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Thirty years as a medieval reenactor gave me the background I needed to step into the past. I learned much about everyday activities and I gained familiarity with physical objects such as weapons and armor. My first four books (including The Last Great Saxon Earls trilogy) took place in the eleventh century, and by then I was ready to jump forward three hundred years to the Plantagenet era. In college, I saw Shakespeare's Richard II play, and I was so enthralled with it that I carried Richard around with me for forty years before tackling this book. It ended up being much more complicated than I could ever imagine!
An oldie but goodie! Any aspiring historian will benefit greatly from this four-book series written in the 1960s. This is a popular history and very easy to read. Although I discovered these books years before I started writing, I periodically revisit them purely for enjoyment. Costain covered a lot of information in a way that stayed with me for years. I would even go so far as to say he influenced me to continue my reading on the subject. This particular volume gives us a lot of insight into Richard II.
Copyright 1962 - Paperback A great storyteller's most dazzling bestseller Here is Thomas B. Costain's most magnificent performance, rivaling even THE BLACK ROSE for color and drama. Here are history's most spectacular Kings and Queens - and a brilliant new probing of the greatest mystery of all time, the death of the Princess in the Tower.
Thirty years as a medieval reenactor gave me the background I needed to step into the past. I learned much about everyday activities and I gained familiarity with physical objects such as weapons and armor. My first four books (including The Last Great Saxon Earls trilogy) took place in the eleventh century, and by then I was ready to jump forward three hundred years to the Plantagenet era. In college, I saw Shakespeare's Richard II play, and I was so enthralled with it that I carried Richard around with me for forty years before tackling this book. It ended up being much more complicated than I could ever imagine!
The Peasants' Revolt was one of the most pivotal events of the fourteenth century, for it turned society upside-down and threatened the powers-that-be in a way they could never have imagined. Poor King Richard was only fourteen years old, and he discovered that he could rely on no one but himself to put a stop to the rampaging. Much of London went up in flames, and fatalities included the Archbishop of Canterbury! What caused this terrible uprising? This book gives us a thorough explanation as to what happened—and why. Dan Jones is at his usual best in making it interesting to the general reader. I was so taken with the whole scenario that it played a major part in the first third of my novel.
Revolt and upheaval in medieval Britain by a brilliant new narrative historian, 'Summer of Blood' breaks new ground in its portrayal of the personalities and politics of the bloody days of June 1381.
The Peasants' Revolt of 1381 is one of the most dramatic and bloody events in English history. Starting with village riots in the Essex countryside, chaos rapidly spread across much of the south-east of England, as tens of thousands of ordinary men and women marched in fury to London, torching houses, slaughtering their social superiors and terrifying the life out of those who got in their way.…
Thirty years as a medieval reenactor gave me the background I needed to step into the past. I learned much about everyday activities and I gained familiarity with physical objects such as weapons and armor. My first four books (including The Last Great Saxon Earls trilogy) took place in the eleventh century, and by then I was ready to jump forward three hundred years to the Plantagenet era. In college, I saw Shakespeare's Richard II play, and I was so enthralled with it that I carried Richard around with me for forty years before tackling this book. It ended up being much more complicated than I could ever imagine!
Originally published as The Fears of Henry IV, this book gives us a fascinating look into the usurpation of Richard II and reign of the first Lancastrian king. Although they were first cousins, King Richard II and Henry Bolingbroke were perpetually at odds, and Henry's decision to seize the crown opened up a slew of problems that haunted him throughout his reign. He fought one rebellion after another, and once he put down his enemies, Henry was beset with terrible health problems that led to his early death. Because my series covers the reigns of Richard II through Henry VI (I'm currently writing about Henry IV), this book was critical to my understanding of why things went so wrong after his triumphant return from exile.
From the saviour of the realm to the subject of multiple attempted assassinations in the space of six years. King Henry IV's reign was characterised by his fear and paranoia, but above all a continued quest for survival.
The son of John the Gaunt, Henry was seen as a confident, well-educated, generous, and spiritually fervent young man. And, in 1399, having ousted the insecure tyrannical Richard II, he was enthusiastically greeted as the new King of England.
However, therein lay Henry's weakness. Upon assuming the crown, he found himself surrounded by men who would only support him as long as…
Thirty years as a medieval reenactor gave me the background I needed to step into the past. I learned much about everyday activities and I gained familiarity with physical objects such as weapons and armor. My first four books (including The Last Great Saxon Earls trilogy) took place in the eleventh century, and by then I was ready to jump forward three hundred years to the Plantagenet era. In college, I saw Shakespeare's Richard II play, and I was so enthralled with it that I carried Richard around with me for forty years before tackling this book. It ended up being much more complicated than I could ever imagine!
