Here are 83 books that Lost Cornwall fans have personally recommended if you like
Lost Cornwall.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
Part-Cornish, as a child I spent family holidays in Cornwall and was told family stories of Cornish relatives, especially of great grandfather Philip Henry Hammer and his numerous children who left Cornwall for destinations near – London and Wales – and far–South Africa, Australia, and Tasmania – to make a living. Old family photographs, some from the 1870s helped to bring these men and women alive and inspired me to write The Hammers of Towan. The more I research Cornish history, the more I learn, and the more I want to write about Cornish people and their place in the world.
This book gave me a great introduction to Cornish history from the earliest times to the 21st century and gave me useful information on which to base my research for my book.
It is considered to be a key text for anyone working in the field of Cornish Studies, but is also very readable and I returned to it time and again as my book took shape.
Why is Cornwall so ‘different’ from England? The answer lies in its history, the story of a people whose separate identity was formed in early times and has weathered centuries of turmoil and change to the present day.
The author Philip Payton is Emeritus Professor of Cornish & Australian Studies at the University of Exeter.
Part-Cornish, as a child I spent family holidays in Cornwall and was told family stories of Cornish relatives, especially of great grandfather Philip Henry Hammer and his numerous children who left Cornwall for destinations near – London and Wales – and far–South Africa, Australia, and Tasmania – to make a living. Old family photographs, some from the 1870s helped to bring these men and women alive and inspired me to write The Hammers of Towan. The more I research Cornish history, the more I learn, and the more I want to write about Cornish people and their place in the world.
It was great to read such a well-researched book about the lives of 19th-century Cornish women who are so often ignored - like women elsewhere - in the historical record.
As I read about the women ‘left behind’ I began to think about Cornish women who, instead of being left behind ‘went’, either alone, or with husbands or family, to wherever a work opportunity beckoned, or marital responsibility demanded.
It sparked an interest to research Cornish women who, whether for life or for a few years, made the Caribbean their home; research which will become my next book.
One of the untold stories of 19th century emigration from Cornwall is that of the thousands of wives ‘left behind’ by men leaving to work overseas. Known as ‘married widows’, these women singlehandedly managed family and homes, maintaining their husbands’ interests and ties with their homeland. They are the unsung heroines of many Cornish families, especially in the mining communities. The Married Widows of Cornwall brings together neglected evidence from the census, poor law records, newspapers and court cases, as well as family histories and letters, to explore the lives of these ordinary, but remarkable, women. From describing the resources…
Part-Cornish, as a child I spent family holidays in Cornwall and was told family stories of Cornish relatives, especially of great grandfather Philip Henry Hammer and his numerous children who left Cornwall for destinations near – London and Wales – and far–South Africa, Australia, and Tasmania – to make a living. Old family photographs, some from the 1870s helped to bring these men and women alive and inspired me to write The Hammers of Towan. The more I research Cornish history, the more I learn, and the more I want to write about Cornish people and their place in the world.
I grew up eating Cornish pasties and saffron cake, and watching my mother set big flat pans of milk over the gas stove pilot light which, overnight, would turn into thick clotted cream.
I wanted to include some traditional recipes in my book, and this was just what I needed.
Part-Cornish, as a child I spent family holidays in Cornwall and was told family stories of Cornish relatives, especially of great grandfather Philip Henry Hammer and his numerous children who left Cornwall for destinations near – London and Wales – and far–South Africa, Australia, and Tasmania – to make a living. Old family photographs, some from the 1870s helped to bring these men and women alive and inspired me to write The Hammers of Towan. The more I research Cornish history, the more I learn, and the more I want to write about Cornish people and their place in the world.
Just love reading James Stevens words as he wrote them: "February 23 – Cut a batten 20 ft long and made trough and rack for the calves. Much rain falling this last week. Great war on with South Africa." "October 26 – Drove mare and trap to St Ives. Bought 500 pilchards at 1s 4d per 120."
This diary gave me a great insight into the daily life of a 19th-century Cornish farmer, which I needed as I began to write my book.
I love to write about the places, folklore, nature, and above all the magic of Cornwall. I have lived in Cornwall most of my life, I learned to crawl along the rockpools of Cornish beaches and I went to school in a moorland village. Now, I live on the edge of Bodmin Moor and write in the Cornish wilds, I live close to both the moors and the sea. I began writing for Cornish folklore project Mazed in 2013 and I have been retelling Cornish Folk Tales and writing poetry and stories inspired by Cornish folklore ever since.
