Here are 100 books that A Year of Marvellous Ways fans have personally recommended if you like
A Year of Marvellous Ways.
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I love to see complicated characters rising to the occasion. People in real life generally have a lot going on just handling the day-to-day, and they aren’t waiting around for adventure, romance, or mystery to find them. It feels very human to me to see characters struggling with more mundane things like social situations, worrying about their appearance, or holding down a job, rather than only focusing on the plot arc, and that’s the type of character I also focus on as a writer. My latest protagonist, Simon, definitely has enough problems without a missing-person case to solve, so he may be what got me thinking of this topic.
I have always loved literary thriller queen Daphne Du Maurier's complex and resilient characters, and Mary Yellan is no exception. Everything’s looking pretty miserable for her after her mother’s death forces her to give up the family farm and her hometown to live in a creepy inn with her miserable aunt and aggressive drunk of an uncle.
So I really enjoy how brave and resourceful she is in getting past violence, danger, miserable living conditions, a desolate setting, and bad taste in men to find out whether something more sinister than smuggling is going on at the empty inn.
After the death of her mother, Mary Yellan crosses the windswept Cornish moors to Jamaica Inn, the home of her Aunt Patience. There she finds Patience a changed woman, downtrodden by her domineering, vicious husband Joss Merlyn. The inn is a front for a lawless gang of criminals, and Mary is unwillingly dragged into their dangerous world of smuggling and murder. Before long she will be forced to cross her own moral line to save herself.
I love to write about the places, folklore, nature, and above all the magic of Cornwall. I have lived in Cornwall most of my life, I learned to crawl along the rockpools of Cornish beaches and I went to school in a moorland village. Now, I live on the edge of Bodmin Moor and write in the Cornish wilds, I live close to both the moors and the sea. I began writing for Cornish folklore project Mazed in 2013 and I have been retelling Cornish Folk Tales and writing poetry and stories inspired by Cornish folklore ever since.
Cornish Folk Tales takes the reader on a journey into the heart of Cornish Storytelling.
I have listened to Mike O’Connor many times and he is a master storyteller. I love the Cornish Droll telling tradition; droll tellers went from place to place telling tales for a bed and a bite to eat. The narrators of Cornish Folk Tales, blind droll teller Anthony James and his guide young Jamie are a perfect combination.
Mike O’Connor, through Anthony tells the tales with anecdotes, music, history, and Cornish language. This book taught me how to approach folklore retelling in an accessible way.
Reading I felt myself beside the firesides of Cornwall, listening to tales of dragons, mermaids, giants, and saints; puzzling over riddles, and learning about Cornish traditions and music
The ancient land of Cornwall is steeped in mysterious tradition, proud heritage and age-old folklore. Before books were widely available, wandering 'droll tellers' used to spread Cornish insight and humour to all parts of the Duchy - exchanging their tales for food and shelter. Anthony James was one such droll teller, and this collection follows him as he makes his way around Cornwall one glorious summer. Richly illustrated with hand-drawn images and woodcuts, Cornish Folk Tales will appeal to anyone captivated by this beautiful land and its resident kindly giants, mischievous piskeys, seductive mermaids, bold knights and barnacle-encrusted sea captains.
I love to write about the places, folklore, nature, and above all the magic of Cornwall. I have lived in Cornwall most of my life, I learned to crawl along the rockpools of Cornish beaches and I went to school in a moorland village. Now, I live on the edge of Bodmin Moor and write in the Cornish wilds, I live close to both the moors and the sea. I began writing for Cornish folklore project Mazed in 2013 and I have been retelling Cornish Folk Tales and writing poetry and stories inspired by Cornish folklore ever since.
Charles Causley’s poems celebrate every turn of Cornwall’s stride. He writes of the sea, towns, moors, and people with incredible imagery humor, and tragedy.
The poems ask questions of love and nature. "And careless, like tide-marks, the hedges / Are bursting with Almond and May." Causley sings the magic of Cornwall, ‘Its anchor is glittering granite," "His smile was sharp as tin."
My favorites are the ballads, I was inspired to write the Caradoc ballads by reading Causley’s ballads over and over. Folklore underpins many of his poems, there are mermaids, giants, saints, and even a baby devil.
I love to write about the places, folklore, nature, and above all the magic of Cornwall. I have lived in Cornwall most of my life, I learned to crawl along the rockpools of Cornish beaches and I went to school in a moorland village. Now, I live on the edge of Bodmin Moor and write in the Cornish wilds, I live close to both the moors and the sea. I began writing for Cornish folklore project Mazed in 2013 and I have been retelling Cornish Folk Tales and writing poetry and stories inspired by Cornish folklore ever since.
