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My interest in medieval history comes from a love of language. My favourite Old English word is wordhord, which refers to a poet’s mental stockpile of words and phrases. My word hoarding (and sharing) started with tweeting the Old English word of the day in 2013. This spread to other social media platforms, a blog, an app, and now two books. I have a PhD in English from King’s College London (my thesis was on blood in Old English, even though blood actually makes me squeamish). I enjoy histories that make me think about the past from a different perspective.
Reading this book is like listening to your incredibly knowledgeable historian friend talk about medieval society over drinks. Janega’s turns of phrase and sharp observations make me laugh, and at the same time, I feel my mind soak up knowledge like a sponge.
This book is about what medieval people thought and why, going back to the philosophies and influences of ancient Greece and Rome. It tackles medieval beauty standards, sexual practices, family life, and work life. It addresses fart jokes and eyeliner, as well as ideas about biology and class disparities. We see women farming, ruling, weaving, brewing, and writing.
Janega argues that it is through seeing the past truly that we can "imagine new futures," making the necessary changes for "a more equitable world."
What makes for the ideal woman? How should she look, love and be? In this vibrant, high-spirited history, medievalist Eleanor Janega turns to the Middle Ages, the era that bridged the ancient world and modern society, to unfurl its suppositions about women and reveal what's shifted over time-and what hasn't.
Enshrined medieval thinkers, almost always male, subscribed to a blend of classical Greek and Roman philosophy and Christian theology for their concepts of the sexes. For the height of female attractiveness, they chose the mythical Helen of Troy, whose imagined pear shape, small breasts, and golden hair served as beauty's…
Cara Hogarth emigrated from England to Australia as a child, but always wished she hadn’t. So she studied medieval history at university in order to travel back in time and place. Now that she’s bagged a PhD (on Chaucer’s raunchy Wife of Bath), she prefers to write historical fiction in order to truly immerse herself and her readers in the past. She finds academic history a fantastic inspiration for her fiction writing, but is always seeking out historical novels that hit just the right balance between research, humor, and page-turning plot. Warning: her novels can get quite steamy!
Published by Oxford University Press, Common Women is an academic rather than a popular history of medieval English prostitution, and its author is an expert in medieval sexuality.
I adore the wealth of historical detail founded on original research that Karras presents. It’s a goldmine of inspiration for those of us who write fiction set in medieval England. Where else can you learn about the cross-dressing prostitute John Rykener, the Bishop of Winchester’s brothel empire in Southwark, or discover names like Clarice Clatterballock?
An account of the lives of prostitutes in Medieval England relations, which covers their treatment under the law, and concludes that prostitution was central to the medieval understanding of feminity.
Cara Hogarth emigrated from England to Australia as a child, but always wished she hadn’t. So she studied medieval history at university in order to travel back in time and place. Now that she’s bagged a PhD (on Chaucer’s raunchy Wife of Bath), she prefers to write historical fiction in order to truly immerse herself and her readers in the past. She finds academic history a fantastic inspiration for her fiction writing, but is always seeking out historical novels that hit just the right balance between research, humor, and page-turning plot. Warning: her novels can get quite steamy!
A medieval murder mystery set in a brothel! Prostitution was one of the few ways in which a woman might earn an independent living in the Middle Ages.
Not that I’m recommending it as a career choice, mind you. Roberta Gellis has created quite the unusual whorehouse under her unfortunately beautiful Madam, Magdalene. Her employees include a blind woman, a mute Saracen, a woman of childlike intelligence, and the brothel’s cook too is deaf. Magdalene herself was accused of murder and has to live in disguise.
This is a wonderfully well-researched historical mystery that illuminates the circumstances that might force a medieval woman into prostitution.
Roberta Gellis, acclaimed author of The Roselynde Chronicles, brings medieval London to life--and death--with her latest tale of splendor and squalor. Magdalene la Bâtarde is the madam of the Old Priory Guesthouse in Southwark. She and her women are expected to engage in a number of sinful delights, but bloody murder isn't one of them--until Baldassare, the messenger, dies.
Though Baldassare wasn't a regular client of the Old Priory Guesthouse, Magdalene and her women refuse to allow his death to go unavenged. Of course, their efforts aren't completely altruistic. Chances are if they don't find the killer, they will be…
Cara Hogarth emigrated from England to Australia as a child, but always wished she hadn’t. So she studied medieval history at university in order to travel back in time and place. Now that she’s bagged a PhD (on Chaucer’s raunchy Wife of Bath), she prefers to write historical fiction in order to truly immerse herself and her readers in the past. She finds academic history a fantastic inspiration for her fiction writing, but is always seeking out historical novels that hit just the right balance between research, humor, and page-turning plot. Warning: her novels can get quite steamy!
