Here are 100 books that Kim fans have personally recommended if you like
Kim.
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Travel and writing are my two great passions. Since I was a child, I escaped reality by escaping into my own mind. I had relied on my stories of the warrior queens ever since I learned about them as a child. It was only a few years ago, when I lived in Geneva, that I had a memory flash at me of the statue of Queen Lakshmi Bai of Jhansi on a rearing horse with a curved sword held in one hand. I knew then that it was time to tell a story—my own story and that of my favorite warrior queens.
As a sucker for beautiful writing, this book had me from the first page, and I couldn’t put it down. So many issues that had been part of my childhood culture resonated with me while it also showed me many others from a part of India that I had never even visited.
Though sweeping in its scope, it drills down into a very human story with all its pain and love. It weaves myth, story, real life, love, loss, and the meaning of family. It was one of the first novels by an Indian woman that transcended cultures, gender, and any preconceived notions.
'They all broke the rules. They all crossed into forbidden territory. They all tampered with the laws that lay down who should be loved, and how. And how much.'
This is the story of Rahel and Estha, twins growing up among the banana vats and peppercorns of their blind grandmother's factory, and amid scenes of political turbulence in Kerala. Armed only with the innocence of youth, they fashion a childhood in the shade of the wreck that is their family: their lonely, lovely mother, their beloved Uncle Chacko (pickle baron, radical Marxist, bottom-pincher) and their sworn enemy, Baby Kochamma (ex-nun,…
I’ve written some dozen books. After publishing the first 10, I realized I love to write about young people just finding out who they are and what’s important to them. I love to look back at that impressionable age and watch it unfold. So my last two books were YA—one set at a Quaker prep school and the other set in a dystopian city-state where teenage boys could be killed when they turn eighteen, and teenage girls could be used for sexual exploitation and discarded as easily as old milk cartons. Those troubled, tumultuous, anything-can-happen hovering adulthood years from about fifteen to twenty-one fascinate me and inspire my writing.
Where to start? I’d read The Secret History and found it mesmerizing, but I loved this book more. It was more personal, and I couldn’t get enough of it.
I loved the premise and the relationships between the characters, even though they were completely flawed. I bought into everything they did and thought and wondered what I would have done in the same circumstances and conditions. The writing is extraordinary, and anyone who loves to read prose that sings will adore this book as I did.
Winner of the Pulitzer Prize for Fiction 2014 Aged thirteen, Theo Decker, son of a devoted mother and a reckless, largely absent father, survives an accident that otherwise tears his life apart. Alone and rudderless in New York, he is taken in by the family of a wealthy friend. He is tormented by an unbearable longing for his mother, and down the years clings to the thing that most reminds him of her: a small, strangely captivating painting that ultimately draws him into the criminal underworld. As he grows up, Theo learns to glide between the drawing rooms of the…
I’ve chosen these books because they take me to times and places I can’t go (although I did serendipitously get to Kerala, and am hoping to go to the West Coast of America one day).Girl with Two Fingers takes you into the studio, hopefullyas if you could have been there yourself. I want readers to be able to share something of the experience I was so lucky to have. And to be able to see perhaps more questioningly when they look at art.
I read this play first aged sixteen, and connected strongly with it, because of the young motherless shipwrecked heroine.
I spent significant periods of time with my grandfathers when I was growing up, and I read Prospero more as a grandfather figure than a father one.
When Freud and I were in the studio for days and weeks and months together, I felt like Miranda on Prospero’s island. The same created world. The same isolation.
With Lucian as the Prospero figure, summoning a few other characters that came and went to his studio.
No one can go to a fictional island of course, but yet Shakespeare takes us there.
Performed variously as escapist fantasy, celebratory fiction, and political allegory, The Tempest is one of the plays in which Shakespeare's genius as a poetic dramatist found its fullest expression. Significantly, it was placed first when published in the First Folio of 1623, and is now generally seen as the playwright's most penetrating statement about his art.
Stephen Orgel's wide-ranging introduction examines changing attitudes to The Tempest, and reassesses the evidence behind the various readings. He focuses on key characters and their roles and relationships, as well as on the dramatic, historical, and political context, finding the play to be both…
I’ve chosen these books because they take me to times and places I can’t go (although I did serendipitously get to Kerala, and am hoping to go to the West Coast of America one day).Girl with Two Fingers takes you into the studio, hopefullyas if you could have been there yourself. I want readers to be able to share something of the experience I was so lucky to have. And to be able to see perhaps more questioningly when they look at art.
You can’t go to the past, but the past can come to you, through a written voice.
This is a strong and extraordinary woman’s autobiography from the late 1400s and early 1500s. It’s like taking a phone call from the 15th century.
