100 books like Daily Life in the Middle Ages

I am in awe of Diana Gabaldon’s achievements as I relate to her writing while raising three children.

At first daunted by the 850-page length, once I started reading, I became enthralled with the fantasy of Claire’s time-traveling into the past and meeting the love of her life. I fell in love with the beautiful boy-man, Jamie. He reminded me of the love of my life. Gabaldon’s handling of the attraction between Claire and the Scottish highlander is beguiling, especially in the sexual scenes.

Weaving their love story into real history, her descriptions, plots, and prose are exquisitely compelling. I am committed to reading the entire series. In a word, Outlander is un-put-downable! 

I have read a lot of history and archaeology books and more often than not they can be a little dull, dry and in some cases work better than a sleeping tablet.

Not with this book, here you learn about parts of medieval England you just wouldn’t think about, written from a more personal point of view its less about political stuff like kings, queens, and those pesky archbishops and much more on the practicalities of living in medieval England.

Would you know what to eat, wear, or where to go to the toilet? Would you know how to address a lord or lady? Would you know what to do if you got sick? This is a vital guide for all time travelers!

The main character of this novel travels back in time to 18th century Cornwall. The time-travelling element is beautifully done and swept me from the present to the past seamlessly and with such intrigue that I felt like I was struggling to adjust to the differences of the past with the heroine. The ambiance of medieval times stays with me and helped inspire me as I wrote my time travel book.

Waterfall takes a 21st-century girl, Gabriella, and mysteriously places her in medieval Italy. Gabi’s journey is unexpected and exciting! While the title might be misleading, you won’t be disappointed when you’re introduced to this teenage girl who’s grown up with archeologist parents learning how to wield a sword. Finding herself in the fourteenth century, Gabi literally lands in the middle of a battle, she meets a knight-prince, and her summer has only begun.

Another synthesis of the ‘Dark Ages’ Europe, this one from the Penguin History series. An easy, but thorough read, painting a broad canvas from Ireland to Byzantium, and from the last days of Rome to the last days of Anglo-Saxon England, shines the light on the centuries that, while still seen as shrouded in the darkness of violence and barbarism, are in fact the true cradle of the European civilization as we know it today.

This is not a book just about Britain, and that is precisely the point: Britain on its own makes sense as a unit, but it needs to be regarded both as a collection of smaller regions, and as part of a bigger whole. Wickham’s masterly survey does an excellent job of situating Britain with regard to bigger developments across the continent. He highlights very effectively how it does and does not fit in with wider trends, which is critical to knowing what makes Britain distinctive. This book exemplifies why the history of Britain really needs also to be the history of Europe, and indeed beyond.

What if there was a computer program that reduced every single thing in the world down to a set of numbers? Sounds mathematically boring. But what if by changing one number you could suddenly be six feet tall? Or levitate? Martin Banks has, by spending far too much time on the internet, discovered that program. And made himself rich. Which gets the authorities snooping around and next thing you know he’s fleeing to the middle ages, where several other mathematical types have taken up residence. They know the secret of the program and have made themselves wizards. And Martin becomes a wizard in training to learn these skills. Which is all well and fine, until one wizard starts to turn evil. I am a geek. I admit it. And this send up of geek culture had the perfect geekish vibe for me.

Everything that Mary Carruthers has written is terrific — but this is the book that first showed me how unusual, and how sophisticated, medieval approaches to the mind could be.

The arts of memory that flourished in the high Middle Ages were designed for much more than rote memorization: they helped people internalize what they perceived, then transform that material into something new.

Carruthers presents these techniques so infectiously that you’ll want to try them yourself. It’s not just the practices themselves that are riveting, though. Carruthers also shows how they shaped medieval media culture and how they contributed to the ethical development of the people who practiced them.

The arts of memory weren’t parlor tricks; they were modes of understanding and evaluating the world. Amazing!

This book is not just a rich and detailed portrait of various times and places throughout the medieval period—it explains how history itself is written, how certain stories are told (and prioritized), and how certain individuals are remembered.

From page 1, Ramirez draws you in with her irresistible storytelling, making historical figures seem like the real people they were. She corrects popular misconceptions about the Middle Ages as well as how history is itself created.

Each chapter begins with a discovery, which is just as dramatic and exciting as the medieval subject matter. I love how Ramirez paints a picture of the past using sight, sound, and smell, drawing on the evidence provided by jewelry, weaponry, coins, manuscripts, and even human remains.

This was the first book to open my eyes to the strangeness and sophistication of medieval life. To an English reader, its focus on the European Middle Ages is revelatory, as is its concentration on writers and travellers rather than kings and knights. At the time he wrote the book, the brilliant Richard Southern was hospitalized with tuberculosis. The book seems to be a distillation of a lifelong passion, which, fortunately, he was able to pursue for another four decades.