No study about Richard II would be complete without an understanding of his uncle, the powerful and intimidating John of Gaunt. Before I read this book, I accepted the usual depiction that he was arrogant, unpleasant, and downright nasty. But really, this was a gross exaggeration. Although many contemporaries assumed he coveted the throne, in reality, it would have been against his honor to usurp the king, no matter how helpless, ungrateful, or deserving Richard may have seemed. Gaunt was the only person who stood between the king and his many enemies. Once Richard discovered this for himself, he treated his uncle with much more respect, and this biography certainly helped me put Gaunt into proper perspective.
As younger brother of the Black Prince, and fourth son of Edward III, John of Gaunt was not destined to play an important role in the Plantagenet dynasty’s fortunes.
Yet the Black Prince and Edward died before their time, and John found his influence increased with the accession of his young nephew, Richard II.
Throughout Richard’s reign he would face accusations of seeking to usurp the throne, and as a result fluctuated in and out of favour for the rest of his life.
Never enjoying military successes as his brother or father had, John found his form in the dynastic…
Long before I started my career in journalism I was a voracious reader of historical novels. I devoured epic adventure about medieval Europe and eventually got involved in European martial arts: fighting in full armour in tournaments and melees. My love of history finally won out over my day job of defence reporting and I began penning novels. The books I most enjoy are more than just battle tales, they’re about people. Good historical fiction isn’t just about the history. It needs more than volleys of arrows and swinging swords, it needs characters you care about. These books combine authenticity with passionate, compelling writing and unique characters you won’t soon forget.
Cornwell is one of the best—if not thebest—historical novelists writing today.
In Azincourt, we follow one English longbowman on an epic adventure that culminates in one of the most famous battles in history. Cornwell deftly weaves in authentic period detail without hitting you over the head with it.
Most importantly, he is a master of characterisation and rich prose who makes you truly care about the people on the page. Leavened with humor, grittiness, and an engaging romance set amidst war, I found it a compelling and moving read.
An extraordinary and dramatic depiction of the legendary battle of Agincourt from the number one historical novelist
Azincourt, fought on October 25th 1415, St Crispin's Day, is one of England's best-known battles, in part through the brilliant depiction of it in Shakespeare's Henry V, in part because it was a brilliant and unexpected English victory and in part because it was the first battle won by the use of the longbow - a weapon developed by the English which enabled them to dominate the European battlefields for the rest of the century.
Bernard Cornwell's Azincourt is a vivid, breathtaking and…
Long before I started my career in journalism I was a voracious reader of historical novels. I devoured epic adventure about medieval Europe and eventually got involved in European martial arts: fighting in full armour in tournaments and melees. My love of history finally won out over my day job of defence reporting and I began penning novels. The books I most enjoy are more than just battle tales, they’re about people. Good historical fiction isn’t just about the history. It needs more than volleys of arrows and swinging swords, it needs characters you care about. These books combine authenticity with passionate, compelling writing and unique characters you won’t soon forget.
Like the Vikings? Want to read about realVikings? Angus Donald’s first in a series takes you to the harsh realities of 8th century Europe and portrays the Vikings in all their aspects, both violent and noble.
He wears his impeccable research lightly though and it’s an explosive journey that is most compelling when dealing with the culture clash between Charlemagne’s growing empire and the Viking Dane warriors who listen to the beat of their own drum.
“Beserkers” were a caste of Vikings who would supposedly work themselves into a fearsome frenzy of blood rage in battle. But Donald goes deeper than stereotypes, showing the mystical and religious underpinnings of this class of warrior and in so doing bringing reason, emotion, and honor to their struggles.
'Donald is a writer not only at the top of his game, but of the game' Giles Kristian, author of the Raven series 'Donald delivers a masterclass' Theodore Brun, author of A Burning Sea 'A gory, gleeful treat' The Times
The greatest warriors are forged in the flamesTwo pagan fighters
771AD, Northern Europe. Bjarki Bloodhand and Tor Hildarsdottir are journeying south into Saxony. Their destination is the Irminsul, the One Tree that links the Nine Worlds of the Middle-Realm. In this most holy place, they hope to learn how to summon their animal spirits so they can enter the ranks…
As a lifestyle reporter, my favorite stories were those of ordinary people doing both great and small things that are extraordinary. I've written since I could string sentences together, beginning with a desire to create what I wanted to read. That need has landed me in historical fiction. Nothing else is as satisfying as plunging down rabbit holes of research to come up hours later wondering where the day went. I strive to make my novels as historically accurate as possible because the combination of emotional involvement of fiction is a great way to learn about history. I'm not here to rewrite history but to give my readers a chance to relive it.