This history of medieval sex is aimed at a non-academic readership and covers topics from the theology of sex in Eden, medieval definitions of incest (don’t sleep with your god-parents), and the fact that any abnormal sexual activity was considered sodomy (hint: stick to the missionary position).
In short, medieval attitudes to sex were very different from our own. This is a tricky thing to portray in historical fiction, especially historical romance. I’ve covered my copy of this book in pencil scribbles. A readable and entertaining popular history featuring a great cover image straight from a medieval manuscript!
The medieval humoral system of medicine suggested that it was possible to die from having too much - or too little - sex, while the Roman Catholic Church taught that virginity was the ideal state. Holy men and women committed themselves to lifelong abstinence in the name of religion. Everyone was forced to conform to restrictive rules about whom they could have sex with, in what way, how often, and even when, and could be harshly punished for getting it wrong. Other experiences are more familiar. Like us, medieval people faced challenges in finding a suitable partner or trying to…
I studied the Tudor era in high school and have been hooked ever since. It was an era of enormous change. The world was opening up, science was advancing, religion was losing its grip over people, and new ideas were challenging every level of society. Discovery was everywhere–new planets, lands, theories, foods, and trading routes. Society was changing, and women were beginning to have a voice and education. It was also an era of characters–men and some women who made a mark on the world through their wit and wisdom–and some just by being rogues. There are no dull moments in Tudor times.
When you turn the pages of this book, you feel you can see, smell, and hear the dark streets and alleys of Tudor London. This book inspired me to place my books in Tudor England and start The Tudor Rose Murders Series.
It is Tudor Crime at its best. I was so captivated by the characters, the detail, the pace, and the plotting that I could not put it down and felt wretched when I turned the last page.
Awarded the CWA Diamond Dagger - the highest honor in British crime writing
From the bestselling author of Winter in Madrid and Dominion comes the exciting and elegantly written first novel in the Matthew Shardlake Tudor Mystery series
Dissolution is an utterly riveting portrayal of Tudor England. The year is 1537, and the country is divided between those faithful to the Catholic Church and those loyal to the king and the newly established Church of England. When a royal commissioner is brutally murdered in a monastery on the south coast of England, Thomas Cromwell, Henry VIII's feared vicar general, summons…
I’m a historian of the early Middle Ages. There are all sorts of unexpected differences and similarities between modern and medieval life, and things get especially interesting when it comes to thinkingabout thinking. Our understanding of how our minds work has obviously changed—and so have the ways that we actually use them. Medieval thinkers in Europe and the Mediterranean world struggled with concentration and memory and information overload, just like we do. But they were savvier in dealing with those problems, and these books invite you into the wonderful world of their cognitive practices. You’ll probably find yourself experimenting with many of these techniques along the way!
Everything that Mary Carruthers has written is terrific — but thisis the book that first showed me how unusual, and how sophisticated, medieval approaches to the mind could be.
The arts of memory that flourished in the high Middle Ages were designed for much more than rote memorization: they helped people internalize what they perceived, then transform that material into something new.
Carruthers presents these techniques so infectiously that you’ll want to try them yourself. It’s not just the practices themselves that are riveting, though. Carruthers also shows how they shaped medieval media culture and how they contributed to the ethical development of the people who practiced them.
The arts of memory weren’t parlor tricks; they were modes of understanding and evaluating the world. Amazing!
Mary Carruthers's classic study of the training and uses of memory for a variety of purposes in European cultures during the Middle Ages has fundamentally changed the way scholars understand medieval culture. This fully revised and updated second edition considers afresh all the material and conclusions of the first. While responding to new directions in research inspired by the original, this new edition devotes much more attention to the role of trained memory in composition, whether of literature, music, architecture, or manuscript books. The new edition will reignite the debate on memory in medieval studies and, like the first, will…
I’m not ashamed to admit that my childhood fascination with the distant past was sparked by hours of leafing through The Kingfisher Illustrated History of the Worldand countless viewings of the “Indiana Jones” movies. Today, I am an Associate Professor in the Department of Humanities at Mercy College and an archaeologist specializing in the eastern Alpine region during Late Antiquity and the Early Middle Ages. The author of three books and numerous scholarly articles, my research interests include ceramic technology, social identity, and the appropriation of the medieval past by modern ideologies.
I often use selections fromWhose Middle Ages? in my medieval history courses, but this collection of short, insightful essays is a great resource for anyone interested in understanding what leading scholars think about invocations of the medieval past in contemporary culture. Touching on a wide range of topics, from Viking imagery in heavy metal music and Celtic crosses on white supremacist websites to controversies over Sharia law and papal heresy in the popular press, this volume serves as an ideal introduction to the use and abuse of the Middle Ages.
