) people were.
Whether it is being stoked to be sent to your death in the gladiatorial ring or writing transcendent fiction about how the girl you had a crush on as a teenager is waiting for you in heaven, Pegg shows that medieval people were constantly rethinking what it meant to be alive and how to square that in a Christian society. I guarantee it will make Trad Caths absolutely livid.
Mark Gregory Pegg's history of the Middle Ages opens and closes with martyrdom, the first that of a young Roman mother in a North African amphitheater in 203 and the second a French girl burned to death beside the Seine in 1431. Both Vibia Perpetua and Jeanne la Pucelle died for their Christian beliefs, yet that for which they willingly sacrificed their lives connects and separates them. Both were divinely inspired, but one believed her deity shared the universe with other gods, and the other knew that her Creator ruled heaven and earth. Between them, across the centuries, lives were…
I’m a medieval historian who specialises in social history, and more particularly on sexuality, propaganda, and apocalypticism. I fell in love with the period from my very first class during my BA, but even back then, I was struck by just how little we as a society pay attention to some thousand years of history. Even worse, we often tell lazy myths about the Middle Ages as a time of filth and ignorance that makes us feel good about ourselves. Since not everyone can get a Ph.D. like I did, I have dedicated my career to bringing the period to light. I hope this book list does just that.
Oh, you think you know what the Canterbury Tales is about? No. You don’t. It’s about shagging in pear trees while your blind husband sits below you. It’s about weird non-binary people that your travelling companions don’t know what to make of. It’s about love and death and meaning and fart jokes. The Canterbury Tales is a brilliantly alive, deliciously bawdy, surprisingly disarming work that will help you understand what regular people in the Middle Ages wanted to read about.
For bonus points, get a hold of the Riverside Chaucer translation because medieval historians like to be thingy about that. I’ll take any version as long as you read it, though.
I’m a medieval historian who specialises in social history, and more particularly on sexuality, propaganda, and apocalypticism. I fell in love with the period from my very first class during my BA, but even back then, I was struck by just how little we as a society pay attention to some thousand years of history. Even worse, we often tell lazy myths about the Middle Ages as a time of filth and ignorance that makes us feel good about ourselves. Since not everyone can get a Ph.D. like I did, I have dedicated my career to bringing the period to light. I hope this book list does just that.
I’m a giant nerd for fantasy, and my man Dante pretty much invented it with this book. Basically, every depiction of Hell you have ever seen in a book or on a movie screen? Yeah, Dante did that.
But it’s not just coming to grips with the, frankly iconic, nine circles of hell that make me love it; it’s the fact that Dante is also this very clearly petty, grudge-holding, self-absorbed regular guy who just so happens also to have an incredible imagination.
Yes, I love it because it’s a disturbing and beautiful revery about mislead lives, but it’s also a window into the soul of a medieval man. Come for the philosophical quandaries; stay for the demons and the ironic punishments. I re-read this constantly.
Belonging in the immortal company of the works of Homer, Virgil, Milton, and Shakespeare, Dante Alighieri’s poetic masterpiece is a visionary journey that takes readers through the torment of Hell.
The first part of Dante’s Divine Comedy is many things: a moving human drama, a supreme expression of the Middle Ages, a glorification of the ways of God, and a magnificent protest against the ways in which men have thwarted the divine plan. One of the few literary works that has enjoyed a fame both immediate and enduring, The Inferno remains powerful after seven centuries. It confronts the most universal…
I’m a medieval historian who specialises in social history, and more particularly on sexuality, propaganda, and apocalypticism. I fell in love with the period from my very first class during my BA, but even back then, I was struck by just how little we as a society pay attention to some thousand years of history. Even worse, we often tell lazy myths about the Middle Ages as a time of filth and ignorance that makes us feel good about ourselves. Since not everyone can get a Ph.D. like I did, I have dedicated my career to bringing the period to light. I hope this book list does just that.
This deep dive into the people that medieval Europe sidelined is absolutely indispensable for understanding society as a whole.
I get frustrated because when people think about the medieval period, they assume that it was a time when everyone just quietly played along with whatever the Church said, and everyone was a straight white Christian keeping quiet. This book goes and finds the people that the medieval period wanted hidden and brings them to light.
I also like that it helps us to consider that we still partake in the same othering behaviours now. It’s full of fascinating primary sources, and I find it totally absorbing.
Seldom heard from in modern times, those on the margins of Medieval Europe have much to tell us about the society that defined them. More than just a fascinating cast of characters, the visionaries and sexual dissidents, the suicidal and psychologically unbalanced, the lepers and converts of Medieval times reveal the fears of a people for whom life was made both meaningful and terrifying by the sacred.
