100 books like Agincourt

Long before I started my career in journalism I was a voracious reader of historical novels. I devoured epic adventure about medieval Europe and eventually got involved in European martial arts: fighting in full armour in tournaments and melees. My love of history finally won out over my day job of defence reporting and I began penning novels. The books I most enjoy are more than just battle tales, they’re about people. Good historical fiction isn’t just about the history. It needs more than volleys of arrows and swinging swords, it needs characters you care about. These books combine authenticity with passionate, compelling writing and unique characters you won’t soon forget.

Long before I started my career in journalism I was a voracious reader of historical novels. I devoured epic adventure about medieval Europe and eventually got involved in European martial arts: fighting in full armour in tournaments and melees. My love of history finally won out over my day job of defence reporting and I began penning novels. The books I most enjoy are more than just battle tales, they’re about people. Good historical fiction isn’t just about the history. It needs more than volleys of arrows and swinging swords, it needs characters you care about. These books combine authenticity with passionate, compelling writing and unique characters you won’t soon forget.

As a lifestyle reporter, my favorite stories were those of ordinary people doing both great and small things that are extraordinary. I've written since I could string sentences together, beginning with a desire to create what I wanted to read. That need has landed me in historical fiction. Nothing else is as satisfying as plunging down rabbit holes of research to come up hours later wondering where the day went. I strive to make my novels as historically accurate as possible because the combination of emotional involvement of fiction is a great way to learn about history. I'm not here to rewrite history but to give my readers a chance to relive it. 

Long before I started my career in journalism I was a voracious reader of historical novels. I devoured epic adventure about medieval Europe and eventually got involved in European martial arts: fighting in full armour in tournaments and melees. My love of history finally won out over my day job of defence reporting and I began penning novels. The books I most enjoy are more than just battle tales, they’re about people. Good historical fiction isn’t just about the history. It needs more than volleys of arrows and swinging swords, it needs characters you care about. These books combine authenticity with passionate, compelling writing and unique characters you won’t soon forget.

My book is about political intrigue, violence, war, heroes and villains, libels and dreams, secret plots to overthrow governments, and murders most foul. It unfolds during a tense era of cultural upheaval and radical social change. A lifetime immersed in the works of Shakespeare helped prepare me to write it. I spent more than 20 years working for the New York Times, most of it as a foreign correspondent. My foreign postings placed me at the center of historic events and, at times, in the line of fire.

Literary agents often say they are looking for books about ‘quirky’ female protagonists. I’m more entertained by female characters who feel real to me. When I write, I make myself uncomfortable a lot of the time, trying to express the many ways people both disguise and reveal the truth. I blame my devotion to my parents for this because when I left home in Massachusetts for college in the foreign land of Indiana, studied for a year in China, then studied in Italy, then worked in Taiwan, then moved to Japan, and later to Singapore, I wrote them copious descriptive, emotional letters. My parents are gone now, but in a way, I’m still doing that.

I fell in love with medieval military history in high school, and have been studying and writing about it as an undergraduate at Harvard, as a graduate student at Oxford, and as a professor of history ever since, eventually bringing the comparative methods and urge to generalize of a world historian to the task. I’ve written ten books and numerous articles. Good history gives me the thrill of time travel without the risk of the bubonic plague, and it has spawned related interests in sword and sorcery fantasy lit and wargaming, alongside my interests in painting, cartooning, and cooking the food of my native New Orleans. My motto: Have fun!

I’m a Scottish writer of historical fiction and historical romance. I’m also a history graduate with imagination, by which I mean I’m as interested in what might have happened as what definitely did! So much of history is open to interpretation, taking account of who wrote what for whom, and why, and that is a large part of what fascinates me. And of course, I love a good historical novel that combines compelling writing with excellent research—especially when a controversial hero is shown in a new or captivating light.

I decided to write this book because while there are many works on the Hundred Years War, they tend to dwell on the political and diplomatic, rather than the military aspects. I considered that this period marked a real revolution in military affairs, led by England. It was England that had the world’s only professional army since the collapse of the Roman Empire in the west in the 5th Century, that used technology (the longbow) as a force multiplier, and while moving on horseback did its fighting on foot. It was these three legs of the revolution that allowed tiny English armies to defeat far larger French feudal ones.

While I taught Shakespeare’s plays all my teaching career, I stayed in my lanes: Hamlet, Othello, The Merchant of Venice, King Lear. As a poetry teacher, I used his sonnets as examples of metaphor and form, but never did I consider myself an expert. However, when the idea for my novel popped into my head, I realized I had some serious reading to do. Not only did I study the facts, I delved into the fiction. While some of these books came out during my writing and others after, I didn’t lose my interest, picking up whatever new Shakespeare book appeared. These are some of my favorites.