Literary agents often say they are looking for books about ‘quirky’ female protagonists. I’m more entertained by female characters who feel real to me. When I write, I make myself uncomfortable a lot of the time, trying to express the many ways people both disguise and reveal the truth. I blame my devotion to my parents for this because when I left home in Massachusetts for college in the foreign land of Indiana, studied for a year in China, then studied in Italy, then worked in Taiwan, then moved to Japan, and later to Singapore, I wrote them copious descriptive, emotional letters. My parents are gone now, but in a way, I’m still doing that.
There are similarities between this novel and mine – the woman at its heart is an American named Lilia, she’s had adventures, and she is taking stock. But then the fascinating differences begin. She is 81, not 57; she’s had marriages and children; above all, the narrative about Lilia is only one layer of the story, as within the book is another book, the diary of a man she had an affair with when very young, and she annotates his revelations with her own. This resonant novel’s strata – like limestone folds, the sediment of a life brought back to the surface – give Lilia, initially hard and sharp, more and more texture as the story unfolds.
Richly expansive and deeply moving, an intimate novel of secret lives and painful histories from one of the finest storytellers we have
'This brilliant novel examines lives lived, losses accumulated, and the slipperiness of perception. Yiyun Li writes deeply, drolly, and with elegance about history, even as it's happening. She is one of my favorite writers, and Must I Go is an extraordinary book.' Meg Wolitzer
Lilia Liska is 81. She has shrewdly outlived three husbands, raised five children and seen the arrival of seventeen grandchildren. Now she has turned her keen attention to a strange little book published by…
I don’t often read books more than once, but this one I have, and I know I will read it again. The woman whose life is revealed this time is 70-year-old Nora Porteous. She has returned to her native Brisbane, Australia after having escaped it by marriage to Sydney, and having escaped that marriage to London. She now reflects wryly on how she developed throughout those years of hardship and joy as she also experiences the changes in the neighbourhood she ran from decades before. As we move through both her memories of the past and her experience of the present, the details that help us to understand her are extraordinary: ‘The man is unlocking the door. I have had to talk and smile too much in his car, and as I wait I consciously rest my face.’
One of Australia’s most celebrated novels: one woman’s journey from Australia to London
Nora Porteous, a witty, ambitious woman from Brisbane, returns to her childhood home at age seventy. Her life has taken her from a failed marriage in Sydney to freedom in London; she forged a modest career as a seamstress and lived with two dear friends through the happiest years of her adult life.
At home, the neighborhood children she remembers have grown into compassionate adults. They help to nurse her back from pneumonia, and slowly let her in on the dark secrets of the neighborhood in the…
Misguided do-gooder Eliza Peabody lives in wealthy South London. In her middle age, Eliza is not just dedicated to volunteering in charities but also to volunteering her unsolicited advice to her neighbours in notes through their letterboxes. The book is consistently reviewed as both hilarious and poignant, but my memory of it above all includes one scene that was neither of those things. Instead, it seared me. The reveal crept up on cats’ paws, and I wasn’t at all prepared, which made the moment true for me, and unforgettable. If I read it when it came out in 1992, I would have been 26 years old. I must read it again now, at 56. No doubt I’ll remember the funny bits this time.
Winner of the Whitbread Prize for Best Novel of the Year: “Gardam’s portrait of an insanely imaginative woman in an elusive midlife crisis is impeccably drawn” (The Seattle Times).
With prose that is vibrant and witty, The Queen of the Tambourine traces the emotional breakdown—and eventual restoration—of Eliza Peabody, a smart and wildly imaginative woman who has become unbearably isolated in her prosperous London neighborhood. The letters Eliza writes to her neighbor, a woman whom she hardly knows, reveal her self-propelled descent into madness. Eliza must reach the depths of her downward spiral before she can once again find health…
The main character in this novel is really a community – Hindu refugees who fled Pakistan for India at the time of Partition and ended up in a Bombay apartment block called Sadhbela. Many South Asian novels mix tragedy and comedy beautifully, and what I love about this one is how Chand mixes this cocktail within her female characters; as usual, there is more to laugh about in the older women than in the young. Like Gardam, Chand sneaks moving moments of self-awareness into her colourfully flawed protagonists. I’m particularly enamoured of illiterate, superstitious (but nonetheless married to a retired journalist) Mrs. Hathiramani.
In March Saturn is coming into the House of the Sun. Saturn is strong and will bring trouble. [...] Wear a sapphire, then nothing can harm you, Bhai Sahib, the priest, warns Mrs Hathiramani, reading her horoscope in his temple on the second floor of Sadhbela, a Bombay apartment block.
Forty years before, at the time of Partition, the residents of Sadhbela were Hindu refugees from the rival towns of Rohri and Sukkur. In Sadhbela now these Sindhi exiles live as one family, fortunes drastically changed. Before blown out of the House of the Sun in a monsoon squall, the…
Lots of men write women in middle and older age well – Jim Harrison’s short story called "The Woman Lit by Fireflies" is incredible, and of course, there’s Shakespeare. I’d like to point you to the Irish writer William Trevor, though. His collected stories begin with one called "A Meeting in Middle Age" in which the character of Mrs. da Tanka (who is seeking grounds for her second husband to divorce her by paying a man to spend a sexless night with her in a hotel bed) crackles with dissatisfaction. Trevor writes aging people with a tenderness that isn’t always immediately evident. You learn to wait for it, if you can stand the tension while you do and the heartache when it arrives.
The Collected Stories - a stunning volume of William Trevor's unforgettable short stories
William Trevor is one of the most renowned figures in contemporary literature, described as 'the greatest living writer of short stories in the English language' by the New Yorker and acclaimed for his haunting and profound insights into the human heart. Here is a collection of his short fiction, with dozens of tales spanning his career and ranging from the moving to the macabre, the humorous to the haunting. From the penetrating 'Memories of Youghal' to the bittersweet 'Bodily Secrets' and the elegiac 'Two More Gallants', here…
Missouri-born Lillian has lived through the post-WWII decades of change in Munich, Paris, London, and, finally, New York. She has grappled with parental disappointment, society’s expectations, and the vagaries of love and sex. Now in her late fifties, she’s waking up next to her married lover and taking stock.
Lillian on Life paints an honest portrait of a hot-blooded woman whose reflections reverberate originally and unpredictably. Charming, sometimes heartbreaking, and never a stereotype, Lillian offers her own brand of wisdom. You won’t soon forget her.
Historical fiction inspired by the story of Mary Leakey, who carved her own path to become one of the world's most distinguished paleoanthropologists.
It's 1983 and seventeen-year-old Grace Clark has just lost her mother when she begrudgingly accompanies her estranged father to an archeological dig at Olduvai Gorge on the Serengeti plains of Tanzania. Here, seventy-year-old Mary Leakey enlists Grace to sort and pack her fifty years of work and memories.
Their interaction reminds Mary how she pursued her ambitions of becoming an archeologist in the 1930s by sneaking into lectures and working on excavations. When well-known paleoanthropologist Louis Leakey…
Historical fiction inspired by the story of Mary Leakey, who carved her own path to become one of the world's most distinguished paleoanthropologists.
It's 1983 and seventeen-year-old Grace Clark has just lost her mother when she begrudgingly accompanies her estranged father to an archeological dig at Olduvai Gorge on the Serengeti plains of Tanzania. Here, seventy-year-old Mary Leakey enlists Grace to sort and pack her fifty years of work and memories.
Their interaction reminds Mary how she pursued her ambitions of becoming an archeologist in the 1930s by sneaking into lectures and working on excavations. When well-known paleoanthropologist Louis Leakey…
