100 books like Doomsday Book

I have never been brought so close to a battle and a battlefield experience as when reading this book.

The horror, tension, excitement, valor, and regret of warfare are clearly depicted. The motivations for fighting for a terrible cause are examined. The determination to see things through to the bitter end is in evidence. It is a blueprint for writing warfare and helps the reader understand the excitement and tension in leading troops to the fear and futility of being on the line.

Best of all, Shaara has been able to bring life to Lee, who so often is referred to as a marble man. Here, he’s been humanized, and this alone makes our reading of history so much more personal and relevant.

Kate Atkinson is one of my favourite authors, with a voice that really resonates with me.

This is a ‘what if’ novel that really sets you thinking. It’s witty and stylish, and yet it also tugs at your heartstrings. A roller-coaster ride that had me on the edge of my seat.

At the time, when I read this book, I’d just become a father. Naturally, the story about a father trying to protect his son in a harsh dystopian world was captivating for me and still is to this day.

I loved the book's gritty realism and felt as if I were walking beside the characters during the entire journey. I also found McCarthy’s writing style unique and something new from the best-selling paperbacks I’d often read before picking up his book.

I used to be paid to ponder the end of the world as we know it: I was a health editor during the early years of the COVID pandemic; at the same time, I was editing environmental stories.

What I loved most about this book is that the worst has already occurred, and the protagonist, a teenager, chooses her own new way to navigate what’s still to come. I was engaged by the concepts of resilience as a survival skill, reinvention as a necessity, and rebirth as an act of personal and global faith.

I am not a fan of religion as such, but this book made me believe.  

This is one of my all-time favorite novels. A group of Montana cowboys must drive a herd of cattle across Russia in the early 1880s or a village will starve. You’re thinking, dude, this is Lonesome Dove set in Russia. Fair point, but this book came out a decade before the McMurtry novel. And in my humble opinion, it’s a better book. Yes, that’s a bold statement. The scenes are so beautifully written and executed, that you feel like you’re there. Fantasy readers will appreciate the clash of cultures as well as the coming-of-age story that gives the book its heart. I envy those of you who get to meet Levi, Shad, Rostov, and the rest for the first time. This is a book to be treasured and re-read.

This novel was a revelation to me. First, I’ll note that it’s a book in the Elvis Cole series, and the earlier novels were told in the first person (with a couple of exceptions for prologues). This book changed everything by going full-on multiple viewpoints, and in so doing, deepened the characters in amazing ways. It’s not necessary to read the earlier books to enjoy this one, but I predict you’ll get addicted to Crais and read all of them anyway. This novel will appeal to fantasy readers by reminding them how great books can affect us by awakening our humanity and letting us know we’re not alone in the world.

On one level, this novel is about Chris and Saul, two orphans raised by Eliot, a CIA operative, to become world-class assassins. After an international incident, Eliot decides Chris and Saul must be eliminated. Solid and engaging on that level, of course. But on a deeper level, it’s about two young men who trust their “father,” the one person who ever cared about them, only to feel the sting of his betrayal rock them to their core. The emotion makes the action matter. Everything is personal. The accurate tradecraft, killer action, and depth of character all combine to make this one of my favorite books. Fantasy readers will appreciate the secret society aspect of the assassins as well as the amazing action set-pieces.

Irreverent, hilarious, and surprisingly touching, this book is Terry Prachett at his best—the rapier-sharp wit, the brilliant satire, and, my favorite of all, the moments where his characters are shoved up against questions of morality and the choice whether to give in to ugliness and hopelessness or to hold onto a hardscrabble optimism.

Cynical, jaded Sam Vines may be one of my favorite examples of a character who stubbornly refuses to give up on believing that while the world might never be perfect, just maybe, if enough imperfect, barely-holding-themselves-together people try hard enough, it can be a little better than it was.

At a whopping 1,152 pages, Stephen King’s The Stand was just too much to capture in a single movie.

That’s why, in 1994, CBS adapted it across four, ninety-minute episodes of a limited run “mini-series” (a fancy way of saying “a really long movie”). In all fairness, it had a great cast and was better than it had any right to be, and was far more enjoyable than CBS’s 2020 attempt at a do-over.

But even with a total six-hour runtime, it couldn’t capture all the story, heart, and nuance that made the book so incredible. It’s a feat to read, one I did to pass the time when bored in school, and one I will surely do again in the future.

In my head, there’s a high I’m chasing, and it’s the high I got when I finally finished David Mitchell’s Cloud Atlas, the high of one synapse in my head connecting with one another in a bright feverish spark as I volley from one page to the next, one character to the next, one era to the next.

If I had to summarise what the book even is, I’d say it’s reincarnation and samsara in the hands of Mitchell’s trademark ventriloquism, arranged into this wonderfully nested set of Russian doll narratives. It sounds very smart and full of grand ideas about the nature of human suffering, and it is! But it is also deeply romantic and about the peculiar destiny that can tie one human soul to another all throughout eternity.