Enys Tregarthen’s tales have bought Cornish magic into every home for a hundred years.
I have spent a lot of time with her books and retold many tales in my book. North Cornwall Fairies and Legends is a basket full of piskeys, (the Cornish fairy folk.) One of my favourites is the Piskey’s Revenge, which I retold for Cornish storytelling project Mazed. It is illustrated by Steven Lambert, and used in Cornishibai street storytelling.
It tells how Granfer accidentally digs up the piskey beds, in revenge, the piskeys eat all Granfer’s birthday biscuits. Enys writes about the children of Cornwall and what they encounter: they meet piskey friends up on the moors, little stone figures come alive in towns and aways there is an excuse for piskey mischief.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.
This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank…
I love writing about the dark side of human nature, and the devastating secrets and resentments that can simmer beneath the surface between friends before reaching boiling point in the most dramatic and sinister way. It’s a theme pivotal to my latest thriller, which sees friends reuniting in a beautiful yet isolated location for the seemingly perfect celebration, but where things go horribly wrong. I enjoy exploring this topic through multiple characters, all with their own dubious backstories that stir suspicion in readers’ minds and keeps them guessing, while the settings I use play a key role in enhancing that sense of unease and tension conducive to the classic whodunnit.
I really enjoyed this clever Young Adult whodunnit mystery centering on three families reuniting for their annual summer holiday in Cornwall.
When one of the teenage daughters goes missing following a game of hide and seek, her doting, yet secretly envious, best friend tries to piece together what happened.
The story is told between present and past events, but also through letters written by the main protagonist to the missing girl, phrased in such a way I wasn’t quite sure how much or little she really knew about what happened to her friend, which elevated the mystery.
The families are brimming with resentments, tensions & jealousies, heightening the intrigue and potential culprits, but what I loved most was the hugely unexpected denouement. A very clever twist I didn’t see coming!
Shared family holidays at Creek House have been the backdrop to Millie's summers since forever. Hanging out with the other kids - Matt, Charlie, Jem and her best friend Kat - has made it her favourite time of the year.
But this holiday things are different - the childhood games that once filled their days have lost their appeal to everyone except Millie. It's not until the final night that the others agree to a game of hide and seek. But in the time it takes Millie to count to twenty, Kat vanishes.
One year on, and struggling to come…
I’m the author of 10 books published in the historical genre, and 7 more in other genres (which also feature women who have been tested and hardened in various fires). I have spent years reading first-hand accounts of wartime ambulance drivers, nurses, farm labourers, pilots, and others, and I have uncovered the startling true lives of some remarkable women – it’s furnished me with a desire to showcase women like this in fictional settings, and give them the satisfactory stories they deserve but too often never had. My characters are all fictional, but they couldn’t exist without those powerful examples of strength and courage.
This is book one of a wonderful series: The Spindrift Trilogy. Because it’s set in Cornwall, where I grew up and where I set most of my books, it naturally drew me in quickly. The series features a rich cast of characters, mainly female at the start, although as male children are born, and grow up, the balance shifts a little. It follows the fortunes of an artistic community that springs from a personal crisis, and the rich mixture of characters keeps the story lively and optimistic while still dealing with the darker side of human nature, and the uncertainty in any new venture where so many almost strangers are brought together. This sense of community is something I myself try to convey in my work, and here it’s done beautifully.
'A delightful historical saga which is so beautifully woven together that from the very start I was enchanted' Jaffa Reads Too
From the award-winning author of The Apothecary's Daughter comes a beautifully evocative, family drama, perfect for fans of Santa Montefiore, Lucinda Riley and Elizabeth Jane Howard's Cazalet Chronicles.
1891. Spindrift House, Cornwall.
Talented painter Edith Fairchild is poised to begin a life of newlywed bliss and artistic creation in the inspiring setting of Spindrift House, freshly inherited by her charming husband, Benedict, and overlooking the stunning harbour of Port Isaac. But when her honeymoon turns sour, her dreams are…
I’m a feel-good romance author from Scotland, published with the HarperCollins imprint One More Chapter.
I trained as a journalist and studied Communication and Media, but I always wanted to write romance novels. When I’m not doing that, I write verses and captions for greeting card companies.
