I fell in love with medieval military history in high school, and have been studying and writing about it as an undergraduate at Harvard, as a graduate student at Oxford, and as a professor of history ever since, eventually bringing the comparative methods and urge to generalize of a world historian to the task. I’ve written ten books and numerous articles. Good history gives me the thrill of time travel without the risk of the bubonic plague, and it has spawned related interests in sword and sorcery fantasy lit and wargaming, alongside my interests in painting, cartooning, and cooking the food of my native New Orleans. My motto: Have fun!
I wrote
War and Conflict in the Middle Ages: A Global Perspective.
This book is, to me, the Platonic Ideal of scholarly military history. Howard-Johnston examines a somewhat obscure but vastly important war between the Byzantine Empire and the Persian Empire that lasted from 602 to 628 and left both empires vulnerable to the new Islamic power that was about to emerge in Arabia. His narrative is lively, his knowledge of the sources is unmatched, his interpretations masterful, and he exposes the inner workings of the book regularly in philosophical comments on the job of the military historian, causation in history, and the problems of source interpretation. That it took him longer to write than the war itself lasted is also one of my favorite pieces of historian-author trivia!
The last and longest war of classical antiquity was fought in the early seventh century. It was ideologically charged and fought along the full length of the Persian-Roman frontier, drawing in all the available resources and great powers of the steppe world. The conflict raged on an unprecedented scale, and its end brought the classical phase of history to a close. Despite all this, it has left a conspicuous gap in the history of warfare. This book aims to finally fill that gap.
The war opened in summer 603 when Persian armies launched co-ordinated attacks across the Roman frontier. Twenty-five…
This is a superb example of what a multi-author compilation can achieve: wide coverage, specialist knowledge of a variety of topics and approaches, and thus fascinating details from around the world of medieval warfare. And what it lacks (in coherent overview and broad comparative approach) is supplied by my own book! I think of this as a good companion to my own more global, comparative, and theory-based account of medieval war and conflict.
Volume II of The Cambridge History of War covers what in Europe is commonly called 'the Middle Ages'. It includes all of the well-known themes of European warfare, from the migrations of the Germanic peoples and the Vikings through the Reconquista, the Crusades and the age of chivalry, to the development of state-controlled gunpowder-wielding armies and the urban militias of the later middle ages; yet its scope is world-wide, ranging across Eurasia and the Americas to trace the interregional connections formed by the great Arab conquests and the expansion of Islam, the migrations of horse nomads such as the Avars…
So if you want to get away from academic historians and go straight to the sources, this is a great place to start. The Tale of the Heike is the epic story, developed over centuries by Japanese storytellers, of the great war between the Taira clan and the Minamoto clan for dominance in Japan in the Genpei War of 1180-1185, the war from which emerged the first samurai-centered government in Japanese history, the Kamakura. Full of colorful characters, dramatic battle scenes, and betrayal-soaked politics, it gives an authentic window onto medieval warfare.
The Tale of the Heike is one of the masterworks of Japanese literature, ranking with The Tal of Genji in quality and prestige. This new translation is not only far more readable than earlier ones, it is also much more faithful to the content and style of the original. Intended for the general audience as well as the specialist, this edition is highly annotated.
Academic books too dry? Primary sources too intimidating? Find a copy of Under the Hog, a historical novel set in the War of the Roses in 15th century England that is perhaps the best historical novel ever — certainly the best written by a pseudonymous author! It gives a variety of close-up views of medieval combat, politics, and culture, and is a favorite among folks who think that king Richard III of England (yes, the evil hunchback of Shakespeare’s depiction) got a reputational raw deal from the Bard.
‘This is still one of the best novels on the life of Richard III’ - The Richard III Society
England, 1471.
In a kingdom rent by civil strife Richard, Duke of Gloucester, is determined to keep the Royal House of York on the throne and bring peace to England.
His unswerving support of his brother, Edward IV, against the conspiracies of both their turncoat brother George, Duke of Clarence, and the powerful Lancastrian claimants, wins him many enemies.
And when fate destines him to take the throne, he is forced to quell the rebellions of Lord Rivers and the Duke…
Historical novels still too mundane? Read E.R. Eddison’s fantasy classic. An epic tale of war and heroism told in a fabulous faux-17th century English style, The Worm also features some of the best, most realistic battle scenes in all of fantasy literature -— check out the Battle of Krothering Side for its action, tactical acumen, and narrative brilliance. I have several times taught a class on “Swords, Sorcery, and Reality” that brings classic fantasy literature into dialogue with medieval primary sources, and Eddison regularly ends up as the student’s favorite, even beating out Tolkien (whose battle narratives are themselves excellent!). And this book has to be on this list, because it’s actually my favorite book ever. My earring is a Worm Ouroboros!
"An eccentric masterpiece" — Ursula K. LeGuin "A new climate of the imagination" — C. S. Lewis "A masterpiece" — James Stephens This is the book that shaped the landscape of contemporary science fiction and fantasy. When The Lord of the Rings first appeared, the critics inevitably compared it to this 1922 landmark work. Tolkien himself frankly acknowledged its influence, with warm praise for its imaginative appeal. The story of a remote planet's great war between two kingdoms, it ranks as the Iliad of heroic fantasy. In the best traditions of Homeric epics, Norse sagas, and Arthurian myths, author E.…
This book offers the first global history of armed conflict between 400 and 1500 (or 1800?), an age shaped by climate change and pandemics at both ends. Examining armed conflict at all levels, and ranging from China and the Central Asian steppes to western Europe and beyond, itexplores the technological, social, and cultural determinants of warfare and the tools and tactics used by warriors on land and at sea.
Armed conflict played a central role in the making of the medieval world, and medieval people used war and conflict to create, expand, and defend their communities and identities. Broad in its scope and rich in detail, this is a go-to guide for students and aficionados of military history, medieval history, and global history.
I’ve adored reading a good snarky first-person story since I first read Bloodlist, so long as the snark doesn’t go too far and become total unlikeable jerk… It can be a fine line!I hope I stay on the right side of it, but having read it enough and written in it for years with my Blood Rights Series, I feel qualified to say I’m a…snark connoisseur. (If you ask my family, this is how my own internal/life narrator speaks! My mother says that my character Dakota is me if I “said everything aloud that I think in my head.” She’s probably right, and I’m okay with that.)
Bad Blood is paranormal suspense in First Person Snark, so if you like sarcastic, strong female characters set in a world where the preternatural is run amok (i.e., legal citizens in the United States), then this book and series are for you.
Follow Sadie Stanton–"poster girl for the preternatural"–as she deals with all sorts of messes and sets up her business while being a vampire in a new day...or night, really.
I’m Sadie Stanton, and I don’t know why everyone makes such a big deal out of me. I’m just like everyone else—I’m trying to start a business, not spending much time on my social life, and dealing with an obnoxious roommate...
Oh, and being a vampire. There’s that. But it’s okay, because we’re all legal now.
But believe me, that doesn’t make life easy. In fact, it might be harder now than ever before, but I did it to myself… And now vampires are attacking people seemingly at random and not even trying to feed. Everyone…
