Here are 100 books that The Making of the Middle Ages fans have personally recommended if you like
The Making of the Middle Ages.
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I've always been fascinated with history. The study of economic history allows me to combine my passion for understanding the past with a rigorous and systematic set of analytical tools. In my own work I'm interested in understanding the economic, political, and institutional transformations that have created the modern world. The books I've selected here help us better understand quite how different the past and they have proven to be invaluable to me as inspirations.
Marc Bloch was one of the greatest historians of the 20th century. He was also hero of the French Resistance, tortured and executed by the notorious Nazi Klaus Barbie. Feudal Society(2 volumes) is perhaps his best book.
It is often said that the past is a foreign country, and it is true that the world of the Middle Ages is alien to us in many respects. What Bloch does is to provide a systematic examination of all aspects of that world, that is he examines it it from a legal, a sociological, an anthropological, an economic, and a political perspective.
In so doing, he paints a remarkable portrait of a coherent, self-contained society. The economy was basic, laws and politics were personalized, but it was a social and political order that made sense in its own terms. More recent historians have criticized specific aspects of Bloch's vision of feudalism…
Marc Bloch said that his goal in writing Feudal Society was to go beyond the technical study a medievalist would typically write and 'dismantle a social structure.' In this outstanding and monumental work, which has introduced generations of students and historians to the feudal period, Bloch treats feudalism as living, breathing force in Western Europe from the ninth to the thirteenth century. At its heart lies a magisterial account of relations of lord and vassal, and the origins of the nature of the fief, brought to life through compelling accounts of the nobility, knighthood and chivalry, family relations, political and…
I've been fascinated by medieval history ever since I played hide and seek around Welsh castles as a boy. At university – a medieval invention, of course – I was able to sit at the feet of some of the finest historians of the Middle Ages, experts like Maurice Keen and Patrick Wormald. As a writer, I have tackled medieval subjects like Alfred the Great and Richard III, as well as the history of English rebellion. I have come to realise that the Middle Ages could be cruel and violent, just like our own time, but that they were also a time of extraordinary achievements that form the foundations of the world we live in.
One of the great thrills of researching medieval history is getting the chance to handle original documents up close, as I have had the good fortune to do a few times. Christophe de Hamel is a palaeographer, a manuscripts expert who has travelled the world to examine some of the most precious handwritten works that still survive. As his title hints, De Hamel treats these artefacts as personalities, and his no-nonsense decipherment of priceless treasures is like listening in on a wise and witty conversation.
An extraordinary and beautifully illustrated exploration of the medieval world through twelve manuscripts, from one of the world's leading experts.
Winner of The Wolfson History Prize and The Duff Cooper Prize.
A San Francisco Chronicle Holiday Book Gift Guide Pick!
Meetings with Remarkable Manuscripts is a captivating examination of twelve illuminated manuscripts from the medieval period. Noted authority Christopher de Hamel invites the reader into intimate conversations with these texts to explore what they tell us about nearly a thousand years of medieval history - and about the modern world, too.
I have had an interest in the Middle Ages as long as I can remember. In boyhood, this took the form of model knights, trips to castles, and a huge body of writing about an imaginary medieval country called Rulasia. Later it was disciplined by the study of the real medieval world, in particular by finding an ideal subject for my doctoral dissertation in Gerald of Wales, a prolific and cantankerous twelfth-century cleric, whose writings on Ireland and Wales, on saints and miracles, and on the Angevin kings (Henry II, Richard the Lionheart and John), were the ultimate inspiration for my own books on medieval colonialism, the cult of the saints and medieval dynasties.
Huizinga’s book was first published more than 100 years ago, in 1919, but it retains its value as a sparkling and original evocation of the world of late medieval Europe: its values, its thought, its violence, and – one of its great strengths - its visual arts. This last is not surprising, since the author’s main focus is on the Netherlands and northern France, where oil painting, the realistic portrait, and the landscape began in European art. The book has been translated into English more than once, with significantly different titles: in 1924 as The Waning of the Middle Ages, then – 72 years later! - as The Autumn of the Middle Ages. In 2020 there appeared yet another version - Autumntide of the Middle Ages. The book is ever young.
