Fans pick 100 books like The Light Within Us

I discovered my passion for the First World War when researching my great-grandfather’s service history in the cavalry. I also write historical fiction with several of my books being set during the First World War and have spent thousands of hours over the past twenty years researching different aspects of this period, both from the point of view of the V.A.D.s, wounded soldiers, medical staff treating them, as well as grieving families. The stories I’ve come across never fail to haunt me and I can’t imagine I’ll ever tire of wanting to discover more about the people who survived these experiences, or stop needing to write books about them.

I became fascinated with history when I moved to Gloucester in the nineties. The city is hugely historical from the early Roman settlers through to the industrial age of the nineteenth century. What is more fascinating is that many of the streets and buildings I write about still exist in the city today. I carried out extensive research when writing my first historical fiction novel to immerse myself in the medieval city as it would have been in 1497. When I came to write my second novel, listed below, the first book in the Hebraica Trilogy, I already had a good idea of the layout of the city. 

I’m the author of 10 books published in the historical genre, and 7 more in other genres (which also feature women who have been tested and hardened in various fires). I have spent years reading first-hand accounts of wartime ambulance drivers, nurses, farm labourers, pilots, and others, and I have uncovered the startling true lives of some remarkable women – it’s furnished me with a desire to showcase women like this in fictional settings, and give them the satisfactory stories they deserve but too often never had. My characters are all fictional, but they couldn’t exist without those powerful examples of strength and courage.

In the 50s I was a shy minister’s daughter in small-town Canada. Friends, life skills, coping skills, and career skills were in short supply. My refuge came in books where I found sisterhood, ordinary courage, and life skills. I learned my skills from the heroines who faced trials, solved mysteries, and never gave up. I gravitate to women who persevere, risk, and make their way in life against all odds. Several careers, a family, and decades later these story elements still inform and inspire me. They are what I read and what I write.

Part-Cornish, as a child I spent family holidays in Cornwall and was told family stories of Cornish relatives, especially of great grandfather Philip Henry Hammer and his numerous children who left Cornwall for destinations near – London and Wales – and far–South Africa, Australia, and Tasmania – to make a living. Old family photographs, some from the 1870s helped to bring these men and women alive and inspired me to write The Hammers of Towan. The more I research Cornish history, the more I learn, and the more I want to write about Cornish people and their place in the world. 

The collection Little Musings, available on Amazon, covers several decades of Joy's work as poet and painter. It touches on many aspects of her life, including the loss of her mother, in Do Not Mourn Her and Loss - Double Rainbow. Her childhood was spent in Plymouth, and in A Plymouth Girl Reflects, she recalls the aftermath of the air raids. Being in close proximity to Cornwall, that area also a major theme here, especially in Newquay, Cornwall, and On Air, By Melancholy. Four of the poems, "Absent Friends," "Isle of Thanet," "At Jim's Cafe," and "Captain Ahab of Thanet" are focused on the Thanet area of East Kent, where Joy now lives.

Within the caste into which I was born, daughter of a daughter of a daughter, I was ‘nobody’—no dowry, an awkward brain, and unfashionable looks—dark hourglass, not blonde beanpole. Unless I married the right kind of man, of course–an eldest son with a big house. This was the 70s, and you probably don’t believe me, but many girls still went the full Jane Austen. So I’m perfectly qualified to tell you about the best books that centre on a big house as metaphor, a major character or a massive plot point in a novel. And, reader, I swerved marrying a man for his house too.

I’m a UK bestselling writer of historical fiction who has often used Cornwall as a setting. I wrote about a lost garden and a colony of Edwardian artists in The Memory Garden, about the Second World War in A Gathering Storm and The Hidden Years. My father was Cornish, which meant wonderful childhood holidays spent in the county. I fell in love with its breathtakingly beautiful landscapes - rugged cliffs, picturesque fishing villages, expansive sandy beaches where the sea thunders in. I’ve feasted on its history and legends, and on stories of danger, romance, and adventure set in the region. It’s fulfilled a dream to have written my own.    

I’ve always been preoccupied with how personal tragedy, loss, and grief can ultimately teach us truths about existence and our own strength that we might never have learned otherwise. As a child, I was confounded by the fact of death and the transience of life, and as an adult, I’ve spent much time contemplating how literature is able to testify to the magnitude of these things in ways that ordinary language cannot. This interest led me to complete a PhD on the topic of elegiac literature and has also influenced the themes of my own fiction. I hope you find connection and inspiration in the books on this list! 

I love second-chance romances and I am not in my twenties anymore; so I wrote what I wanted to read. Now, I've found other authors who write 35+, characters who have lived, been hurt, and moved on in life. I do read New Adult or younger than 35 characters and often, really smutty, erotic books as I need to get out of my head sometimes. I love Nora Roberts, Claudia Burgoa, Catharina Maura, Jolie Vines and I'll one-click quite a few indies.