Here are 100 books that The Last Plantagenets fans have personally recommended if you like
The Last Plantagenets.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
Thirty years as a medieval reenactor gave me the background I needed to step into the past. I learned much about everyday activities and I gained familiarity with physical objects such as weapons and armor. My first four books (including The Last Great Saxon Earls trilogy) took place in the eleventh century, and by then I was ready to jump forward three hundred years to the Plantagenet era. In college, I saw Shakespeare's Richard II play, and I was so enthralled with it that I carried Richard around with me for forty years before tackling this book. It ended up being much more complicated than I could ever imagine!
The Peasants' Revolt was one of the most pivotal events of the fourteenth century, for it turned society upside-down and threatened the powers-that-be in a way they could never have imagined. Poor King Richard was only fourteen years old, and he discovered that he could rely on no one but himself to put a stop to the rampaging. Much of London went up in flames, and fatalities included the Archbishop of Canterbury! What caused this terrible uprising? This book gives us a thorough explanation as to what happened—and why. Dan Jones is at his usual best in making it interesting to the general reader. I was so taken with the whole scenario that it played a major part in the first third of my novel.
Revolt and upheaval in medieval Britain by a brilliant new narrative historian, 'Summer of Blood' breaks new ground in its portrayal of the personalities and politics of the bloody days of June 1381.
The Peasants' Revolt of 1381 is one of the most dramatic and bloody events in English history. Starting with village riots in the Essex countryside, chaos rapidly spread across much of the south-east of England, as tens of thousands of ordinary men and women marched in fury to London, torching houses, slaughtering their social superiors and terrifying the life out of those who got in their way.…
Thirty years as a medieval reenactor gave me the background I needed to step into the past. I learned much about everyday activities and I gained familiarity with physical objects such as weapons and armor. My first four books (including The Last Great Saxon Earls trilogy) took place in the eleventh century, and by then I was ready to jump forward three hundred years to the Plantagenet era. In college, I saw Shakespeare's Richard II play, and I was so enthralled with it that I carried Richard around with me for forty years before tackling this book. It ended up being much more complicated than I could ever imagine!
Originally published as The Fears of Henry IV, this book gives us a fascinating look into the usurpation of Richard II and reign of the first Lancastrian king. Although they were first cousins, King Richard II and Henry Bolingbroke were perpetually at odds, and Henry's decision to seize the crown opened up a slew of problems that haunted him throughout his reign. He fought one rebellion after another, and once he put down his enemies, Henry was beset with terrible health problems that led to his early death. Because my series covers the reigns of Richard II through Henry VI (I'm currently writing about Henry IV), this book was critical to my understanding of why things went so wrong after his triumphant return from exile.
From the saviour of the realm to the subject of multiple attempted assassinations in the space of six years. King Henry IV's reign was characterised by his fear and paranoia, but above all a continued quest for survival.
The son of John the Gaunt, Henry was seen as a confident, well-educated, generous, and spiritually fervent young man. And, in 1399, having ousted the insecure tyrannical Richard II, he was enthusiastically greeted as the new King of England.
However, therein lay Henry's weakness. Upon assuming the crown, he found himself surrounded by men who would only support him as long as…
Thirty years as a medieval reenactor gave me the background I needed to step into the past. I learned much about everyday activities and I gained familiarity with physical objects such as weapons and armor. My first four books (including The Last Great Saxon Earls trilogy) took place in the eleventh century, and by then I was ready to jump forward three hundred years to the Plantagenet era. In college, I saw Shakespeare's Richard II play, and I was so enthralled with it that I carried Richard around with me for forty years before tackling this book. It ended up being much more complicated than I could ever imagine!
No study about Richard II would be complete without an understanding of his uncle, the powerful and intimidating John of Gaunt. Before I read this book, I accepted the usual depiction that he was arrogant, unpleasant, and downright nasty. But really, this was a gross exaggeration. Although many contemporaries assumed he coveted the throne, in reality, it would have been against his honor to usurp the king, no matter how helpless, ungrateful, or deserving Richard may have seemed. Gaunt was the only person who stood between the king and his many enemies. Once Richard discovered this for himself, he treated his uncle with much more respect, and this biography certainly helped me put Gaunt into proper perspective.
As younger brother of the Black Prince, and fourth son of Edward III, John of Gaunt was not destined to play an important role in the Plantagenet dynasty’s fortunes.
Yet the Black Prince and Edward died before their time, and John found his influence increased with the accession of his young nephew, Richard II.
Throughout Richard’s reign he would face accusations of seeking to usurp the throne, and as a result fluctuated in and out of favour for the rest of his life.
Never enjoying military successes as his brother or father had, John found his form in the dynastic…
Long before I started my career in journalism I was a voracious reader of historical novels. I devoured epic adventure about medieval Europe and eventually got involved in European martial arts: fighting in full armour in tournaments and melees. My love of history finally won out over my day job of defence reporting and I began penning novels. The books I most enjoy are more than just battle tales, they’re about people. Good historical fiction isn’t just about the history. It needs more than volleys of arrows and swinging swords, it needs characters you care about. These books combine authenticity with passionate, compelling writing and unique characters you won’t soon forget.
