Fans pick 100 books like Agincourt

Shapiro’s work is often a model of the kind of writing that I would like to attempt. This book, which focuses on a single year in Shakespeare’s life–1599–and its historical, political, and theatrical events (including performances of Henry V and Julius Caesar), brings its material to life.

It is a deeply researched book, with a wealth of resources listed in its bibliographical essay, but its handling and style are still so captivating and accessible that I couldn’t put it down when I first read it!

When we write about early modern literature and history, we construct narratives that draw on invention and imagination. Shapiro’s book reflects that vital mix of rigorous historical research, insightful interpretations of literary texts, and its own acts of storytelling.

This volume of essays about Shakespeare and historical drama catalyzed my doctoral research and my first book. It has been, without a doubt, the single most influential book on my research and early career as an academic.

The contributions are all distinctive, engaging, and carefully researched–and the volume offers an excellent introduction to the contexts of historical drama and writing ‘history’ during the sixteenth and seventeenth centuries, covering a wide range of plays and other primary texts.

It is often one of my top recommendations for students who are starting to work on historical culture. After each encounter with this book, my mind is still left brimming with ideas to explore. 

Lesser’s book is a bibliographical ‘detective story’ that I found captivating and is another model of the scholarship that I would like to emulate. It concentrates on a mysterious group of ten plays printed in 1619–most of which feature historical subjects and/or are by Shakespeare–and what we can learn about them, including why several were printed with false attributions and dates and how early readers might have encountered them.

I think Lesser’s book is an incredible achievement in handling complex, technical scholarship and an immense amount of archival research that is also so engrossing and accessible. As a reader, I felt drawn into this journey of discovery that also acknowledges the uncertainty and difficulties in making firm claims about its material. 

I love this book because it spotlights performance contexts and conditions–what it means to stage history during the Elizabethan period–and, through this focus, provides fresh, nuanced interpretations of the plays it considers, including some by Shakespeare and others performed by Queen Elizabeth’s Men.

It is another formative book for me, especially because it negotiates ideas and representations of ‘truth’ in historical drama. Walsh’s book offers a compelling account of the communal construction of history and the interplay between presence and absence, which has also helped me understand my own methods as a critic and historian.

Cornwell is one of the best—if not the best—historical novelists writing today.

In Azincourt, we follow one English longbowman on an epic adventure that culminates in one of the most famous battles in history. Cornwell deftly weaves in authentic period detail without hitting you over the head with it.

Most importantly, he is a master of characterisation and rich prose who makes you truly care about the people on the page. Leavened with humor, grittiness, and an engaging romance set amidst war, I found it a compelling and moving read.

Henry of Monmouth, Henry V, was the second king of the disputed Lancastrian dynasty, and in my opinion the greatest Englishman who ever lived.

He was king at 25, slaughterer of the nobility of France at 27, regent and acknowledged heir to the French throne at 32, and dead at 34. Had he lived, the history of Europe might be very different. He was a man who shaped English history and who still affects Anglo-French relations to this day.

This book, by Ian Mortimer, one of the very best authors of the period, looks at the year 1415, the year when the young Henry led a sick, exhausted, and starving English army to a stunning victory over a far larger French force at Agincourt, in an example of leadership and military professionalism of the highest order.  

Keegan popularized a new kind of military history, history focused on the experience of those “at the sharp end” of battle. Generals may as individuals have the most influence on the course of battle, but Keegan argues that, taken together, the men doing the fighting have more influence than the generals. He describes the experiences of men in three famous battles, and shows how tactics evolved but the demands of facing death remained all too familiar. I love this book for using history to find the psychology of men in combat.

This is a hefty tome, and Garber knows her Shakespeare. I used much of this in my research, and I was impressed by the breadth of her knowledge. Why should I have been surprised? Garber teaches at Harvard, so, well, duh. But what works so well here is that she approaches the plays in chronological order. We watch Shakespeare develop as a writer—his skills and themes deepening, growing—as he grapples with comedy and tragedy. This is a book to dip in and out of but never does it disappoint.

Shakespeare’s plays can be very funny, (many of my friends disagree with this, but I swear by the goddess of Renaissance puns it’s true!), and this is a light, fluffy book that deserves a place on any bookshelf because it embraces silliness and turns it right up to eleven. Our Will’s key predicament is something everyone who has ever written can relate to, being certain you have a literary masterpiece locked up in your mind if only you can be left alone long enough to make it magically appear on the blank page. 

I recommend this 93-page book because Defoe provides some convincing evidence for Thomas Cecil being a contender for the role of the author of Shakespeare.

Although I believe he was just one of many aliases of the Bard, she definitely nails this one!

Another reason I enjoyed this book is that it includes a proper book index, which is becoming more rare these days. I know how long it takes to create a good index and Defoe has produced a very usable one in my opinion. It shows she cares about her readers!