Here are 89 books that Penmarric fans have personally recommended if you like
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I write romantic historical fiction and am a lifelong lover of the works of Jane Austen. I am English, love historical novels but dislike books that give you “great lumps of facts” that slow up the storyline. I like stories and characters that capture your attention and your heart. Plots and backgrounds that make you think about what it might really have been like to live in those times.
A glimpse into medieval times. It’s a sumptuous tale of passion and danger.
Katherine comes to the court of Edward III aged fifteen and turns the head of the King’s favourite son, John of Gaunt. But their paths in life pull them apart until their love forces them back together. This is a wonderful book by a writer who manages to make you experience life as it was then, but without trying to teach you, and asks, ‘how much would you give up for love?’
"Exhilarating, exuberant, and rich," Katherine is an epic novel of a love affair that changed history—that of Katherine Swynford and John of Gaunt, Duke of Lancaster, the ancestors of most of the British royal family (Austin Chronicle).
Set in the vibrant fourteenth century of Chaucer and the Black Death, the story features knights fighting in battle, serfs struggling in poverty, and the magnificent Plantagenets—Edward III, the Black Prince, and Richard II—who rule despotically over a court rotten with intrigue. Within this era of danger and romance, John of Gaunt, the king’s son, falls passionately in love with the already-married Katherine.…
Within the caste into which I was born, daughter of a daughter of a daughter, I was ‘nobody’—no dowry, an awkward brain, and unfashionable looks—dark hourglass, not blonde beanpole. Unless I married the right kind of man, of course–an eldest son with a big house. This was the 70s, and you probably don’t believe me, but many girls still went the full Jane Austen. So I’m perfectly qualified to tell you about the best books that centre on a big house as metaphor, a major character or a massive plot point in a novel. And, reader, I swerved marrying a man for his house too.
I’ve loved this book since I was a teenager, but I always feel frustrated and angry at Miss Havisham’s entrapment of Estella and Pip. Central to the story is Satis House, a metaphor for getting stuck in life—its name is very close to Stasis.
The original end of the novel works much better for me. Pip and Estella meet by chance in the street and part for the last time. The ‘new’ ending has them go off together against a backdrop of burned-down Satis House, thus removing the irony of the book’s title. Although there is the heavy-handed metaphor of the death of the house freeing them, I prefer that it retains its static power and condemns their expectations forever.
'His novels will endure as long as the language itself' Peter Ackroyd
Dickens's haunting late novel depicts the education and development of a young man, Pip, as his life is changed by a series of events - a terrifying encounter with an escaped convict in a graveyard on the wild Kent marshes; a summons to meet the bitter, decaying Miss Havisham and her beautiful, cold-hearted ward Estella; the sudden generosity of a mysterious benefactor - and he discovers the true nature of his 'great expectations'. This definitive edition includes appendices on Dickens's original ending, giving an illuminating glimpse into a…
My love of history began at the age of 9 with a book given to my older brother: Our Island Story. My history teacher at school introduced me to serious historical biography and studying for a Law degree taught me the value of accuracy. The chance discovery of a notebook detailing one strand of my mother's family tree led to my current project of writing about the imagined lives of my female ancestors beginning in 1299 with my 19 times-great-grandmother Marguerite of France and ending in 1942 with my mother. Twenty-one books mean a lot of history and a mountain of research. A very pleasant way to spend my retirement.
I came across this book at a bring-and-buy sale in West Wales and it has become one of my firm favourites. It tells the story of Faye Ludlow whose husband is impatient for her to adapt to life in his family's ancient manor house. As the Second World War unfolds and nearby Dover comes under daily bombardment, Faye struggles to save not only her marriage but the family's finances threatened by her husband's increasingly grandiose schemes. Any sense of purpose she acquires from her war work as an ambulance driver is bolstered by an unlikely friendship with an enigmatic London banker. A story for any of us who have ever faced temptation.
My love of history began at the age of 9 with a book given to my older brother: Our Island Story. My history teacher at school introduced me to serious historical biography and studying for a Law degree taught me the value of accuracy. The chance discovery of a notebook detailing one strand of my mother's family tree led to my current project of writing about the imagined lives of my female ancestors beginning in 1299 with my 19 times-great-grandmother Marguerite of France and ending in 1942 with my mother. Twenty-one books mean a lot of history and a mountain of research. A very pleasant way to spend my retirement.
My mother was a great reader and she introduced me to this beautifully written take on the love story of the Welsh squire Owen Tudor and Katherine, lonely young widow of Henry V. Very much a tale of love and loss I found the book a great comfort when faced with the pain of losing someone I loved. We follow Katherine from her neglected childhood in France, through her marriage to Henry V, and beyond, to widowhood and the forbidden joy she finds in the arms of Owen Tudor—a relationship which damns her in the eyes of the royal family.