Probably the first “modern” medieval adventure novel, a young Doyle published this in 1891, shortly after he had begun his more famous Sherlock Holmes stories. Also set in the Hundred Years War, it follows a band of mercenaries fighting for the Edward the Black Prince against the French.
It’s mild by today’s standards but a rousing adventure nonetheless, and I first read it at the age of 14. It has all the ingredients of old-fashioned epic adventure: precarious battles, friendship, valiant deeds, humor, and a bit of romance. Check it out and see what your grandfather would have read as a boy on a rainy afternoon.
"Now order the ranks, and fling wide the banners, for our souls are God's and our bodies the king's, and our swords for Saint George and for England!" With that rousing proclamation, twelve hundred knights ride into battle, accompanied by the stalwart archers known as the White Company. Fueled by their appetite for glory, this motley crew of freebooters stands united in their unswerving devotion to the company commander, Sir Nigel Loring. Short, bald, and extremely nearsighted, Sir Nigel's unprepossessing appearance belies his warrior's heart and his chivalrous nature. The rollicking adventures of his company during the Hundred Years War…
I am the author of several historical novels covering a wide range of topics, but my main interest remains 12th- to 16th-century Britain. I grew up in Sweden and have been an avid reader of classic literature and historical fiction since I was a child, and am currently studying History at the University of Oxford. When someone asks me what it is that I love about history, I tend to reply that it is all the stories. It sounds obvious, perhaps, but history is made up of countless stories that can be told in countless ways, and there is at least one story for everyone to fall in love with.
This book might be my definition of ‘fact more entertaining than fiction’. It is a relatively light read that was easy to get through, without feeling under-researched in the least. I bought it as an introduction to the life, reign, and personality of Richard II, who incidentally is one of England’s most fascinating kings in my view. Warner’s analysis of his character and relationships was what truly got me flipping the pages, anxious to read more about potential romances and debated narcissism.
Richard II is a figure famous in England's national myths - the king who went insane, the narcissist, the tyrant of Shakespeare's play. History regards his rule either as that of a superhuman monarch or a crazed and vicious ruler. But Richard II was a complex and conflicted man - a person with faults and shortcomings thrust into a role that demanded greatness. In this book, Kathryn Warner returns with the first modern biography of Richard II in decades, to paint a portrait of the king with all of his strengths and imperfections left in the picture. An aesthete and…
I am a strong, independent woman (*snaps fingers through the air*), yet I adore a soul-sucking romance. Many might think this is a contradiction, but it’s not! A woman can be both loving and stubborn…both enamored by her partner yet still strong enough to speak up for herself. Sadly, I think historical fiction often defaults to portraying dependent and subjugated women, and this isn’t necessarily wrong—in fact, it’s probably more accurate. However, when I’m getting lost in the magic of a novel, I want to experience the all-consuming love without sacrificing the resiliency and independence of the women involved, and these books spin stories where both outcomes are possible!
I seriously enjoy a good “between-a-rock-and-a-hard-place” romance, especially when the female heroine is able to navigate it while staying true to herself. In this one, King John weds his illegitimate but beloved daughter Joanna to his bitter enemy, Llewelyn, Prince of North Wales, in an effort to take Wales under his control. But Joanna loves both of them—father and husband—and is forced time and again to prove her loyalty to one side or the other, until neither faction supports her in return. While this definitely portrays the helplessness that many medieval women faced, often experiencing a forced marriage for some political purpose or other, Joanna’s courage, bravery, and sense of self in the face of so much conflict were inspiring and so addicting to read about.
An absorbing historical novel of power and betrayal, loyalty and political intrigue in thirteenth-century England, Wales and France, centring on King John of England, younger brother to the brilliant Richard Lionheart, Joanna, his illegitimate but recognised daughter and Llewellyn Ab Iowerth, Prince of Gwynedd, a bitter opponent of English ways, laws and encroachment into Wales who becomes Joanna's husband.
I am the author of several historical novels covering a wide range of topics, but my main interest remains 12th- to 16th-century Britain. I grew up in Sweden and have been an avid reader of classic literature and historical fiction since I was a child, and am currently studying History at the University of Oxford. When someone asks me what it is that I love about history, I tend to reply that it is all the stories. It sounds obvious, perhaps, but history is made up of countless stories that can be told in countless ways, and there is at least one story for everyone to fall in love with.
If there is a single book that introduced me to historical fiction, this is it. I bought it at random for 50p at a flea market while on vacation in Scotland. And I read it. And I cried—a lot. It is possible that my young age at the time played a part in the enchantment, but the memory sticks with me. The protagonist Mary Howard was unknown to me before I read this novel, and I believe she has been largely forgotten in history, but that was one of my favourite aspects of the reading experience. Both as a reader and a writer, I believe that a main character who was relatively obscure but nevertheless close to pivotal historical events allows fact to be paired with the author’s creative liberties.
When young Mary Howard receives the news that she will be leaving her home for the grand court of King Henry VIII, to attend his mistress Anne Boleyn, she is ecstatic. Everything Anne touches seems to turn to gold, and Mary is certain Anne will one day become Queen. But Mary has also seen the King s fickle nature and how easily he discards those who were once close to him...