Enys Tregarthen’s tales have bought Cornish magic into every home for a hundred years.
I have spent a lot of time with her books and retold many tales in my book. North Cornwall Fairies and Legends is a basket full of piskeys, (the Cornish fairy folk.) One of my favourites is the Piskey’s Revenge, which I retold for Cornish storytelling project Mazed. It is illustrated by Steven Lambert, and used in Cornishibai street storytelling.
It tells how Granfer accidentally digs up the piskey beds, in revenge, the piskeys eat all Granfer’s birthday biscuits. Enys writes about the children of Cornwall and what they encounter: they meet piskey friends up on the moors, little stone figures come alive in towns and aways there is an excuse for piskey mischief.
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This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank…
I’m a UK bestselling writer of historical fiction who has often used Cornwall as a setting. I wrote about a lost garden and a colony of Edwardian artists in The Memory Garden, about the Second World War in A Gathering Storm and The Hidden Years. My father was Cornish, which meant wonderful childhood holidays spent in the county. I fell in love with its breathtakingly beautiful landscapes - rugged cliffs, picturesque fishing villages, expansive sandy beaches where the sea thunders in. I’ve feasted on its history and legends, and on stories of danger, romance, and adventure set in the region. It’s fulfilled a dream to have written my own.
I often write about the Second World War, particularly the roles of women in it. Cornwall is another love, my father being Cornish.
The landscape and the culture have made a huge impression on me and when I read Coming Home I thought, yes, this novel was written for me.
It’s the coming-of-age story of Judith Dunbar. When still a young girl her mother leaves her with an elderly relative near Penzance in order to join Judith’s father in Singapore. After this relative dies Judith has to fend for herself, but is increasingly drawn into the orbit of the charismatic Carey-Lewis family of Nancherrow House. Through her relationship with them she experiences passionate love and betrayal as the storms of war are gathering on the horizon.
For Judith Dunbar, her first glimpse of Nancherrow, her friend Loveday's beautiful family estate on the Cornish coast, is love at first sight - after the rigours of boarding school it spells luxury. She falls in love, too, with all Loveday's family. They treat Judith as one of them. With their generosity and kindness, Judith grows from naive girl to confident young woman basking in the warmth of a surrogate family whose flame of love and affection burns brightly.
But it is a flame soon to be extinguised in the gathering storm of war. In the danger and deprivation of…
I’m an author because I was a reader who loved to be transported to a world and land outside my own. My favorite books are the ones that introduce me to a place and time I’ve never been, an immersive read that brings me somewhere new. I believe in the power of story and the magic of its transport. Come along with me and discover a few books that do this very thing.
This novel was an immersive journey through the English countryside, from Cornwall to the Cotswolds. I was so deep into this setting and story that I was always stunned to look up and see that I was at home in my own living room. Rosamunde Pilcher is from Scotland, and she knows this landscape so well. She takes us there with deft prose and page-turning skill.
The story is about a woman named Penelope Keeling and her extended family. It is a novel of connections—mothers, daughters, husbands, and lovers—all revolving around a famous painting called The Shell Seekers. Through a bohemian childhood and a wartime romance, we come to love the complicated Keeling family.
Artist's daughter Penelope Keeling can look back on a full and varied life: a Bohemian childhood in London and Cornwall, an unhappy wartime marriage, and the one man she truly loved. She has brought up three children - and learned to accept them as they are.
Yet she is far too energetic and independent to settle sweetly into pensioned-off old-age. And when she discovers that her most treasured possession, her father's painting, The Shell Seekers, is now worth a small fortune, it is Penelope who must make the decisions that will determine whether her family can continue to survive as…
I am a journalist and writer fascinated by the fact that every family has a story to tell, and secrets to keep, passed down the years. As a child, I was intrigued by the adventures of my great-aunts and great-uncles during World War Two; ordinary people thrown into conflict—that older, no-nonsense generation no longer with us. My first novel, A Season of Leaves, is based on my great-auntie’s incredible experiences during and after the war. I listened to her account, researched meticulously, and wove fact into fiction. All my novels have a touch of romance, family conflict, and the real trauma of war visited upon people’s doorsteps.
An admirable sense of rebellion and freedom that the Second World War brought young people is encapsulated in this book by the author, who herself lived through those times. Mary Wesley’s novels are quirky and unexpected, and peopled with eccentric, sympathetic, and lovable characters who face the dangers of the Blitz and all the uncertainty of war with a certain poise. I love the concepts of escaping convention and the kindness of strangers. To read this novel—which I have done at least five times—is like stepping into a warm bath. It’s my go-to when I need a dose of familiarity and comfort.