After centuries of historical silence, these and other disenfranchised members of the medieval public have been given voice by Michael Goodich in a unique collection of texts from the mid-eleventh through the fourteenth…
I am a strong, independent woman (*snaps fingers through the air*), yet I adore a soul-sucking romance. Many might think this is a contradiction, but it’s not! A woman can be both loving and stubborn…both enamored by her partner yet still strong enough to speak up for herself. Sadly, I think historical fiction often defaults to portraying dependent and subjugated women, and this isn’t necessarily wrong—in fact, it’s probably more accurate. However, when I’m getting lost in the magic of a novel, I want to experience the all-consuming love without sacrificing the resiliency and independence of the women involved, and these books spin stories where both outcomes are possible!
There is so much going on in this book in terms of plot, drama, and relationships, but why I especially love it is because Caris, one of the protagonists, breaks the mold of the typical powerless medieval woman. When the Black Plague comes to Kingsbridge, Caris is the only one who uses observation and common sense to realize that the disease spreads by contact. In a world that revolves around religion and superstition, this doesn’t go over well. Though forced to sacrifice the love of her life, and put on trial as a witch, Caris sticks to her guns and enacts the medical policies she knows will save lives. Eventually, she gains the townspeople’s trust, ultimately ascending into a position of power within the town. Get it, girl!
On the day after Halloween, in the year 1327, four children slip away from the cathedral city of Kingsbridge. They are a thief, a bully, a boy genius and a girl who wants to be a doctor. In the forest they see two men killed. As adults, their lives will be braided together by ambition, love, greed and revenge. They will see prosperity and famine, plague and war. One boy will travel the world but come home in the end; the other will be a powerful, corrupt nobleman. One girl will defy the might of the medieval church; the other…
I am professor of medieval history at the University of St Andrews in Scotland. As a PhD student, I was electrified by the historian E. P. Thompson’s call to rescue the masses ‘from the enormous condescension of posterity’, but it’s often only when peasants revolt, as they did outside Paris in 1358, that we get much evidence about the masses in the Middle Ages. I loved writing The Jacquerie of 1358 because it allowed me to get very close to the men (and a few women) who risked everything to make their society a more just and equal one. It was a privilege, and a pleasure, to tell their story.
It’s a real frustration of mine that so much historical writing pays little or no attention to women, even though they made up half the population.
However ‘important’ whatever the men were doing was, they couldn’t have done it without women. There’s more written on elite medieval women—queens, noblewomen, abbesses, etc.—than there used to be, but peasant women remain mostly neglected.
I like Bennett’s book not only because she pays attention to village women but also because it doesn’t sugarcoat the story. Peasant women could do many things in medieval England, like owning property, going to court, and running businesses, but their options were sharply curtailed by male domination.
As Bennett puts it, "Insofar as these women had choices about their lives, the choices were always poor ones."
In this book, Judith Bennett addresses the gap in our knowledge of medieval country women by examining how their lives differed from those of rural men. Drawing on her study of an English manor in the early-fourteenth century, she finds that rural women were severely restricted in their public roles and rights primarily because of their household status as dependents of their husbands, rather than because of a notion of female inferiority. Adolescent women and widows, by virtue of their unmarried status, enjoyed greater legal and public freedom than did their married counterparts.
I have been writing the Owen Archer mysteries, set in and around the city of York in the late 14th century, for 30 years, ever since falling in love with the city of York on a visit. As I studied medieval literature and culture in graduate school, with a special interest in Chaucer, I’ve focused my research on the period in which he lived. I’ve spent months walking the streets of the city, hiking through the countryside, and meeting with local historians. Besides the 13 Owen Archer mysteries I’ve also published 3 Kate Clifford mysteries covering Richard II’s downfall, both series grounded in the politics and culture of medieval York and Yorkshire.
If you want even earlier information than 1068, Palliser begins with Roman York, Eboracum, moves through Scandinavian York, Jorvik, and then joins up with the city as it grows in the middle ages. The introduction discusses why a city grew in this particular spot, the strategic, geologic, and geographic advantage of the Vale of York.
This is the perfect complement to Rees Jones’s book, with more emphasis on the political and military history than hers and extending past the Black Death into the large degree of independent rule gained in two charters granted by King Richard II, then on to the gradual decline of the city in the 16th century.
Medieval York provides a comprehensive history of what is now considered England's most famous surviving medieval city, covering nearly a thousand years. The volume examines York from its post-Roman revival as a town (c. 600) to the major changes of the 1530s and 1540s, which in many ways brought an end to the Middle Ages in England. York was one of the leading English towns after London, and in status almost always the 'second city'.