Whose Middle Ages? is an interdisciplinary collection of short, accessible essays intended for the nonspecialist reader and ideal for teaching at an undergraduate level. Each of twenty-two essays takes up an area where digging for meaning in the medieval past has brought something distorted back into the present: in our popular entertainment; in our news, our politics, and our propaganda; and in subtler ways that inform how we think about our histories, our countries, and ourselves. Each author looks to a history that has refused to remain past and uses the tools of the academy to read and re-read familiar…
My interest in medieval history comes from a love of language. My favourite Old English word is wordhord, which refers to a poet’s mental stockpile of words and phrases. My word hoarding (and sharing) started with tweeting the Old English word of the day in 2013. This spread to other social media platforms, a blog, an app, and now two books. I have a PhD in English from King’s College London (my thesis was on blood in Old English, even though blood actually makes me squeamish). I enjoy histories that make me think about the past from a different perspective.
This book is not just a rich and detailed portrait of various times and places throughout the medieval period—it explains how history itself is written, how certain stories are told (and prioritized), and how certain individuals are remembered.
From page 1, Ramirez draws you in with her irresistible storytelling, making historical figures seem like the real people they were. She corrects popular misconceptions about the Middle Ages as well as how history is itself created.
Each chapter begins with a discovery, which is just as dramatic and exciting as the medieval subject matter. I love how Ramirez paints a picture of the past using sight, sound, and smell, drawing on the evidence provided by jewelry, weaponry, coins, manuscripts, and even human remains.
THE INSTANT SUNDAY TIMES BESTSELLER LONGLISTED FOR THE CUNDILL HISTORY PRIZE
'Revelatory' GUARDIAN
'A firecracker somehow captured between two covers' LUCY WORSLEY
An instant bestseller and one of the most celebrated history books of the year, Femina reveals the power and influence of medieval women who have been written out of our history. From royalty and religion to fame and fury, see the medieval world - and the women erased from it - with fresh eyes.
'Absolutely brilliant and highly recommended' CAITLIN MORAN
'Femina is a ground-breaking history of the Middle Ages' SIMON SEBAG MONTEFIORE
History is my passion. I’m a graduate of medieval history from the Hebrew University, Jerusalem, and post-graduate of London University. Former high school history teacher, and previously held the post of assistant researcher at the Museum of the Diaspora, Tel Aviv. I was commissioned by the Council of Zambian Jewry to research and write the history of Northern Rhodesian/Zambian Jewry. I have lectured frequently on my subjects and have contributed diverse historical articles in newspapers and journals. I have published six books, fiction, and non-fiction.
I often like to break away from in-depth academic historical reading and indulge in lighter yet informative work. This always leads me to Cahill’s history books. He always has a new take, such as ‘how the Irish saved civilization’ to this intriguing book, Mysteries of the Middle Ages. He skillfully portrays here how medieval thought foreshadowed the making of the Renaissance and the development of the modern scientific era. Cahill’s talent is in his easy-to-read excellent prose and intellectual richness. His books are also well-illustrated with beautiful pictures and artistic layout.
From the national bestselling author of How the Irish Saved Civilization—a fascinating look at how medieval thinkers created the origins of modern intellectual movements.
“Intoxicating.... Cahill's command of rich historical detail makes medieval cities and their colorful characters come to alive.” —The Los Angeles Times
After the long period of decline known as the Dark Ages, medieval Europe experienced a rebirth of scholarship, art, literature, philosophy, and science and began to develop a vision of Western society that remains at the heart of Western civilization today, from the entry of women into professions that had long been closed to them…
I’ve always loved reading time travel stories and gobbled up most of what I could find. Over the past few years, I decided that I wanted to try writing one for myself. After reading the books I’ve recommended along with others (including some having to do with the physics of time), I finally took up the challenge and wrote the Waters of Time series which combines my love of the Middle Ages, romance, and time travel all into one.
Intriguing, little-known facts make this book another way to travel into the past, showcasing everything from eating, cooking, clothing, housing, and relaxing. It provides fascinating details of what everyday life was really like in the Middle Ages, facts that can’t be gleaned simply by watching movies or television programs.
Although life in the Middle Ages was not as comfortable and safe as it is for most people in industrialized countries today, the term "Dark Ages" is highly misleading. The era was not so primitive and crude as depictions in film and literature would suggest. Even during the worst years of the centuries immediately following the fall of Rome, the legacy of that civilization survived.
This book covers diet, cooking, housing, building, clothing, hygiene, games and other pastimes, fighting and healing in medieval times. The reader will find numerous misperceptions corrected. The book also includes a comprehensive bibliography and a…