This directness is what I wanted in my own book.
Kempe could neither read nor write, so she dictated her story. She did things women often weren’t able to do back then. She ran a business, travelled to France, Germany, Spain, and even to Jerusalem. And she spoke out against many received medieval opinions.
Kempe's work is accompanied by an introduction, a map of medieval England, a Kempe lexicon, and explanatory annotations.
"Contexts" collects primary readings that illuminate The Book of Margery Kempe. Included are excerpts from The Constitutions of Thomas Arundel, Meditations on the Life of Christ, The Shewings of Julian of Norwich, The Book of Saint Bride, and The Life of Marie d'Oignies by Jacques de Vitry.
"Criticism" includes nine varied interpretations of the autobiography, written by Clarissa W. Atkinson, Lynn Staley, Karma Lochrie, David Aers, Kathleen Ashley, Gail McMurray Gibson, Sarah Beckwith, Caroline Walker Bynum, and Nicholas Watson.
Abi Oliver is a pen name as my real name is Annie Murray—I write under both names. My first book, A New Map of Love, set in the 1960s, featured an older woman who had been born in India. She developed into such a character—a bit of an old trout to be truthful—that I wanted to tell her story. It also tapped into my family’s many connections with India and the fact that I have travelled a lot there. I finally got to travel, with my oldest daughter, and stay in one of the tea gardens in Assam—a wonderful experience.
M.M Kaye was best known for her blockbuster The Far Pavilions. This beautifully written book, however, is a first volume of memoir—another record of a European child in India. Having travelled there a lot myself and had a family relative close to me in age grew up in the tea gardens there, I have long wondered what that experience was like, quite apart from the politics of whether we should have been there or not. Kaye’s childhood eye describes her upbringing in Shimla in the Himalayan foothills as well as Delhi, before her inevitable banishment to cold England. The book has a sunlit feel to it and it full of vivid detail and fond memories of this childhood caught between two worlds.
The Sun in the Morning is the first volume of autobiography by the beloved British author M. M. Kaye. It traces the author's early life in India and later adolescence in England. As The Guardian wrote, "No romance in the novels of M.M. Kaye... could equal her love for India."
" … [Kaye's] kaleidoscopic story of a long-lost innocence just before and after World War I helps to explain Kaye's idealization of the British Raj and her love for Kipling's verse." - Publishers Weekly
I am the granddaughter of an American boy who grew up in India at the end of the British Raj. I have a personal interest in the time period because of this, but I wanted to see more books about the Raj that weren’t from the British perspective. I wrote my own novel from the unique angle of Americans in India. During my historical research, I specifically looked for books that represented Indian opinions and mindsets of that period. As the saying goes, history is written by the victors, but with this reading list, I want to help shed light on the other side of the story.
I have not come across many books about Indian women in power, but this book is an amazing exploration of how feminine strength can hold up against a deeply patriarchal society and time period.
The story sucked me in as the main character, a young princess coming of age, gets caught up in romance and subterfuge; by the end, the story takes a sad and heartbreaking turn as India’s rich history of its many kingdoms falls to the British Raj.
Born to the Royal House of Balmer, Jaya Singh experiences the influences of Western culture as a selfless wife, strong leader, and courageous individual in a national struggle.
Jaya Singh is the intelligent, beautiful, and compassionate daughter of the Maharajah and Maharani of Balmer. Raised in the thousand-year-old tradition of purdah, a strict regime of seclusion, silence, and submission, Jaya is ill-prepared to assume the role of Regent Maharani of Sirpur upon the death of her decadent, Westernized husband. But Jaya bravely fulfills her duty and soon finds herself thrust into the center of a roiling political battle in which…
I’ve been fascinated by maps all my life. The map of India has always held special interest. As I’ve lived in different parts of India, I’ve seen firsthand how India is one country, but its stories are multiple. I chronicled India’s varied stories through the origins of each of its states. Similarly, I’ve curated a diverse and inclusive reading list. It covers different parts of the country and contains different types of books—graphic novel, travelog, memoir, and short story collections. The authors also cut across religion, gender, and social strata. I hope you discover a whole new India!
I love how this short story collection traverses time but not location—the setting is the northeastern state of Meghalaya while the stories span 150 years. In these fifteen tales, folklore mixes with modern life and myth is steeped in the mundane. The result? The reader journeys through a rich smorgasbord of a multi-faceted Meghalaya and its people. Given the tendency to clump the seven northeastern states together, this book helps us view one of those states distinctively.
