A retired professor, an art historian who taught at Berkeley, Northwestern, and the University of Pennsylvania. Since my main interest is the emergence of Europe from the late Middle Ages and into the Early Modern period around 1500, I naturally gravitate to non-fiction books that engage with the shifting interests and values of that era, and my own books include similar efforts to discuss visual art in relation to religion, literature, politics, and wider contemporary cultural movements. Among my own books I would cite: Rubens, Velázquez, and the King of Spain (with Aneta Georgievska-Shine); Europe Views the World, 1500-1700; and the forthcoming Art and Dis-Illusion in the Long Sixteenth Century.
This is an epic exposition about Russia during World War II at the height of the German invasion, culminating in the crucial turning point of the Battle of Stalingrad.
Like Tolstoy’s War and Peace,Life and Fate(and Grossman’s more focused volume, Stalingrad), the unfolding plot centers on an extended family’s responses to these traumatic events. Grossman was a war correspondent (perhaps more vividly captured in his Stalingrad) who also was one of the first to visit concentration camps, so his novel has both wide sweep and richly observed details about its title’s human condition.
Based around the pivotal WWII battle of Stalingrad (1942-3), where the German advance into Russia was eventually halted by the Red Army, and around an extended family, the Shaposhnikovs, and their many friends and acquaintances, Life and Fate recounts the experience of characters caught up in an immense struggle between opposing armies and ideologies. Nazism and Communism are appallingly similar, 'two poles of one magnet', as a German camp commander tells a shocked old Bolshevik prisoner. At the height of the battle Russian soldiers and citizens alike are at last able to speak out as they choose, and without reprisal…
Another book of epic ambition but an unlikely subject: a messianic Jewish religious leader in 18th-century Poland. The author’s prodigious research fuses with her writer’s ability to bring individuals as well as the movement to life. This historical fiction lacks Grossman’s eyewitness foundations but vividly captures the values and lifestyles of its central figure, Jacob Frank, and his avid followers against the background of Catholic Poland and Ottoman Islam and will challenge modern readers with a vanished world of values and actions.
In the mid-eighteenth century, as new ideas begin to sweep the continent, a young Jew of mysterious origins arrives in a village in Poland. Before long, he has changed not only his name but his persona; visited by what seem to be ecstatic experiences, Jacob Frank casts a charismatic spell that attracts an increasingly fervent following. In the decade to come, Frank will traverse the Hapsburg and Ottoman empires, throngs of disciples in his thrall as he reinvents himself again and again, converts to Islam and then Catholicism, is pilloried as a heretic and revered as the Messiah, and wreaks…
One of the great works of historical recreation, which reads like a novel but is based on a voluminous study of texts, art, and history. Huizinga recreates the violent tenor and pervasive Christian spirituality of late medieval life, as well as a corresponding chivalric secular side, lived out by French and Burgundian nobility.
This new English translation of Huizinga’s Autumntide of the Middle Ages (Herfsttij der Middeleeuwen) celebrates the centenary of a book that still ranks as one of the most perceptive and in¿uential analyses of the late medieval period. Its wide-ranging discussion of fourteenth and ¿fteenth century France and the Low Countries makes it a classic study of life, culture, and thought in medieval society. The new and now unabridged translation of the original text captures the impact of Huizinga’s deep scholarship and powerful language. The translation is based on the Dutch edition of 1941 – the last edition Huizinga worked on.…
An unlikely complement to Huizinga tracing the overlap between magical beliefs in religion as well as astrology and the emerging accusations of witchcraft. Deeply immersed in research about 16th-17th century England, this book offers a form of historical anthropology for baseline views of the strange ideas that drove spiritual life.
Witchcraft, astrology, divination and every kind of popular magic flourished in England during the sixteenth and seventeenth centuries, from the belief that a blessed amulet could prevent the assaults of the Devil to the use of the same charms to recover stolen goods. At the same time the Protestant Reformation attempted to take the magic out of religion, and scientists were developing new explanations of the universe. Keith Thomas's classic analysis of beliefs held on every level of English society begins with the collapse of the medieval Church and ends with the changing intellectual atmosphere around 1700, when science and…
A brilliant combination of biography and history during the amazing moment of creation of some of the Bard’s greatest plays (Henry V, Julius Caesar, As You Like It, and even Hamlet). These varied dramas played out against the sensitive moment in London of an aging, heirless Queen Elizabeth I after the Armada and Irish wars but also at the formation of the East India Company. Shapiro’s (and Shakespeare’s) sequel, The Year of Lear. Shakespeare in 1606,deserves attention, as does the vivid historical fiction, Hamnet by Maggie O’Farrell, told from the viewpoint of Stratford village and Bard’s family during the era of the lingering Black Death.
What accounts for Shakespeare’s transformation from talented poet and playwright to one of the greatest writers who ever lived? In this gripping account, James Shapiro sets out to answer this question, "succeed[ing] where others have fallen short." (Boston Globe)
1599 was an epochal year for Shakespeare and England. During that year, Shakespeare wrote four of his most famous plays: Henry the Fifth, Julius Caesar, As You Like It, and, most remarkably, Hamlet; Elizabethans sent off an army to crush an Irish rebellion, weathered an Armada threat from Spain, gambled on a fledgling East India Company, and waited to see who…
Europe Views the World examines the wide diversity of images that Europeans produced to represent the wide variety of peoples and places around the globe during and after the so-called 'Age of Exploration.' Beginning with the medieval imagery of Europe’s imagined alien races, and with an emphasis on the artists of Northern Europe, Larry Silver takes the reader on a tour across continents, from the Americas to Africa and Asia. Encompassing works such as prints, paintings, maps, tapestries, and sculptural objects, this book addresses the overall question of an emerging European self-definition through the evidence of visual culture, however biased, about the wider world in its component parts.
I have been captivated by the study of prisons since my early college years. The fact that prisons are so new in human history still feels mind-blowing to me. I used to think that prisons have just always been around, but when you realize they are actually new, that has major implications. This is nowhere more clear than at the beginning: how hard it was to get to the point where prisons made sense to people, to agree on how prisons should be designed and managed, and to keep on the same path when prisons very quickly started to fail. It’s still puzzling to me.
What were America's first prisons like? How did penal reformers, prison administrators, and politicians deal with the challenges of confining human beings in long-term captivity as punishment--what they saw as a humane intervention?
The Deviant Prison centers on one early prison: Eastern State Penitentiary. Built in Philadelphia, one of the leading cities for penal reform, Eastern ultimately defied national norms and was the subject of intense international criticism.
The Deviant Prison traces the rise and fall of Eastern's unique "Pennsylvania System" of solitary confinement and explores how and why Eastern's administrators kept the system going, despite great personal cost to…
The Deviant Prison: Philadelphia's Eastern State Penitentiary and the Origins of America's Modern Penal System, 1829-1913
Early nineteenth-century American prisons followed one of two dominant models: the Auburn system, in which prisoners performed factory-style labor by day and were placed in solitary confinement at night, and the Pennsylvania system, where prisoners faced 24-hour solitary confinement for the duration of their sentences. By the close of the Civil War, the majority of prisons in the United States had adopted the Auburn system - the only exception was Philadelphia's Eastern State Penitentiary, making it the subject of much criticism and a fascinating outlier. Using the Eastern State Penitentiary as a case study, The Deviant Prison brings to light…