Discovering that she is a pawn in a carefully orchestrated plot devised by her father, the duke of Norfolk, Mary dare…
I am the author of several historical novels covering a wide range of topics, but my main interest remains 12th- to 16th-century Britain. I grew up in Sweden and have been an avid reader of classic literature and historical fiction since I was a child, and am currently studying History at the University of Oxford. When someone asks me what it is that I love about history, I tend to reply that it is all the stories. It sounds obvious, perhaps, but history is made up of countless stories that can be told in countless ways, and there is at least one story for everyone to fall in love with.
I first heard about The Brothers York on a history podcast and immediately knew I had to get my hands on it. Before reading this brick of a book, my understanding of the Wars of the Roses was sketchy, even rather confused. After having read it, however, I had the idea and the outline for my own novel set during that time, which I ended up publishing shortly thereafter. Of course, my writing process required more research than what The Brothers York could help with, but this book nonetheless laid the foundation of my own knowledge of late 15th-century England. I would recommend it to anyone who finds the Wars of the Roses even remotely interesting; despite being non-fiction I was never once bored while reading it.
Vicious battles, powerful monarchs, and royal intrigue abound in this “gripping, complex, and sensational” (Hilary Mantel) true story of the War of the Roses—a struggle among three brothers, two of whom became kings, and the inspiration for Shakespeare’s Richard III.
In 15th-century England, two royal families, the House of York and the House of Lancaster, fought a bitter, decades-long civil war for the English throne. As their symbols were a red rose for Lancaster and a white rose for York, the conflict became known as the War of the Roses.
During this time, the house of York came to dominate…
Within the caste into which I was born, daughter of a daughter of a daughter, I was ‘nobody’—no dowry, an awkward brain, and unfashionable looks—dark hourglass, not blonde beanpole. Unless I married the right kind of man, of course–an eldest son with a big house. This was the 70s, and you probably don’t believe me, but many girls still went the full Jane Austen. So I’m perfectly qualified to tell you about the best books that centre on a big house as metaphor, a major character or a massive plot point in a novel. And, reader, I swerved marrying a man for his house too.
Susan Howatch walked away from her career as a highly successful novelist some years ago, but she’s well worth a read. Penmarric is the name of another Cornish mansion that is the fixed point in a swirling family saga. She took as her template the lives of the Plantagenet King Henry II and his powerful wife Eleanor of Aquitaine, plus their warring sons, with the house Penmarric standing in for the throne they fought over. You don’t need to know medieval history to enjoy the yarn.
Divided into five sections, each is narrated by a different family member. The action kicks off in 1890 with Mark Castallack clapping eyes on his complicated, older, future wife, Janna, in a churchyard. His mother, Maud, has directed her whole life towards regaining possession of the family estate, left to her cousin Giles instead of her because of primogeniture, and Maud was the wrong…
From the acclaimed author of Cashelmara: the “grippingly readable” New York Times–bestselling saga of a noble English family torn apart (The Sunday Times).
Overlooking the bleak cliffs of Cornwall is Penmarric, the ancestral home of Mark Castallack. The stunning gothic manor is the picture of English nobility, wealth, and comfort. But as the twentieth century unfolds, those behind Penmarric’s towering walls face nothing short of disaster. As Mark and his children struggle to save their home and their aristocratic way of life, they must engage in a bitter fight against greed, ambition, betrayal, and even murder.
History and legend: The actual past and all the myths and stories that ride along with it. I have an M.A. in history and have always been interested in old folklore and myth. So I write fantasy novels set in the 19th century. The flair is steampunk-ish, the setting strictly historical – except for the fact that magic and mythical creatures exist. Magic is taught in Arcane Lodges, mythical beings can be pretty much anything: vampire, body-snatcher, werewolf, dryad, nymph, etc. My first novel Obsidian Secrets (Das Obsidianherz) won the Deutscher Phantastik Preis. Wings of Stone of the same series won the SERAPH as the "Best Fantasy Novel" at Leipzig Book Fair.
Set in an alternate history environment in England, the Lord Darcy stories superbly combine the flair of an – albeit non-historical – “dark romantic” age with the classic whodunnit framework in a parallel world where magic is possible and can be used to solve crimes.
The archetypal characters of the highly intelligent detective and his brainy sidekick here give the reader a ‘prince-detective’ with a ‘mage-assistant’. The book is not new, but good reads do not go stale.
As a lover of both D. Sayers’ Lord Peter Wimsey detective novels and magic wielded in bygone ages, I fell in love with these stories right away.
Welcome to a world where the Plantagenet kings survived, the laws of magic were discovered and the physical sciences never pursued. In the resulting Anglo-French Empire, a detective like Lord Darcy needs more than a keen mind and an observant eye. Luckily, Darcy can call on the aid of Master Sean O'Lochlainn, forensic sorcerer.
This omnibus contains all of the Lord Darcy stories as well as the only Lord Darcy novel, TOO MANY MAGICIANS, and has a new introduction by Michael Dirda.