Much research and publication has been carried out on various aspects of medieval York, but this volume seeks to cover the field in its entirety.…
As a child, I lived in a small valley sheltered from the night city lights. I could see the stars, and from that time, that is where my imagination dwelled. As a teenager, I read several of the books I have listed here, and from that point, I was inspired to read more and also to write myself. I sincerely believe that despite our current problems, humanity will outlive its troubled childhood and reach for the stars. We are destined for the stars, and only in the works of science fiction writers is that future explored. The books below helped me to become a successful author in my own right.
My all-time favorite time travel book, this story tells of a young student’s journey into the past for a university project. Things go awry, and she arrives at the wrong time, squarely in the path of the Black Death.
As a history buff, I loved the historical perspective of the story imposed against modern university life, as the story tells of the gradual demise of a small English village and the university's attempts to get the student back.
I found the story most realistic, and the sheer urgency of the main character’s dire situation kept me fully engrossed to the last pages, where she is finally rescued. I recommend it to lovers of time travel stories and history buffs.
"Ambitious, finely detailed and compulsively readable" - Locus
"It is a book that feels fundamentally true; it is a book to live in" - Washington Post
For Kivrin Engle, preparing an on-site study of one of the deadliest eras in humanity's history was as simple as receiving inoculations against the diseases of the fourteenth century and inventing a bullet-proof backstory. For her instructors in the twenty-first century, it meant painstaking calculations and careful monitoring of the rendezvous location where Kivrin would be received.
I fell into medieval history from the moment I arrived at university, when I looked at a lecture list that included the Norman Conquest, King John and Magna Carta, Edward I – in short, the subjects of the books I have gone on to write. The attraction for me was that the medieval centuries were formative ones, shaping the countries of the British Isles and the identities of the people within them. After completing my doctorate on the thirteenth-century earls of Norfolk I was keen to broaden my horizons, and presented a TV series about castles, which was a great way to reconnect with the reality of the medieval past.
This is a fantastic introduction to what was going on in the British Isles during the medieval period. The scholarship is up-to-the-minute, the writing is witty and engaging, and it is teeming with original ideas. It’s not a political history, plodding predictably from one reign to the next, but a sweeping overview, covering diverse topics such as the decline of slavery, the rise of parliament, kingship and queenship, religion, education, leisure, crime, and chivalry.
Beginning with the Norman Conquest of England, these tumultuous centuries and their invasions shaped the languages and political geography of present-day Britain and Ireland.
The Irish, Scots and Welsh fought their battles against the English with varying success - struggles which, like the events of 1066 in England, produced spectacular upheavals and left enduring national memories. But there was still a common enemy: the Black Death - still the greatest catastrophe in their history.
There were significant advances, too. Hundreds of new towns were founded; slavery, still prevalent until the twelfth century, died out; magnificent cathedrals built, schools and universities…
I’d already published a scholarly book about the household of a medieval widow, who was just a decade older than Margery Kempe and lived sixty miles away, so the time, place, and mindset seemed very familiar. As a Jungian Psychoanalyst I’m interested in how individuals find the central meaning in their lives. Clearly for Margery it was the search for God, although she doesn’t appear to have been a kindly soul. When I read that she twice quarreled with her maidservant, I realised the maidservant could tell her own tale. And so she did, and sometimes it seemed she was dictating it to me! Characters really do speak for themselves...
I love this book – Hanawalt’s research is intriguing – using manorial court rolls, coroners’ reports, and wills she reveals the lives of ordinary folk and opened the doors for me to peasant homes in the later Middle Ages. I thoroughly enjoyed her description of everyday life from childhood to old age, the household economy, blood ties, wealth, homesteads, and surrogate parents and children. I discovered that family concerns were not so very different then to ours today and was reminded that the past is not a foreign country where they did things differently. It’s both scholarly and readable, a book to dip into or relish from cover to cover, another essential for writing historical fiction about the Middle Ages.
Barbara A. Hanawalt's richly detailed account offers an intimate view of everyday life in Medieval England that seems at once surprisingly familiar and yet at odds with what many experts have told us. She argues that the biological needs served by the family do not change and that the ways fourteenth- and fifteenth-century peasants coped with such problems as providing for the newborn and the aged, controlling premarital sex, and alleviating the harshness of their material environment in many ways correspond with our twentieth-century solutions.Using a remarkable array of sources, including over 3,000 coroners' inquests into accidental deaths, Hanawalt emphasizes…