Katherine of Valois, raised amidst the madness and lechery of the French court, wed to a conquering English king, Henry V, and now alone and afraid in a world of treachery and violence. Owen Tudor, incredibly handsome and gifted, a poet and singer by nature, a warrior by necessity, and now a man ready to risk life for love. Theirs was a passion too perilous to reveal and too fiery to be long restrained or concealed...
My love of history began at the age of 9 with a book given to my older brother: Our Island Story. My history teacher at school introduced me to serious historical biography and studying for a Law degree taught me the value of accuracy. The chance discovery of a notebook detailing one strand of my mother's family tree led to my current project of writing about the imagined lives of my female ancestors beginning in 1299 with my 19 times-great-grandmother Marguerite of France and ending in 1942 with my mother. Twenty-one books mean a lot of history and a mountain of research. A very pleasant way to spend my retirement.
An exciting, richly layered adventure story of the "long learning of love" set against the backdrop of the rule of the British Raj and the first rumblings of the 1857 Indian Mutiny. I lent the book to a friend and thought I'd lost it forever until I discovered it in her spare bedroom! Our narrator, Laura, has to watch as her cousin marries Charles, the man Laura loves, and is then forced to accompany the young couple on their honeymoon. Not something to be recommended! Their destination is the Kingdom of Oudh and the vast Zemindari estate of Charles's unknown brother, Oliver Erskine. I don't recommend Zemindar because it has won a host of prestigious prizes but because it is a great read.
An international bestseller and winner of the 1981 Georgette Heyer Historical Novel Prize, Zemindar is a magnificent, twisting love story, all unfolding against the tempestuous backdrop of the Indian Rebellion.
Englishwoman Laura Hewitt accompanies her newly engaged cousin to India, first to Calcutta and then to the fabled fiefdom of Oliver Erskine, Zemindar - or hereditary ruler - of a private kingdom with its own army. But India is on the verge of the Mutiny, which will sweep them all up in its chaos...
Praise for Zemindar:
'If you loved The Far Pavilions - and who didn't - this will…
Within the caste into which I was born, daughter of a daughter of a daughter, I was ‘nobody’—no dowry, an awkward brain, and unfashionable looks—dark hourglass, not blonde beanpole. Unless I married the right kind of man, of course–an eldest son with a big house. This was the 70s, and you probably don’t believe me, but many girls still went the full Jane Austen. So I’m perfectly qualified to tell you about the best books that centre on a big house as metaphor, a major character or a massive plot point in a novel. And, reader, I swerved marrying a man for his house too.
When I was nine, I came across The Last Battle—the last of the Narnia books. I had no idea what it was and wept and howled at the end, looking frantically for more of the same. I roared through them and was miserable to find C.S. Lewis had died shortly beforehand, as I wanted to write to him and ask him to write more.
I was wholly entranced by Narnia—the endless winter, the Turkish delight, the children living a different, grander, splendid life in a parallel place. But it was the moment in Prince Caspian when they were flipped back from a railway platform to Narnia. Specifically, to ruined Cair Paravel (roll it around your tongue), the gorgeous palace where they had reigned, that enchanted me the most.
Their gradual realization that these ruins were their familiar home (1300 years have passed since they were kings…
A full-colour paperback edition of Prince Caspian, book four in the classic fantasy series, The Chronicles of Narnia. This edition is complete with full-cover cover and interior art by the original illustrator, Pauline Baynes.
The Pevensie siblings are back to help a prince denied his rightful throne as he gathers an army in a desperate attempt to rid his land of a false king. But in the end, it is a battle of honour between two men alone that will decide the fate of an entire world.
A battle is about to begin in Prince Caspian, the fourth book in…
My mother got cancer when I was seven and died when I was in college. So, I began to consider death and the afterlife from a very young age. I don’t know if ghosts are real, but I know that people are haunted. I explore this idea—that haunted houses are really settings for haunted humans—as well as the ambiguity between ghosts and mental descents in my own teaching and writing. I love haunted house novels because they’re wonderful vehicles for this sort of exploration and because they’re so much fun to read! I hope you enjoy these books as much as I do!
I know most people’s favorite Shirley Jackson haunted house book is The Haunting of Hill House, but I find the mystery in this book even more compelling.
Give me two sisters, a family killed by poison under mysterious circumstances, a suitor, an angry mob filled with class envy, and an unreliable narrator, and I will be filled with that peculiar combination of happiness, unease, and dread that all of us haunted house readers desire. I love this novel.
Living in the Blackwood family home with only her sister, Constance, and her Uncle Julian for company, Merricat just wants to preserve their delicate way of life. But ever since Constance was acquitted of murdering the rest of the family, the world isn't leaving the Blackwoods alone. And when Cousin Charles arrives, armed with overtures of friendship and a desperate need to get into the safe, Merricat must do everything in her power to protect the remaining family.