This is a portrait of life, thought and art in 14th- and 15th-century France and the Netherlands. Regarded as an historical classic by many scholars, it has also been criticized and incorrectly translated. This edition corrects changes made by other translators to the original Dutch text of 1919. For Huizinga, the 14th and 15th centuries marked not the birth of a dramatically new era in history - the Renaissance - but the fullest, ripest phase of medieval life and thought. However, his work was criticized at home and in Europe for being "old-fashioned" and "too literary". Franz Hopman adapted, reduced,…
An Italian Feast celebrates the cuisines of the Italian provinces from Como to Palermo. A culinary guide and book of ready reference meant to be the most comprehensive book on Italian cuisine, and it includes over 800 recipes from the 109 provinces of Italy's 20 regions.
I have had an interest in the Middle Ages as long as I can remember. In boyhood, this took the form of model knights, trips to castles, and a huge body of writing about an imaginary medieval country called Rulasia. Later it was disciplined by the study of the real medieval world, in particular by finding an ideal subject for my doctoral dissertation in Gerald of Wales, a prolific and cantankerous twelfth-century cleric, whose writings on Ireland and Wales, on saints and miracles, and on the Angevin kings (Henry II, Richard the Lionheart and John), were the ultimate inspiration for my own books on medieval colonialism, the cult of the saints and medieval dynasties.
One of the most exciting areas of research and publication in medieval history over the last few generations has been the cult of the saints. A landmark was Peter Brown’s slim but fundamental The Cult of the Saints (1981), an effervescent essay on the origins of the veneration of saints in the Late Antique period. In the same year a very different book appeared, the French original of Vauchez’s enormous and comprehensive study of Christian saints in Latin (western) Christendom, the heart of which was an analysis of the 71 people who were proposed for papal canonization in the period 1198-1431 (only half of them made it). By limiting himself in this way, Vauchez was able to ask statistical questions, demonstrating that as time went on, canonized saints became more female and more lay, as well as pointing out the geography and chronology of sanctity. A monumental achievement.
This is a standard work of reference for the study of the religious history of western Christianity in the later middle ages which, since its original publication in French in 1981, has come to be regarded as one of the great contributions to medieval studies of recent times. Hagiographical texts and reports of the processes of canonisation - a mode of investigation into saints' lives and their miracles implemented by the popes from the end of the twelfth century - are here used for the first time as major source materials. The book illuminates the main features of the medieval…
I have had an interest in the Middle Ages as long as I can remember. In boyhood, this took the form of model knights, trips to castles, and a huge body of writing about an imaginary medieval country called Rulasia. Later it was disciplined by the study of the real medieval world, in particular by finding an ideal subject for my doctoral dissertation in Gerald of Wales, a prolific and cantankerous twelfth-century cleric, whose writings on Ireland and Wales, on saints and miracles, and on the Angevin kings (Henry II, Richard the Lionheart and John), were the ultimate inspiration for my own books on medieval colonialism, the cult of the saints and medieval dynasties.
Susan Reynolds was renowned for speaking her mind, never rudely but always forthrightly. If she considered that a generally accepted view or term was wrong or misleading or ill-defined, she said so. In a later work of hers, Fiefs and Vassals, she questioned the very value of the term “feudalism” when analyzing the Middle Ages. In Kingdoms and Communities, a rather less polemical work, she argued for the importance of self-organizing lay communities (parishes, guilds, even “the community of the realm”) as contrasted with the traditional focus on kings and the Church. Susan was in the line of a long tradition of female medievalists at Oxford and Cambridge, going back even before female students were allowed to take degrees. Eileen Power (1889-1940), author of Medieval People (1924, still in print) would be a precursor.
