Love A Year in the Life of William Shakespeare? Readers share 100 books like A Year in the Life of William Shakespeare...

I am a Ukrainian American artist and author and I have always been interested in the “story behind the story” about Ukraine, the home of my parents and ancestors. I love books that explain things through stories. Much like, I think, paintings explain things through visuals. Russia’s war on Ukraine has only sharpened my interest. In my paintings, I discovered that much of U.S. history and geography enjoys an unexpected similarity to the situation of Ukraine. And, just as Ukraine includes the many disparate nationalities of its inhabitants, the U.S., a nation of immigrants, is comprised of people of every skin color, religion, and outlook. 

A retired professor, an art historian who taught at Berkeley, Northwestern, and the University of Pennsylvania. Since my main interest is the emergence of Europe from the late Middle Ages and into the Early Modern period around 1500, I naturally gravitate to non-fiction books that engage with the shifting interests and values of that era, and my own books include similar efforts to discuss visual art in relation to religion, literature, politics, and wider contemporary cultural movements. Among my own books I would cite: Rubens, Velázquez, and the King of Spain (with Aneta Georgievska-Shine); Europe Views the World, 1500-1700; and the forthcoming Art and Dis-Illusion in the Long Sixteenth Century.

I have been fascinated by the Tudors since childhood – in spite of, or perhaps because of, the fact that I grew up in the American Midwest, where Tudor artefacts were few and far between. A family holiday to England, when I was fourteen, sparked the beginning of a life-long love affair, which I have been lucky enough to turn into a career focused on all things Tudor. After receiving my PhD from Yale University, I took up a post-doctoral fellowship in England, at Warwick University, with which I have been affiliated ever since. I am currently an Honorary Reader at Warwick and working on a new book, on Hans Holbein.

I have been fascinated by the Tudors since childhood – in spite of, or perhaps because of, the fact that I grew up in the American Midwest, where Tudor artefacts were few and far between. A family holiday to England, when I was fourteen, sparked the beginning of a life-long love affair, which I have been lucky enough to turn into a career focused on all things Tudor. After receiving my PhD from Yale University, I took up a post-doctoral fellowship in England, at Warwick University, with which I have been affiliated ever since. I am currently an Honorary Reader at Warwick and working on a new book, on Hans Holbein.

I have been fascinated by the Tudors since childhood – in spite of, or perhaps because of, the fact that I grew up in the American Midwest, where Tudor artefacts were few and far between. A family holiday to England, when I was fourteen, sparked the beginning of a life-long love affair, which I have been lucky enough to turn into a career focused on all things Tudor. After receiving my PhD from Yale University, I took up a post-doctoral fellowship in England, at Warwick University, with which I have been affiliated ever since. I am currently an Honorary Reader at Warwick and working on a new book, on Hans Holbein.

I have been fascinated by the Tudors since childhood – in spite of, or perhaps because of, the fact that I grew up in the American Midwest, where Tudor artefacts were few and far between. A family holiday to England, when I was fourteen, sparked the beginning of a life-long love affair, which I have been lucky enough to turn into a career focused on all things Tudor. After receiving my PhD from Yale University, I took up a post-doctoral fellowship in England, at Warwick University, with which I have been affiliated ever since. I am currently an Honorary Reader at Warwick and working on a new book, on Hans Holbein.

A retired professor, an art historian who taught at Berkeley, Northwestern, and the University of Pennsylvania. Since my main interest is the emergence of Europe from the late Middle Ages and into the Early Modern period around 1500, I naturally gravitate to non-fiction books that engage with the shifting interests and values of that era, and my own books include similar efforts to discuss visual art in relation to religion, literature, politics, and wider contemporary cultural movements. Among my own books I would cite: Rubens, Velázquez, and the King of Spain (with Aneta Georgievska-Shine); Europe Views the World, 1500-1700; and the forthcoming Art and Dis-Illusion in the Long Sixteenth Century.

I’ve always been fascinated by history, by the way that the past informs the present, how it makes us who we are. And I’ve found myself drawn, as a reader and as a writer, towards those stories that incorporate some element of magic into the past. I’ve written two magical historical novels. And my third book, which I hope to be finished with soon, is a fabulist tale set in the future, which I like to say is history that hasn’t happened yet. 

I am a Lecturer in English Language and Literature at the University of Oxford, where I specialize in early modern drama (including Shakespeare) and book history. Since my undergraduate degree, I have been fascinated by historical drama, poetry, prose, and the often-porous boundary between ’truth’ and fiction during the sixteenth and seventeenth centuries. Most of my research–including a major project on ‘Wartime Shakespeare’ that produced two books and a public exhibition at The National Army Museum in London–explores the profound impact of the stories we tell about the past and what they reveal about concerns and interests in the present. 

I am a Lecturer in English Language and Literature at the University of Oxford, where I specialize in early modern drama (including Shakespeare) and book history. Since my undergraduate degree, I have been fascinated by historical drama, poetry, prose, and the often-porous boundary between ’truth’ and fiction during the sixteenth and seventeenth centuries. Most of my research–including a major project on ‘Wartime Shakespeare’ that produced two books and a public exhibition at The National Army Museum in London–explores the profound impact of the stories we tell about the past and what they reveal about concerns and interests in the present.