Within the caste into which I was born, daughter of a daughter of a daughter, I was ‘nobody’—no dowry, an awkward brain, and unfashionable looks—dark hourglass, not blonde beanpole. Unless I married the right kind of man, of course–an eldest son with a big house. This was the 70s, and you probably don’t believe me, but many girls still went the full Jane Austen. So I’m perfectly qualified to tell you about the best books that centre on a big house as metaphor, a major character or a massive plot point in a novel. And, reader, I swerved marrying a man for his house too.
If you think Georgette Heyer is all sprigged muslin, firm-jawed heroes, forthright heroines, and cod-Austen visits to Bath, think again. This is a bizarre novel, indeed.
It’s not even one of her "mysteries" like Footsteps in the Dark—fairly straightforward murder stories where something has to be solved. Instead, Penhallow is a house, a seething breeding ground for horrible people intent on doing awful things to each other.
Each character is drawn in frighteningly frank detail, so you are left in no doubt of their weaknesses and peccadillos. Penhallow is like some kind of disgusting nest, and the manipulative patriarch Adam Penhallow, disabled in some unspecified way, has dragged all the best antiques into the huge drawing room where he infests a vast Tudor bed and holds court every night.
Nearly everyone hates him but can’t break away. He likes to keep his family, illegitimate and otherwise, under his…
A family tyrant whose murder has shocking and far-reaching consequences…
Hated for his cruel and vicious nature, yet ruling his family with an iron hand from his sickbed, tyrannical patriarch Adam Penhallow is found murdered the day before his birthday. His entire family had assembled for his birthday celebration, and every one of them had the ways and means to commit the crime. As accusation and suspicion turn in one direction, then another, the claws and backstabbing come out, and no one is exempt from the coming implosion.
"Miss Heyer's characters act and speak with an ease and conviction that…
I love horses and I love the magic that exists in the world. I have always been drawn to both. My maternal grandmother had the ‘second sight’ as they called it, and I have inherited that from her. My books and poetry reflect my sincere belief that magic and wonder are alive and well and that we need to nourish them by acknowledging their existence in our everyday lives. The miracle of life, the sun rising and setting every day, the dance of the stars and moon across the sky, the glory of the northern lights—who can claim that isn’t magic?
de Lint creates a magical mix of myth and reality that is totally believable, his characters stay with you long after the book is done. The glowing mists of magic lingering long after the pages are closed. He makes you wonder if what you thinkyou saw out of the corner of your eye is actually real.
When Celtic folk musician Janey Little discovers a secret manuscript in an old attic trunk, strange and frightening things begin to happen. Janey’s perilous story, and the one she is reading—about spunky adolescent Jodi Shepherd, beset by the witchery of the evil Widow Pender—expertly weave two separate plot threads. A steadily mounting tension makes two small seaside villages in Cornwall come alive with danger, magic, and mystery. One of de Lint’s best-loved novels, The Little Country is a fantastic escape dealing with ancient standing stones, the power of music, and the warmth of true friendship.
I’m the author of 10 books published in the historical genre, and 7 more in other genres (which also feature women who have been tested and hardened in various fires). I have spent years reading first-hand accounts of wartime ambulance drivers, nurses, farm labourers, pilots, and others, and I have uncovered the startling true lives of some remarkable women – it’s furnished me with a desire to showcase women like this in fictional settings, and give them the satisfactory stories they deserve but too often never had. My characters are all fictional, but they couldn’t exist without those powerful examples of strength and courage.
This is book one of a wonderful series: The Spindrift Trilogy. Because it’s set in Cornwall, where I grew up and where I set most of my books, it naturally drew me in quickly. The series features a rich cast of characters, mainly female at the start, although as male children are born, and grow up, the balance shifts a little. It follows the fortunes of an artistic community that springs from a personal crisis, and the rich mixture of characters keeps the story lively and optimistic while still dealing with the darker side of human nature, and the uncertainty in any new venture where so many almost strangers are brought together. This sense of community is something I myself try to convey in my work, and here it’s done beautifully.
'A delightful historical saga which is so beautifully woven together that from the very start I was enchanted' Jaffa Reads Too
From the award-winning author of The Apothecary's Daughter comes a beautifully evocative, family drama, perfect for fans of Santa Montefiore, Lucinda Riley and Elizabeth Jane Howard's Cazalet Chronicles.
1891. Spindrift House, Cornwall.
Talented painter Edith Fairchild is poised to begin a life of newlywed bliss and artistic creation in the inspiring setting of Spindrift House, freshly inherited by her charming husband, Benedict, and overlooking the stunning harbour of Port Isaac. But when her honeymoon turns sour, her dreams are…