This study is an exploration of the collective values and activities of lay society in Western Europe between the tenth century and the thirteenth. Arguing that medieval attitudes and behaviour have too readily been defined in terms of hierarchical structures of government, clerical thought, or narrow notion of kinship, the author instead places new emphasis on the horizontal bonds of collective association which permeated society in medieval England, France and Burgundy, Germany, the Netherlands, and Italy. By refocusing on the social and political values that characterized lay collective activity, this book offers a stimulating new approach to the history of…
A retired professor, an art historian who taught at Berkeley, Northwestern, and the University of Pennsylvania. Since my main interest is the emergence of Europe from the late Middle Ages and into the Early Modern period around 1500, I naturally gravitate to non-fiction books that engage with the shifting interests and values of that era, and my own books include similar efforts to discuss visual art in relation to religion, literature, politics, and wider contemporary cultural movements. Among my own books I would cite: Rubens, Velázquez, and the King of Spain (with Aneta Georgievska-Shine); Europe Views the World, 1500-1700; and the forthcoming Art and Dis-Illusion in the Long Sixteenth Century.
One of the great works of historical recreation, which reads like a novel but is based on a voluminous study of texts, art, and history. Huizinga recreates the violent tenor and pervasive Christian spirituality of late medieval life, as well as a corresponding chivalric secular side, lived out by French and Burgundian nobility.
This new English translation of Huizinga’s Autumntide of the Middle Ages (Herfsttij der Middeleeuwen) celebrates the centenary of a book that still ranks as one of the most perceptive and in¿uential analyses of the late medieval period. Its wide-ranging discussion of fourteenth and ¿fteenth century France and the Low Countries makes it a classic study of life, culture, and thought in medieval society. The new and now unabridged translation of the original text captures the impact of Huizinga’s deep scholarship and powerful language. The translation is based on the Dutch edition of 1941 – the last edition Huizinga worked on.…
Marriage and Fatherhood in the Nazi SS
By
Amy Carney,
When I was writing this book, several of my friends jokingly called it the Nazi baby book, with one insisting it would make a great title. Nazi Babies – admittedly, that is a catchy title, but that’s not exactly what my book is about. SS babies would be slightly more…
I've been fascinated by medieval history ever since I played hide and seek around Welsh castles as a boy. At university – a medieval invention, of course – I was able to sit at the feet of some of the finest historians of the Middle Ages, experts like Maurice Keen and Patrick Wormald. As a writer, I have tackled medieval subjects like Alfred the Great and Richard III, as well as the history of English rebellion. I have come to realise that the Middle Ages could be cruel and violent, just like our own time, but that they were also a time of extraordinary achievements that form the foundations of the world we live in.
Bit of a cheat: four books in one. Researching the Wars of the Roses can often mean separating fact from fiction. When it comes to historical fiction on the Wars, authors have a tendency to impose their own theories on the facts and to ladle on the violence. The Wars were horribly violent at times, without question, and Toby Clements’s dazzling novels, which follow the fortunes of two outcasts, Thomas and Katherine, do not shy away from that. But these novels also focus on the humanity caught up in great events, to unforgettable effect.
Toby Clements's fourth and final instalment in the Kingmaker historical series, set during England's bloody and brutal War of the Roses.
If you liked Conn Iggulden's Stormbird, you will love Toby Clements' Kingmaker novels.
'Toby Clements Kingmaker series is historical fiction at its very finest - and Kingdom Come is the best of them all' William Ryan, author of The Holy Thief
1470: The recent tensions between King Edward and his great ally the Earl of Warwick lie forgotten these past months, but even as winter tightens her grip on the land, the peace is shattered by a vicious attack…
I've been fascinated by medieval history ever since I played hide and seek around Welsh castles as a boy. At university – a medieval invention, of course – I was able to sit at the feet of some of the finest historians of the Middle Ages, experts like Maurice Keen and Patrick Wormald. As a writer, I have tackled medieval subjects like Alfred the Great and Richard III, as well as the history of English rebellion. I have come to realise that the Middle Ages could be cruel and violent, just like our own time, but that they were also a time of extraordinary achievements that form the foundations of the world we live in.