I’m also a huge music fan, which gave me the idea for my first published novel with One More Chapter, A Secret Scottish Escape.
There are so many likable characters in this story, which is set in Cornwall around a family hotel, but surfer Riley Bryant was the most lovable character for me.
A bit of a charmer, but secretly in love with Tula, he won me over from the first time I met him, despite his rather feckless attitude at times!
Jill Mansell's bestseller THE UNPREDICTABLE CONSEQUENCES OF LOVE is an unforgettable tale of sunny days on the beach, Cornwall in the summer and secrets about to be revealed. Perfect for readers of Lucy Diamond and Veronica Henry.
In the idyllic seaside town of St Carys, Sophie is putting the past firmly behind her.
When Josh arrives in St Carys to run the family hotel, he can't understand why Sophie has zero interest in letting any man into her life. He also can't understand how he's been duped into employing Sophie's impulsive friend Tula, whose crush on him is decidedly unrequited.…
I’ve always been preoccupied with how personal tragedy, loss, and grief can ultimately teach us truths about existence and our own strength that we might never have learned otherwise. As a child, I was confounded by the fact of death and the transience of life, and as an adult, I’ve spent much time contemplating how literature is able to testify to the magnitude of these things in ways that ordinary language cannot. This interest led me to complete a PhD on the topic of elegiac literature and has also influenced the themes of my own fiction. I hope you find connection and inspiration in the books on this list!
This book is a masterwork of psychological suspense that I love for its unreliable narration, emotional intensity, vivid rendering of character and place, and ingenious plot twists. Just as compelling and atmospheric as du Maurier’s earlier Rebecca, this novel similarly features a central enigma in the form of a shape-shifting woman. Still, its narrator and protagonist is a young man.
Philip Ashley, heir to a Cornish estate, is reckoning with the sudden overseas death of his beloved cousin and guardian, Ambrose, under mysterious circumstances. As he increasingly questions the role Ambrose’s new wife—a mysterious widow named Rachel—might have played in the months leading to his death, the grief-stricken Philip is drawn into a drama of conspiracy, romance, and obsession that will test the limits of his sanity.
NOW A MAJOR FILM STARRING RACHEL WEISZ AND SAM CLAFIN
'Du Maurier is a storyteller whose sole aim is to bewitch and beguile' NEW YORK TIMES
'Du Maurier has no equal' SUNDAY TELEGRAPH
' One of her best novels, ingeniously contrived as to plot, successfully realized as to characters' KIRKUS REVIEWS
'I threw the piece of paper on the fire. She saw it burn . . . '
Orphaned at an early age, Philip Ashley is raised by his benevolent cousin, Ambrose. Resolutely single, Ambrose delights in making Philip his heir, knowing he will treasure his beautiful Cornish estate. But…
I was named after my father’s aunt, who moved from Canada to Switzerland in the 1920s to join a travelling church. Family lore remembers she rode a bicycle in the mountains and when she was dying, her sisters sent her maple leaves in the mail to remind her where she started. As a child, I was fascinated by this mysterious other Katie. Why did my father choose her name for me? Would I be like her? Did I get to choose? As a novelist, I love choosing names. Their power is subtle but strong, and when a writer gives a character more than one name, new layers emerge and stories bloom.
Like Alias Grace, Falling Creatures is a reimagining of a famous Victorian murder, this time set in Cornwall on Bodmin Moor. In 1844, Charlotte Dymond was a pretty, domestic servant, working on a farm on the edge of the moor, and her murder was the news sensation of the day. Stansfield’s central character, the fictional Shilly, shares Charlotte’s name and work and, after her death, plays a significant role in revealing what happened, working alongside the enigmatic detective, Mr. Williams. Stansfield plays skillfully with names and shifts in identity throughout this novel, and I was compelled by the strange balance she creates between early scientific reasoning and the lasting folk traditions of supernatural awareness. Falling Creatures is the first in Stansfield’s Cornish Mysteries series.
Cornwall, 1844. On a lonely moorland farm not far from Jamaica Inn, farmhand Shilly finds love in the arms of Charlotte Dymond. But Charlotte has many secrets, possessing powers that cause both good and ill. When she's found on the moor with her throat cut, Shilly is determined to find out who is responsible, and so is the stranger calling himself Mr Williams who asks for Shilly's help. Mr Williams has secrets too, and Shilly is thrown into the bewildering new world of modern detection.
