100 books like Zemindar

A glimpse into medieval times. It’s a sumptuous tale of passion and danger.

Katherine comes to the court of Edward III aged fifteen and turns the head of the King’s favourite son, John of Gaunt.  But their paths in life pull them apart until their love forces them back together. This is a wonderful book by a writer who manages to make you experience life as it was then, but without trying to teach you, and asks, ‘how much would you give up for love?’

I came across this book at a bring-and-buy sale in West Wales and it has become one of my firm favourites. It tells the story of Faye Ludlow whose husband is impatient for her to adapt to life in his family's ancient manor house. As the Second World War unfolds and nearby Dover comes under daily bombardment, Faye struggles to save not only her marriage but the family's finances threatened by her husband's increasingly grandiose schemes. Any sense of purpose she acquires from her war work as an ambulance driver is bolstered by an unlikely friendship with an enigmatic London banker. A story for any of us who have ever faced temptation.

My mother was a great reader and she introduced me to this beautifully written take on the love story of the Welsh squire Owen Tudor and Katherine, lonely young widow of Henry V. Very much a tale of love and loss I found the book a great comfort when faced with the pain of losing someone I loved. We follow Katherine from her neglected childhood in France, through her marriage to Henry V, and beyond, to widowhood and the forbidden joy she finds in the arms of Owen Tudor—a relationship which damns her in the eyes of the royal family. 

I adore family sagas. This is a wonderful recreation of the story of the loves and rivalry of the 12th century Plantagenet king Henry II, his wife Eleanor of Aquitaine, and their sons. The book is set in the late 19th century and follows the Castallack family who live in a vast Gothic mansion, Penmarric, on the North Cornish coast overlooking the sea. You don't need to know your English history to enjoy the novel but if you finish it wanting more, as I did, you will be delighted to know there are two further books following the story of the Plantagenet kings of England: Cashelmara and The Wheel of Fortune. 

This is a multi-volume work that poses several questions surrounding the events of 1857. First, while the British called it a ‘mutiny’, the rebels were clear that their ‘rebellion’ was as much to do with freeing the country from the British colonial power as it was to do with concerns about cultural taboos surrounding the use of animal fat in weapon cartridges. Second, the voices of the rebels/mutineers, for the first time, outnumber those of the colonial power. So often in mutinies we only hear the voices of the authorities, here we are surrounded by their opponents.

M.M. Kaye set this novel before and after the Indian Mutiny of 1857. In it she describes the horrors British women and children go through being killed by the native population and the many ways the protagonist, along with some characters, escape being massacred. The descriptions are vivid and make you feel like you are part of the mutiny, experiencing it firsthand. The mutiny ends up being crushed and the British gain back power ruling India for another ninety years.

People who like novels set during the Victorian Era will certainly love this book as it takes place in Victorian England and then in India. So, one gets the best of both worlds. 

During my student days in the early 1970s, I travelled throughout North India by train and country bus, often staying in the countryside in former colonial rest houses from days of British rule in India. I tried to imagine what it was like for the British East India Company officials before 1857, and then for the British colonial officials who replaced the company officers after the Indian Sepoy Mutiny. The Siege of Krishnapur vividly recreates the 1857 mutiny from the perspective of British company officials and their families trapped by the local soldiers they had employed. 

Farrell used a diary and letters from those besieged in the real city of Lucknow to illustrate the horrors of hunger, impending rape, torture, and eventual death that many of the British faced. The scenes are graphic, and the portrayals of the relationships among those trapped have stayed with me for years. The novel… show more.

M.M Kaye was best known for her blockbuster The Far Pavilions. This beautifully written book, however, is a first volume of memoir—another record of a European child in India. Having travelled there a lot myself and had a family relative close to me in age grew up in the tea gardens there, I have long wondered what that experience was like, quite apart from the politics of whether we should have been there or not. Kaye’s childhood eye describes her upbringing in Shimla in the Himalayan foothills as well as Delhi, before her inevitable banishment to cold England. The book has a sunlit feel to it and it full of vivid detail and fond memories of this childhood caught between two worlds. 

Another 13-year-old boy protagonist, Kimball O’Hara. No relation. 

I read parts of Kim to Lucian in the studio, he liked the epigraph at the beginning of chapter five: the prodigal son does not stay comfortably in his father’s forgiving embrace, but returns ‘to the styes afresh.’

Kim is a magnificent adventure: the orphan boy who belongs but does not belong to two nations, and a description of the peoples, the ways, the mountains, and the plains of India. 

A vicarious journey around a world of the past, and a particularly male world, which Kipling takes us to.

I love how this short story collection traverses time but not location—the setting is the northeastern state of Meghalaya while the stories span 150 years. In these fifteen tales, folklore mixes with modern life and myth is steeped in the mundane. The result? The reader journeys through a rich smorgasbord of a multi-faceted Meghalaya and its people. Given the tendency to clump the seven northeastern states together, this book helps us view one of those states distinctively.