It is early in 1941, and June Marlowe, with no home and no family to turn to accepts the offer of a home from a frail stranger, older than his years. A series of events takes her to a house in the West Country and the blossoming of an English spring into which war only occasionally intrudes. Here she may find peace; here she will no longer be part of the furniture.
I love second-chance romances and I am not in my twenties anymore; so I wrote what I wanted to read. Now, I've found other authors who write 35+, characters who have lived, been hurt, and moved on in life. I do read New Adult or younger than 35 characters and often, really smutty, erotic books as I need to get out of my head sometimes. I love Nora Roberts, Claudia Burgoa, Catharina Maura, Jolie Vines and I'll one-click quite a few indies.
This book is set in Cornwall, Nat's favourite county. She builds up such a strong world that's realistic. The characters deal with life, angst, fright, flight, and situations that are just horrible and real. This is the first of a three-part series and I devoured it all. Now, I want to visit that town (wish it were real) and just sit on that coastal path.
I remember like it was yesterday, how he promised he would find me if I ever tried to leave him... Lou has only one plan-run as far away as possible from her abusive boyfriend. She chooses the only place he wouldn't think to look. Seeking refuge with the only person who has ever made her feel safe. As Lou tries to put the broken pieces of herself back together, a need for her best friend reignites. Jay has loved Lou since they were building sandcastles on the beach. When fate throws them back together, he is determined not to let…
Within the caste into which I was born, daughter of a daughter of a daughter, I was ‘nobody’—no dowry, an awkward brain, and unfashionable looks—dark hourglass, not blonde beanpole. Unless I married the right kind of man, of course–an eldest son with a big house. This was the 70s, and you probably don’t believe me, but many girls still went the full Jane Austen. So I’m perfectly qualified to tell you about the best books that centre on a big house as metaphor, a major character or a massive plot point in a novel. And, reader, I swerved marrying a man for his house too.
Susan Howatch walked away from her career as a highly successful novelist some years ago, but she’s well worth a read. Penmarric is the name of another Cornish mansion that is the fixed point in a swirling family saga. She took as her template the lives of the Plantagenet King Henry II and his powerful wife Eleanor of Aquitaine, plus their warring sons, with the house Penmarric standing in for the throne they fought over. You don’t need to know medieval history to enjoy the yarn.
Divided into five sections, each is narrated by a different family member. The action kicks off in 1890 with Mark Castallack clapping eyes on his complicated, older, future wife, Janna, in a churchyard. His mother, Maud, has directed her whole life towards regaining possession of the family estate, left to her cousin Giles instead of her because of primogeniture, and Maud was the wrong…
From the acclaimed author of Cashelmara: the “grippingly readable” New York Times–bestselling saga of a noble English family torn apart (The Sunday Times).
Overlooking the bleak cliffs of Cornwall is Penmarric, the ancestral home of Mark Castallack. The stunning gothic manor is the picture of English nobility, wealth, and comfort. But as the twentieth century unfolds, those behind Penmarric’s towering walls face nothing short of disaster. As Mark and his children struggle to save their home and their aristocratic way of life, they must engage in a bitter fight against greed, ambition, betrayal, and even murder.
Part-Cornish, as a child I spent family holidays in Cornwall and was told family stories of Cornish relatives, especially of great grandfather Philip Henry Hammer and his numerous children who left Cornwall for destinations near – London and Wales – and far–South Africa, Australia, and Tasmania – to make a living. Old family photographs, some from the 1870s helped to bring these men and women alive and inspired me to write The Hammers of Towan. The more I research Cornish history, the more I learn, and the more I want to write about Cornish people and their place in the world.
A fascinating description of the Cornish way of life as it was in the late 19th and earlier part of the 20th century.
I especially enjoyed the many early photographs of places, activities, and people which really enliven the text – good background information for my writing project.
Cornwall's spectacular shoreline, with its brutal cliffs, desolate moors and pre-historic coastal settlements, has long held a source of fascination for those who cross the Duchy's boundary line. Yet despite the endurance of seascapes and ancient landscapes, which remain hidden from mainstream tourist routes, there are, throughout Cornwall, stories of change. Patterns of life have adapted to a shifting world, and whole communities have been affected as traditions are gradually subsumed in the struggle for 'progress'. However, remnants of recent history are still evident in Cornwall's architecture, its redundant transport systems and its cultural relics. This book is an exploration…