Boats on Land is a unique way of looking at India’s northeast and its people against a larger historical canvas—the early days of the British Raj, the World Wars, conversions to Christianity, and the missionaries. This is a world in which the everyday is infused with folklore and a deep belief in the supernatural. Here, a girl dreams of being a firebird. An artist watches souls turn into trees. A man shape-shifts into a tiger. Another is bewitched by water fairies. Political struggles and social unrest interweave with fireside tales and age-old superstitions. Boats on Land quietly captures our fragile…
Abi Oliver is a pen name as my real name is Annie Murray—I write under both names. My first book, A New Map of Love, set in the 1960s, featured an older woman who had been born in India. She developed into such a character—a bit of an old trout to be truthful—that I wanted to tell her story. It also tapped into my family’s many connections with India and the fact that I have travelled a lot there. I finally got to travel, with my oldest daughter, and stay in one of the tea gardens in Assam—a wonderful experience.
"India will sing like a bird out of its cage when she is free," says one of the characters in this wonderfully engaging book. Times of transition interest me and this book is set during the early part of Indian Independence, when everyone was trying to find a new identity and way of living, especially Victoria, one of the three main characters who is Eurasian, or as we would now say, mixed race. She is torn between the two sides of her heritage. Some of the language is shocking in our times but it is a fascinating story of people caught up in a country’s re-birth. It is also a tender love story. It’s a great way to get a feel of that period of upheaval.
Bhowani Junction is set in the wake of the partition of India, as the British prepare to withdraw from the newly independent country. Evoking the tensions and conflicts that accompanied the birth of modern India, the characters struggle to find their place in the new India that is emerging. In the last hectic days of the British Raj, Victoria has to choose between marrying a British Army officer or a Sikh, Ranjit, as she struggles to find her place in the new, independent India.
One of John Masters' seven novels which followed several generations of the Savage family serving in…
I am the granddaughter of an American boy who grew up in India at the end of the British Raj. I have a personal interest in the time period because of this, but I wanted to see more books about the Raj that weren’t from the British perspective. I wrote my own novel from the unique angle of Americans in India. During my historical research, I specifically looked for books that represented Indian opinions and mindsets of that period. As the saying goes, history is written by the victors, but with this reading list, I want to help shed light on the other side of the story.
I’m interested in the various children’s tales from other countries, and I thought that this classic Indian collection of stories about an imaginary city to be just charming. It captures the richness of everyday life, of daily interactions across all sorts of people.
With such a wide cast of characters, from an astrologer to a postman to a snake charmer, there’s something for everyone to either relate to or marvel at. My favorite stories are the kinds that find meaning in the smallest pockets of life, and this collection is all about that.
Introducing this collection of stories, R. K. Narayan describes how in India 'the writer has only to look out of the window to pick up a character and thereby a story'. Malgudi Days is the marvellous result. Here Narayan portrays an astrologer, a snake-charmer, a postman, a vendor of pies and chappatis - all kinds of people, drawn in full colour and endearing domestic detail. And under his magician's touch the whole imaginary city of Malgudi springs to life, revealing the essence of India and of human experience.
I'm a writer and journalist with an eye on South and Southeast Asia. I first visited Kolkata, or Calcutta as the city was known back then, in 1995 and fell in love with its spirit, culture, architecture, politics, and decrepitude. I have been back regularly reporting on the city’s cultural life for media like CNN and Nikkei Asia. In 2019, I was selected as artist-in-residence for the Indo-European Art Residency by the Goethe Institute and spent 10 weeks writing a crime fiction set in the Bengali capital. Kolkata is, hands down, my favorite city in the world – despite its poverty, systemic injustice, and political cruelty, there is an energy in the place that is hard to beat.
A cracking, thorough portrait of contemporary Kolkata as the Bengali capital is now known, by an Indian author who grew up in New Jersey (very much the flipside to Calcutta) and who returns to the city of his ancestors to work for a newspaper. The book is well-written, crammed with interesting anecdotes and historic trivia. Past and present are held against the light and the results are often funny. It’s as good as a book by a privileged outsider who speaks the language is likely to be. Perhaps in another decade, a non-fiction chronicle will be written by a resident non-Brahmin writer. I have a feeling the city is waiting for it. In the meantime, Choudhury’s book serves as an excellent introduction to first-time visitors.
'Witty, polished, honest and insightful, The Epic City is likely to become for Calcutta what Suketu Mehta's classic Maximum City is for Mumbai' William Dalrymple, Observer
When Kushanava Choudhury arrived in New Jersey at the age of twelve, he had already migrated halfway around the world four times.
After graduating from Princeton, he moved back to Calcutta, the city which his immigrant parents had abandoned. Taking a job at a newspaper, he found the streets of his childhood unchanged. Shouting hawkers still overran the footpaths, fish sellers squatted on bazaar floors; and politics still meant barricades and bus burnings.
The…