I was blown away by the history provided by Gilman in this book about his character Thomas Blackstone. It starts out with Blackstone as a blacksmith apprentice who is recruited to fight in the 100 Years War. He is made an archer with a strong arm, and the reader is transported into battles with Blackstone. The details of the archers, their importance to the army, and their equipment are a true learning experience.
'Like a punch from a mailed fist, MASTER OF WAR gives a true taste of the Hundred Years War. It is a gripping chronicle of pitched battle, treachery and cruelty. The stench and harshness of medieval life is ever present' ROBERT FABBRI, bestselling author of the Vespasian series.
England, 1346: For Thomas Blackstone the choice is easy - dance on the end of a rope for a murder he did not commit, or take up his war bow and join the king's invasion.
As he fights his way across northern France, Blackstone learns the brutal lessons of war - from…
Long before I started my career in journalism I was a voracious reader of historical novels. I devoured epic adventure about medieval Europe and eventually got involved in European martial arts: fighting in full armour in tournaments and melees. My love of history finally won out over my day job of defence reporting and I began penning novels. The books I most enjoy are more than just battle tales, they’re about people. Good historical fiction isn’t just about the history. It needs more than volleys of arrows and swinging swords, it needs characters you care about. These books combine authenticity with passionate, compelling writing and unique characters you won’t soon forget.
Cameron’s Chivalry series of which this is the first, takes the reader on a thrilling journey across Europe during the Hundred Years War, chronicling the life of a mercenary who comes to serve the great Sir John Hawkwood and eventually is knighted himself.
Cameron is a master of prose description, scene-setting, and dialogue that rings true to the ear. His historical research is impeccable and like me, he has for many years donned full armour in reenactments and tournaments and so truly understands the challenges of medieval combat. A great read.
'Brilliantly evoked' SUNDAY TIMES Discover the first medieval adventure in the action-packed Chivalry series! Perfect for fans of Bernard Cornwell, Simon Scarrow and Conn Iggulden. September, 1356. Poitiers. The greatest knights of the age were ready to give battle.
On the English side, Edward, the Black Prince, who'd earned his spurs at Crecy. On the French side, the King and his son, the Dauphin. With 12,000 knights.
And then there is William Gold. A cook's boy - the lowest of the low - who had once been branded as a thief. William dreams of being a knight, but in this…
I decided to write this book because while there are many works on the Hundred Years War, they tend to dwell on the political and diplomatic, rather than the military aspects. I considered that this period marked a real revolution in military affairs, led by England. It was England that had the world’s only professional army since the collapse of the Roman Empire in the west in the 5th Century, that used technology (the longbow) as a force multiplier, and while moving on horseback did its fighting on foot. It was these three legs of the revolution that allowed tiny English armies to defeat far larger French feudal ones.
Quite simply the seminal work on the war. It describes the twists and turns of politics and diplomacy in fascinating detail. Not a read on the train but a magisterial study and an essential work for those interested in the subject.
I love a good fight scene! It doesn’t need to be long and gruesome, but it must be visceral and make me nervous for those involved. Don’t get me wrong, I also love a good first-kiss scene but unfortunately, my past has made me more adept at recognizing and writing one over the other. I started training in martial arts at the age of nine and continued for thirty years. I don’t train much these days but I took up bowmaking a few years back and now spend a lot of time carving English longbows and First Nations’ bows. I recently also took up Chinese archery.
Bernard Cornwell’s fight scenes are what I would call emotional rather than technical. You feel his fights, the vibration of sword against shield, the panic of your feet slipping in the mud, the fear rising up in your guts that will allow only a half-crazed scream to come out of your mouth. If you’re looking for a manual on sword fighting, Cornwell is not your man. But if you want to be put in a character’s armor while someone is trying to skewer him with a spear, no one does it better. I was drawn to this book because it was about an archer, and I know how hard it is to write fight scenes with archers in them. I am an amateur bowyer and having made more than a few bows I know how much skill it takes to make and use these weapons. Cornwell did a lot of…
Harlequins are lost souls, so loved by the devil that he would not take them to hell, but left them to roam the earth. In French the word is hellequin - the name given to the English archers who crossed the Channel to lay a country to waste.
Thomas of Hookton is one of those archers. When his village is sacked by French raiders, he makes a promise to God: to retrieve the relic stolen from Hookton's church. Escaping his father's ambitions, he becomes a wild youth who delights in the life of an army on the warpath.
![Book cover of The Chronica Maiora of Thomas Walsingham [1376-1422]](https://res.cloudinary.com/hzpwrwfdi/image/upload/w_220/media/covers/81OHr5D264S_yc7asn.webp "Book cover of The Chronica Maiora of Thomas Walsingham [1376-1422]")
