100 books like The Married Widows of Cornwall

Part-Cornish, as a child I spent family holidays in Cornwall and was told family stories of Cornish relatives, especially of great grandfather Philip Henry Hammer and his numerous children who left Cornwall for destinations near – London and Wales – and far–South Africa, Australia, and Tasmania – to make a living. Old family photographs, some from the 1870s helped to bring these men and women alive and inspired me to write The Hammers of Towan. The more I research Cornish history, the more I learn, and the more I want to write about Cornish people and their place in the world. 

Part-Cornish, as a child I spent family holidays in Cornwall and was told family stories of Cornish relatives, especially of great grandfather Philip Henry Hammer and his numerous children who left Cornwall for destinations near – London and Wales – and far–South Africa, Australia, and Tasmania – to make a living. Old family photographs, some from the 1870s helped to bring these men and women alive and inspired me to write The Hammers of Towan. The more I research Cornish history, the more I learn, and the more I want to write about Cornish people and their place in the world. 

Part-Cornish, as a child I spent family holidays in Cornwall and was told family stories of Cornish relatives, especially of great grandfather Philip Henry Hammer and his numerous children who left Cornwall for destinations near – London and Wales – and far–South Africa, Australia, and Tasmania – to make a living. Old family photographs, some from the 1870s helped to bring these men and women alive and inspired me to write The Hammers of Towan. The more I research Cornish history, the more I learn, and the more I want to write about Cornish people and their place in the world. 

Part-Cornish, as a child I spent family holidays in Cornwall and was told family stories of Cornish relatives, especially of great grandfather Philip Henry Hammer and his numerous children who left Cornwall for destinations near – London and Wales – and far–South Africa, Australia, and Tasmania – to make a living. Old family photographs, some from the 1870s helped to bring these men and women alive and inspired me to write The Hammers of Towan. The more I research Cornish history, the more I learn, and the more I want to write about Cornish people and their place in the world. 

I read my first crime thriller at the age of 12, and since then I’ve always had a passion to write my own stories. Although I’ve never worked as a police officer, I spent close to 10 years working as an IT consultant to multiple police forces in Australia before retiring to write full-time. The time spent working closely with law enforcement gave me a ‘feel’ for how police forces operate and helped me gravitate towards the police procedural genre. A book that moved at the pace of most police investigations would never sell and I love the challenge of making the stories authentic but still moving at a pace to keep the reader captivated.

Fresh from college, I arrived in South Korea in 1976 to teach English as a Peace Corps Volunteer, and despite my naivete, or maybe because of it, I fell in love with the country—the people, the food, the culture, the history. I have since lived and worked in many other countries, but Korea will always be my first love and I have returned many times for both work and pleasure. When I became a fiction writer, I was keen to read the work of Korean novelists who, naturally, had an even better understanding of their culture than I did, and I love staying connected to the country in this way.

As a journalist, author and screenwriter, my work has always pondered loss and grief. I think this has something to do with the fact that of my mother’s religion; she was a convert to Hinduism and started conversations about the inevitability of death and how the soul and the body aren’t the same when us children were at a very young age. It probably also has something to do with the constant presence of death within my family and communities as a Black and queer person in a violently anti-Black and queerantagonistic world. I currently volunteer at a hospice, and provide community-building programming to death workers from diverse communities.

I’m genuinely fascinated by human nature and why we behave the way we do, the things that make us act within or out of character, and at what point they become a part of who we are rather than just a lapse in judgment or an isolated incident. Relationships in particular fascinate me because of the way they force us to reckon with our behavior towards ourselves and other people. I love seeing how writers explore and examine those relationships, whether before, after, or during them, and how they allow their characters to move through those moments. Often, despite how far-fetched some of the scenarios may feel, I find myself within their pages.

In 2012, a publisher asked me if I wanted to write a book about Joseph Smith's assassination. I leapt at the chance, in part because I was fascinated by Smith and the Latter-day Saints, and in part because I appreciated how many of the important contributions to Mormon history --- including Fawn Brodie’s famous biography of Joseph Smith, or the first honest and comprehensive account of the Mountain Meadows Massacre -- sprang from the pens of women and men with no formal academic training. By contrast, many “scholars” have disgraced themselves with prevaricating or pusillanimous accounts of the religion’s raucous and fascinating 190-year history. So jump in! Never a dull moment with the Latter-day Saints! 

I’m an author and a romantic. Put the two together and it makes sense for me to write love stories. I’ve always been interested in relationships and fascinated by how complex our feelings make us when we fall in love. There’s a love story in all my books, but for the last three novels, a love story has been the story. I’m a Londoner too, and I like it when a city becomes another character in a book, as I hope London has in The Central Line.