100 books like Part of the Furniture

I’ve always been fascinated with military history, added to which my interest in aviation after serving in Military Intelligence with the Air Force. After a career in advertising, I took to writing during lockdown. My novels uncover forgotten facts and histories, using real characters and their exploits and providing an interpretation of world war events from different perspectives, not just the victors. My recommendations bring the past to life, unpalatable as it might be, with vibrant characters, rich set-building, and beautiful period language, sentiments, and held beliefs. History and conflict, love, loss, tragedy, and forgotten memory are brought to life, full of visceral colour, but importantly always truthfully.

I’m an author of historical fiction and many of my books have included war. I find I just cannot stay away from it as a subject. Obviously any war is full of natural drama which makes for wonderful narratives, but it’s more than that; it’s something to do with how war tests people to their limits, a veritable crucible. I’m fascinated by the way loyalties are split and how conflict is never simple. To paraphrase my character Helena from The Seamstress of Warsaw, war is peopled by a few heroes, a few bastards, and everyone else in the middle just trying to get through it in one piece…

I am a journalist and writer fascinated by the fact that every family has a story to tell, and secrets to keep, passed down the years. As a child, I was intrigued by the adventures of my great-aunts and great-uncles during World War Two; ordinary people thrown into conflict—that older, no-nonsense generation no longer with us. My first novel, A Season of Leaves, is based on my great-auntie’s incredible experiences during and after the war. I listened to her account, researched meticulously, and wove fact into fiction. All my novels have a touch of romance, family conflict, and the real trauma of war visited upon people’s doorsteps.

I discovered my passion for the First World War when researching my great-grandfather’s service history in the cavalry. I also write historical fiction with several of my books being set during the First World War and have spent thousands of hours over the past twenty years researching different aspects of this period, both from the point of view of the V.A.D.s, wounded soldiers, medical staff treating them, as well as grieving families. The stories I’ve come across never fail to haunt me and I can’t imagine I’ll ever tire of wanting to discover more about the people who survived these experiences, or stop needing to write books about them.

I’m a Scottish writer, based in the USA after living in eight countries. I spent thirty years following work, family, and love, and my experiences seep into everything I write—so there are often elements of travel in my books. Thirteen years ago, I was diagnosed with a brain tumor, and underwent life-saving surgery. That experience gave me a new perspective on the power of the human spirit, and our ability to forge new and unexpected paths, in the face of adversity. I love to read about and create characters that take on life’s challenges and find inner strength they didn’t know they had. That’s why feisty female protagonists appeal to me. 

I’m an Australian writer and journalist. I’ve written several humour books, as well as a history of Australia in the 1960 and 1970s called The Land Before Avocado. I also write for the Sydney Morning Herald and The Washington Post and present a radio show on ABC Radio Sydney. Of the books I’ve written, the one that’s closest to my heart is my memoir Flesh Wounds.

I’m one of those writers who’d identify themselves as readers first, and as an oft-bullied queer kid growing up in Singapore, I often found refuge and salvation in writers whose works were able to refashion and reimagine our lives, however intimately or grandly. I grew up devouring fantasy of all kinds; I went from Enid Blyton to Charmed, for instance, before discovering in my later adolescence the manifold possibilities of magical realism and the other expanses contained within the realm(s) of speculative fiction. Many of the books in this particular list were especially useful in crafting my second novel, Lovelier, Lonelier. 

The bottom has fallen out of my world several times now, but it’s much worse watching disaster strike someone you love. When my husband suffered a near-fatal stroke, it was inevitable I’d end up writing about his road to rehab. Grit and humour were what they said he’d need, and Scousers like me laugh at anything. We also cry and argue a lot. I’m on a mission to cheer people on and hand them arms as they battle through hard times. A life, or a state of mind, can change in a moment, and that’s what I read and write about.  

Heinz Kohler was born in Berlin, Germany, where he grew up before and during World War II. By the war's end, he found himself in rural East Germany and spent years watching the Nazi tyranny give way to a Communist one. Since 1961, he taught economics at Amherst College, while also logging thousands of flight hours as a commercial pilot. These numerous experiences come to life in a powerful tale of war and its aftermath. As David R. Mayhew, Yale University Sterling Professor of Political Science, put it “In novelistic form, this is a riveting child’s-eye account of growing up in Germany under the Nazis and then the Russians. Laced with extraordinary photos and posters from these times, it combines memory with testimony.”

I grew up in the town of Yalta on the Black Sea. The sea had gotten its name because of its bad temper–storms, squalls, fogs. Warships never docked in Yalta, but passenger ships did. If the ship was a regular (and many were because people still used them to get from point A to point B), we recognized it by the sound of its horn. When passing by, the warships gave us a wide berth–dim silhouettes on the horizon on an unknown mission. I left Crimea for good many years ago, but I am still a sucker for bad-tempered seas and secretive navies.