I blame Dan Brown, but mention the Templars and you are usually met with a glazed look, as if you’re about to share your favourite conspiracy theory. William Watson’s book is a class, if not a universe, apart from Brown and co. It is an almost unbearably vivid re-creation of the world of the crusader kingdoms, and the corruption at the heart of Europe that first sustained and then destroyed their knightly protectors. In spare, unshowy prose, Watson demonstrates the darker side of the Middle Ages, in all its forbidding glory.
In the chaotic aftermath of the fall of Acre in 1291 and the reconquest of the Holy Land by the Moslems, the last survivors of the Order of the Temple make their bloody retreat from the Middle East. Loading the treasure of their Order into a decrepit, leaky vessel, they set sail for Europe, where, unbeknownst to them, King Philip of France plots their destruction. Among their number is Beltran, a native of the Holy Land, who has led the life of a soldier-monk for the past thirty years. World-weary yet incorruptible, Beltran is guardian both of the treasure and…
My interest in medieval history comes from a love of language. My favourite Old English word is wordhord, which refers to a poet’s mental stockpile of words and phrases. My word hoarding (and sharing) started with tweeting the Old English word of the day in 2013. This spread to other social media platforms, a blog, an app, and now two books. I have a PhD in English from King’s College London (my thesis was on blood in Old English, even though blood actually makes me squeamish). I enjoy histories that make me think about the past from a different perspective.
This book is not just a rich and detailed portrait of various times and places throughout the medieval period—it explains how history itself is written, how certain stories are told (and prioritized), and how certain individuals are remembered.
From page 1, Ramirez draws you in with her irresistible storytelling, making historical figures seem like the real people they were. She corrects popular misconceptions about the Middle Ages as well as how history is itself created.
Each chapter begins with a discovery, which is just as dramatic and exciting as the medieval subject matter. I love how Ramirez paints a picture of the past using sight, sound, and smell, drawing on the evidence provided by jewelry, weaponry, coins, manuscripts, and even human remains.
THE INSTANT SUNDAY TIMES BESTSELLER LONGLISTED FOR THE CUNDILL HISTORY PRIZE
'Revelatory' GUARDIAN
'A firecracker somehow captured between two covers' LUCY WORSLEY
An instant bestseller and one of the most celebrated history books of the year, Femina reveals the power and influence of medieval women who have been written out of our history. From royalty and religion to fame and fury, see the medieval world - and the women erased from it - with fresh eyes.
'Absolutely brilliant and highly recommended' CAITLIN MORAN
'Femina is a ground-breaking history of the Middle Ages' SIMON SEBAG MONTEFIORE
History is my passion. I’m a graduate of medieval history from the Hebrew University, Jerusalem, and post-graduate of London University. Former high school history teacher, and previously held the post of assistant researcher at the Museum of the Diaspora, Tel Aviv. I was commissioned by the Council of Zambian Jewry to research and write the history of Northern Rhodesian/Zambian Jewry. I have lectured frequently on my subjects and have contributed diverse historical articles in newspapers and journals. I have published six books, fiction, and non-fiction.
I often like to break away from in-depth academic historical reading and indulge in lighter yet informative work. This always leads me to Cahill’s history books. He always has a new take, such as ‘how the Irish saved civilization’ to this intriguing book, Mysteries of the Middle Ages. He skillfully portrays here how medieval thought foreshadowed the making of the Renaissance and the development of the modern scientific era. Cahill’s talent is in his easy-to-read excellent prose and intellectual richness. His books are also well-illustrated with beautiful pictures and artistic layout.
From the national bestselling author of How the Irish Saved Civilization—a fascinating look at how medieval thinkers created the origins of modern intellectual movements.
“Intoxicating.... Cahill's command of rich historical detail makes medieval cities and their colorful characters come to alive.” —The Los Angeles Times
After the long period of decline known as the Dark Ages, medieval Europe experienced a rebirth of scholarship, art, literature, philosophy, and science and began to develop a vision of Western society that remains at the heart of Western civilization today, from the entry of women into professions that had long been closed to them…
